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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B245F it is the complementary color #F4DBA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B245F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B245F shade: #10245A, #21366D, #324880, #435A93 and #546CA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B245F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B245F shade: #0B245F, #00124C, #000039, #000026 and #000013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B245F shade: #0B245F, #0B0D5F, #1F0B5F, #360B5F and #4D0B5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B245F shade: #0B245F, #0B0D5F and #0B0B5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B245F shade matches the following richer shades: #0B245F and #022068

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B245F shade: #0B245F, #132757, #1C2B4E, #252E45 and #2D323D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B245F shade: #0B515F, #0B3B5F, #0B245F, #0B0E5F and #1E0B5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B245F shade: #020816, #06163A, #0B245F, #0F3284 and #1340A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B245F shade: #0B245F, #570B5F and #465F0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B245F shade: #0B245F, #5F0B24 and #245F0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B245F shade: #0B245F, #570B5F, #5F460B and #135F0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B245F shade: #0B245F, #5F0B4E, #5F460B and #0B5F1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

Complementary color

CMYK 0 / 10 / 34 / 4

HEX #F4DBA0

RGB 244 219 160

HSL 42.14, 0.79%, 0.79%

LAB 88.18, 0.3, 32.2

 

CMYK 82 / 60 / 0 / 65

HEX #10245A

RGB 16 36 90

HSL 223.78, 0.7%, 0.21%

LAB 16.05, 14.21, -34.78

 

CMYK 70 / 50 / 0 / 57

HEX #21366D

RGB 33 54 109

HSL 223.42, 0.54%, 0.28%

LAB 23.89, 11.68, -34.53

 

CMYK 61 / 44 / 0 / 50

HEX #324880

RGB 50 72 128

HSL 223.08, 0.44%, 0.35%

LAB 31.51, 9.94, -34.28

 

CMYK 54 / 39 / 0 / 42

HEX #435A93

RGB 67 90 147

HSL 222.75, 0.37%, 0.42%

LAB 38.92, 8.68, -34.08

 

CMYK 49 / 35 / 0 / 35

HEX #546CA6

RGB 84 108 166

HSL 222.44, 0.33%, 0.49%

LAB 46.13, 7.72, -33.95

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 100 / 76 / 0 / 70

HEX #00124C

RGB 0 18 76

HSL 225.79, 1%, 0.15%

LAB 8.61, 19.93, -37.47

 

CMYK 100 / 100 / 0 / 78

HEX #000039

RGB 0 0 57

HSL 240, 1%, 0.11%

LAB 2.67, 18.75, -33.68

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 100 / 100 / 0 / 93

HEX #000013

RGB 0 0 19

HSL 240, 1%, 0.04%

LAB 0.42, 2.98, -8.12

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 88 / 86 / 0 / 63

HEX #0B0D5F

RGB 11 13 95

HSL 238.57, 0.79%, 0.21%

LAB 10.45, 31.61, -47.35

 

CMYK 67 / 88 / 0 / 63

HEX #1F0B5F

RGB 31 11 95

HSL 254.29, 0.79%, 0.21%

LAB 11.67, 34.25, -45.29

 

CMYK 43 / 88 / 0 / 63

HEX #360B5F

RGB 54 11 95

HSL 270.71, 0.79%, 0.21%

LAB 14.68, 37.32, -40.22

 

CMYK 19 / 88 / 0 / 63

HEX #4D0B5F

RGB 77 11 95

HSL 287.14, 0.79%, 0.21%

LAB 18.55, 41.42, -33.74

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 88 / 86 / 0 / 63

HEX #0B0D5F

RGB 11 13 95

HSL 238.57, 0.79%, 0.21%

LAB 10.45, 31.61, -47.35

 

CMYK 88 / 88 / 0 / 63

HEX #0B0B5F

RGB 11 11 95

HSL 240, 0.79%, 0.21%

LAB 10.08, 32.68, -47.96

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 98 / 69 / 0 / 59

HEX #022068

RGB 2 32 104

HSL 222.35, 0.96%, 0.21%

LAB 15.72, 21.98, -44.62

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 78 / 55 / 0 / 66

HEX #132757

RGB 19 39 87

HSL 222.35, 0.64%, 0.21%

LAB 16.88, 11.1, -31.43

 

CMYK 64 / 45 / 0 / 69

HEX #1C2B4E

RGB 28 43 78

HSL 222, 0.47%, 0.21%

LAB 18.03, 6.22, -23.5

 

CMYK 46 / 33 / 0 / 73

HEX #252E45

RGB 37 46 69

HSL 223.13, 0.3%, 0.21%

LAB 19.13, 3.27, -15.62

 

CMYK 26 / 18 / 0 / 76

HEX #2D323D

RGB 45 50 61

HSL 221.25, 0.15%, 0.21%

LAB 20.74, 0.81, -7.64

 

CMYK 88 / 15 / 0 / 63

HEX #0B515F

RGB 11 81 95

HSL 190, 0.79%, 0.21%

LAB 31.31, -14.75, -13.96

 

CMYK 88 / 38 / 0 / 63

HEX #0B3B5F

RGB 11 59 95

HSL 205.71, 0.79%, 0.21%

LAB 23.75, -0.88, -25.73

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 88 / 85 / 0 / 63

HEX #0B0E5F

RGB 11 14 95

HSL 237.86, 0.79%, 0.21%

LAB 10.64, 31.05, -47.03

 

CMYK 68 / 88 / 0 / 63

HEX #1E0B5F

RGB 30 11 95

HSL 253.57, 0.79%, 0.21%

LAB 11.56, 34.14, -45.46

 

CMYK 91 / 64 / 0 / 91

HEX #020816

RGB 2 8 22

HSL 222, 0.83%, 0.05%

LAB 2.21, 1, -7.53

 

CMYK 90 / 62 / 0 / 77

HEX #06163A

RGB 6 22 58

HSL 221.54, 0.81%, 0.13%

LAB 8.29, 9.28, -25.27

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 89 / 62 / 0 / 48

HEX #0F3284

RGB 15 50 132

HSL 222.05, 0.8%, 0.29%

LAB 23.83, 21.73, -49.25

 

CMYK 89 / 62 / 0 / 34

HEX #1340A9

RGB 19 64 169

HSL 222, 0.8%, 0.37%

LAB 31.04, 27.33, -60.12

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 8 / 88 / 0 / 63

HEX #570B5F

RGB 87 11 95

HSL 294.29, 0.79%, 0.21%

LAB 20.41, 43.43, -30.66

 

CMYK 26 / 0 / 88 / 63

HEX #465F0B

RGB 70 95 11

HSL 77.86, 0.79%, 0.21%

LAB 36.95, -21.91, 40.34

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 0 / 88 / 62 / 63

HEX #5F0B24

RGB 95 11 36

HSL 342.14, 0.79%, 0.21%

LAB 19.22, 37.47, 8.51

 

CMYK 62 / 0 / 88 / 63

HEX #245F0B

RGB 36 95 11

HSL 102.14, 0.79%, 0.21%

LAB 35.17, -34.72, 38.08

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 8 / 88 / 0 / 63

HEX #570B5F

RGB 87 11 95

HSL 294.29, 0.79%, 0.21%

LAB 20.41, 43.43, -30.66

 

CMYK 0 / 26 / 88 / 63

HEX #5F460B

RGB 95 70 11

HSL 42.14, 0.79%, 0.21%

LAB 31.43, 4.83, 36.44

 

CMYK 80 / 0 / 88 / 63

HEX #135F0B

RGB 19 95 11

HSL 114.29, 0.79%, 0.21%

LAB 34.7, -38.7, 37.47

 

CMYK 88 / 62 / 0 / 63

HEX #0B245F

RGB 11 36 95

HSL 222.14, 0.79%, 0.21%

LAB 16.3, 15.82, -37.72

 

CMYK 0 / 88 / 18 / 63

HEX #5F0B4E

RGB 95 11 78

HSL 312.14, 0.79%, 0.21%

LAB 20.91, 42.32, -18.35

 

CMYK 0 / 26 / 88 / 63

HEX #5F460B

RGB 95 70 11

HSL 42.14, 0.79%, 0.21%

LAB 31.43, 4.83, 36.44

 

CMYK 88 / 0 / 71 / 63

HEX #0B5F1C

RGB 11 95 28

HSL 132.14, 0.79%, 0.21%

LAB 34.68, -38.38, 30.73

 

Description

Color code: HEX #0B245F | qconv.com Color code: HEX #0B245F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 36 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 36 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 62 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 62% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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