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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C1030 it is the complementary color #F3EFCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C1030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C1030 shade: #11102B, #22223E, #333451, #444664 and #555877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C1030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C1030 shade: #0C1030, #00001D and #00000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C1030 shade: #0C1030, #120C30, #1B0C30, #250C30 and #2F0C30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C1030 shade: #0C1030 and #0C0C30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C1030 shade matches the following richer shades: #0C1030, #070C35 and #02083A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C1030 shade: #0C1030, #11142C, #161827, #1B1B22 and #201F1D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C1030 shade: #0C2430, #0C1A30, #0C1030, #110C30 and #1B0C30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C1030 shade: #0C1030, #300C2D and #1F300C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C1030 shade: #0C1030, #300C10 and #10300C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C1030 shade: #0C1030, #300C2D, #302C0C and #0C300F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C1030 shade: #0C1030, #300C22, #302C0C and #0C301A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

Complementary color

CMYK 0 / 2 / 15 / 5

HEX #F3EFCF

RGB 243 239 207

HSL 53.33, 0.6%, 0.88%

LAB 94.01, -3.89, 15.97

 

CMYK 60 / 63 / 0 / 83

HEX #11102B

RGB 17 16 43

HSL 242.22, 0.46%, 0.12%

LAB 6, 9.06, -17.9

 

CMYK 45 / 45 / 0 / 76

HEX #22223E

RGB 34 34 62

HSL 240, 0.29%, 0.19%

LAB 14.58, 8.52, -17.93

 

CMYK 37 / 36 / 0 / 68

HEX #333451

RGB 51 52 81

HSL 238, 0.23%, 0.26%

LAB 22.84, 7.63, -17.82

 

CMYK 32 / 30 / 0 / 61

HEX #444664

RGB 68 70 100

HSL 236.25, 0.19%, 0.33%

LAB 30.71, 6.98, -17.83

 

CMYK 29 / 26 / 0 / 53

HEX #555877

RGB 85 88 119

HSL 234.71, 0.17%, 0.4%

LAB 38.27, 6.47, -17.94

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 100 / 100 / 0 / 89

HEX #00001D

RGB 0 0 29

HSL 240, 1%, 0.06%

LAB 0.8, 5.63, -15.14

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 63 / 75 / 0 / 81

HEX #120C30

RGB 18 12 48

HSL 250, 0.6%, 0.12%

LAB 5.46, 13.82, -22.48

 

CMYK 44 / 75 / 0 / 81

HEX #1B0C30

RGB 27 12 48

HSL 265, 0.6%, 0.12%

LAB 6.41, 17.09, -20.92

 

CMYK 23 / 75 / 0 / 81

HEX #250C30

RGB 37 12 48

HSL 281.67, 0.6%, 0.12%

LAB 7.86, 20.55, -18.52

 

CMYK 2 / 75 / 0 / 81

HEX #2F0C30

RGB 47 12 48

HSL 298.33, 0.6%, 0.12%

LAB 9.65, 23.64, -15.57

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 75 / 75 / 0 / 81

HEX #0C0C30

RGB 12 12 48

HSL 240, 0.6%, 0.12%

LAB 5.01, 11.86, -23.23

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 87 / 77 / 0 / 79

HEX #070C35

RGB 7 12 53

HSL 233.48, 0.77%, 0.12%

LAB 5.11, 13.29, -26.79

 

CMYK 97 / 86 / 0 / 77

HEX #02083A

RGB 2 8 58

HSL 233.57, 0.93%, 0.12%

LAB 4.44, 16.69, -31.52

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 61 / 55 / 0 / 83

HEX #11142C

RGB 17 20 44

HSL 233.33, 0.44%, 0.12%

LAB 7.24, 7, -16.69

 

CMYK 44 / 38 / 0 / 85

HEX #161827

RGB 22 24 39

HSL 232.94, 0.28%, 0.12%

LAB 8.74, 3.78, -10.57

 

CMYK 21 / 21 / 0 / 87

HEX #1B1B22

RGB 27 27 34

HSL 240, 0.11%, 0.12%

LAB 10.05, 1.93, -4.8

 

CMYK 0 / 3 / 9 / 87

HEX #201F1D

RGB 32 31 29

HSL 40, 0.05%, 0.12%

LAB 11.8, -0.01, 1.53

 

CMYK 75 / 25 / 0 / 81

HEX #0C2430

RGB 12 36 48

HSL 200, 0.6%, 0.12%

LAB 12.94, -4.69, -10.68

 

CMYK 75 / 46 / 0 / 81

HEX #0C1A30

RGB 12 26 48

HSL 216.67, 0.6%, 0.12%

LAB 9.24, 2.72, -16.48

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 65 / 75 / 0 / 81

HEX #110C30

RGB 17 12 48

HSL 248.33, 0.6%, 0.12%

LAB 5.38, 13.48, -22.62

 

CMYK 44 / 75 / 0 / 81

HEX #1B0C30

RGB 27 12 48

HSL 265, 0.6%, 0.12%

LAB 6.41, 17.09, -20.92

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 0 / 75 / 6 / 81

HEX #300C2D

RGB 48 12 45

HSL 305, 0.6%, 0.12%

LAB 9.65, 23.32, -13.34

 

CMYK 35 / 0 / 75 / 81

HEX #1F300C

RGB 31 48 12

HSL 88.33, 0.6%, 0.12%

LAB 17.61, -14.4, 19.94

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 0 / 75 / 67 / 81

HEX #300C10

RGB 48 12 16

HSL 353.33, 0.6%, 0.12%

LAB 8.38, 18.73, 5.97

 

CMYK 67 / 0 / 75 / 81

HEX #10300C

RGB 16 48 12

HSL 113.33, 0.6%, 0.12%

LAB 16.75, -20.47, 18.7

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 0 / 75 / 6 / 81

HEX #300C2D

RGB 48 12 45

HSL 305, 0.6%, 0.12%

LAB 9.65, 23.32, -13.34

 

CMYK 0 / 8 / 75 / 81

HEX #302C0C

RGB 48 44 12

HSL 53.33, 0.6%, 0.12%

LAB 17.72, -3.15, 20.44

 

CMYK 75 / 0 / 69 / 81

HEX #0C300F

RGB 12 48 15

HSL 125, 0.6%, 0.12%

LAB 16.63, -21.25, 17.04

 

CMYK 75 / 67 / 0 / 81

HEX #0C1030

RGB 12 16 48

HSL 233.33, 0.6%, 0.12%

LAB 5.98, 9.86, -21.68

 

CMYK 0 / 75 / 29 / 81

HEX #300C22

RGB 48 12 34

HSL 323.33, 0.6%, 0.12%

LAB 9.05, 21.21, -6.02

 

CMYK 0 / 8 / 75 / 81

HEX #302C0C

RGB 48 44 12

HSL 53.33, 0.6%, 0.12%

LAB 17.72, -3.15, 20.44

 

CMYK 75 / 0 / 46 / 81

HEX #0C301A

RGB 12 48 26

HSL 143.33, 0.6%, 0.12%

LAB 16.83, -19.08, 10.41

 

Description

Color code: HEX #0C1030 | qconv.com Color code: HEX #0C1030 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 16 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 16 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 67 magenta, none yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 67% 0% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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