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Color name
HEX #0B8D2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B8D2A it is the complementary color #F472D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B8D2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B8D2A shade: #108D25, #219F38, #32B14B, #43C35E and #54D571

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B8D2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B8D2A shade: #0B8D2A, #007B17, #006904, #005700 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B8D2A shade: #0A8E2A, #0E8E0A, #328E0A, #558E0A and #798E0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B8D2A shade: #0A8E2A, #0A8E4D, #0A8E71, #0A888E and #0A648E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B8D2A shade matches the following richer shades: #0A8E2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B8D2A shade: #0A8E2A, #178130, #237537, #2F693D and #3C5C43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B8D2A shade: #328E0A, #0F8E0A, #0A8E29, #0A8E4C and #0A8E6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B8D2A shade: #044113, #07671E, #0A8E2A, #0DB435 and #10DB40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B8D2A shade: #0B8D2A, #0A558E and #8E0A20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B8D2A shade: #0B8D2A, #290A8E and #8E290A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B8D2A shade: #0B8D2A, #0A558E, #8E0A6F and #8E430A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B8D2A shade: #0B8D2A, #0A2D8E, #8E0A6F and #8E6B0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 70 / 45

HEX #0B8D2A

RGB 11 141 42

HSL 134.31, 0.86%, 0.3%

LAB 51.02, -52.21, 42.16

 

Complementary color

CMYK 0 / 53 / 13 / 4

HEX #F472D5

RGB 244 114 213

HSL 314.31, 0.86%, 0.7%

LAB 66.57, 61.58, -27.74

 

CMYK 89 / 0 / 74 / 45

HEX #108D25

RGB 16 141 37

HSL 130.08, 0.8%, 0.31%

LAB 51.03, -52.31, 44.22

 

CMYK 79 / 0 / 65 / 38

HEX #219F38

RGB 33 159 56

HSL 130.95, 0.66%, 0.38%

LAB 57.47, -54.26, 43.18

 

CMYK 72 / 0 / 58 / 31

HEX #32B14B

RGB 50 177 75

HSL 131.81, 0.56%, 0.45%

LAB 63.86, -55.47, 41.83

 

CMYK 66 / 0 / 52 / 24

HEX #43C35E

RGB 67 195 94

HSL 132.66, 0.52%, 0.51%

LAB 70.2, -56.17, 40.39

 

CMYK 61 / 0 / 47 / 16

HEX #54D571

RGB 84 213 113

HSL 133.49, 0.61%, 0.58%

LAB 76.48, -56.55, 38.97

 

CMYK 92 / 0 / 70 / 45

HEX #0B8D2A

RGB 11 141 42

HSL 134.31, 0.86%, 0.3%

LAB 51.02, -52.21, 42.16

 

CMYK 100 / 0 / 81 / 52

HEX #007B17

RGB 0 123 23

HSL 131.22, 1%, 0.24%

LAB 44.56, -49.1, 42.85

 

CMYK 100 / 0 / 96 / 59

HEX #006904

RGB 0 105 4

HSL 122.29, 1%, 0.21%

LAB 38.04, -44.68, 42.23

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 93 / 0 / 70 / 44

HEX #0A8E2A

RGB 10 142 42

HSL 134.55, 0.87%, 0.3%

LAB 51.36, -52.6, 42.51

 

CMYK 90 / 0 / 93 / 44

HEX #0E8E0A

RGB 14 142 10

HSL 118.18, 0.87%, 0.3%

LAB 51.22, -54.43, 52.18

 

CMYK 65 / 0 / 93 / 44

HEX #328E0A

RGB 50 142 10

HSL 101.82, 0.87%, 0.3%

LAB 51.89, -48.65, 53.01

 

CMYK 40 / 0 / 93 / 44

HEX #558E0A

RGB 85 142 10

HSL 85.91, 0.87%, 0.3%

LAB 53.28, -37.89, 54.73

 

CMYK 15 / 0 / 93 / 44

HEX #798E0A

RGB 121 142 10

HSL 69.55, 0.87%, 0.3%

LAB 55.52, -23.2, 57.48

 

CMYK 93 / 0 / 70 / 44

HEX #0A8E2A

RGB 10 142 42

HSL 134.55, 0.87%, 0.3%

LAB 51.36, -52.6, 42.51

 

CMYK 93 / 0 / 46 / 44

HEX #0A8E4D

RGB 10 142 77

HSL 150.45, 0.87%, 0.3%

LAB 51.78, -47.47, 25.77

 

CMYK 93 / 0 / 20 / 44

HEX #0A8E71

RGB 10 142 113

HSL 166.82, 0.87%, 0.3%

LAB 52.51, -39.16, 6.51

 

CMYK 93 / 4 / 0 / 44

HEX #0A888E

RGB 10 136 142

HSL 182.73, 0.87%, 0.3%

LAB 51.41, -27.7, -11.94

 

CMYK 93 / 30 / 0 / 44

HEX #0A648E

RGB 10 100 142

HSL 199.09, 0.87%, 0.3%

LAB 39.8, -7.96, -29.81

 

CMYK 93 / 0 / 70 / 44

HEX #0A8E2A

RGB 10 142 42

HSL 134.55, 0.87%, 0.3%

LAB 51.36, -52.6, 42.51

 

CMYK 93 / 0 / 70 / 44

HEX #0A8E2A

RGB 10 142 42

HSL 134.55, 0.87%, 0.3%

LAB 51.36, -52.6, 42.51

 

CMYK 82 / 0 / 63 / 49

HEX #178130

RGB 23 129 48

HSL 134.15, 0.7%, 0.3%

LAB 47.1, -46.33, 35.12

 

CMYK 70 / 0 / 53 / 54

HEX #237537

RGB 35 117 55

HSL 134.63, 0.54%, 0.3%

LAB 43.29, -38.82, 27.05

 

CMYK 55 / 0 / 42 / 59

HEX #2F693D

RGB 47 105 61

HSL 134.48, 0.38%, 0.3%

LAB 39.66, -29.65, 19.12

 

CMYK 35 / 0 / 27 / 64

HEX #3C5C43

RGB 60 92 67

HSL 133.13, 0.21%, 0.3%

LAB 36.02, -17.65, 10.74

 

CMYK 65 / 0 / 93 / 44

HEX #328E0A

RGB 50 142 10

HSL 101.82, 0.87%, 0.3%

LAB 51.89, -48.65, 53.01

 

CMYK 89 / 0 / 93 / 44

HEX #0F8E0A

RGB 15 142 10

HSL 117.73, 0.87%, 0.3%

LAB 51.23, -54.34, 52.19

 

CMYK 93 / 0 / 71 / 44

HEX #0A8E29

RGB 10 142 41

HSL 134.09, 0.87%, 0.3%

LAB 51.35, -52.7, 42.92

 

CMYK 93 / 0 / 46 / 44

HEX #0A8E4C

RGB 10 142 76

HSL 150, 0.87%, 0.3%

LAB 51.76, -47.65, 26.29

 

CMYK 93 / 0 / 22 / 44

HEX #0A8E6F

RGB 10 142 111

HSL 165.91, 0.87%, 0.3%

LAB 52.46, -39.7, 7.59

 

CMYK 94 / 0 / 71 / 75

HEX #044113

RGB 4 65 19

HSL 134.75, 0.88%, 0.14%

LAB 23.18, -29.52, 22.42

 

CMYK 93 / 0 / 71 / 60

HEX #07671E

RGB 7 103 30

HSL 134.38, 0.87%, 0.22%

LAB 37.55, -41.36, 32.92

 

CMYK 93 / 0 / 70 / 44

HEX #0A8E2A

RGB 10 142 42

HSL 134.55, 0.87%, 0.3%

LAB 51.36, -52.6, 42.51

 

CMYK 93 / 0 / 71 / 29

HEX #0DB435

RGB 13 180 53

HSL 134.37, 0.87%, 0.38%

LAB 64.15, -63.04, 51.61

 

CMYK 93 / 0 / 71 / 14

HEX #10DB40

RGB 16 219 64

HSL 134.19, 0.86%, 0.46%

LAB 76.77, -73.33, 60.64

 

CMYK 92 / 0 / 70 / 45

HEX #0B8D2A

RGB 11 141 42

HSL 134.31, 0.86%, 0.3%

LAB 51.02, -52.21, 42.16

 

CMYK 93 / 40 / 0 / 44

HEX #0A558E

RGB 10 85 142

HSL 205.91, 0.87%, 0.3%

LAB 35.03, 1.47, -37.35

 

CMYK 0 / 93 / 77 / 44

HEX #8E0A20

RGB 142 10 32

HSL 350, 0.87%, 0.3%

LAB 29.59, 50.95, 26.45

 

CMYK 92 / 0 / 70 / 45

HEX #0B8D2A

RGB 11 141 42

HSL 134.31, 0.86%, 0.3%

LAB 51.02, -52.21, 42.16

 

CMYK 71 / 93 / 0 / 44

HEX #290A8E

RGB 41 10 142

HSL 254.09, 0.87%, 0.3%

LAB 18.55, 49.13, -64.18

 

CMYK 0 / 71 / 93 / 44

HEX #8E290A

RGB 142 41 10

HSL 14.09, 0.87%, 0.3%

LAB 32.61, 41.33, 40.91

 

CMYK 92 / 0 / 70 / 45

HEX #0B8D2A

RGB 11 141 42

HSL 134.31, 0.86%, 0.3%

LAB 51.02, -52.21, 42.16

 

CMYK 93 / 40 / 0 / 44

HEX #0A558E

RGB 10 85 142

HSL 205.91, 0.87%, 0.3%

LAB 35.03, 1.47, -37.35

 

CMYK 0 / 93 / 22 / 44

HEX #8E0A6F

RGB 142 10 111

HSL 314.09, 0.87%, 0.3%

LAB 32.07, 57.7, -21.93

 

CMYK 0 / 53 / 93 / 44

HEX #8E430A

RGB 142 67 10

HSL 25.91, 0.87%, 0.3%

LAB 37.46, 28.62, 44.44

 

CMYK 92 / 0 / 70 / 45

HEX #0B8D2A

RGB 11 141 42

HSL 134.31, 0.86%, 0.3%

LAB 51.02, -52.21, 42.16

 

CMYK 93 / 68 / 0 / 44

HEX #0A2D8E

RGB 10 45 142

HSL 224.09, 0.87%, 0.3%

LAB 23.32, 29.01, -56.34

 

CMYK 0 / 93 / 22 / 44

HEX #8E0A6F

RGB 142 10 111

HSL 314.09, 0.87%, 0.3%

LAB 32.07, 57.7, -21.93

 

CMYK 0 / 25 / 93 / 44

HEX #8E6B0A

RGB 142 107 10

HSL 44.09, 0.87%, 0.3%

LAB 47.35, 5.68, 51.91

 

Description

Color code: HEX #0B8D2A | qconv.com Color code: HEX #0B8D2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 141 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 141 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 70 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 70% 45% C M Y K

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Provide designers and agencies with accurate color values.

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