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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C40C4 it is the complementary color #F3BF3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C40C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C40C4 shade: #1140BF, #2252D2, #3364E5, #4476F8 and #5588FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C40C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C40C4 shade: #0C40C4, #002EB1, #001C9E, #000A8B and #000078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C40C4 shade: #0C40C4, #0C0EC4, #3B0CC4, #6D0CC4 and #9F0CC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C40C4 shade: #0C40C4, #0C0EC4 and #0C0CC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C40C4 shade matches the following richer shades: #0C40C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C40C4 shade: #0C40C4, #1D47B3, #2E4FA2, #3F5691 and #505D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C40C4 shade: #0CA2C4, #0C71C4, #0C40C4, #0C0FC4 and #3A0CC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C40C4 shade: #072776, #0A339D, #0C40C4, #0F4DEB and #3168F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C40C4 shade: #0C40C4, #B50CC4 and #8AC40C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C40C4 shade: #0C40C4, #C40C40 and #40C40C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C40C4 shade: #0C40C4, #B50CC4, #C4900C and #1BC40C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C40C4 shade: #0C40C4, #C40C9C, #C4900C and #0CC434

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

Complementary color

CMYK 0 / 21 / 76 / 5

HEX #F3BF3B

RGB 243 191 59

HSL 43.04, 0.88%, 0.59%

LAB 79.97, 6.45, 69.32

 

CMYK 91 / 66 / 0 / 25

HEX #1140BF

RGB 17 64 191

HSL 223.79, 0.84%, 0.41%

LAB 33.02, 35.77, -69.93

 

CMYK 84 / 61 / 0 / 18

HEX #2252D2

RGB 34 82 210

HSL 223.64, 0.72%, 0.48%

LAB 39.63, 32.28, -70.12

 

CMYK 78 / 56 / 0 / 10

HEX #3364E5

RGB 51 100 229

HSL 223.48, 0.77%, 0.55%

LAB 46.28, 29.28, -70.08

 

CMYK 73 / 52 / 0 / 3

HEX #4476F8

RGB 68 118 248

HSL 223.33, 0.93%, 0.62%

LAB 52.91, 26.74, -69.92

 

CMYK 67 / 47 / 0 / 0

HEX #5588FF

RGB 85 136 255

HSL 222, 1%, 0.67%

LAB 58.75, 20.49, -64.33

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 100 / 74 / 0 / 31

HEX #002EB1

RGB 0 46 177

HSL 224.41, 1%, 0.35%

LAB 27.1, 41.39, -71.42

 

CMYK 100 / 82 / 0 / 38

HEX #001C9E

RGB 0 28 158

HSL 229.37, 1%, 0.31%

LAB 21.2, 45.01, -69.7

 

CMYK 100 / 93 / 0 / 45

HEX #000A8B

RGB 0 10 139

HSL 235.68, 1%, 0.27%

LAB 15.91, 46.88, -66.76

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 94 / 93 / 0 / 23

HEX #0C0EC4

RGB 12 14 196

HSL 239.35, 0.88%, 0.41%

LAB 24.88, 61.95, -86.37

 

CMYK 70 / 94 / 0 / 23

HEX #3B0CC4

RGB 59 12 196

HSL 255.33, 0.88%, 0.41%

LAB 27.24, 63.76, -82.38

 

CMYK 44 / 94 / 0 / 23

HEX #6D0CC4

RGB 109 12 196

HSL 271.63, 0.88%, 0.41%

LAB 32.92, 67.51, -72.79

 

CMYK 19 / 94 / 0 / 23

HEX #9F0CC4

RGB 159 12 196

HSL 287.93, 0.88%, 0.41%

LAB 40.6, 73.76, -59.91

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 94 / 93 / 0 / 23

HEX #0C0EC4

RGB 12 14 196

HSL 239.35, 0.88%, 0.41%

LAB 24.88, 61.95, -86.37

 

CMYK 94 / 94 / 0 / 23

HEX #0C0CC4

RGB 12 12 196

HSL 240, 0.88%, 0.41%

LAB 24.72, 62.44, -86.64

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 84 / 60 / 0 / 30

HEX #1D47B3

RGB 29 71 179

HSL 223.2, 0.72%, 0.41%

LAB 34.03, 27.25, -61.18

 

CMYK 72 / 51 / 0 / 36

HEX #2E4FA2

RGB 46 79 162

HSL 222.93, 0.56%, 0.41%

LAB 35.56, 17.25, -48.53

 

CMYK 57 / 41 / 0 / 43

HEX #3F5691

RGB 63 86 145

HSL 223.17, 0.39%, 0.41%

LAB 37.4, 9.64, -35.29

 

CMYK 38 / 27 / 0 / 50

HEX #505D80

RGB 80 93 128

HSL 223.75, 0.23%, 0.41%

LAB 39.74, 4.29, -21.22

 

CMYK 94 / 17 / 0 / 23

HEX #0CA2C4

RGB 12 162 196

HSL 191.09, 0.88%, 0.41%

LAB 61.57, -22.62, -27.24

 

CMYK 94 / 42 / 0 / 23

HEX #0C71C4

RGB 12 113 196

HSL 207.07, 0.88%, 0.41%

LAB 46.81, 5.47, -50.45

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 94 / 92 / 0 / 23

HEX #0C0FC4

RGB 12 15 196

HSL 239.02, 0.88%, 0.41%

LAB 24.97, 61.69, -86.23

 

CMYK 70 / 94 / 0 / 23

HEX #3A0CC4

RGB 58 12 196

HSL 255, 0.88%, 0.41%

LAB 27.15, 63.71, -82.52

 

CMYK 94 / 67 / 0 / 54

HEX #072776

RGB 7 39 118

HSL 222.7, 0.89%, 0.25%

LAB 19.24, 23.21, -47.91

 

CMYK 94 / 68 / 0 / 38

HEX #0A339D

RGB 10 51 157

HSL 223.27, 0.88%, 0.33%

LAB 26.35, 30.9, -60.57

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 94 / 67 / 0 / 8

HEX #0F4DEB

RGB 15 77 235

HSL 223.09, 0.88%, 0.49%

LAB 40.26, 43.82, -83.37

 

CMYK 80 / 57 / 0 / 5

HEX #3168F1

RGB 49 104 241

HSL 222.81, 0.87%, 0.57%

LAB 48.14, 30.97, -73.8

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 8 / 94 / 0 / 23

HEX #B50CC4

RGB 181 12 196

HSL 295.11, 0.88%, 0.41%

LAB 44.34, 77.12, -53.7

 

CMYK 30 / 0 / 94 / 23

HEX #8AC40C

RGB 138 196 12

HSL 78.91, 0.88%, 0.41%

LAB 72.83, -41.38, 71.47

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 0 / 94 / 67 / 23

HEX #C40C40

RGB 196 12 64

HSL 343.04, 0.88%, 0.41%

LAB 41.8, 66.12, 23.62

 

CMYK 67 / 0 / 94 / 23

HEX #40C40C

RGB 64 196 12

HSL 103.04, 0.88%, 0.41%

LAB 69.89, -63.6, 67.86

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 8 / 94 / 0 / 23

HEX #B50CC4

RGB 181 12 196

HSL 295.11, 0.88%, 0.41%

LAB 44.34, 77.12, -53.7

 

CMYK 0 / 27 / 94 / 23

HEX #C4900C

RGB 196 144 12

HSL 43.04, 0.88%, 0.41%

LAB 63.1, 9.77, 66.03

 

CMYK 86 / 0 / 94 / 23

HEX #1BC40C

RGB 27 196 12

HSL 115.11, 0.88%, 0.41%

LAB 69.28, -68.93, 67.11

 

CMYK 94 / 67 / 0 / 23

HEX #0C40C4

RGB 12 64 196

HSL 223.04, 0.88%, 0.41%

LAB 33.42, 37.48, -72.21

 

CMYK 0 / 94 / 20 / 23

HEX #C40C9C

RGB 196 12 156

HSL 313.04, 0.88%, 0.41%

LAB 44.8, 74.14, -29.12

 

CMYK 0 / 27 / 94 / 23

HEX #C4900C

RGB 196 144 12

HSL 43.04, 0.88%, 0.41%

LAB 63.1, 9.77, 66.03

 

CMYK 94 / 0 / 73 / 23

HEX #0CC434

RGB 12 196 52

HSL 133.04, 0.88%, 0.41%

LAB 69.33, -67.9, 57.34

 

Description

Color code: HEX #0C40C4 | qconv.com Color code: HEX #0C40C4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 64 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 64 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 67 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 67% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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