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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C3782 it is the complementary color #F3C87D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C3782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C3782 shade: #11377D, #224990, #335BA3, #446DB6 and #557FC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C3782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C3782 shade: #0C3782, #00256F, #00135C, #000149 and #000036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C3782 shade: #0C3782, #0C1782, #200C82, #400C82 and #600C82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C3782 shade: #0C3782, #0C1782 and #0C0C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C3782 shade matches the following richer shades: #0C3782 and #00348E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C3782 shade: #0C3782, #173A77, #233D6B, #2E4060 and #3A4354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C3782 shade: #0C7682, #0C5782, #0C3782, #0C1782 and #1F0C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C3782 shade: #051737, #08275C, #0C3782, #0F47A8 and #1357CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C3782 shade: #0C3782, #6E0C82 and #67820C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C3782 shade: #0C3782, #820C37 and #37820C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C3782 shade: #0C3782, #6E0C82, #82570C and #1F820C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C3782 shade: #0C3782, #820C72, #82570C and #0C821B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

Complementary color

CMYK 0 / 18 / 49 / 5

HEX #F3C87D

RGB 243 200 125

HSL 38.14, 0.83%, 0.72%

LAB 82.83, 6.04, 43.05

 

CMYK 86 / 56 / 0 / 51

HEX #11377D

RGB 17 55 125

HSL 218.89, 0.76%, 0.28%

LAB 24.74, 15.4, -43.37

 

CMYK 76 / 49 / 0 / 44

HEX #224990

RGB 34 73 144

HSL 218.73, 0.62%, 0.35%

LAB 32.08, 12.59, -43.28

 

CMYK 69 / 44 / 0 / 36

HEX #335BA3

RGB 51 91 163

HSL 218.57, 0.52%, 0.42%

LAB 39.29, 10.51, -43.12

 

CMYK 63 / 40 / 0 / 29

HEX #446DB6

RGB 68 109 182

HSL 218.42, 0.46%, 0.49%

LAB 46.37, 8.93, -42.97

 

CMYK 58 / 37 / 0 / 21

HEX #557FC9

RGB 85 127 201

HSL 218.28, 0.52%, 0.56%

LAB 53.31, 7.7, -42.84

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 100 / 67 / 0 / 56

HEX #00256F

RGB 0 37 111

HSL 220, 1%, 0.22%

LAB 17.79, 21.2, -45.79

 

CMYK 100 / 79 / 0 / 64

HEX #00135C

RGB 0 19 92

HSL 227.61, 1%, 0.18%

LAB 10.84, 26.05, -44.71

 

CMYK 100 / 99 / 0 / 71

HEX #000149

RGB 0 1 73

HSL 239.18, 1%, 0.14%

LAB 4.54, 28.32, -42.09

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 91 / 82 / 0 / 49

HEX #0C1782

RGB 12 23 130

HSL 234.41, 0.83%, 0.28%

LAB 17, 38.46, -59.25

 

CMYK 75 / 91 / 0 / 49

HEX #200C82

RGB 32 12 130

HSL 250.17, 0.83%, 0.28%

LAB 16.41, 44.54, -60.2

 

CMYK 51 / 91 / 0 / 49

HEX #400C82

RGB 64 12 130

HSL 266.44, 0.83%, 0.28%

LAB 19.9, 47.33, -54.31

 

CMYK 26 / 91 / 0 / 49

HEX #600C82

RGB 96 12 130

HSL 282.71, 0.83%, 0.28%

LAB 24.83, 51.77, -46.04

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 91 / 82 / 0 / 49

HEX #0C1782

RGB 12 23 130

HSL 234.41, 0.83%, 0.28%

LAB 17, 38.46, -59.25

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C82

RGB 12 12 130

HSL 240, 0.83%, 0.28%

LAB 15.24, 43.69, -62.19

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 100 / 63 / 0 / 44

HEX #00348E

RGB 0 52 142

HSL 218.03, 1%, 0.28%

LAB 24.98, 23.66, -53.62

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 81 / 51 / 0 / 53

HEX #173A77

RGB 23 58 119

HSL 218.13, 0.68%, 0.28%

LAB 25.38, 11.39, -38.53

 

CMYK 67 / 43 / 0 / 58

HEX #233D6B

RGB 35 61 107

HSL 218.33, 0.51%, 0.28%

LAB 26.03, 6.38, -29.82

 

CMYK 52 / 33 / 0 / 62

HEX #2E4060

RGB 46 64 96

HSL 218.4, 0.35%, 0.28%

LAB 27, 2.91, -21.17

 

CMYK 31 / 20 / 0 / 67

HEX #3A4354

RGB 58 67 84

HSL 219.23, 0.18%, 0.28%

LAB 28.26, 0.88, -11.38

 

CMYK 91 / 9 / 0 / 49

HEX #0C7682

RGB 12 118 130

HSL 186.1, 0.83%, 0.28%

LAB 45.15, -22.44, -14.35

 

CMYK 91 / 33 / 0 / 49

HEX #0C5782

RGB 12 87 130

HSL 201.86, 0.83%, 0.28%

LAB 35.02, -4.59, -30.04

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 91 / 82 / 0 / 49

HEX #0C1782

RGB 12 23 130

HSL 234.41, 0.83%, 0.28%

LAB 17, 38.46, -59.25

 

CMYK 76 / 91 / 0 / 49

HEX #1F0C82

RGB 31 12 130

HSL 249.66, 0.83%, 0.28%

LAB 16.34, 44.48, -60.33

 

CMYK 91 / 58 / 0 / 78

HEX #051737

RGB 5 23 55

HSL 218.4, 0.83%, 0.12%

LAB 8.31, 6.86, -23.07

 

CMYK 91 / 58 / 0 / 64

HEX #08275C

RGB 8 39 92

HSL 217.86, 0.84%, 0.2%

LAB 16.87, 11.95, -34.81

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 91 / 58 / 0 / 34

HEX #0F47A8

RGB 15 71 168

HSL 218.04, 0.84%, 0.36%

LAB 32.78, 21.94, -56.69

 

CMYK 91 / 58 / 0 / 19

HEX #1357CE

RGB 19 87 206

HSL 218.18, 0.83%, 0.44%

LAB 40.26, 26.58, -66.79

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 15 / 91 / 0 / 49

HEX #6E0C82

RGB 110 12 130

HSL 289.83, 0.83%, 0.28%

LAB 27.27, 54.1, -41.98

 

CMYK 21 / 0 / 91 / 49

HEX #67820C

RGB 103 130 12

HSL 73.73, 0.83%, 0.28%

LAB 50.54, -25.02, 52.55

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 0 / 91 / 58 / 49

HEX #820C37

RGB 130 12 55

HSL 338.14, 0.83%, 0.28%

LAB 27.53, 48.62, 7.98

 

CMYK 58 / 0 / 91 / 49

HEX #37820C

RGB 55 130 12

HSL 98.14, 0.83%, 0.28%

LAB 48.01, -42.86, 49.4

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 15 / 91 / 0 / 49

HEX #6E0C82

RGB 110 12 130

HSL 289.83, 0.83%, 0.28%

LAB 27.27, 54.1, -41.98

 

CMYK 0 / 33 / 91 / 49

HEX #82570C

RGB 130 87 12

HSL 38.14, 0.83%, 0.28%

LAB 40.55, 11.72, 45.48

 

CMYK 76 / 0 / 91 / 49

HEX #1F820C

RGB 31 130 12

HSL 110.34, 0.83%, 0.28%

LAB 47.34, -48.44, 48.56

 

CMYK 91 / 58 / 0 / 49

HEX #0C3782

RGB 12 55 130

HSL 218.14, 0.83%, 0.28%

LAB 25.02, 17.13, -46.06

 

CMYK 0 / 91 / 12 / 49

HEX #820C72

RGB 130 12 114

HSL 308.14, 0.83%, 0.28%

LAB 29.97, 55.27, -27.3

 

CMYK 0 / 33 / 91 / 49

HEX #82570C

RGB 130 87 12

HSL 38.14, 0.83%, 0.28%

LAB 40.55, 11.72, 45.48

 

CMYK 91 / 0 / 79 / 49

HEX #0C821B

RGB 12 130 27

HSL 127.63, 0.83%, 0.28%

LAB 47.13, -50.02, 44.02

 

Description

Color code: HEX #0C3782 | qconv.com Color code: HEX #0C3782 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 55 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 55 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 58 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 58% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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