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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BAF00 it is the complementary color #F450FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BAF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BAF00 shade: #10AF00, #21C10E, #32D321, #43E534 and #54F747

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BAF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BAF00 shade: #0BAF00, #009D00, #008B00, #007900 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BAF00 shade: #0AAD00, #39AD00, #68AD00, #97AD00 and #AD9400

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BAF00 shade: #0AAD00, #00AD23, #00AD52, #00AD81 and #00AAAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BAF00 shade matches the following richer shades: #0AAD00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BAF00 shade: #0AAD00, #179F0E, #23911C, #2F832A and #3B7538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BAF00 shade: #68AD00, #39AD00, #0BAD00, #00AD22 and #00AD50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BAF00 shade: #055A00, #088400, #0AAD00, #0DD600 and #10FF00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BAF00 shade: #0BAF00, #0096AD and #AD0050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BAF00 shade: #0BAF00, #000BAD and #AD000B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BAF00 shade: #0BAF00, #0096AD, #A100AD and #AD1700

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BAF00 shade: #0BAF00, #0062AD, #A100AD and #AD4B00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 100 / 31

HEX #0BAF00

RGB 11 175 0

HSL 116.23, 1%, 0.34%

LAB 62.28, -64.43, 62.79

 

Complementary color

CMYK 4 / 69 / 0 / 0

HEX #F450FF

RGB 244 80 255

HSL 296.23, 1%, 0.66%

LAB 63.5, 81.98, -55.87

 

CMYK 91 / 0 / 100 / 31

HEX #10AF00

RGB 16 175 0

HSL 114.51, 1%, 0.34%

LAB 62.31, -64.13, 62.83

 

CMYK 83 / 0 / 93 / 24

HEX #21C10E

RGB 33 193 14

HSL 113.63, 0.86%, 0.41%

LAB 68.38, -67.44, 66.13

 

CMYK 76 / 0 / 84 / 17

HEX #32D321

RGB 50 211 33

HSL 114.27, 0.73%, 0.48%

LAB 74.43, -69.92, 67.92

 

CMYK 71 / 0 / 77 / 10

HEX #43E534

RGB 67 229 52

HSL 114.92, 0.77%, 0.55%

LAB 80.45, -71.72, 68.54

 

CMYK 66 / 0 / 71 / 3

HEX #54F747

RGB 84 247 71

HSL 115.57, 0.92%, 0.62%

LAB 86.44, -73.01, 68.4

 

CMYK 94 / 0 / 100 / 31

HEX #0BAF00

RGB 11 175 0

HSL 116.23, 1%, 0.34%

LAB 62.28, -64.43, 62.79

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 94 / 0 / 100 / 32

HEX #0AAD00

RGB 10 173 0

HSL 116.53, 1%, 0.34%

LAB 61.61, -63.92, 62.26

 

CMYK 67 / 0 / 100 / 32

HEX #39AD00

RGB 57 173 0

HSL 100.23, 1%, 0.34%

LAB 62.3, -57.85, 63.1

 

CMYK 40 / 0 / 100 / 32

HEX #68AD00

RGB 104 173 0

HSL 83.93, 1%, 0.34%

LAB 64.02, -44.33, 65.18

 

CMYK 13 / 0 / 100 / 32

HEX #97AD00

RGB 151 173 0

HSL 67.63, 1%, 0.34%

LAB 66.87, -25.69, 68.61

 

CMYK 0 / 14 / 100 / 32

HEX #AD9400

RGB 173 148 0

HSL 51.33, 1%, 0.34%

LAB 61.71, -2.96, 65.68

 

CMYK 94 / 0 / 100 / 32

HEX #0AAD00

RGB 10 173 0

HSL 116.53, 1%, 0.34%

LAB 61.61, -63.92, 62.26

 

CMYK 100 / 0 / 80 / 32

HEX #00AD23

RGB 0 173 35

HSL 132.14, 1%, 0.34%

LAB 61.66, -63.07, 55.42

 

CMYK 100 / 0 / 53 / 32

HEX #00AD52

RGB 0 173 82

HSL 148.44, 1%, 0.34%

LAB 62.08, -57.82, 36.14

 

CMYK 100 / 0 / 25 / 32

HEX #00AD81

RGB 0 173 129

HSL 164.74, 1%, 0.34%

LAB 62.9, -48.23, 12.21

 

CMYK 100 / 2 / 0 / 32

HEX #00AAAD

RGB 0 170 173

HSL 181.04, 1%, 0.34%

LAB 63.15, -34.55, -11.97

 

CMYK 94 / 0 / 100 / 32

HEX #0AAD00

RGB 10 173 0

HSL 116.53, 1%, 0.34%

LAB 61.61, -63.92, 62.26

 

CMYK 94 / 0 / 100 / 32

HEX #0AAD00

RGB 10 173 0

HSL 116.53, 1%, 0.34%

LAB 61.61, -63.92, 62.26

 

CMYK 86 / 0 / 91 / 38

HEX #179F0E

RGB 23 159 14

HSL 116.28, 0.84%, 0.34%

LAB 57.09, -58.53, 56.52

 

CMYK 76 / 0 / 81 / 43

HEX #23911C

RGB 35 145 28

HSL 116.41, 0.68%, 0.34%

LAB 52.61, -51.87, 49.09

 

CMYK 64 / 0 / 68 / 49

HEX #2F832A

RGB 47 131 42

HSL 116.63, 0.51%, 0.34%

LAB 48.27, -43.29, 39.37

 

CMYK 50 / 0 / 52 / 54

HEX #3B7538

RGB 59 117 56

HSL 117.05, 0.35%, 0.34%

LAB 44.14, -32.37, 27.74

 

CMYK 40 / 0 / 100 / 32

HEX #68AD00

RGB 104 173 0

HSL 83.93, 1%, 0.34%

LAB 64.02, -44.33, 65.18

 

CMYK 67 / 0 / 100 / 32

HEX #39AD00

RGB 57 173 0

HSL 100.23, 1%, 0.34%

LAB 62.3, -57.85, 63.1

 

CMYK 94 / 0 / 100 / 32

HEX #0BAD00

RGB 11 173 0

HSL 116.18, 1%, 0.34%

LAB 61.62, -63.87, 62.26

 

CMYK 100 / 0 / 80 / 32

HEX #00AD22

RGB 0 173 34

HSL 131.79, 1%, 0.34%

LAB 61.66, -63.14, 55.72

 

CMYK 100 / 0 / 54 / 32

HEX #00AD50

RGB 0 173 80

HSL 147.75, 1%, 0.34%

LAB 62.05, -58.13, 37.1

 

CMYK 94 / 0 / 100 / 65

HEX #055A00

RGB 5 90 0

HSL 116.67, 1%, 0.18%

LAB 32.58, -39.65, 38.98

 

CMYK 94 / 0 / 100 / 48

HEX #088400

RGB 8 132 0

HSL 116.36, 1%, 0.26%

LAB 47.69, -52.25, 51.1

 

CMYK 94 / 0 / 100 / 32

HEX #0AAD00

RGB 10 173 0

HSL 116.53, 1%, 0.34%

LAB 61.61, -63.92, 62.26

 

CMYK 94 / 0 / 100 / 16

HEX #0DD600

RGB 13 214 0

HSL 116.36, 1%, 0.42%

LAB 74.94, -75.01, 72.94

 

CMYK 94 / 0 / 100 / 0

HEX #10FF00

RGB 16 255 0

HSL 116.24, 1%, 0.5%

LAB 87.79, -85.7, 83.25

 

CMYK 94 / 0 / 100 / 31

HEX #0BAF00

RGB 11 175 0

HSL 116.23, 1%, 0.34%

LAB 62.28, -64.43, 62.79

 

CMYK 100 / 13 / 0 / 32

HEX #0096AD

RGB 0 150 173

HSL 187.98, 1%, 0.34%

LAB 56.91, -24.76, -21.43

 

CMYK 0 / 100 / 54 / 32

HEX #AD0050

RGB 173 0 80

HSL 332.25, 1%, 0.34%

LAB 36.86, 62.86, 5.89

 

CMYK 94 / 0 / 100 / 31

HEX #0BAF00

RGB 11 175 0

HSL 116.23, 1%, 0.34%

LAB 62.28, -64.43, 62.79

 

CMYK 100 / 94 / 0 / 32

HEX #000BAD

RGB 0 11 173

HSL 236.18, 1%, 0.34%

LAB 21.04, 56.33, -79.09

 

CMYK 0 / 100 / 94 / 32

HEX #AD000B

RGB 173 0 11

HSL 356.18, 1%, 0.34%

LAB 35.81, 60.02, 45.77

 

CMYK 94 / 0 / 100 / 31

HEX #0BAF00

RGB 11 175 0

HSL 116.23, 1%, 0.34%

LAB 62.28, -64.43, 62.79

 

CMYK 100 / 13 / 0 / 32

HEX #0096AD

RGB 0 150 173

HSL 187.98, 1%, 0.34%

LAB 56.91, -24.76, -21.43

 

CMYK 7 / 100 / 0 / 32

HEX #A100AD

RGB 161 0 173

HSL 295.84, 1%, 0.34%

LAB 38.89, 71.52, -49.09

 

CMYK 0 / 87 / 100 / 32

HEX #AD1700

RGB 173 23 0

HSL 7.98, 1%, 0.34%

LAB 36.92, 56.54, 50.67

 

CMYK 94 / 0 / 100 / 31

HEX #0BAF00

RGB 11 175 0

HSL 116.23, 1%, 0.34%

LAB 62.28, -64.43, 62.79

 

CMYK 100 / 43 / 0 / 32

HEX #0062AD

RGB 0 98 173

HSL 206.01, 1%, 0.34%

LAB 40.82, 5.29, -46.66

 

CMYK 7 / 100 / 0 / 32

HEX #A100AD

RGB 161 0 173

HSL 295.84, 1%, 0.34%

LAB 38.89, 71.52, -49.09

 

CMYK 0 / 57 / 100 / 32

HEX #AD4B00

RGB 173 75 0

HSL 26.01, 1%, 0.34%

LAB 44.11, 37.04, 54.2

 

Description

Color code: HEX #0BAF00 | qconv.com Color code: HEX #0BAF00 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 175 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 175 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 100 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 100% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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