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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C29B0 it is the complementary color #F3D64F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C29B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C29B0 shade: #1129AB, #223BBE, #334DD1, #445FE4 and #5571F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C29B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C29B0 shade: #0C29B0, #00179D, #00058A, #000077 and #000064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C29B0 shade: #0C29B0, #1B0CB0, #470CB0, #740CB0 and #A00CB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C29B0 shade: #0C29B0 and #0C0CB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C29B0 shade matches the following richer shades: #0C29B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C29B0 shade: #0C29B0, #1B33A1, #2A3D91, #3A4682 and #495073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C29B0 shade: #0C81B0, #0C56B0, #0C2AB0, #190CB0 and #450CB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C29B0 shade: #061763, #092089, #0C29B0, #0E32D7 and #1F44EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C29B0 shade: #0C29B0, #B00CAD and #6CB00C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C29B0 shade: #0C29B0, #B00C2A and #2AB00C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C29B0 shade: #0C29B0, #B00CAD, #B0920C and #0CB00F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C29B0 shade: #0C29B0, #B00C7C, #B0920C and #0CB040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

Complementary color

CMYK 0 / 12 / 67 / 5

HEX #F3D64F

RGB 243 214 79

HSL 49.39, 0.87%, 0.63%

LAB 85.86, -4.45, 67.56

 

CMYK 90 / 76 / 0 / 33

HEX #1129AB

RGB 17 41 171

HSL 230.65, 0.82%, 0.37%

LAB 25.7, 42.75, -70.12

 

CMYK 82 / 69 / 0 / 25

HEX #223BBE

RGB 34 59 190

HSL 230.38, 0.7%, 0.44%

LAB 32.23, 39.56, -70.63

 

CMYK 76 / 63 / 0 / 18

HEX #334DD1

RGB 51 77 209

HSL 230.13, 0.63%, 0.51%

LAB 38.92, 36.59, -70.67

 

CMYK 70 / 58 / 0 / 11

HEX #445FE4

RGB 68 95 228

HSL 229.88, 0.75%, 0.58%

LAB 45.65, 34, -70.5

 

CMYK 66 / 54 / 0 / 3

HEX #5571F7

RGB 85 113 247

HSL 229.63, 0.91%, 0.65%

LAB 52.35, 31.78, -70.23

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 100 / 85 / 0 / 38

HEX #00179D

RGB 0 23 157

HSL 231.21, 1%, 0.31%

LAB 20.23, 47.16, -70.71

 

CMYK 100 / 96 / 0 / 46

HEX #00058A

RGB 0 5 138

HSL 237.83, 1%, 0.27%

LAB 15.19, 48.33, -67.33

 

CMYK 100 / 100 / 0 / 53

HEX #000077

RGB 0 0 119

HSL 240, 1%, 0.23%

LAB 11.5, 45.08, -61.4

 

CMYK 100 / 100 / 0 / 61

HEX #000064

RGB 0 0 100

HSL 240, 1%, 0.2%

LAB 8.31, 39.85, -54.28

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 85 / 93 / 0 / 31

HEX #1B0CB0

RGB 27 12 176

HSL 245.49, 0.87%, 0.37%

LAB 22.41, 57.33, -78.59

 

CMYK 60 / 93 / 0 / 31

HEX #470CB0

RGB 71 12 176

HSL 261.59, 0.87%, 0.37%

LAB 25.97, 59.5, -72.56

 

CMYK 34 / 93 / 0 / 31

HEX #740CB0

RGB 116 12 176

HSL 278.05, 0.87%, 0.37%

LAB 32.06, 64.08, -62.32

 

CMYK 9 / 93 / 0 / 31

HEX #A00CB0

RGB 160 12 176

HSL 294.15, 0.87%, 0.37%

LAB 39.36, 70.51, -50.12

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 93 / 93 / 0 / 31

HEX #0C0CB0

RGB 12 12 176

HSL 240, 0.87%, 0.37%

LAB 21.86, 57.03, -79.53

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 83 / 68 / 0 / 37

HEX #1B33A1

RGB 27 51 161

HSL 229.25, 0.71%, 0.37%

LAB 27.22, 33.44, -61.55

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D91

RGB 42 61 145

HSL 228.93, 0.55%, 0.37%

LAB 29.09, 22.31, -48.7

 

CMYK 55 / 46 / 0 / 49

HEX #3A4682

RGB 58 70 130

HSL 230, 0.38%, 0.37%

LAB 31.56, 13.8, -35.41

 

CMYK 37 / 30 / 0 / 55

HEX #495073

RGB 73 80 115

HSL 230, 0.22%, 0.37%

LAB 34.79, 6.53, -20.93

 

CMYK 93 / 27 / 0 / 31

HEX #0C81B0

RGB 12 129 176

HSL 197.2, 0.87%, 0.37%

LAB 50.59, -11.86, -32.94

 

CMYK 93 / 51 / 0 / 31

HEX #0C56B0

RGB 12 86 176

HSL 212.93, 0.87%, 0.37%

LAB 37.61, 14.92, -53.61

 

CMYK 93 / 76 / 0 / 31

HEX #0C2AB0

RGB 12 42 176

HSL 229.02, 0.87%, 0.37%

LAB 26.36, 43.76, -72.04

 

CMYK 86 / 93 / 0 / 31

HEX #190CB0

RGB 25 12 176

HSL 244.76, 0.87%, 0.37%

LAB 22.32, 57.28, -78.74

 

CMYK 61 / 93 / 0 / 31

HEX #450CB0

RGB 69 12 176

HSL 260.85, 0.87%, 0.37%

LAB 25.75, 59.36, -72.94

 

CMYK 94 / 77 / 0 / 61

HEX #061763

RGB 6 23 99

HSL 229.03, 0.89%, 0.21%

LAB 12.94, 26.57, -45.9

 

CMYK 93 / 77 / 0 / 46

HEX #092089

RGB 9 32 137

HSL 229.22, 0.88%, 0.29%

LAB 19.63, 35.57, -59.31

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 93 / 77 / 0 / 16

HEX #0E32D7

RGB 14 50 215

HSL 229.25, 0.88%, 0.45%

LAB 32.44, 52.65, -84.87

 

CMYK 87 / 72 / 0 / 6

HEX #1F44EF

RGB 31 68 239

HSL 229.33, 0.87%, 0.53%

LAB 39, 51.2, -87.7

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 0 / 93 / 2 / 31

HEX #B00CAD

RGB 176 12 173

HSL 301.1, 0.87%, 0.37%

LAB 42.02, 72.74, -43.93

 

CMYK 39 / 0 / 93 / 31

HEX #6CB00C

RGB 108 176 12

HSL 84.88, 0.87%, 0.37%

LAB 65.17, -43.93, 64.64

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 0 / 93 / 76 / 31

HEX #B00C2A

RGB 176 12 42

HSL 349.02, 0.87%, 0.37%

LAB 37.23, 60.1, 30.81

 

CMYK 76 / 0 / 93 / 31

HEX #2AB00C

RGB 42 176 12

HSL 109.02, 0.87%, 0.37%

LAB 62.99, -61.27, 61.94

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 0 / 93 / 2 / 31

HEX #B00CAD

RGB 176 12 173

HSL 301.1, 0.87%, 0.37%

LAB 42.02, 72.74, -43.93

 

CMYK 0 / 17 / 93 / 31

HEX #B0920C

RGB 176 146 12

HSL 49.02, 0.87%, 0.37%

LAB 61.49, -0.35, 63.88

 

CMYK 93 / 0 / 91 / 31

HEX #0CB00F

RGB 12 176 15

HSL 121.1, 0.87%, 0.37%

LAB 62.65, -64.28, 61.06

 

CMYK 93 / 77 / 0 / 31

HEX #0C29B0

RGB 12 41 176

HSL 229.39, 0.87%, 0.37%

LAB 26.15, 44.34, -72.37

 

CMYK 0 / 93 / 30 / 31

HEX #B00C7C

RGB 176 12 124

HSL 319.02, 0.87%, 0.37%

LAB 39.49, 66.28, -18.09

 

CMYK 0 / 17 / 93 / 31

HEX #B0920C

RGB 176 146 12

HSL 49.02, 0.87%, 0.37%

LAB 61.49, -0.35, 63.88

 

CMYK 93 / 0 / 64 / 31

HEX #0CB040

RGB 12 176 64

HSL 139.02, 0.87%, 0.37%

LAB 62.93, -60.7, 45.68

 

Description

Color code: HEX #0C29B0 | qconv.com Color code: HEX #0C29B0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 41 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 41 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 77 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 77% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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