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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B99AB it is the complementary color #F46654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B99AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B99AB shade: #1099A6, #21ABB9, #32BDCC, #43CFDF and #54E1F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B99AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B99AB shade: #0B99AB, #008798, #007585, #006372 and #00515F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B99AB shade: #0B9AAC, #0B6EAC, #0B43AC, #0B17AC and #290BAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B99AB shade: #0B9AAC, #0B6EAC, #0B43AC, #0B17AC and #0B0BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B99AB shade matches the following richer shades: #0B9AAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B99AB shade: #0B9AAC, #198E9D, #28838E, #377780 and #466C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B99AB shade: #0BAC66, #0BAC91, #0B9CAC, #0B71AC and #0B46AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B99AB shade: #06555F, #087785, #0B9AAC, #0DBDD3 and #19D8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B99AB shade: #0B99AB, #3B0BAC and #AC7C0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B99AB shade: #0B99AB, #AC0B9C and #9CAC0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B99AB shade: #0B99AB, #3B0BAC, #AC1B0B and #7CAC0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B99AB shade: #0B99AB, #6B0BAC, #AC1B0B and #4BAC0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 11 / 0 / 33

HEX #0B99AB

RGB 11 153 171

HSL 186.75, 0.88%, 0.36%

LAB 57.84, -26.54, -18.87

 

Complementary color

CMYK 0 / 58 / 66 / 4

HEX #F46654

RGB 244 102 84

HSL 6.75, 0.88%, 0.64%

LAB 61.11, 53.41, 37.72

 

CMYK 90 / 8 / 0 / 35

HEX #1099A6

RGB 16 153 166

HSL 185.2, 0.82%, 0.36%

LAB 57.7, -27.97, -16.23

 

CMYK 82 / 8 / 0 / 27

HEX #21ABB9

RGB 33 171 185

HSL 185.53, 0.7%, 0.43%

LAB 64.12, -29.56, -17.18

 

CMYK 75 / 7 / 0 / 20

HEX #32BDCC

RGB 50 189 204

HSL 185.84, 0.61%, 0.5%

LAB 70.48, -30.77, -18.01

 

CMYK 70 / 7 / 0 / 13

HEX #43CFDF

RGB 67 207 223

HSL 186.15, 0.71%, 0.57%

LAB 76.77, -31.69, -18.77

 

CMYK 65 / 7 / 0 / 5

HEX #54E1F2

RGB 84 225 242

HSL 186.46, 0.86%, 0.64%

LAB 82.99, -32.4, -19.45

 

CMYK 94 / 11 / 0 / 33

HEX #0B99AB

RGB 11 153 171

HSL 186.75, 0.88%, 0.36%

LAB 57.84, -26.54, -18.87

 

CMYK 100 / 11 / 0 / 40

HEX #008798

RGB 0 135 152

HSL 186.71, 1%, 0.3%

LAB 51.38, -24.29, -17.81

 

CMYK 100 / 12 / 0 / 48

HEX #007585

RGB 0 117 133

HSL 187.22, 1%, 0.26%

LAB 44.82, -21.54, -16.64

 

CMYK 100 / 13 / 0 / 55

HEX #006372

RGB 0 99 114

HSL 187.89, 1%, 0.22%

LAB 38.09, -18.7, -15.44

 

CMYK 100 / 15 / 0 / 63

HEX #00515F

RGB 0 81 95

HSL 188.84, 1%, 0.19%

LAB 31.14, -15.74, -14.23

 

CMYK 94 / 10 / 0 / 33

HEX #0B9AAC

RGB 11 154 172

HSL 186.71, 0.88%, 0.36%

LAB 58.19, -26.71, -18.9

 

CMYK 94 / 36 / 0 / 33

HEX #0B6EAC

RGB 11 110 172

HSL 203.11, 0.88%, 0.36%

LAB 44.52, -2.19, -40.17

 

CMYK 94 / 61 / 0 / 33

HEX #0B43AC

RGB 11 67 172

HSL 219.13, 0.88%, 0.36%

LAB 31.95, 26.09, -60.43

 

CMYK 94 / 87 / 0 / 33

HEX #0B17AC

RGB 11 23 172

HSL 235.53, 0.88%, 0.36%

LAB 22.52, 52.07, -76.01

 

CMYK 76 / 94 / 0 / 33

HEX #290BAC

RGB 41 11 172

HSL 251.18, 0.88%, 0.36%

LAB 22.62, 56.97, -75.81

 

CMYK 94 / 10 / 0 / 33

HEX #0B9AAC

RGB 11 154 172

HSL 186.71, 0.88%, 0.36%

LAB 58.19, -26.71, -18.9

 

CMYK 94 / 36 / 0 / 33

HEX #0B6EAC

RGB 11 110 172

HSL 203.11, 0.88%, 0.36%

LAB 44.52, -2.19, -40.17

 

CMYK 94 / 61 / 0 / 33

HEX #0B43AC

RGB 11 67 172

HSL 219.13, 0.88%, 0.36%

LAB 31.95, 26.09, -60.43

 

CMYK 94 / 87 / 0 / 33

HEX #0B17AC

RGB 11 23 172

HSL 235.53, 0.88%, 0.36%

LAB 22.52, 52.07, -76.01

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAC

RGB 11 11 172

HSL 240, 0.88%, 0.36%

LAB 21.17, 56.19, -78.27

 

CMYK 94 / 10 / 0 / 33

HEX #0B9AAC

RGB 11 154 172

HSL 186.71, 0.88%, 0.36%

LAB 58.19, -26.71, -18.9

 

CMYK 94 / 10 / 0 / 33

HEX #0B9AAC

RGB 11 154 172

HSL 186.71, 0.88%, 0.36%

LAB 58.19, -26.71, -18.9

 

CMYK 84 / 10 / 0 / 38

HEX #198E9D

RGB 25 142 157

HSL 186.82, 0.73%, 0.36%

LAB 54.01, -24.79, -16.67

 

CMYK 72 / 8 / 0 / 44

HEX #28838E

RGB 40 131 142

HSL 186.47, 0.56%, 0.36%

LAB 50.26, -22.34, -13.63

 

CMYK 57 / 7 / 0 / 50

HEX #377780

RGB 55 119 128

HSL 187.4, 0.4%, 0.36%

LAB 46.4, -17.65, -11.17

 

CMYK 38 / 4 / 0 / 56

HEX #466C71

RGB 70 108 113

HSL 186.98, 0.23%, 0.36%

LAB 43.09, -12.02, -7.07

 

CMYK 94 / 0 / 41 / 33

HEX #0BAC66

RGB 11 172 102

HSL 153.91, 0.88%, 0.36%

LAB 62.11, -53.4, 25.83

 

CMYK 94 / 0 / 16 / 33

HEX #0BAC91

RGB 11 172 145

HSL 169.94, 0.88%, 0.36%

LAB 63.03, -43.24, 3.51

 

CMYK 94 / 9 / 0 / 33

HEX #0B9CAC

RGB 11 156 172

HSL 185.96, 0.88%, 0.36%

LAB 58.81, -27.71, -17.95

 

CMYK 94 / 34 / 0 / 33

HEX #0B71AC

RGB 11 113 172

HSL 201.99, 0.88%, 0.36%

LAB 45.44, -4.03, -38.71

 

CMYK 94 / 59 / 0 / 33

HEX #0B46AC

RGB 11 70 172

HSL 218.01, 0.88%, 0.36%

LAB 32.77, 24.06, -59.1

 

CMYK 94 / 11 / 0 / 63

HEX #06555F

RGB 6 85 95

HSL 186.74, 0.88%, 0.2%

LAB 32.62, -17.47, -11.97

 

CMYK 94 / 11 / 0 / 48

HEX #087785

RGB 8 119 133

HSL 186.72, 0.89%, 0.28%

LAB 45.55, -22.15, -15.52

 

CMYK 94 / 10 / 0 / 33

HEX #0B9AAC

RGB 11 154 172

HSL 186.71, 0.88%, 0.36%

LAB 58.19, -26.71, -18.9

 

CMYK 94 / 10 / 0 / 17

HEX #0DBDD3

RGB 13 189 211

HSL 186.67, 0.88%, 0.44%

LAB 70.3, -31.11, -22.14

 

CMYK 90 / 10 / 0 / 6

HEX #19D8F0

RGB 25 216 240

HSL 186.7, 0.88%, 0.52%

LAB 79.39, -34.35, -23.94

 

CMYK 94 / 11 / 0 / 33

HEX #0B99AB

RGB 11 153 171

HSL 186.75, 0.88%, 0.36%

LAB 57.84, -26.54, -18.87

 

CMYK 66 / 94 / 0 / 33

HEX #3B0BAC

RGB 59 11 172

HSL 257.89, 0.88%, 0.36%

LAB 24.15, 57.9, -73.21

 

CMYK 0 / 28 / 94 / 33

HEX #AC7C0B

RGB 172 124 11

HSL 42.11, 0.88%, 0.36%

LAB 55.29, 9.98, 59.22

 

CMYK 94 / 11 / 0 / 33

HEX #0B99AB

RGB 11 153 171

HSL 186.75, 0.88%, 0.36%

LAB 57.84, -26.54, -18.87

 

CMYK 0 / 94 / 9 / 33

HEX #AC0B9C

RGB 172 11 156

HSL 305.96, 0.88%, 0.36%

LAB 40.26, 69.67, -36.57

 

CMYK 9 / 0 / 94 / 33

HEX #9CAC0B

RGB 156 172 11

HSL 65.96, 0.88%, 0.36%

LAB 66.97, -22.89, 67.47

 

CMYK 94 / 11 / 0 / 33

HEX #0B99AB

RGB 11 153 171

HSL 186.75, 0.88%, 0.36%

LAB 57.84, -26.54, -18.87

 

CMYK 66 / 94 / 0 / 33

HEX #3B0BAC

RGB 59 11 172

HSL 257.89, 0.88%, 0.36%

LAB 24.15, 57.9, -73.21

 

CMYK 0 / 84 / 94 / 33

HEX #AC1B0B

RGB 172 27 11

HSL 5.96, 0.88%, 0.36%

LAB 37.08, 55.49, 46.45

 

CMYK 28 / 0 / 94 / 33

HEX #7CAC0B

RGB 124 172 11

HSL 77.89, 0.88%, 0.36%

LAB 64.81, -36.2, 64.85

 

CMYK 94 / 11 / 0 / 33

HEX #0B99AB

RGB 11 153 171

HSL 186.75, 0.88%, 0.36%

LAB 57.84, -26.54, -18.87

 

CMYK 38 / 94 / 0 / 33

HEX #6B0BAC

RGB 107 11 172

HSL 275.78, 0.88%, 0.36%

LAB 30.26, 62.3, -62.92

 

CMYK 0 / 84 / 94 / 33

HEX #AC1B0B

RGB 172 27 11

HSL 5.96, 0.88%, 0.36%

LAB 37.08, 55.49, 46.45

 

CMYK 56 / 0 / 94 / 33

HEX #4BAC0B

RGB 75 172 11

HSL 96.15, 0.88%, 0.36%

LAB 62.53, -52.88, 62.04

 

Description

Color code: HEX #0B99AB | qconv.com Color code: HEX #0B99AB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 153 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 153 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 11 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 11% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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