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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BFF0D it is the complementary color #F400F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BFF0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BFF0D shade: #10FF08, #21FF1B, #32FF2E, #43FF41 and #54FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BFF0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BFF0D shade: #0BFF0D, #00ED00, #00DB00, #00C900 and #00B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BFF0D shade: #0AFF0C, #4AFF0A, #8CFF0A, #CEFF0A and #FFED0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BFF0D shade: #0AFF0C, #0AFF4E, #0AFF90, #0AFFD2 and #0AE9FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BFF0D shade matches the following richer shades: #0AFF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BFF0D shade: #0AFF0C, #1EEB1F, #31D733, #45C346 and #59AF5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BFF0D shade: #8CFF0A, #4BFF0A, #0AFF0A, #0AFF4B and #0AFF8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BFF0D shade: #00B601, #00DF01, #0AFF0C, #33FF35 and #5CFF5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BFF0D shade: #0BFF0D, #0ACEFF and #FF0A6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BFF0D shade: #0BFF0D, #0A0AFF and #FF0A0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BFF0D shade: #0BFF0D, #0ACEFF, #FF0AFF and #FF3B0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BFF0D shade: #0BFF0D, #0A84FF, #FF0AFF and #FF840A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 95 / 0

HEX #0BFF0D

RGB 11 255 13

HSL 120.49, 1%, 0.52%

LAB 87.79, -85.69, 82.23

 

Complementary color

CMYK 0 / 100 / 1 / 4

HEX #F400F2

RGB 244 0 242

HSL 300.49, 1%, 0.48%

LAB 57.7, 94.75, -57.91

 

CMYK 94 / 0 / 97 / 0

HEX #10FF08

RGB 16 255 8

HSL 118.06, 1%, 0.52%

LAB 87.8, -85.59, 82.65

 

CMYK 87 / 0 / 89 / 0

HEX #21FF1B

RGB 33 255 27

HSL 118.42, 1%, 0.55%

LAB 87.93, -84.27, 80.73

 

CMYK 80 / 0 / 82 / 0

HEX #32FF2E

RGB 50 255 46

HSL 118.85, 1%, 0.59%

LAB 88.16, -82.02, 77.27

 

CMYK 74 / 0 / 75 / 0

HEX #43FF41

RGB 67 255 65

HSL 119.37, 1%, 0.63%

LAB 88.49, -78.76, 72.35

 

CMYK 67 / 0 / 67 / 0

HEX #54FF54

RGB 84 255 84

HSL 120, 1%, 0.66%

LAB 88.94, -74.5, 66.28

 

CMYK 96 / 0 / 95 / 0

HEX #0BFF0D

RGB 11 255 13

HSL 120.49, 1%, 0.52%

LAB 87.79, -85.69, 82.23

 

CMYK 100 / 0 / 100 / 7

HEX #00ED00

RGB 0 237 0

HSL 120, 1%, 0.46%

LAB 82.15, -81.54, 78.7

 

CMYK 100 / 0 / 100 / 14

HEX #00DB00

RGB 0 219 0

HSL 120, 1%, 0.43%

LAB 76.47, -76.83, 74.15

 

CMYK 100 / 0 / 100 / 21

HEX #00C900

RGB 0 201 0

HSL 120, 1%, 0.39%

LAB 70.71, -72.04, 69.53

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 96 / 0 / 95 / 0

HEX #0AFF0C

RGB 10 255 12

HSL 120.49, 1%, 0.52%

LAB 87.78, -85.73, 82.32

 

CMYK 71 / 0 / 96 / 0

HEX #4AFF0A

RGB 74 255 10

HSL 104.33, 1%, 0.52%

LAB 88.45, -79.81, 83.29

 

CMYK 45 / 0 / 96 / 0

HEX #8CFF0A

RGB 140 255 10

HSL 88.16, 1%, 0.52%

LAB 90.38, -64.17, 85.65

 

CMYK 19 / 0 / 96 / 0

HEX #CEFF0A

RGB 206 255 10

HSL 72, 1%, 0.52%

LAB 93.74, -41.09, 89.72

 

CMYK 0 / 7 / 96 / 0

HEX #FFED0A

RGB 255 237 10

HSL 55.59, 1%, 0.52%

LAB 92.51, -12.81, 90.37

 

CMYK 96 / 0 / 95 / 0

HEX #0AFF0C

RGB 10 255 12

HSL 120.49, 1%, 0.52%

LAB 87.78, -85.73, 82.32

 

CMYK 96 / 0 / 69 / 0

HEX #0AFF4E

RGB 10 255 78

HSL 136.65, 1%, 0.52%

LAB 88.03, -82.48, 67.28

 

CMYK 96 / 0 / 44 / 0

HEX #0AFF90

RGB 10 255 144

HSL 152.82, 1%, 0.52%

LAB 88.73, -73.89, 39.23

 

CMYK 96 / 0 / 18 / 0

HEX #0AFFD2

RGB 10 255 210

HSL 168.98, 1%, 0.52%

LAB 89.97, -59.93, 7.51

 

CMYK 96 / 9 / 0 / 0

HEX #0AE9FF

RGB 10 233 255

HSL 185.39, 1%, 0.52%

LAB 84.77, -38.1, -23.7

 

CMYK 96 / 0 / 95 / 0

HEX #0AFF0C

RGB 10 255 12

HSL 120.49, 1%, 0.52%

LAB 87.78, -85.73, 82.32

 

CMYK 96 / 0 / 95 / 0

HEX #0AFF0C

RGB 10 255 12

HSL 120.49, 1%, 0.52%

LAB 87.78, -85.73, 82.32

 

CMYK 87 / 0 / 87 / 8

HEX #1EEB1F

RGB 30 235 31

HSL 120.29, 0.84%, 0.52%

LAB 81.72, -78.95, 74.7

 

CMYK 77 / 0 / 76 / 16

HEX #31D733

RGB 49 215 51

HSL 120.72, 0.67%, 0.52%

LAB 75.76, -70.25, 64.2

 

CMYK 65 / 0 / 64 / 24

HEX #45C346

RGB 69 195 70

HSL 120.48, 0.51%, 0.52%

LAB 69.99, -58.74, 51.21

 

CMYK 49 / 0 / 49 / 31

HEX #59AF5A

RGB 89 175 90

HSL 120.7, 0.35%, 0.52%

LAB 64.58, -43.65, 35.59

 

CMYK 45 / 0 / 96 / 0

HEX #8CFF0A

RGB 140 255 10

HSL 88.16, 1%, 0.52%

LAB 90.38, -64.17, 85.65

 

CMYK 71 / 0 / 96 / 0

HEX #4BFF0A

RGB 75 255 10

HSL 104.08, 1%, 0.52%

LAB 88.47, -79.64, 83.32

 

CMYK 96 / 0 / 96 / 0

HEX #0AFF0A

RGB 10 255 10

HSL 120, 1%, 0.52%

LAB 87.78, -85.76, 82.47

 

CMYK 96 / 0 / 71 / 0

HEX #0AFF4B

RGB 10 255 75

HSL 135.92, 1%, 0.52%

LAB 88.01, -82.74, 68.33

 

CMYK 96 / 0 / 45 / 0

HEX #0AFF8C

RGB 10 255 140

HSL 151.84, 1%, 0.52%

LAB 88.68, -74.57, 41.09

 

CMYK 100 / 0 / 99 / 29

HEX #00B601

RGB 0 182 1

HSL 120.33, 1%, 0.36%

LAB 64.53, -66.88, 64.45

 

CMYK 100 / 0 / 100 / 13

HEX #00DF01

RGB 0 223 1

HSL 120.27, 1%, 0.44%

LAB 77.74, -77.86, 75.07

 

CMYK 96 / 0 / 95 / 0

HEX #0AFF0C

RGB 10 255 12

HSL 120.49, 1%, 0.52%

LAB 87.78, -85.73, 82.32

 

CMYK 80 / 0 / 79 / 0

HEX #33FF35

RGB 51 255 53

HSL 120.59, 1%, 0.6%

LAB 88.2, -81.55, 75.52

 

CMYK 64 / 0 / 63 / 0

HEX #5CFF5E

RGB 92 255 94

HSL 120.74, 1%, 0.68%

LAB 89.21, -72.05, 62.69

 

CMYK 96 / 0 / 95 / 0

HEX #0BFF0D

RGB 11 255 13

HSL 120.49, 1%, 0.52%

LAB 87.79, -85.69, 82.23

 

CMYK 96 / 19 / 0 / 0

HEX #0ACEFF

RGB 10 206 255

HSL 192, 1%, 0.52%

LAB 76.94, -25.13, -35.72

 

CMYK 0 / 96 / 58 / 0

HEX #FF0A6C

RGB 255 10 108

HSL 336, 1%, 0.52%

LAB 54.62, 82.57, 15.73

 

CMYK 96 / 0 / 95 / 0

HEX #0BFF0D

RGB 11 255 13

HSL 120.49, 1%, 0.52%

LAB 87.79, -85.69, 82.23

 

CMYK 96 / 96 / 0 / 0

HEX #0A0AFF

RGB 10 10 255

HSL 240, 1%, 0.52%

LAB 32.92, 77.76, -106.82

 

CMYK 0 / 96 / 96 / 0

HEX #FF0A0A

RGB 255 10 10

HSL 0, 1%, 0.52%

LAB 53.49, 79.49, 64.89

 

CMYK 96 / 0 / 95 / 0

HEX #0BFF0D

RGB 11 255 13

HSL 120.49, 1%, 0.52%

LAB 87.79, -85.69, 82.23

 

CMYK 96 / 19 / 0 / 0

HEX #0ACEFF

RGB 10 206 255

HSL 192, 1%, 0.52%

LAB 76.94, -25.13, -35.72

 

CMYK 0 / 96 / 0 / 0

HEX #FF0AFF

RGB 255 10 255

HSL 300, 1%, 0.52%

LAB 60.51, 97.68, -60.53

 

CMYK 0 / 77 / 96 / 0

HEX #FF3B0A

RGB 255 59 10

HSL 12, 1%, 0.52%

LAB 56.5, 70.93, 66.39

 

CMYK 96 / 0 / 95 / 0

HEX #0BFF0D

RGB 11 255 13

HSL 120.49, 1%, 0.52%

LAB 87.79, -85.69, 82.23

 

CMYK 96 / 48 / 0 / 0

HEX #0A84FF

RGB 10 132 255

HSL 210.12, 1%, 0.52%

LAB 55.87, 16.54, -69.05

 

CMYK 0 / 96 / 0 / 0

HEX #FF0AFF

RGB 255 10 255

HSL 300, 1%, 0.52%

LAB 60.51, 97.68, -60.53

 

CMYK 0 / 48 / 96 / 0

HEX #FF840A

RGB 255 132 10

HSL 29.88, 1%, 0.52%

LAB 67.86, 40.93, 73.12

 

Description

Color code: HEX #0BFF0D | qconv.com Color code: HEX #0BFF0D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 255 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 255 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 95 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 95% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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