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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B7350 it is the complementary color #F48CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B7350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B7350 shade: #10734B, #21855E, #329771, #43A984 and #54BB97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B7350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B7350 shade: #0B7350, #00613D, #004F2A, #003D17 and #002B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B7350 shade: #0A7451, #0A7434, #0A7417, #1A740A and #36740A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B7350 shade: #0A7451, #0A746D, #0A5F74, #0A4274 and #0A2674

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B7350 shade matches the following richer shades: #0A7451 and #007E54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B7350 shade: #0A7451, #156A4D, #1F604A, #295546 and #344B43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B7350 shade: #0A7417, #0A7433, #0A744F, #0A746B and #0A6174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B7350 shade: #03291C, #074E36, #0A7451, #0E9A6B and #11C085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B7350 shade: #0B7350, #0A1A74 and #74250A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B7350 shade: #0B7350, #4F0A74 and #744F0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B7350 shade: #0B7350, #0A1A74, #740A2F and #74640A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B7350 shade: #0B7350, #1A0A74, #740A2F and #64740A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 30 / 55

HEX #0B7350

RGB 11 115 80

HSL 159.81, 0.83%, 0.25%

LAB 42.63, -36.21, 11.84

 

Complementary color

CMYK 0 / 43 / 28 / 4

HEX #F48CAF

RGB 244 140 175

HSL 339.81, 0.83%, 0.75%

LAB 70.24, 43.49, -0.97

 

CMYK 86 / 0 / 35 / 55

HEX #10734B

RGB 16 115 75

HSL 155.76, 0.76%, 0.26%

LAB 42.58, -36.96, 14.72

 

CMYK 75 / 0 / 29 / 48

HEX #21855E

RGB 33 133 94

HSL 156.6, 0.6%, 0.33%

LAB 49.38, -37.9, 13.09

 

CMYK 67 / 0 / 25 / 41

HEX #329771

RGB 50 151 113

HSL 157.43, 0.5%, 0.39%

LAB 56.09, -38.38, 11.67

 

CMYK 60 / 0 / 22 / 34

HEX #43A984

RGB 67 169 132

HSL 158.24, 0.43%, 0.46%

LAB 62.71, -38.58, 10.41

 

CMYK 55 / 0 / 19 / 27

HEX #54BB97

RGB 84 187 151

HSL 159.03, 0.43%, 0.53%

LAB 69.23, -38.62, 9.28

 

CMYK 90 / 0 / 30 / 55

HEX #0B7350

RGB 11 115 80

HSL 159.81, 0.83%, 0.25%

LAB 42.63, -36.21, 11.84

 

CMYK 100 / 0 / 37 / 62

HEX #00613D

RGB 0 97 61

HSL 157.73, 1%, 0.19%

LAB 35.76, -34.33, 13.74

 

CMYK 100 / 0 / 47 / 69

HEX #004F2A

RGB 0 79 42

HSL 151.9, 1%, 0.15%

LAB 28.8, -31.4, 15.95

 

CMYK 100 / 0 / 62 / 76

HEX #003D17

RGB 0 61 23

HSL 142.62, 1%, 0.12%

LAB 21.58, -28.12, 18.26

 

CMYK 100 / 0 / 91 / 83

HEX #002B04

RGB 0 43 4

HSL 125.58, 1%, 0.08%

LAB 14.04, -24.26, 18.44

 

CMYK 91 / 0 / 30 / 55

HEX #0A7451

RGB 10 116 81

HSL 160.19, 0.84%, 0.25%

LAB 42.99, -36.46, 11.74

 

CMYK 91 / 0 / 55 / 55

HEX #0A7434

RGB 10 116 52

HSL 143.77, 0.84%, 0.25%

LAB 42.47, -42.52, 27.54

 

CMYK 91 / 0 / 80 / 55

HEX #0A7417

RGB 10 116 23

HSL 127.36, 0.84%, 0.25%

LAB 42.18, -46.05, 40.57

 

CMYK 78 / 0 / 91 / 55

HEX #1A740A

RGB 26 116 10

HSL 110.94, 0.84%, 0.25%

LAB 42.36, -44.73, 44.62

 

CMYK 53 / 0 / 91 / 55

HEX #36740A

RGB 54 116 10

HSL 95.09, 0.84%, 0.25%

LAB 43.21, -37.72, 45.68

 

CMYK 91 / 0 / 30 / 55

HEX #0A7451

RGB 10 116 81

HSL 160.19, 0.84%, 0.25%

LAB 42.99, -36.46, 11.74

 

CMYK 91 / 0 / 6 / 55

HEX #0A746D

RGB 10 116 109

HSL 176.04, 0.84%, 0.25%

LAB 43.74, -28.51, -3.89

 

CMYK 91 / 18 / 0 / 55

HEX #0A5F74

RGB 10 95 116

HSL 191.89, 0.84%, 0.25%

LAB 36.95, -15.01, -18.42

 

CMYK 91 / 43 / 0 / 55

HEX #0A4274

RGB 10 66 116

HSL 208.3, 0.84%, 0.25%

LAB 27.36, 3.24, -33.48

 

CMYK 91 / 67 / 0 / 55

HEX #0A2674

RGB 10 38 116

HSL 224.15, 0.84%, 0.25%

LAB 18.85, 23.28, -47.26

 

CMYK 91 / 0 / 30 / 55

HEX #0A7451

RGB 10 116 81

HSL 160.19, 0.84%, 0.25%

LAB 42.99, -36.46, 11.74

 

CMYK 100 / 0 / 33 / 51

HEX #007E54

RGB 0 126 84

HSL 160, 1%, 0.25%

LAB 46.39, -40.53, 14.67

 

CMYK 91 / 0 / 30 / 55

HEX #0A7451

RGB 10 116 81

HSL 160.19, 0.84%, 0.25%

LAB 42.99, -36.46, 11.74

 

CMYK 80 / 0 / 27 / 58

HEX #156A4D

RGB 21 106 77

HSL 159.53, 0.67%, 0.25%

LAB 39.59, -32, 9.41

 

CMYK 68 / 0 / 23 / 62

HEX #1F604A

RGB 31 96 74

HSL 159.69, 0.51%, 0.25%

LAB 36.27, -26.41, 6.61

 

CMYK 52 / 0 / 18 / 67

HEX #295546

RGB 41 85 70

HSL 159.55, 0.35%, 0.25%

LAB 32.72, -19.38, 4.09

 

CMYK 31 / 0 / 11 / 71

HEX #344B43

RGB 52 75 67

HSL 159.13, 0.18%, 0.25%

LAB 29.83, -10.89, 1.91

 

CMYK 91 / 0 / 80 / 55

HEX #0A7417

RGB 10 116 23

HSL 127.36, 0.84%, 0.25%

LAB 42.18, -46.05, 40.57

 

CMYK 91 / 0 / 56 / 55

HEX #0A7433

RGB 10 116 51

HSL 143.21, 0.84%, 0.25%

LAB 42.45, -42.68, 28.06

 

CMYK 91 / 0 / 32 / 55

HEX #0A744F

RGB 10 116 79

HSL 159.06, 0.84%, 0.25%

LAB 42.94, -36.95, 12.86

 

CMYK 91 / 0 / 8 / 55

HEX #0A746B

RGB 10 116 107

HSL 174.91, 0.84%, 0.25%

LAB 43.68, -29.13, -2.78

 

CMYK 91 / 16 / 0 / 55

HEX #0A6174

RGB 10 97 116

HSL 190.75, 0.84%, 0.25%

LAB 37.62, -16.15, -17.39

 

CMYK 93 / 0 / 32 / 84

HEX #03291C

RGB 3 41 28

HSL 159.47, 0.86%, 0.09%

LAB 13.76, -17.28, 4.8

 

CMYK 91 / 0 / 31 / 69

HEX #074E36

RGB 7 78 54

HSL 159.72, 0.84%, 0.17%

LAB 28.8, -27.11, 8.51

 

CMYK 91 / 0 / 30 / 55

HEX #0A7451

RGB 10 116 81

HSL 160.19, 0.84%, 0.25%

LAB 42.99, -36.46, 11.74

 

CMYK 91 / 0 / 31 / 40

HEX #0E9A6B

RGB 14 154 107

HSL 159.86, 0.83%, 0.33%

LAB 56.35, -45.38, 15.32

 

CMYK 91 / 0 / 31 / 25

HEX #11C085

RGB 17 192 133

HSL 159.77, 0.84%, 0.41%

LAB 69.12, -53.91, 18.69

 

CMYK 90 / 0 / 30 / 55

HEX #0B7350

RGB 11 115 80

HSL 159.81, 0.83%, 0.25%

LAB 42.63, -36.21, 11.84

 

CMYK 91 / 78 / 0 / 55

HEX #0A1A74

RGB 10 26 116

HSL 230.94, 0.84%, 0.25%

LAB 15.82, 31.48, -52.26

 

CMYK 0 / 68 / 91 / 55

HEX #74250A

RGB 116 37 10

HSL 15.28, 0.84%, 0.25%

LAB 26.9, 33.47, 34.28

 

CMYK 90 / 0 / 30 / 55

HEX #0B7350

RGB 11 115 80

HSL 159.81, 0.83%, 0.25%

LAB 42.63, -36.21, 11.84

 

CMYK 32 / 91 / 0 / 55

HEX #4F0A74

RGB 79 10 116

HSL 279.06, 0.84%, 0.25%

LAB 20.6, 46.57, -44.14

 

CMYK 0 / 32 / 91 / 55

HEX #744F0A

RGB 116 79 10

HSL 39.06, 0.84%, 0.25%

LAB 36.61, 9.71, 42.15

 

CMYK 90 / 0 / 30 / 55

HEX #0B7350

RGB 11 115 80

HSL 159.81, 0.83%, 0.25%

LAB 42.63, -36.21, 11.84

 

CMYK 91 / 78 / 0 / 55

HEX #0A1A74

RGB 10 26 116

HSL 230.94, 0.84%, 0.25%

LAB 15.82, 31.48, -52.26

 

CMYK 0 / 91 / 59 / 55

HEX #740A2F

RGB 116 10 47

HSL 339.06, 0.84%, 0.25%

LAB 24.11, 44.6, 8.26

 

CMYK 0 / 14 / 91 / 55

HEX #74640A

RGB 116 100 10

HSL 50.94, 0.84%, 0.25%

LAB 42.54, -2.77, 46.91

 

CMYK 90 / 0 / 30 / 55

HEX #0B7350

RGB 11 115 80

HSL 159.81, 0.83%, 0.25%

LAB 42.63, -36.21, 11.84

 

CMYK 78 / 91 / 0 / 55

HEX #1A0A74

RGB 26 10 116

HSL 249.06, 0.84%, 0.25%

LAB 13.81, 40.75, -55.56

 

CMYK 0 / 91 / 59 / 55

HEX #740A2F

RGB 116 10 47

HSL 339.06, 0.84%, 0.25%

LAB 24.11, 44.6, 8.26

 

CMYK 14 / 0 / 91 / 55

HEX #64740A

RGB 100 116 10

HSL 69.06, 0.84%, 0.25%

LAB 45.94, -19.27, 49.08

 

Description

Color code: HEX #0B7350 | qconv.com Color code: HEX #0B7350 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 115 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 115 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 30 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 30% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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