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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BB66C it is the complementary color #F44993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BB66C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BB66C shade: #10B667, #21C87A, #32DA8D, #43ECA0 and #54FEB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BB66C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BB66C shade: #0BB66C, #00A459, #009246, #008033 and #006E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BB66C shade: #0AB76C, #0AB73E, #0AB70F, #34B70A and #62B70A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BB66C shade: #0AB76C, #0AB79B, #0AA4B7, #0A76B7 and #0A47B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BB66C shade matches the following richer shades: #0AB76C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BB66C shade: #0AB76C, #1AA76A, #2A9768, #398866 and #497864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BB66C shade: #0AB710, #0AB73E, #0AB76C, #0AB79A and #0AA5B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BB66C shade: #06693E, #089055, #0AB76C, #0CDE83 and #22F298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BB66C shade: #0BB66C, #0A32B7 and #B7270A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BB66C shade: #0BB66C, #6C0AB7 and #B76C0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BB66C shade: #0BB66C, #0A32B7, #B70A55 and #B78E0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BB66C shade: #0BB66C, #160AB7, #B70A55 and #ABB70A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 41 / 29

HEX #0BB66C

RGB 11 182 108

HSL 154.04, 0.89%, 0.38%

LAB 65.44, -55.79, 27.04

 

Complementary color

CMYK 0 / 70 / 40 / 4

HEX #F44993

RGB 244 73 147

HSL 334.04, 0.89%, 0.62%

LAB 58.14, 70.02, -2.71

 

CMYK 91 / 0 / 43 / 29

HEX #10B667

RGB 16 182 103

HSL 151.45, 0.84%, 0.39%

LAB 65.39, -56.49, 29.6

 

CMYK 84 / 0 / 39 / 22

HEX #21C87A

RGB 33 200 122

HSL 151.98, 0.72%, 0.46%

LAB 71.58, -58.02, 27.86

 

CMYK 77 / 0 / 35 / 15

HEX #32DA8D

RGB 50 218 141

HSL 152.5, 0.69%, 0.53%

LAB 77.72, -59.09, 26.26

 

CMYK 72 / 0 / 32 / 7

HEX #43ECA0

RGB 67 236 160

HSL 153.02, 0.82%, 0.59%

LAB 83.82, -59.81, 24.78

 

CMYK 67 / 0 / 30 / 0

HEX #54FEB3

RGB 84 254 179

HSL 153.53, 0.99%, 0.66%

LAB 89.87, -60.29, 23.42

 

CMYK 94 / 0 / 41 / 29

HEX #0BB66C

RGB 11 182 108

HSL 154.04, 0.89%, 0.38%

LAB 65.44, -55.79, 27.04

 

CMYK 100 / 0 / 46 / 36

HEX #00A459

RGB 0 164 89

HSL 152.56, 1%, 0.32%

LAB 59.23, -53.57, 28.95

 

CMYK 100 / 0 / 52 / 43

HEX #009246

RGB 0 146 70

HSL 148.77, 1%, 0.29%

LAB 52.95, -50.73, 30.96

 

CMYK 100 / 0 / 60 / 50

HEX #008033

RGB 0 128 51

HSL 143.91, 1%, 0.25%

LAB 46.55, -47.63, 32.94

 

CMYK 100 / 0 / 71 / 57

HEX #006E20

RGB 0 110 32

HSL 137.45, 1%, 0.22%

LAB 40.01, -44.15, 34.64

 

CMYK 95 / 0 / 41 / 28

HEX #0AB76C

RGB 10 183 108

HSL 153.99, 0.9%, 0.38%

LAB 65.76, -56.18, 27.46

 

CMYK 95 / 0 / 66 / 28

HEX #0AB73E

RGB 10 183 62

HSL 138.03, 0.9%, 0.38%

LAB 65.18, -63.18, 49.05

 

CMYK 95 / 0 / 92 / 28

HEX #0AB70F

RGB 10 183 15

HSL 121.73, 0.9%, 0.38%

LAB 64.94, -66.35, 63

 

CMYK 72 / 0 / 95 / 28

HEX #34B70A

RGB 52 183 10

HSL 105.43, 0.9%, 0.38%

LAB 65.45, -61.82, 64.33

 

CMYK 46 / 0 / 95 / 28

HEX #62B70A

RGB 98 183 10

HSL 89.48, 0.9%, 0.38%

LAB 66.89, -50.17, 66.1

 

CMYK 95 / 0 / 41 / 28

HEX #0AB76C

RGB 10 183 108

HSL 153.99, 0.9%, 0.38%

LAB 65.76, -56.18, 27.46

 

CMYK 95 / 0 / 15 / 28

HEX #0AB79B

RGB 10 183 155

HSL 170.29, 0.9%, 0.38%

LAB 66.75, -45.2, 3.35

 

CMYK 95 / 10 / 0 / 28

HEX #0AA4B7

RGB 10 164 183

HSL 186.59, 0.9%, 0.38%

LAB 61.68, -28.09, -19.78

 

CMYK 95 / 36 / 0 / 28

HEX #0A76B7

RGB 10 118 183

HSL 202.54, 0.9%, 0.38%

LAB 47.55, -2.8, -41.77

 

CMYK 95 / 61 / 0 / 28

HEX #0A47B7

RGB 10 71 183

HSL 218.84, 0.9%, 0.38%

LAB 33.96, 27.76, -63.67

 

CMYK 95 / 0 / 41 / 28

HEX #0AB76C

RGB 10 183 108

HSL 153.99, 0.9%, 0.38%

LAB 65.76, -56.18, 27.46

 

CMYK 95 / 0 / 41 / 28

HEX #0AB76C

RGB 10 183 108

HSL 153.99, 0.9%, 0.38%

LAB 65.76, -56.18, 27.46

 

CMYK 84 / 0 / 37 / 35

HEX #1AA76A

RGB 26 167 106

HSL 154.04, 0.73%, 0.38%

LAB 60.69, -49.7, 21.8

 

CMYK 72 / 0 / 31 / 41

HEX #2A9768

RGB 42 151 104

HSL 154.13, 0.56%, 0.38%

LAB 55.71, -41.81, 16.17

 

CMYK 58 / 0 / 25 / 47

HEX #398866

RGB 57 136 102

HSL 154.18, 0.41%, 0.38%

LAB 51.2, -32.75, 11.11

 

CMYK 39 / 0 / 17 / 53

HEX #497864

RGB 73 120 100

HSL 154.47, 0.24%, 0.38%

LAB 46.67, -20.95, 5.97

 

CMYK 95 / 0 / 91 / 28

HEX #0AB710

RGB 10 183 16

HSL 122.08, 0.9%, 0.38%

LAB 64.94, -66.32, 62.84

 

CMYK 95 / 0 / 66 / 28

HEX #0AB73E

RGB 10 183 62

HSL 138.03, 0.9%, 0.38%

LAB 65.18, -63.18, 49.05

 

CMYK 95 / 0 / 41 / 28

HEX #0AB76C

RGB 10 183 108

HSL 153.99, 0.9%, 0.38%

LAB 65.76, -56.18, 27.46

 

CMYK 95 / 0 / 16 / 28

HEX #0AB79A

RGB 10 183 154

HSL 169.94, 0.9%, 0.38%

LAB 66.72, -45.47, 3.86

 

CMYK 95 / 10 / 0 / 28

HEX #0AA5B7

RGB 10 165 183

HSL 186.24, 0.9%, 0.38%

LAB 61.99, -28.59, -19.31

 

CMYK 94 / 0 / 41 / 59

HEX #06693E

RGB 6 105 62

HSL 153.94, 0.89%, 0.22%

LAB 38.71, -36.76, 17.11

 

CMYK 94 / 0 / 41 / 44

HEX #089055

RGB 8 144 85

HSL 153.97, 0.89%, 0.3%

LAB 52.57, -46.74, 22.43

 

CMYK 95 / 0 / 41 / 28

HEX #0AB76C

RGB 10 183 108

HSL 153.99, 0.9%, 0.38%

LAB 65.76, -56.18, 27.46

 

CMYK 95 / 0 / 41 / 13

HEX #0CDE83

RGB 12 222 131

HSL 154, 0.9%, 0.46%

LAB 78.44, -65.24, 32.27

 

CMYK 86 / 0 / 37 / 5

HEX #22F298

RGB 34 242 152

HSL 154.04, 0.89%, 0.54%

LAB 85.05, -66.98, 30.44

 

CMYK 94 / 0 / 41 / 29

HEX #0BB66C

RGB 11 182 108

HSL 154.04, 0.89%, 0.38%

LAB 65.44, -55.79, 27.04

 

CMYK 95 / 73 / 0 / 28

HEX #0A32B7

RGB 10 50 183

HSL 226.13, 0.9%, 0.38%

LAB 28.81, 41.41, -72.15

 

CMYK 0 / 79 / 95 / 28

HEX #B7270A

RGB 183 39 10

HSL 10.06, 0.9%, 0.38%

LAB 40.48, 55.49, 50.03

 

CMYK 94 / 0 / 41 / 29

HEX #0BB66C

RGB 11 182 108

HSL 154.04, 0.89%, 0.38%

LAB 65.44, -55.79, 27.04

 

CMYK 41 / 95 / 0 / 28

HEX #6C0AB7

RGB 108 10 183

HSL 273.99, 0.9%, 0.38%

LAB 31.4, 64.91, -67.61

 

CMYK 0 / 41 / 95 / 28

HEX #B76C0A

RGB 183 108 10

HSL 33.99, 0.9%, 0.38%

LAB 52.75, 23.81, 58.19

 

CMYK 94 / 0 / 41 / 29

HEX #0BB66C

RGB 11 182 108

HSL 154.04, 0.89%, 0.38%

LAB 65.44, -55.79, 27.04

 

CMYK 95 / 73 / 0 / 28

HEX #0A32B7

RGB 10 50 183

HSL 226.13, 0.9%, 0.38%

LAB 28.81, 41.41, -72.15

 

CMYK 0 / 95 / 54 / 28

HEX #B70A55

RGB 183 10 85

HSL 333.99, 0.9%, 0.38%

LAB 39.48, 64.46, 6.69

 

CMYK 0 / 22 / 95 / 28

HEX #B78E0A

RGB 183 142 10

HSL 45.78, 0.9%, 0.38%

LAB 61.16, 4.99, 64.27

 

CMYK 94 / 0 / 41 / 29

HEX #0BB66C

RGB 11 182 108

HSL 154.04, 0.89%, 0.38%

LAB 65.44, -55.79, 27.04

 

CMYK 88 / 95 / 0 / 28

HEX #160AB7

RGB 22 10 183

HSL 244.16, 0.9%, 0.38%

LAB 23.02, 59.59, -81.76

 

CMYK 0 / 95 / 54 / 28

HEX #B70A55

RGB 183 10 85

HSL 333.99, 0.9%, 0.38%

LAB 39.48, 64.46, 6.69

 

CMYK 7 / 0 / 95 / 28

HEX #ABB70A

RGB 171 183 10

HSL 64.16, 0.9%, 0.38%

LAB 71.25, -21.88, 71.39

 

Description

Color code: HEX #0BB66C | qconv.com Color code: HEX #0BB66C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 182 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 182 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 41 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 41% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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