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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B8F70 it is the complementary color #F4708F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B8F70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B8F70 shade: #108F6B, #21A17E, #32B391, #43C5A4 and #54D7B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B8F70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B8F70 shade: #0B8F70, #007D5D, #006B4A, #005937 and #004724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B8F70 shade: #0A8E6F, #0A8E4B, #0A8E28, #108E0A and #338E0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B8F70 shade: #0A8E6F, #0A898E, #0A668E, #0A428E and #0A1F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B8F70 shade matches the following richer shades: #0A8E6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B8F70 shade: #0A8E6F, #178168, #237562, #2F695B and #3C5C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B8F70 shade: #0A8E27, #0A8E4A, #0A8E6D, #0A8C8E and #0A698E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B8F70 shade: #044133, #076751, #0A8E6F, #0DB48D and #10DBAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B8F70 shade: #0B8F70, #0A118E and #8E380A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B8F70 shade: #0B8F70, #6D0A8E and #8E6D0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B8F70 shade: #0B8F70, #0A118E, #8E0A2B and #8E870A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B8F70 shade: #0B8F70, #2B0A8E, #8E0A2B and #6D8E0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 22 / 44

HEX #0B8F70

RGB 11 143 112

HSL 165.91, 0.86%, 0.3%

LAB 52.82, -39.8, 7.53

 

Complementary color

CMYK 0 / 54 / 41 / 4

HEX #F4708F

RGB 244 112 143

HSL 345.91, 0.86%, 0.7%

LAB 64, 53.5, 8.1

 

CMYK 89 / 0 / 25 / 44

HEX #108F6B

RGB 16 143 107

HSL 162.99, 0.8%, 0.31%

LAB 52.75, -40.78, 10.29

 

CMYK 80 / 0 / 22 / 37

HEX #21A17E

RGB 33 161 126

HSL 163.59, 0.66%, 0.38%

LAB 59.27, -41.96, 8.78

 

CMYK 72 / 0 / 19 / 30

HEX #32B391

RGB 50 179 145

HSL 164.19, 0.56%, 0.45%

LAB 65.72, -42.72, 7.44

 

CMYK 66 / 0 / 17 / 23

HEX #43C5A4

RGB 67 197 164

HSL 164.77, 0.53%, 0.52%

LAB 72.1, -43.2, 6.25

 

CMYK 61 / 0 / 15 / 16

HEX #54D7B7

RGB 84 215 183

HSL 165.34, 0.62%, 0.59%

LAB 78.41, -43.48, 5.17

 

CMYK 92 / 0 / 22 / 44

HEX #0B8F70

RGB 11 143 112

HSL 165.91, 0.86%, 0.3%

LAB 52.82, -39.8, 7.53

 

CMYK 100 / 0 / 26 / 51

HEX #007D5D

RGB 0 125 93

HSL 164.64, 1%, 0.25%

LAB 46.25, -37.86, 9.24

 

CMYK 100 / 0 / 31 / 58

HEX #006B4A

RGB 0 107 74

HSL 161.5, 1%, 0.21%

LAB 39.6, -35.24, 11.19

 

CMYK 100 / 0 / 38 / 65

HEX #005937

RGB 0 89 55

HSL 157.08, 1%, 0.17%

LAB 32.75, -32.48, 13.28

 

CMYK 100 / 0 / 49 / 72

HEX #004724

RGB 0 71 36

HSL 150.42, 1%, 0.14%

LAB 25.67, -29.49, 15.54

 

CMYK 93 / 0 / 22 / 44

HEX #0A8E6F

RGB 10 142 111

HSL 165.91, 0.87%, 0.3%

LAB 52.46, -39.7, 7.59

 

CMYK 93 / 0 / 47 / 44

HEX #0A8E4B

RGB 10 142 75

HSL 149.55, 0.87%, 0.3%

LAB 51.74, -47.84, 26.81

 

CMYK 93 / 0 / 72 / 44

HEX #0A8E28

RGB 10 142 40

HSL 133.64, 0.87%, 0.3%

LAB 51.34, -52.8, 43.32

 

CMYK 89 / 0 / 93 / 44

HEX #108E0A

RGB 16 142 10

HSL 117.27, 0.87%, 0.3%

LAB 51.24, -54.25, 52.2

 

CMYK 64 / 0 / 93 / 44

HEX #338E0A

RGB 51 142 10

HSL 101.36, 0.87%, 0.3%

LAB 51.92, -48.4, 53.05

 

CMYK 93 / 0 / 22 / 44

HEX #0A8E6F

RGB 10 142 111

HSL 165.91, 0.87%, 0.3%

LAB 52.46, -39.7, 7.59

 

CMYK 93 / 4 / 0 / 44

HEX #0A898E

RGB 10 137 142

HSL 182.27, 0.87%, 0.3%

LAB 51.73, -28.19, -11.45

 

CMYK 93 / 28 / 0 / 44

HEX #0A668E

RGB 10 102 142

HSL 198.18, 0.87%, 0.3%

LAB 40.44, -9.16, -28.8

 

CMYK 93 / 54 / 0 / 44

HEX #0A428E

RGB 10 66 142

HSL 214.55, 0.87%, 0.3%

LAB 29.19, 14.34, -46.74

 

CMYK 93 / 78 / 0 / 44

HEX #0A1F8E

RGB 10 31 142

HSL 230.45, 0.87%, 0.3%

LAB 20.03, 38.05, -61.76

 

CMYK 93 / 0 / 22 / 44

HEX #0A8E6F

RGB 10 142 111

HSL 165.91, 0.87%, 0.3%

LAB 52.46, -39.7, 7.59

 

CMYK 93 / 0 / 22 / 44

HEX #0A8E6F

RGB 10 142 111

HSL 165.91, 0.87%, 0.3%

LAB 52.46, -39.7, 7.59

 

CMYK 82 / 0 / 19 / 49

HEX #178168

RGB 23 129 104

HSL 165.85, 0.7%, 0.3%

LAB 48.11, -34.9, 5.46

 

CMYK 70 / 0 / 16 / 54

HEX #237562

RGB 35 117 98

HSL 166.1, 0.54%, 0.3%

LAB 44.18, -29.33, 3.38

 

CMYK 55 / 0 / 13 / 59

HEX #2F695B

RGB 47 105 91

HSL 165.52, 0.38%, 0.3%

LAB 40.35, -22.74, 2.12

 

CMYK 35 / 0 / 8 / 64

HEX #3C5C55

RGB 60 92 85

HSL 166.88, 0.21%, 0.3%

LAB 36.5, -13.47, 0.29

 

CMYK 93 / 0 / 73 / 44

HEX #0A8E27

RGB 10 142 39

HSL 133.18, 0.87%, 0.3%

LAB 51.33, -52.9, 43.72

 

CMYK 93 / 0 / 48 / 44

HEX #0A8E4A

RGB 10 142 74

HSL 149.09, 0.87%, 0.3%

LAB 51.73, -48.02, 27.33

 

CMYK 93 / 0 / 23 / 44

HEX #0A8E6D

RGB 10 142 109

HSL 165, 0.87%, 0.3%

LAB 52.41, -40.22, 8.67

 

CMYK 93 / 1 / 0 / 44

HEX #0A8C8E

RGB 10 140 142

HSL 180.91, 0.87%, 0.3%

LAB 52.7, -29.66, -10

 

CMYK 93 / 26 / 0 / 44

HEX #0A698E

RGB 10 105 142

HSL 196.82, 0.87%, 0.3%

LAB 41.41, -10.94, -27.29

 

CMYK 94 / 0 / 22 / 75

HEX #044133

RGB 4 65 51

HSL 166.23, 0.88%, 0.14%

LAB 23.82, -22.2, 3.42

 

CMYK 93 / 0 / 21 / 60

HEX #076751

RGB 7 103 81

HSL 166.25, 0.87%, 0.22%

LAB 38.45, -31.02, 5.35

 

CMYK 93 / 0 / 22 / 44

HEX #0A8E6F

RGB 10 142 111

HSL 165.91, 0.87%, 0.3%

LAB 52.46, -39.7, 7.59

 

CMYK 93 / 0 / 22 / 29

HEX #0DB48D

RGB 13 180 141

HSL 165.99, 0.87%, 0.38%

LAB 65.48, -47.51, 9.24

 

CMYK 93 / 0 / 22 / 14

HEX #10DBAB

RGB 16 219 171

HSL 165.81, 0.86%, 0.46%

LAB 78.29, -55.39, 11.25

 

CMYK 92 / 0 / 22 / 44

HEX #0B8F70

RGB 11 143 112

HSL 165.91, 0.86%, 0.3%

LAB 52.82, -39.8, 7.53

 

CMYK 93 / 88 / 0 / 44

HEX #0A118E

RGB 10 17 142

HSL 236.82, 0.87%, 0.3%

LAB 17.55, 45.32, -65.9

 

CMYK 0 / 61 / 93 / 44

HEX #8E380A

RGB 142 56 10

HSL 20.91, 0.87%, 0.3%

LAB 35.2, 34.4, 42.78

 

CMYK 92 / 0 / 22 / 44

HEX #0B8F70

RGB 11 143 112

HSL 165.91, 0.86%, 0.3%

LAB 52.82, -39.8, 7.53

 

CMYK 23 / 93 / 0 / 44

HEX #6D0A8E

RGB 109 10 142

HSL 285, 0.87%, 0.3%

LAB 27.9, 56.6, -48.45

 

CMYK 0 / 23 / 93 / 44

HEX #8E6D0A

RGB 142 109 10

HSL 45, 0.87%, 0.3%

LAB 47.89, 4.53, 52.32

 

CMYK 92 / 0 / 22 / 44

HEX #0B8F70

RGB 11 143 112

HSL 165.91, 0.86%, 0.3%

LAB 52.82, -39.8, 7.53

 

CMYK 93 / 88 / 0 / 44

HEX #0A118E

RGB 10 17 142

HSL 236.82, 0.87%, 0.3%

LAB 17.55, 45.32, -65.9

 

CMYK 0 / 93 / 70 / 44

HEX #8E0A2B

RGB 142 10 43

HSL 345, 0.87%, 0.3%

LAB 29.77, 51.45, 19.5

 

CMYK 0 / 5 / 93 / 44

HEX #8E870A

RGB 142 135 10

HSL 56.82, 0.87%, 0.3%

LAB 55.18, -10.02, 57.94

 

CMYK 92 / 0 / 22 / 44

HEX #0B8F70

RGB 11 143 112

HSL 165.91, 0.86%, 0.3%

LAB 52.82, -39.8, 7.53

 

CMYK 70 / 93 / 0 / 44

HEX #2B0A8E

RGB 43 10 142

HSL 255, 0.87%, 0.3%

LAB 18.73, 49.25, -63.87

 

CMYK 0 / 93 / 70 / 44

HEX #8E0A2B

RGB 142 10 43

HSL 345, 0.87%, 0.3%

LAB 29.77, 51.45, 19.5

 

CMYK 23 / 0 / 93 / 44

HEX #6D8E0A

RGB 109 142 10

HSL 75, 0.87%, 0.3%

LAB 54.68, -28.37, 56.45

 

Description

Color code: HEX #0B8F70 | qconv.com Color code: HEX #0B8F70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 143 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 143 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 22 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 22% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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