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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B7952 it is the complementary color #F486AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B7952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B7952 shade: #10794D, #218B60, #329D73, #43AF86 and #54C199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B7952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B7952 shade: #0B7952, #00673F, #00552C, #004319 and #003106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B7952 shade: #0B7952, #0B7934, #0B7916, #1D790B and #3A790B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B7952 shade: #0B7952, #0B796F, #0B6479, #0B4779 and #0B2979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B7952 shade matches the following richer shades: #0B7952 and #008455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B7952 shade: #0B7952, #156E4F, #20634C, #2B5948 and #364E45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B7952 shade: #0B7916, #0B7933, #0B7950, #0B796E and #0B6679

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B7952 shade: #042D1F, #075338, #0B7952, #0E9F6B and #12C485

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B7952 shade: #0B7952, #0B1D79 and #79240B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B7952 shade: #0B7952, #500B79 and #79500B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B7952 shade: #0B7952, #0B1D79, #790B33 and #79660B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B7952 shade: #0B7952, #190B79, #790B33 and #6A790B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

Complementary color

CMYK 0 / 45 / 29 / 4

HEX #F486AD

RGB 244 134 173

HSL 338.73, 0.83%, 0.74%

LAB 68.97, 46.27, -1.71

 

CMYK 87 / 0 / 36 / 53

HEX #10794D

RGB 16 121 77

HSL 154.86, 0.77%, 0.27%

LAB 44.69, -38.96, 16.42

 

CMYK 76 / 0 / 31 / 45

HEX #218B60

RGB 33 139 96

HSL 155.66, 0.62%, 0.34%

LAB 51.42, -39.97, 14.76

 

CMYK 68 / 0 / 27 / 38

HEX #329D73

RGB 50 157 115

HSL 156.45, 0.52%, 0.41%

LAB 58.07, -40.51, 13.3

 

CMYK 62 / 0 / 23 / 31

HEX #43AF86

RGB 67 175 134

HSL 157.22, 0.45%, 0.47%

LAB 64.62, -40.76, 12.01

 

CMYK 56 / 0 / 21 / 24

HEX #54C199

RGB 84 193 153

HSL 157.98, 0.47%, 0.54%

LAB 71.09, -40.84, 10.84

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 100 / 0 / 39 / 60

HEX #00673F

RGB 0 103 63

HSL 156.7, 1%, 0.2%

LAB 37.95, -36.29, 15.49

 

CMYK 100 / 0 / 48 / 67

HEX #00552C

RGB 0 85 44

HSL 151.06, 1%, 0.17%

LAB 31.06, -33.36, 17.69

 

CMYK 100 / 0 / 63 / 74

HEX #004319

RGB 0 67 25

HSL 142.39, 1%, 0.13%

LAB 23.95, -30.07, 19.96

 

CMYK 100 / 0 / 88 / 81

HEX #003106

RGB 0 49 6

HSL 127.35, 1%, 0.1%

LAB 16.55, -26.15, 20.82

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 91 / 0 / 57 / 53

HEX #0B7934

RGB 11 121 52

HSL 142.36, 0.83%, 0.26%

LAB 44.22, -44.22, 29.68

 

CMYK 91 / 0 / 82 / 53

HEX #0B7916

RGB 11 121 22

HSL 126, 0.83%, 0.26%

LAB 43.95, -47.63, 42.63

 

CMYK 76 / 0 / 91 / 53

HEX #1D790B

RGB 29 121 11

HSL 110.18, 0.83%, 0.26%

LAB 44.18, -45.83, 46

 

CMYK 52 / 0 / 91 / 53

HEX #3A790B

RGB 58 121 11

HSL 94.36, 0.83%, 0.26%

LAB 45.08, -38.43, 47.14

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 91 / 0 / 8 / 53

HEX #0B796F

RGB 11 121 111

HSL 174.55, 0.83%, 0.26%

LAB 45.49, -30.22, -2.51

 

CMYK 91 / 17 / 0 / 53

HEX #0B6479

RGB 11 100 121

HSL 191.45, 0.83%, 0.26%

LAB 38.84, -15.93, -18.57

 

CMYK 91 / 41 / 0 / 53

HEX #0B4779

RGB 11 71 121

HSL 207.27, 0.83%, 0.26%

LAB 29.31, 2.04, -33.51

 

CMYK 91 / 66 / 0 / 53

HEX #0B2979

RGB 11 41 121

HSL 223.64, 0.83%, 0.26%

LAB 20.19, 23.28, -48.26

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 100 / 0 / 36 / 48

HEX #008455

RGB 0 132 85

HSL 158.64, 1%, 0.26%

LAB 48.46, -42.66, 16.91

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 81 / 0 / 28 / 57

HEX #156E4F

RGB 21 110 79

HSL 159.1, 0.68%, 0.26%

LAB 41.02, -33.27, 10.21

 

CMYK 68 / 0 / 23 / 61

HEX #20634C

RGB 32 99 76

HSL 159.4, 0.51%, 0.26%

LAB 37.39, -27.14, 6.97

 

CMYK 52 / 0 / 19 / 65

HEX #2B5948

RGB 43 89 72

HSL 157.83, 0.35%, 0.26%

LAB 34.24, -20.42, 5.02

 

CMYK 31 / 0 / 12 / 69

HEX #364E45

RGB 54 78 69

HSL 157.5, 0.18%, 0.26%

LAB 31.03, -11.44, 2.37

 

CMYK 91 / 0 / 82 / 53

HEX #0B7916

RGB 11 121 22

HSL 126, 0.83%, 0.26%

LAB 43.95, -47.63, 42.63

 

CMYK 91 / 0 / 58 / 53

HEX #0B7933

RGB 11 121 51

HSL 141.82, 0.83%, 0.26%

LAB 44.21, -44.38, 30.19

 

CMYK 91 / 0 / 34 / 53

HEX #0B7950

RGB 11 121 80

HSL 157.64, 0.83%, 0.26%

LAB 44.7, -38.7, 14.68

 

CMYK 91 / 0 / 9 / 53

HEX #0B796E

RGB 11 121 110

HSL 174, 0.83%, 0.26%

LAB 45.46, -30.53, -1.96

 

CMYK 91 / 16 / 0 / 53

HEX #0B6679

RGB 11 102 121

HSL 190.36, 0.83%, 0.26%

LAB 39.5, -17.05, -17.54

 

CMYK 91 / 0 / 31 / 82

HEX #042D1F

RGB 4 45 31

HSL 159.51, 0.84%, 0.1%

LAB 15.5, -18.18, 5.14

 

CMYK 92 / 0 / 33 / 67

HEX #075338

RGB 7 83 56

HSL 158.68, 0.84%, 0.18%

LAB 30.68, -28.84, 9.86

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 91 / 0 / 33 / 38

HEX #0E9F6B

RGB 14 159 107

HSL 158.48, 0.84%, 0.34%

LAB 57.99, -47.33, 17.57

 

CMYK 91 / 0 / 32 / 23

HEX #12C485

RGB 18 196 133

HSL 158.76, 0.83%, 0.42%

LAB 70.39, -55.35, 20.43

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 91 / 76 / 0 / 53

HEX #0B1D79

RGB 11 29 121

HSL 230.18, 0.83%, 0.26%

LAB 17.13, 31.51, -53.3

 

CMYK 0 / 70 / 91 / 53

HEX #79240B

RGB 121 36 11

HSL 13.64, 0.83%, 0.26%

LAB 27.71, 35.85, 34.94

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 34 / 91 / 0 / 53

HEX #500B79

RGB 80 11 121

HSL 277.64, 0.83%, 0.26%

LAB 21.3, 47.58, -46.2

 

CMYK 0 / 34 / 91 / 53

HEX #79500B

RGB 121 80 11

HSL 37.64, 0.83%, 0.26%

LAB 37.53, 11.55, 42.87

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 91 / 76 / 0 / 53

HEX #0B1D79

RGB 11 29 121

HSL 230.18, 0.83%, 0.26%

LAB 17.13, 31.51, -53.3

 

CMYK 0 / 91 / 58 / 53

HEX #790B33

RGB 121 11 51

HSL 338.18, 0.83%, 0.26%

LAB 25.39, 46.08, 7.44

 

CMYK 0 / 16 / 91 / 53

HEX #79660B

RGB 121 102 11

HSL 49.64, 0.83%, 0.26%

LAB 43.64, -1.48, 47.78

 

CMYK 91 / 0 / 32 / 53

HEX #0B7952

RGB 11 121 82

HSL 158.73, 0.83%, 0.26%

LAB 44.74, -38.22, 13.58

 

CMYK 79 / 91 / 0 / 53

HEX #190B79

RGB 25 11 121

HSL 247.64, 0.83%, 0.26%

LAB 14.55, 41.83, -57.57

 

CMYK 0 / 91 / 58 / 53

HEX #790B33

RGB 121 11 51

HSL 338.18, 0.83%, 0.26%

LAB 25.39, 46.08, 7.44

 

CMYK 12 / 0 / 91 / 53

HEX #6A790B

RGB 106 121 11

HSL 68.18, 0.83%, 0.26%

LAB 47.96, -19.13, 50.72

 

Description

Color code: HEX #0B7952 | qconv.com Color code: HEX #0B7952 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 121 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 121 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 32 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 32% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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