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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BB621 it is the complementary color #F449DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BB621. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BB621 shade: #10B61C, #21C82F, #32DA42, #43EC55 and #54FE68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BB621. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BB621 shade: #0BB621, #00A40E, #009200, #008000 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BB621 shade: #0AB720, #22B70A, #51B70A, #80B70A and #AEB70A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BB621 shade: #0AB720, #0AB74F, #0AB77D, #0AB7AC and #0A93B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BB621 shade matches the following richer shades: #0AB720

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BB621 shade: #0AB720, #1AA72C, #2A9738, #398843 and #49784F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BB621 shade: #52B70A, #24B70A, #0AB71E, #0AB74C and #0AB77A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BB621 shade: #066912, #089019, #0AB720, #0CDE27 and #22F23C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BB621 shade: #0BB621, #0A80B7 and #B70A3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BB621 shade: #0BB621, #1E0AB7 and #B71E0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BB621 shade: #0BB621, #0A80B7, #B70AA3 and #B7410A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BB621 shade: #0BB621, #0A4CB7, #B70AA3 and #B7750A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 82 / 29

HEX #0BB621

RGB 11 182 33

HSL 127.72, 0.89%, 0.38%

LAB 64.67, -65.24, 58.86

 

Complementary color

CMYK 0 / 70 / 9 / 4

HEX #F449DE

RGB 244 73 222

HSL 307.72, 0.89%, 0.62%

LAB 61.02, 79.23, -41.42

 

CMYK 91 / 0 / 85 / 29

HEX #10B61C

RGB 16 182 28

HSL 124.34, 0.84%, 0.39%

LAB 64.68, -65.23, 60.19

 

CMYK 84 / 0 / 77 / 22

HEX #21C82F

RGB 33 200 47

HSL 125.03, 0.72%, 0.46%

LAB 70.76, -67.92, 60.52

 

CMYK 77 / 0 / 70 / 15

HEX #32DA42

RGB 50 218 66

HSL 125.71, 0.69%, 0.53%

LAB 76.81, -69.86, 60.05

 

CMYK 72 / 0 / 64 / 7

HEX #43EC55

RGB 67 236 85

HSL 126.39, 0.82%, 0.59%

LAB 82.83, -71.22, 59.14

 

CMYK 67 / 0 / 59 / 0

HEX #54FE68

RGB 84 254 104

HSL 127.06, 0.99%, 0.66%

LAB 88.81, -72.16, 58.01

 

CMYK 94 / 0 / 82 / 29

HEX #0BB621

RGB 11 182 33

HSL 127.72, 0.89%, 0.38%

LAB 64.67, -65.24, 58.86

 

CMYK 100 / 0 / 91 / 36

HEX #00A40E

RGB 0 164 14

HSL 125.12, 1%, 0.32%

LAB 58.59, -61.55, 57.74

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 95 / 0 / 83 / 28

HEX #0AB720

RGB 10 183 32

HSL 127.63, 0.9%, 0.38%

LAB 64.99, -65.63, 59.43

 

CMYK 81 / 0 / 95 / 28

HEX #22B70A

RGB 34 183 10

HSL 111.68, 0.9%, 0.38%

LAB 65.14, -64.51, 63.95

 

CMYK 56 / 0 / 95 / 28

HEX #51B70A

RGB 81 183 10

HSL 95.38, 0.9%, 0.38%

LAB 66.24, -55.22, 65.3

 

CMYK 30 / 0 / 95 / 28

HEX #80B70A

RGB 128 183 10

HSL 79.08, 0.9%, 0.38%

LAB 68.37, -39.55, 67.91

 

CMYK 5 / 0 / 95 / 28

HEX #AEB70A

RGB 174 183 10

HSL 63.12, 0.9%, 0.38%

LAB 71.48, -20.59, 71.67

 

CMYK 95 / 0 / 83 / 28

HEX #0AB720

RGB 10 183 32

HSL 127.63, 0.9%, 0.38%

LAB 64.99, -65.63, 59.43

 

CMYK 95 / 0 / 57 / 28

HEX #0AB74F

RGB 10 183 79

HSL 143.93, 0.9%, 0.38%

LAB 65.35, -61.06, 41.58

 

CMYK 95 / 0 / 32 / 28

HEX #0AB77D

RGB 10 183 125

HSL 159.88, 0.9%, 0.38%

LAB 66.07, -52.63, 18.8

 

CMYK 95 / 0 / 6 / 28

HEX #0AB7AC

RGB 10 183 172

HSL 176.18, 0.9%, 0.38%

LAB 67.21, -40.43, -5.36

 

CMYK 95 / 20 / 0 / 28

HEX #0A93B7

RGB 10 147 183

HSL 192.49, 0.9%, 0.38%

LAB 56.44, -19.33, -27.84

 

CMYK 95 / 0 / 83 / 28

HEX #0AB720

RGB 10 183 32

HSL 127.63, 0.9%, 0.38%

LAB 64.99, -65.63, 59.43

 

CMYK 95 / 0 / 83 / 28

HEX #0AB720

RGB 10 183 32

HSL 127.63, 0.9%, 0.38%

LAB 64.99, -65.63, 59.43

 

CMYK 84 / 0 / 74 / 35

HEX #1AA72C

RGB 26 167 44

HSL 127.66, 0.73%, 0.38%

LAB 59.92, -58.87, 50.71

 

CMYK 72 / 0 / 63 / 41

HEX #2A9738

RGB 42 151 56

HSL 127.71, 0.56%, 0.38%

LAB 54.98, -50.1, 40.42

 

CMYK 58 / 0 / 51 / 47

HEX #398843

RGB 57 136 67

HSL 127.59, 0.41%, 0.38%

LAB 50.55, -39.52, 29.78

 

CMYK 39 / 0 / 34 / 53

HEX #49784F

RGB 73 120 79

HSL 127.66, 0.24%, 0.38%

LAB 46.2, -25.35, 17.61

 

CMYK 55 / 0 / 95 / 28

HEX #52B70A

RGB 82 183 10

HSL 95.03, 0.9%, 0.38%

LAB 66.28, -54.94, 65.35

 

CMYK 80 / 0 / 95 / 28

HEX #24B70A

RGB 36 183 10

HSL 110.98, 0.9%, 0.38%

LAB 65.17, -64.26, 63.98

 

CMYK 95 / 0 / 84 / 28

HEX #0AB71E

RGB 10 183 30

HSL 126.94, 0.9%, 0.38%

LAB 64.98, -65.74, 59.95

 

CMYK 95 / 0 / 58 / 28

HEX #0AB74C

RGB 10 183 76

HSL 142.89, 0.9%, 0.38%

LAB 65.32, -61.47, 42.95

 

CMYK 95 / 0 / 33 / 28

HEX #0AB77A

RGB 10 183 122

HSL 158.84, 0.9%, 0.38%

LAB 66.01, -53.29, 20.33

 

CMYK 94 / 0 / 83 / 59

HEX #066912

RGB 6 105 18

HSL 127.27, 0.89%, 0.22%

LAB 38.17, -43.26, 38.42

 

CMYK 94 / 0 / 83 / 44

HEX #089019

RGB 8 144 25

HSL 127.5, 0.89%, 0.3%

LAB 51.91, -54.75, 49.23

 

CMYK 95 / 0 / 83 / 28

HEX #0AB720

RGB 10 183 32

HSL 127.63, 0.9%, 0.38%

LAB 64.99, -65.63, 59.43

 

CMYK 95 / 0 / 82 / 13

HEX #0CDE27

RGB 12 222 39

HSL 127.71, 0.9%, 0.46%

LAB 77.56, -76.06, 69.18

 

CMYK 86 / 0 / 75 / 5

HEX #22F23C

RGB 34 242 60

HSL 127.5, 0.89%, 0.54%

LAB 84.05, -79.04, 69.42

 

CMYK 94 / 0 / 82 / 29

HEX #0BB621

RGB 11 182 33

HSL 127.72, 0.89%, 0.38%

LAB 64.67, -65.24, 58.86

 

CMYK 95 / 30 / 0 / 28

HEX #0A80B7

RGB 10 128 183

HSL 199.08, 0.9%, 0.38%

LAB 50.6, -8.74, -36.96

 

CMYK 0 / 95 / 68 / 28

HEX #B70A3B

RGB 183 10 59

HSL 343.01, 0.9%, 0.38%

LAB 38.9, 62.86, 22.53

 

CMYK 94 / 0 / 82 / 29

HEX #0BB621

RGB 11 182 33

HSL 127.72, 0.89%, 0.38%

LAB 64.67, -65.24, 58.86

 

CMYK 84 / 95 / 0 / 28

HEX #1E0AB7

RGB 30 10 183

HSL 246.94, 0.9%, 0.38%

LAB 23.38, 59.77, -81.16

 

CMYK 0 / 84 / 95 / 28

HEX #B71E0A

RGB 183 30 10

HSL 6.94, 0.9%, 0.38%

LAB 39.61, 57.93, 49.51

 

CMYK 94 / 0 / 82 / 29

HEX #0BB621

RGB 11 182 33

HSL 127.72, 0.89%, 0.38%

LAB 64.67, -65.24, 58.86

 

CMYK 95 / 30 / 0 / 28

HEX #0A80B7

RGB 10 128 183

HSL 199.08, 0.9%, 0.38%

LAB 50.6, -8.74, -36.96

 

CMYK 0 / 95 / 11 / 28

HEX #B70AA3

RGB 183 10 163

HSL 306.94, 0.9%, 0.38%

LAB 42.66, 72.78, -36.86

 

CMYK 0 / 64 / 95 / 28

HEX #B7410A

RGB 183 65 10

HSL 19.08, 0.9%, 0.38%

LAB 44.05, 45.71, 52.27

 

CMYK 94 / 0 / 82 / 29

HEX #0BB621

RGB 11 182 33

HSL 127.72, 0.89%, 0.38%

LAB 64.67, -65.24, 58.86

 

CMYK 95 / 58 / 0 / 28

HEX #0A4CB7

RGB 10 76 183

HSL 217.11, 0.9%, 0.38%

LAB 35.31, 24.4, -61.48

 

CMYK 0 / 95 / 11 / 28

HEX #B70AA3

RGB 183 10 163

HSL 306.94, 0.9%, 0.38%

LAB 42.66, 72.78, -36.86

 

CMYK 0 / 36 / 95 / 28

HEX #B7750A

RGB 183 117 10

HSL 37.11, 0.9%, 0.38%

LAB 54.88, 18.84, 59.7

 

Description

Color code: HEX #0BB621 | qconv.com Color code: HEX #0BB621 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 182 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 182 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 82 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 82% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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