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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BD0F3 it is the complementary color #F42F0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BD0F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BD0F3 shade: #10D0EE, #21E2FF, #32F4FF, #43FFFF and #54FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BD0F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BD0F3 shade: #0BD0F3, #00BEE0, #00ACCD, #009ABA and #0088A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BD0F3 shade: #0BD0F3, #0B91F3, #0B53F3, #0B14F3 and #400BF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BD0F3 shade: #0BD0F3, #0B91F3, #0B53F3, #0B14F3 and #0B0BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BD0F3 shade matches the following richer shades: #0BD0F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BD0F3 shade: #0BD0F3, #20C2DE, #34B3CA, #49A5B5 and #5D96A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BD0F3 shade: #0BF39A, #0BF3D8, #0BD0F3, #0B92F3 and #0B54F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BD0F3 shade: #078DA4, #09AECC, #0BD0F3, #32D8F5 and #5ADFF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BD0F3 shade: #0BD0F3, #5C0BF3 and #F3B90B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BD0F3 shade: #0BD0F3, #F30BD0 and #D0F30B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BD0F3 shade: #0BD0F3, #5C0BF3, #F32E0B and #A2F30B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BD0F3 shade: #0BD0F3, #A20BF3, #F32E0B and #5CF30B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

Complementary color

CMYK 0 / 81 / 95 / 4

HEX #F42F0C

RGB 244 47 12

HSL 9.05, 0.91%, 0.5%

LAB 53.27, 71.03, 63.09

 

CMYK 93 / 13 / 0 / 7

HEX #10D0EE

RGB 16 208 238

HSL 188.11, 0.87%, 0.5%

LAB 76.92, -31.51, -26.65

 

CMYK 87 / 11 / 0 / 0

HEX #21E2FF

RGB 33 226 255

HSL 187.84, 1%, 0.56%

LAB 82.88, -34, -26.57

 

CMYK 80 / 4 / 0 / 0

HEX #32F4FF

RGB 50 244 255

HSL 183.22, 1%, 0.6%

LAB 88.26, -41.19, -18.4

 

CMYK 74 / 0 / 0 / 0

HEX #43FFFF

RGB 67 255 255

HSL 180, 1%, 0.63%

LAB 91.65, -44.55, -13.28

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 100 / 15 / 0 / 12

HEX #00BEE0

RGB 0 190 224

HSL 189.11, 1%, 0.44%

LAB 71.01, -27.71, -28.15

 

CMYK 100 / 16 / 0 / 20

HEX #00ACCD

RGB 0 172 205

HSL 189.66, 1%, 0.4%

LAB 64.89, -25.05, -27.14

 

CMYK 100 / 17 / 0 / 27

HEX #009ABA

RGB 0 154 186

HSL 190.32, 1%, 0.36%

LAB 58.65, -22.33, -26.12

 

CMYK 100 / 19 / 0 / 35

HEX #0088A7

RGB 0 136 167

HSL 191.14, 1%, 0.33%

LAB 52.28, -19.53, -25.11

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 95 / 40 / 0 / 5

HEX #0B91F3

RGB 11 145 243

HSL 205.34, 0.91%, 0.5%

LAB 58.78, 4.06, -57.76

 

CMYK 95 / 66 / 0 / 5

HEX #0B53F3

RGB 11 83 243

HSL 221.38, 0.91%, 0.5%

LAB 42.35, 42.92, -84.43

 

CMYK 95 / 92 / 0 / 5

HEX #0B14F3

RGB 11 20 243

HSL 237.67, 0.91%, 0.5%

LAB 31.9, 72.81, -101.76

 

CMYK 74 / 95 / 0 / 5

HEX #400BF3

RGB 64 11 243

HSL 253.71, 0.91%, 0.5%

LAB 33.56, 75.67, -98.94

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 95 / 40 / 0 / 5

HEX #0B91F3

RGB 11 145 243

HSL 205.34, 0.91%, 0.5%

LAB 58.78, 4.06, -57.76

 

CMYK 95 / 66 / 0 / 5

HEX #0B53F3

RGB 11 83 243

HSL 221.38, 0.91%, 0.5%

LAB 42.35, 42.92, -84.43

 

CMYK 95 / 92 / 0 / 5

HEX #0B14F3

RGB 11 20 243

HSL 237.67, 0.91%, 0.5%

LAB 31.9, 72.81, -101.76

 

CMYK 95 / 95 / 0 / 5

HEX #0B0BF3

RGB 11 11 243

HSL 240, 0.91%, 0.5%

LAB 31.3, 74.66, -102.77

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 86 / 13 / 0 / 13

HEX #20C2DE

RGB 32 194 222

HSL 188.84, 0.75%, 0.5%

LAB 72.34, -29.09, -25.02

 

CMYK 74 / 11 / 0 / 21

HEX #34B3CA

RGB 52 179 202

HSL 189.2, 0.59%, 0.5%

LAB 67.45, -26.24, -21.51

 

CMYK 60 / 9 / 0 / 29

HEX #49A5B5

RGB 73 165 181

HSL 188.89, 0.43%, 0.5%

LAB 63.06, -22.39, -16.46

 

CMYK 42 / 7 / 0 / 37

HEX #5D96A1

RGB 93 150 161

HSL 189.71, 0.27%, 0.5%

LAB 58.71, -15.7, -11.66

 

CMYK 95 / 0 / 37 / 5

HEX #0BF39A

RGB 11 243 154

HSL 156.98, 0.91%, 0.5%

LAB 85.25, -68.03, 29.68

 

CMYK 95 / 0 / 11 / 5

HEX #0BF3D8

RGB 11 243 216

HSL 173.02, 0.91%, 0.5%

LAB 86.57, -53.61, -0.54

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 95 / 40 / 0 / 5

HEX #0B92F3

RGB 11 146 243

HSL 205.09, 0.91%, 0.5%

LAB 59.07, 3.47, -57.31

 

CMYK 95 / 65 / 0 / 5

HEX #0B54F3

RGB 11 84 243

HSL 221.12, 0.91%, 0.5%

LAB 42.59, 42.3, -84.04

 

CMYK 96 / 14 / 0 / 36

HEX #078DA4

RGB 7 141 164

HSL 188.79, 0.92%, 0.34%

LAB 53.79, -22.94, -21.06

 

CMYK 96 / 15 / 0 / 20

HEX #09AECC

RGB 9 174 204

HSL 189.23, 0.92%, 0.42%

LAB 65.51, -26.13, -25.64

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 80 / 12 / 0 / 4

HEX #32D8F5

RGB 50 216 245

HSL 188.92, 0.91%, 0.58%

LAB 79.83, -31.16, -25.91

 

CMYK 64 / 10 / 0 / 3

HEX #5ADFF7

RGB 90 223 247

HSL 189.17, 0.91%, 0.66%

LAB 82.73, -29.09, -22.47

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 62 / 95 / 0 / 5

HEX #5C0BF3

RGB 92 11 243

HSL 260.95, 0.91%, 0.5%

LAB 35.96, 76.93, -94.89

 

CMYK 0 / 24 / 95 / 5

HEX #F3B90B

RGB 243 185 11

HSL 45, 0.91%, 0.5%

LAB 78.33, 8.46, 79.47

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 0 / 95 / 14 / 5

HEX #F30BD0

RGB 243 11 208

HSL 309.05, 0.91%, 0.5%

LAB 55.94, 89.39, -41.5

 

CMYK 14 / 0 / 95 / 5

HEX #D0F30B

RGB 208 243 11

HSL 69.05, 0.91%, 0.5%

LAB 90.57, -34.94, 87.27

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 62 / 95 / 0 / 5

HEX #5C0BF3

RGB 92 11 243

HSL 260.95, 0.91%, 0.5%

LAB 35.96, 76.93, -94.89

 

CMYK 0 / 81 / 95 / 5

HEX #F32E0B

RGB 243 46 11

HSL 9.05, 0.91%, 0.5%

LAB 52.99, 70.99, 63.07

 

CMYK 33 / 0 / 95 / 5

HEX #A2F30B

RGB 162 243 11

HSL 80.95, 0.91%, 0.5%

LAB 87.88, -52.32, 84.01

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 33 / 95 / 0 / 5

HEX #A20BF3

RGB 162 11 243

HSL 279.05, 0.91%, 0.5%

LAB 44.79, 82.88, -80.01

 

CMYK 0 / 81 / 95 / 5

HEX #F32E0B

RGB 243 46 11

HSL 9.05, 0.91%, 0.5%

LAB 52.99, 70.99, 63.07

 

CMYK 62 / 0 / 95 / 5

HEX #5CF30B

RGB 92 243 11

HSL 99.05, 0.91%, 0.5%

LAB 85.2, -72.7, 80.75

 

Description

Color code: HEX #0BD0F3 | qconv.com Color code: HEX #0BD0F3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 208 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 208 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 14 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 14% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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