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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BB6AA it is the complementary color #F44955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BB6AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BB6AA shade: #10B6A5, #21C8B8, #32DACB, #43ECDE and #54FEF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BB6AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BB6AA shade: #0BB6AA, #00A497, #009284, #008071 and #006E5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BB6AA shade: #0AB7AB, #0AB77C, #0AB74E, #0AB71F and #24B70A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BB6AA shade: #0AB7AB, #0A94B7, #0A66B7, #0A37B7 and #0A0AB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BB6AA shade matches the following richer shades: #0AB7AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BB6AA shade: #0AB7AB, #1AA79D, #2A9790, #398882 and #497875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BB6AA shade: #0AB74C, #0AB77A, #0AB7A8, #0A97B7 and #0A69B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BB6AA shade: #066962, #089086, #0AB7AB, #0CDECF and #22F2E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BB6AA shade: #0BB6AA, #1E0AB7 and #B7630A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BB6AA shade: #0BB6AA, #A80AB7 and #B7A80A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BB6AA shade: #0BB6AA, #1E0AB7, #B70A19 and #A3B70A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BB6AA shade: #0BB6AA, #520AB7, #B70A19 and #6FB70A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 7 / 29

HEX #0BB6AA

RGB 11 182 170

HSL 175.79, 0.89%, 0.38%

LAB 66.85, -40.54, -4.79

 

Complementary color

CMYK 0 / 70 / 65 / 4

HEX #F44955

RGB 244 73 85

HSL 355.79, 0.89%, 0.62%

LAB 56.74, 65.28, 31.77

 

CMYK 91 / 0 / 9 / 29

HEX #10B6A5

RGB 16 182 165

HSL 173.86, 0.84%, 0.39%

LAB 66.74, -41.76, -2.19

 

CMYK 84 / 0 / 8 / 22

HEX #21C8B8

RGB 33 200 184

HSL 174.25, 0.72%, 0.46%

LAB 72.95, -43.24, -3.44

 

CMYK 77 / 0 / 7 / 15

HEX #32DACB

RGB 50 218 203

HSL 174.64, 0.69%, 0.53%

LAB 79.12, -44.36, -4.56

 

CMYK 72 / 0 / 6 / 7

HEX #43ECDE

RGB 67 236 222

HSL 175.03, 0.82%, 0.59%

LAB 85.23, -45.21, -5.59

 

CMYK 67 / 0 / 5 / 0

HEX #54FEF1

RGB 84 254 241

HSL 175.41, 0.99%, 0.66%

LAB 91.29, -45.86, -6.53

 

CMYK 94 / 0 / 7 / 29

HEX #0BB6AA

RGB 11 182 170

HSL 175.79, 0.89%, 0.38%

LAB 66.85, -40.54, -4.79

 

CMYK 100 / 0 / 8 / 36

HEX #00A497

RGB 0 164 151

HSL 175.24, 1%, 0.32%

LAB 60.59, -38.5, -3.42

 

CMYK 100 / 0 / 10 / 43

HEX #009284

RGB 0 146 132

HSL 174.25, 1%, 0.29%

LAB 54.26, -36.04, -1.91

 

CMYK 100 / 0 / 12 / 50

HEX #008071

RGB 0 128 113

HSL 172.97, 1%, 0.25%

LAB 47.79, -33.54, -0.32

 

CMYK 100 / 0 / 15 / 57

HEX #006E5E

RGB 0 110 94

HSL 171.27, 1%, 0.22%

LAB 41.15, -30.97, 1.34

 

CMYK 95 / 0 / 7 / 28

HEX #0AB7AB

RGB 10 183 171

HSL 175.84, 0.9%, 0.38%

LAB 67.18, -40.72, -4.85

 

CMYK 95 / 0 / 32 / 28

HEX #0AB77C

RGB 10 183 124

HSL 159.54, 0.9%, 0.38%

LAB 66.05, -52.85, 19.31

 

CMYK 95 / 0 / 57 / 28

HEX #0AB74E

RGB 10 183 78

HSL 143.58, 0.9%, 0.38%

LAB 65.34, -61.2, 42.04

 

CMYK 95 / 0 / 83 / 28

HEX #0AB71F

RGB 10 183 31

HSL 127.28, 0.9%, 0.38%

LAB 64.99, -65.69, 59.69

 

CMYK 80 / 0 / 95 / 28

HEX #24B70A

RGB 36 183 10

HSL 110.98, 0.9%, 0.38%

LAB 65.17, -64.26, 63.98

 

CMYK 95 / 0 / 7 / 28

HEX #0AB7AB

RGB 10 183 171

HSL 175.84, 0.9%, 0.38%

LAB 67.18, -40.72, -4.85

 

CMYK 95 / 19 / 0 / 28

HEX #0A94B7

RGB 10 148 183

HSL 192.14, 0.9%, 0.38%

LAB 56.75, -19.87, -27.36

 

CMYK 95 / 44 / 0 / 28

HEX #0A66B7

RGB 10 102 183

HSL 208.09, 0.9%, 0.38%

LAB 42.74, 7.18, -49.44

 

CMYK 95 / 70 / 0 / 28

HEX #0A37B7

RGB 10 55 183

HSL 224.39, 0.9%, 0.38%

LAB 29.95, 38.28, -70.27

 

CMYK 95 / 95 / 0 / 28

HEX #0A0AB7

RGB 10 10 183

HSL 240, 0.9%, 0.38%

LAB 22.66, 59.41, -82.38

 

CMYK 95 / 0 / 7 / 28

HEX #0AB7AB

RGB 10 183 171

HSL 175.84, 0.9%, 0.38%

LAB 67.18, -40.72, -4.85

 

CMYK 95 / 0 / 7 / 28

HEX #0AB7AB

RGB 10 183 171

HSL 175.84, 0.9%, 0.38%

LAB 67.18, -40.72, -4.85

 

CMYK 84 / 0 / 6 / 35

HEX #1AA79D

RGB 26 167 157

HSL 175.74, 0.73%, 0.38%

LAB 61.9, -36.77, -4.83

 

CMYK 72 / 0 / 5 / 41

HEX #2A9790

RGB 42 151 144

HSL 176.15, 0.56%, 0.38%

LAB 56.72, -31.44, -5.11

 

CMYK 58 / 0 / 4 / 47

HEX #398882

RGB 57 136 130

HSL 175.44, 0.41%, 0.38%

LAB 51.94, -25.55, -4.06

 

CMYK 39 / 0 / 3 / 53

HEX #497875

RGB 73 120 117

HSL 176.17, 0.24%, 0.38%

LAB 47.15, -16.75, -3.42

 

CMYK 95 / 0 / 58 / 28

HEX #0AB74C

RGB 10 183 76

HSL 142.89, 0.9%, 0.38%

LAB 65.32, -61.47, 42.95

 

CMYK 95 / 0 / 33 / 28

HEX #0AB77A

RGB 10 183 122

HSL 158.84, 0.9%, 0.38%

LAB 66.01, -53.29, 20.33

 

CMYK 95 / 0 / 8 / 28

HEX #0AB7A8

RGB 10 183 168

HSL 174.8, 0.9%, 0.38%

LAB 67.1, -41.59, -3.32

 

CMYK 95 / 17 / 0 / 28

HEX #0A97B7

RGB 10 151 183

HSL 191.1, 0.9%, 0.38%

LAB 57.67, -21.45, -25.94

 

CMYK 95 / 43 / 0 / 28

HEX #0A69B7

RGB 10 105 183

HSL 207.05, 0.9%, 0.38%

LAB 43.63, 5.27, -48.01

 

CMYK 94 / 0 / 7 / 59

HEX #066962

RGB 6 105 98

HSL 175.76, 0.89%, 0.22%

LAB 39.62, -26.9, -3.33

 

CMYK 94 / 0 / 7 / 44

HEX #089086

RGB 8 144 134

HSL 175.59, 0.89%, 0.3%

LAB 53.73, -34.15, -3.84

 

CMYK 95 / 0 / 7 / 28

HEX #0AB7AB

RGB 10 183 171

HSL 175.84, 0.9%, 0.38%

LAB 67.18, -40.72, -4.85

 

CMYK 95 / 0 / 7 / 13

HEX #0CDECF

RGB 12 222 207

HSL 175.71, 0.9%, 0.46%

LAB 80.08, -47.31, -5.31

 

CMYK 86 / 0 / 6 / 5

HEX #22F2E3

RGB 34 242 227

HSL 175.67, 0.89%, 0.54%

LAB 86.7, -49.31, -6.09

 

CMYK 94 / 0 / 7 / 29

HEX #0BB6AA

RGB 11 182 170

HSL 175.79, 0.89%, 0.38%

LAB 66.85, -40.54, -4.79

 

CMYK 84 / 95 / 0 / 28

HEX #1E0AB7

RGB 30 10 183

HSL 246.94, 0.9%, 0.38%

LAB 23.38, 59.77, -81.16

 

CMYK 0 / 46 / 95 / 28

HEX #B7630A

RGB 183 99 10

HSL 30.87, 0.9%, 0.38%

LAB 50.7, 28.72, 56.76

 

CMYK 94 / 0 / 7 / 29

HEX #0BB6AA

RGB 11 182 170

HSL 175.79, 0.89%, 0.38%

LAB 66.85, -40.54, -4.79

 

CMYK 8 / 95 / 0 / 28

HEX #A80AB7

RGB 168 10 183

HSL 294.8, 0.9%, 0.38%

LAB 41.15, 73.17, -51.31

 

CMYK 0 / 8 / 95 / 28

HEX #B7A80A

RGB 183 168 10

HSL 54.8, 0.9%, 0.38%

LAB 68.09, -8.97, 69.43

 

CMYK 94 / 0 / 7 / 29

HEX #0BB6AA

RGB 11 182 170

HSL 175.79, 0.89%, 0.38%

LAB 66.85, -40.54, -4.79

 

CMYK 84 / 95 / 0 / 28

HEX #1E0AB7

RGB 30 10 183

HSL 246.94, 0.9%, 0.38%

LAB 23.38, 59.77, -81.16

 

CMYK 0 / 95 / 86 / 28

HEX #B70A19

RGB 183 10 25

HSL 354.8, 0.9%, 0.38%

LAB 38.47, 61.67, 42.28

 

CMYK 11 / 0 / 95 / 28

HEX #A3B70A

RGB 163 183 10

HSL 66.94, 0.9%, 0.38%

LAB 70.65, -25.31, 70.67

 

CMYK 94 / 0 / 7 / 29

HEX #0BB6AA

RGB 11 182 170

HSL 175.79, 0.89%, 0.38%

LAB 66.85, -40.54, -4.79

 

CMYK 55 / 95 / 0 / 28

HEX #520AB7

RGB 82 10 183

HSL 264.97, 0.9%, 0.38%

LAB 27.93, 62.44, -73.47

 

CMYK 0 / 95 / 86 / 28

HEX #B70A19

RGB 183 10 25

HSL 354.8, 0.9%, 0.38%

LAB 38.47, 61.67, 42.28

 

CMYK 39 / 0 / 95 / 28

HEX #6FB70A

RGB 111 183 10

HSL 84.97, 0.9%, 0.38%

LAB 67.48, -45.8, 66.82

 

Description

Color code: HEX #0BB6AA | qconv.com Color code: HEX #0BB6AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 182 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 182 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 7 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 7% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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