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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BC290 it is the complementary color #F43D6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BC290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BC290 shade: #10C28B, #21D49E, #32E6B1, #43F8C4 and #54FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BC290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BC290 shade: #0BC290, #00B07D, #009E6A, #008C57 and #007A44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BC290 shade: #0BC08F, #0BC05E, #0BC02D, #1AC00B and #4BC00B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BC290 shade: #0BC08F, #0BC0C0, #0B90C0, #0B5FC0 and #0B2EC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BC290 shade matches the following richer shades: #0BC08F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BC290 shade: #0BC08F, #1BB087, #2C9F80, #3C8F78 and #4D7E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BC290 shade: #0BC02C, #0BC05C, #0BC08D, #0BC0BD and #0B93C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BC290 shade: #067255, #089972, #0BC08F, #0DE7AC and #2BF2BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BC290 shade: #0BC290, #0B1AC0 and #C0440B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BC290 shade: #0BC290, #8D0BC0 and #C08D0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BC290 shade: #0BC290, #0B1AC0, #C00B3E and #C0B10B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BC290 shade: #0BC290, #320BC0, #C00B3E and #99C00B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 26 / 24

HEX #0BC290

RGB 11 194 144

HSL 163.61, 0.89%, 0.4%

LAB 69.94, -52.39, 13.91

 

Complementary color

CMYK 0 / 75 / 55 / 4

HEX #F43D6F

RGB 244 61 111

HSL 343.61, 0.89%, 0.6%

LAB 55.8, 70.87, 15.24

 

CMYK 92 / 0 / 28 / 24

HEX #10C28B

RGB 16 194 139

HSL 161.46, 0.85%, 0.41%

LAB 69.86, -53.35, 16.5

 

CMYK 84 / 0 / 25 / 17

HEX #21D49E

RGB 33 212 158

HSL 161.9, 0.73%, 0.48%

LAB 75.99, -54.81, 14.92

 

CMYK 78 / 0 / 23 / 10

HEX #32E6B1

RGB 50 230 177

HSL 162.33, 0.78%, 0.55%

LAB 82.08, -55.88, 13.49

 

CMYK 73 / 0 / 21 / 3

HEX #43F8C4

RGB 67 248 196

HSL 162.76, 0.93%, 0.62%

LAB 88.12, -56.67, 12.19

 

CMYK 67 / 0 / 16 / 0

HEX #54FFD7

RGB 84 255 215

HSL 165.96, 1%, 0.66%

LAB 90.92, -52.77, 6.41

 

CMYK 94 / 0 / 26 / 24

HEX #0BC290

RGB 11 194 144

HSL 163.61, 0.89%, 0.4%

LAB 69.94, -52.39, 13.91

 

CMYK 100 / 0 / 29 / 31

HEX #00B07D

RGB 0 176 125

HSL 162.61, 1%, 0.35%

LAB 63.78, -50.36, 15.63

 

CMYK 100 / 0 / 33 / 38

HEX #009E6A

RGB 0 158 106

HSL 160.25, 1%, 0.31%

LAB 57.55, -47.88, 17.51

 

CMYK 100 / 0 / 38 / 45

HEX #008C57

RGB 0 140 87

HSL 157.29, 1%, 0.27%

LAB 51.2, -45.28, 19.49

 

CMYK 100 / 0 / 44 / 52

HEX #007A44

RGB 0 122 68

HSL 153.44, 1%, 0.24%

LAB 44.71, -42.54, 21.56

 

CMYK 94 / 0 / 26 / 25

HEX #0BC08F

RGB 11 192 143

HSL 163.76, 0.89%, 0.4%

LAB 69.29, -51.85, 13.54

 

CMYK 94 / 0 / 51 / 25

HEX #0BC05E

RGB 11 192 94

HSL 147.51, 0.89%, 0.4%

LAB 68.44, -61.68, 38.05

 

CMYK 94 / 0 / 77 / 25

HEX #0BC02D

RGB 11 192 45

HSL 131.27, 0.89%, 0.4%

LAB 67.99, -67.33, 58.39

 

CMYK 86 / 0 / 94 / 25

HEX #1AC00B

RGB 26 192 11

HSL 115.03, 0.89%, 0.4%

LAB 67.98, -67.91, 66.14

 

CMYK 61 / 0 / 94 / 25

HEX #4BC00B

RGB 75 192 11

HSL 98.78, 0.89%, 0.4%

LAB 68.91, -59.87, 67.29

 

CMYK 94 / 0 / 26 / 25

HEX #0BC08F

RGB 11 192 143

HSL 163.76, 0.89%, 0.4%

LAB 69.29, -51.85, 13.54

 

CMYK 94 / 0 / 0 / 25

HEX #0BC0C0

RGB 11 192 192

HSL 180, 0.89%, 0.4%

LAB 70.58, -38.51, -11.34

 

CMYK 94 / 25 / 0 / 25

HEX #0B90C0

RGB 11 144 192

HSL 195.91, 0.89%, 0.4%

LAB 55.91, -14.43, -33.77

 

CMYK 94 / 51 / 0 / 25

HEX #0B5FC0

RGB 11 95 192

HSL 212.15, 0.89%, 0.4%

LAB 41.31, 15.4, -56.98

 

CMYK 94 / 76 / 0 / 25

HEX #0B2EC0

RGB 11 46 192

HSL 228.4, 0.89%, 0.4%

LAB 28.98, 47.01, -77.19

 

CMYK 94 / 0 / 26 / 25

HEX #0BC08F

RGB 11 192 143

HSL 163.76, 0.89%, 0.4%

LAB 69.29, -51.85, 13.54

 

CMYK 94 / 0 / 26 / 25

HEX #0BC08F

RGB 11 192 143

HSL 163.76, 0.89%, 0.4%

LAB 69.29, -51.85, 13.54

 

CMYK 85 / 0 / 23 / 31

HEX #1BB087

RGB 27 176 135

HSL 163.49, 0.73%, 0.4%

LAB 64.19, -46.51, 10.73

 

CMYK 72 / 0 / 19 / 38

HEX #2C9F80

RGB 44 159 128

HSL 163.83, 0.57%, 0.4%

LAB 58.87, -39.19, 7.12

 

CMYK 58 / 0 / 16 / 44

HEX #3C8F78

RGB 60 143 120

HSL 163.37, 0.41%, 0.4%

LAB 53.99, -31.01, 4.72

 

CMYK 39 / 0 / 10 / 51

HEX #4D7E71

RGB 77 126 113

HSL 164.08, 0.24%, 0.4%

LAB 49.12, -19.8, 1.85

 

CMYK 94 / 0 / 77 / 25

HEX #0BC02C

RGB 11 192 44

HSL 130.94, 0.89%, 0.4%

LAB 67.99, -67.4, 58.71

 

CMYK 94 / 0 / 52 / 25

HEX #0BC05C

RGB 11 192 92

HSL 146.85, 0.89%, 0.4%

LAB 68.42, -61.99, 39

 

CMYK 94 / 0 / 27 / 25

HEX #0BC08D

RGB 11 192 141

HSL 163.09, 0.89%, 0.4%

LAB 69.25, -52.33, 14.56

 

CMYK 94 / 0 / 2 / 25

HEX #0BC0BD

RGB 11 192 189

HSL 179.01, 0.89%, 0.4%

LAB 70.49, -39.41, -9.84

 

CMYK 94 / 23 / 0 / 25

HEX #0B93C0

RGB 11 147 192

HSL 194.92, 0.89%, 0.4%

LAB 56.83, -16.08, -32.34

 

CMYK 95 / 0 / 25 / 55

HEX #067255

RGB 6 114 85

HSL 163.89, 0.9%, 0.24%

LAB 42.35, -34.87, 8.48

 

CMYK 95 / 0 / 25 / 40

HEX #089972

RGB 8 153 114

HSL 163.86, 0.9%, 0.32%

LAB 56.14, -43.59, 11.07

 

CMYK 94 / 0 / 26 / 25

HEX #0BC08F

RGB 11 192 143

HSL 163.76, 0.89%, 0.4%

LAB 69.29, -51.85, 13.54

 

CMYK 94 / 0 / 26 / 9

HEX #0DE7AC

RGB 13 231 172

HSL 163.76, 0.89%, 0.48%

LAB 81.96, -59.83, 15.89

 

CMYK 82 / 0 / 22 / 5

HEX #2BF2BC

RGB 43 242 188

HSL 163.72, 0.88%, 0.56%

LAB 85.83, -58.61, 13.04

 

CMYK 94 / 0 / 26 / 24

HEX #0BC290

RGB 11 194 144

HSL 163.61, 0.89%, 0.4%

LAB 69.94, -52.39, 13.91

 

CMYK 94 / 86 / 0 / 25

HEX #0B1AC0

RGB 11 26 192

HSL 235.03, 0.89%, 0.4%

LAB 25.61, 56.86, -82.8

 

CMYK 0 / 65 / 94 / 25

HEX #C0440B

RGB 192 68 11

HSL 18.9, 0.89%, 0.4%

LAB 46.13, 47.64, 54.14

 

CMYK 94 / 0 / 26 / 24

HEX #0BC290

RGB 11 194 144

HSL 163.61, 0.89%, 0.4%

LAB 69.94, -52.39, 13.91

 

CMYK 27 / 94 / 0 / 25

HEX #8D0BC0

RGB 141 11 192

HSL 283.09, 0.89%, 0.4%

LAB 37.31, 70.63, -63.05

 

CMYK 0 / 27 / 94 / 25

HEX #C08D0B

RGB 192 141 11

HSL 43.09, 0.89%, 0.4%

LAB 61.9, 9.61, 65.1

 

CMYK 94 / 0 / 26 / 24

HEX #0BC290

RGB 11 194 144

HSL 163.61, 0.89%, 0.4%

LAB 69.94, -52.39, 13.91

 

CMYK 94 / 86 / 0 / 25

HEX #0B1AC0

RGB 11 26 192

HSL 235.03, 0.89%, 0.4%

LAB 25.61, 56.86, -82.8

 

CMYK 0 / 94 / 68 / 25

HEX #C00B3E

RGB 192 11 62

HSL 343.09, 0.89%, 0.4%

LAB 40.89, 65.14, 23.54

 

CMYK 0 / 8 / 94 / 25

HEX #C0B10B

RGB 192 177 11

HSL 55.03, 0.89%, 0.4%

LAB 71.33, -9.65, 72.11

 

CMYK 94 / 0 / 26 / 24

HEX #0BC290

RGB 11 194 144

HSL 163.61, 0.89%, 0.4%

LAB 69.94, -52.39, 13.91

 

CMYK 74 / 94 / 0 / 25

HEX #320BC0

RGB 50 11 192

HSL 252.93, 0.89%, 0.4%

LAB 25.93, 62.55, -82.21

 

CMYK 0 / 94 / 68 / 25

HEX #C00B3E

RGB 192 11 62

HSL 343.09, 0.89%, 0.4%

LAB 40.89, 65.14, 23.54

 

CMYK 20 / 0 / 94 / 25

HEX #99C00B

RGB 153 192 11

HSL 72.93, 0.89%, 0.4%

LAB 72.56, -33.71, 71.75

 

Description

Color code: HEX #0BC290 | qconv.com Color code: HEX #0BC290 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 194 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 194 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 26 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 26% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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