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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BAB62 it is the complementary color #F4549D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BAB62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BAB62 shade: #10AB5D, #21BD70, #32CF83, #43E196 and #54F3A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BAB62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BAB62 shade: #0BAB62, #00994F, #00873C, #007529 and #006316

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BAB62 shade: #0BAC62, #0BAC37, #0BAC0B, #35AC0B and #61AC0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BAB62 shade: #0BAC62, #0BAC8E, #0B9FAC, #0B73AC and #0B48AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BAB62 shade matches the following richer shades: #0BAC62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BAB62 shade: #0BAC62, #199D61, #288E60, #37805E and #46715D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BAB62 shade: #0BAC0B, #0BAC36, #0BAC61, #0BAC8C and #0BA1AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BAB62 shade: #065F36, #08854C, #0BAC62, #0DD379 and #19F08E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BAB62 shade: #0BAB62, #0B36AC and #AC200B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BAB62 shade: #0BAB62, #610BAC and #AC610B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BAB62 shade: #0BAB62, #0B36AC, #AC0B56 and #AC810B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BAB62 shade: #0BAB62, #100BAC, #AC0B56 and #A7AC0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 43 / 33

HEX #0BAB62

RGB 11 171 98

HSL 152.63, 0.88%, 0.36%

LAB 61.72, -53.82, 27.44

 

Complementary color

CMYK 0 / 66 / 36 / 4

HEX #F4549D

RGB 244 84 157

HSL 332.63, 0.88%, 0.64%

LAB 59.9, 67.02, -5.95

 

CMYK 91 / 0 / 46 / 33

HEX #10AB5D

RGB 16 171 93

HSL 149.81, 0.83%, 0.37%

LAB 61.68, -54.48, 30.02

 

CMYK 83 / 0 / 41 / 26

HEX #21BD70

RGB 33 189 112

HSL 150.38, 0.7%, 0.44%

LAB 67.94, -55.98, 28.26

 

CMYK 76 / 0 / 37 / 19

HEX #32CF83

RGB 50 207 131

HSL 150.96, 0.62%, 0.5%

LAB 74.15, -56.99, 26.65

 

CMYK 70 / 0 / 33 / 12

HEX #43E196

RGB 67 225 150

HSL 151.52, 0.72%, 0.57%

LAB 80.32, -57.65, 25.16

 

CMYK 65 / 0 / 30 / 5

HEX #54F3A9

RGB 84 243 169

HSL 152.08, 0.87%, 0.64%

LAB 86.43, -58.06, 23.79

 

CMYK 94 / 0 / 43 / 33

HEX #0BAB62

RGB 11 171 98

HSL 152.63, 0.88%, 0.36%

LAB 61.72, -53.82, 27.44

 

CMYK 100 / 0 / 48 / 40

HEX #00994F

RGB 0 153 79

HSL 150.98, 1%, 0.3%

LAB 55.43, -51.57, 29.36

 

CMYK 100 / 0 / 56 / 47

HEX #00873C

RGB 0 135 60

HSL 146.67, 1%, 0.26%

LAB 49.07, -48.62, 31.38

 

CMYK 100 / 0 / 65 / 54

HEX #007529

RGB 0 117 41

HSL 141.03, 1%, 0.23%

LAB 42.59, -45.35, 33.28

 

CMYK 100 / 0 / 78 / 61

HEX #006316

RGB 0 99 22

HSL 133.33, 1%, 0.19%

LAB 35.95, -41.62, 34.68

 

CMYK 94 / 0 / 43 / 33

HEX #0BAC62

RGB 11 172 98

HSL 152.42, 0.88%, 0.36%

LAB 62.05, -54.17, 27.86

 

CMYK 94 / 0 / 68 / 33

HEX #0BAC37

RGB 11 172 55

HSL 136.4, 0.88%, 0.36%

LAB 61.53, -60.52, 48

 

CMYK 94 / 0 / 94 / 33

HEX #0BAC0B

RGB 11 172 11

HSL 120, 0.88%, 0.36%

LAB 61.31, -63.32, 60.53

 

CMYK 69 / 0 / 94 / 33

HEX #35AC0B

RGB 53 172 11

HSL 104.35, 0.88%, 0.36%

LAB 61.9, -58.09, 61.27

 

CMYK 44 / 0 / 94 / 33

HEX #61AC0B

RGB 97 172 11

HSL 87.95, 0.88%, 0.36%

LAB 63.4, -46.13, 63.12

 

CMYK 94 / 0 / 43 / 33

HEX #0BAC62

RGB 11 172 98

HSL 152.42, 0.88%, 0.36%

LAB 62.05, -54.17, 27.86

 

CMYK 94 / 0 / 17 / 33

HEX #0BAC8E

RGB 11 172 142

HSL 168.82, 0.88%, 0.36%

LAB 62.95, -44.04, 5.07

 

CMYK 94 / 8 / 0 / 33

HEX #0B9FAC

RGB 11 159 172

HSL 184.84, 0.88%, 0.36%

LAB 59.75, -29.2, -16.53

 

CMYK 94 / 33 / 0 / 33

HEX #0B73AC

RGB 11 115 172

HSL 201.24, 0.88%, 0.36%

LAB 46.06, -5.23, -37.74

 

CMYK 94 / 58 / 0 / 33

HEX #0B48AC

RGB 11 72 172

HSL 217.27, 0.88%, 0.36%

LAB 33.32, 22.69, -58.2

 

CMYK 94 / 0 / 43 / 33

HEX #0BAC62

RGB 11 172 98

HSL 152.42, 0.88%, 0.36%

LAB 62.05, -54.17, 27.86

 

CMYK 94 / 0 / 43 / 33

HEX #0BAC62

RGB 11 172 98

HSL 152.42, 0.88%, 0.36%

LAB 62.05, -54.17, 27.86

 

CMYK 84 / 0 / 38 / 38

HEX #199D61

RGB 25 157 97

HSL 152.73, 0.73%, 0.36%

LAB 57.25, -47.88, 22.1

 

CMYK 72 / 0 / 32 / 44

HEX #288E60

RGB 40 142 96

HSL 152.94, 0.56%, 0.36%

LAB 52.56, -40.15, 16.34

 

CMYK 57 / 0 / 27 / 50

HEX #37805E

RGB 55 128 94

HSL 152.05, 0.4%, 0.36%

LAB 48.33, -31.33, 11.72

 

CMYK 38 / 0 / 18 / 56

HEX #46715D

RGB 70 113 93

HSL 152.09, 0.23%, 0.36%

LAB 44.09, -19.82, 6.43

 

CMYK 94 / 0 / 94 / 33

HEX #0BAC0B

RGB 11 172 11

HSL 120, 0.88%, 0.36%

LAB 61.31, -63.32, 60.53

 

CMYK 94 / 0 / 69 / 33

HEX #0BAC36

RGB 11 172 54

HSL 136.02, 0.88%, 0.36%

LAB 61.52, -60.63, 48.41

 

CMYK 94 / 0 / 44 / 33

HEX #0BAC61

RGB 11 172 97

HSL 152.05, 0.88%, 0.36%

LAB 62.03, -54.36, 28.37

 

CMYK 94 / 0 / 19 / 33

HEX #0BAC8C

RGB 11 172 140

HSL 168.07, 0.88%, 0.36%

LAB 62.9, -44.57, 6.11

 

CMYK 94 / 6 / 0 / 33

HEX #0BA1AC

RGB 11 161 172

HSL 184.1, 0.88%, 0.36%

LAB 60.37, -30.18, -15.59

 

CMYK 94 / 0 / 43 / 63

HEX #065F36

RGB 6 95 54

HSL 152.36, 0.88%, 0.2%

LAB 34.98, -34.51, 16.89

 

CMYK 94 / 0 / 43 / 48

HEX #08854C

RGB 8 133 76

HSL 152.64, 0.89%, 0.28%

LAB 48.7, -44.47, 22.31

 

CMYK 94 / 0 / 43 / 33

HEX #0BAC62

RGB 11 172 98

HSL 152.42, 0.88%, 0.36%

LAB 62.05, -54.17, 27.86

 

CMYK 94 / 0 / 43 / 17

HEX #0DD379

RGB 13 211 121

HSL 152.73, 0.88%, 0.44%

LAB 74.86, -63.31, 32.66

 

CMYK 90 / 0 / 41 / 6

HEX #19F08E

RGB 25 240 142

HSL 152.65, 0.88%, 0.52%

LAB 84.21, -68.72, 34.34

 

CMYK 94 / 0 / 43 / 33

HEX #0BAB62

RGB 11 171 98

HSL 152.63, 0.88%, 0.36%

LAB 61.72, -53.82, 27.44

 

CMYK 94 / 69 / 0 / 33

HEX #0B36AC

RGB 11 54 172

HSL 223.98, 0.88%, 0.36%

LAB 28.61, 34.79, -65.91

 

CMYK 0 / 81 / 94 / 33

HEX #AC200B

RGB 172 32 11

HSL 7.83, 0.88%, 0.36%

LAB 37.53, 54.2, 46.74

 

CMYK 94 / 0 / 43 / 33

HEX #0BAB62

RGB 11 171 98

HSL 152.63, 0.88%, 0.36%

LAB 61.72, -53.82, 27.44

 

CMYK 44 / 94 / 0 / 33

HEX #610BAC

RGB 97 11 172

HSL 272.05, 0.88%, 0.36%

LAB 28.8, 61.15, -65.38

 

CMYK 0 / 44 / 94 / 33

HEX #AC610B

RGB 172 97 11

HSL 32.05, 0.88%, 0.36%

LAB 48.69, 25.09, 54.4

 

CMYK 94 / 0 / 43 / 33

HEX #0BAB62

RGB 11 171 98

HSL 152.63, 0.88%, 0.36%

LAB 61.72, -53.82, 27.44

 

CMYK 94 / 69 / 0 / 33

HEX #0B36AC

RGB 11 54 172

HSL 223.98, 0.88%, 0.36%

LAB 28.61, 34.79, -65.91

 

CMYK 0 / 94 / 50 / 33

HEX #AC0B56

RGB 172 11 86

HSL 332.05, 0.88%, 0.36%

LAB 37.27, 61.8, 2.57

 

CMYK 0 / 25 / 94 / 33

HEX #AC810B

RGB 172 129 11

HSL 43.98, 0.88%, 0.36%

LAB 56.58, 7.19, 60.18

 

CMYK 94 / 0 / 43 / 33

HEX #0BAB62

RGB 11 171 98

HSL 152.63, 0.88%, 0.36%

LAB 61.72, -53.82, 27.44

 

CMYK 91 / 94 / 0 / 33

HEX #100BAC

RGB 16 11 172

HSL 241.86, 0.88%, 0.36%

LAB 21.31, 56.26, -78.02

 

CMYK 0 / 94 / 50 / 33

HEX #AC0B56

RGB 172 11 86

HSL 332.05, 0.88%, 0.36%

LAB 37.27, 61.8, 2.57

 

CMYK 3 / 0 / 94 / 33

HEX #A7AC0B

RGB 167 172 11

HSL 61.86, 0.88%, 0.36%

LAB 67.83, -18.1, 68.51

 

Description

Color code: HEX #0BAB62 | qconv.com Color code: HEX #0BAB62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 171 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 171 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 43 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 43% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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