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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C4F5E it is the complementary color #F3B0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C4F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C4F5E shade: #114F59, #22616C, #33737F, #448592 and #5597A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C4F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C4F5E shade: #0C4F5E, #003D4B, #002B38, #001925 and #000712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C4F5E shade: #0C4F5E, #0C395E, #0C235E, #0C0C5E and #210C5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C4F5E shade: #0C4F5E, #0C395E, #0C235E, #0C0C5E and #0C0C5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C4F5E shade matches the following richer shades: #0C4F5E and #035567

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C4F5E shade: #0C4F5E, #144A56, #1D444D, #263F44 and #2E393C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C4F5E shade: #0C5E40, #0C5E56, #0C515E, #0C3B5E and #0C255E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C4F5E shade: #021215, #07303A, #0C4F5E, #116E83 and #158DA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C4F5E shade: #0C4F5E, #2A0C5E and #5E4B0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C4F5E shade: #0C4F5E, #5E0C51 and #515E0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C4F5E shade: #0C4F5E, #2A0C5E, #5E1A0C and #405E0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C4F5E shade: #0C4F5E, #430C5E, #5E1A0C and #275E0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

Complementary color

CMYK 0 / 28 / 34 / 5

HEX #F3B0A1

RGB 243 176 161

HSL 10.98, 0.77%, 0.79%

LAB 77.68, 22.52, 17.36

 

CMYK 81 / 11 / 0 / 65

HEX #114F59

RGB 17 79 89

HSL 188.33, 0.68%, 0.21%

LAB 30.48, -15.13, -11.4

 

CMYK 69 / 10 / 0 / 58

HEX #22616C

RGB 34 97 108

HSL 188.92, 0.52%, 0.28%

LAB 37.79, -16.07, -12.15

 

CMYK 60 / 9 / 0 / 50

HEX #33737F

RGB 51 115 127

HSL 189.47, 0.43%, 0.35%

LAB 44.94, -16.61, -12.79

 

CMYK 53 / 9 / 0 / 43

HEX #448592

RGB 68 133 146

HSL 190, 0.36%, 0.42%

LAB 51.93, -16.94, -13.36

 

CMYK 48 / 8 / 0 / 35

HEX #5597A5

RGB 85 151 165

HSL 190.5, 0.32%, 0.49%

LAB 58.77, -17.15, -13.88

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 100 / 19 / 0 / 71

HEX #003D4B

RGB 0 61 75

HSL 191.2, 1%, 0.15%

LAB 23.15, -11.83, -13.53

 

CMYK 100 / 23 / 0 / 78

HEX #002B38

RGB 0 43 56

HSL 193.93, 1%, 0.11%

LAB 15.56, -8.48, -12.34

 

CMYK 100 / 32 / 0 / 85

HEX #001925

RGB 0 25 37

HSL 199.46, 1%, 0.07%

LAB 7.49, -4.35, -11.15

 

CMYK 100 / 61 / 0 / 93

HEX #000712

RGB 0 7 18

HSL 216.67, 1%, 0.04%

LAB 1.77, -0.03, -5.54

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 87 / 39 / 0 / 63

HEX #0C395E

RGB 12 57 94

HSL 207.07, 0.77%, 0.21%

LAB 23.04, 0.18, -26.21

 

CMYK 87 / 63 / 0 / 63

HEX #0C235E

RGB 12 35 94

HSL 223.17, 0.77%, 0.21%

LAB 15.94, 16.23, -37.64

 

CMYK 87 / 87 / 0 / 63

HEX #0C0C5E

RGB 12 12 94

HSL 240, 0.77%, 0.21%

LAB 10.18, 31.86, -47.13

 

CMYK 65 / 87 / 0 / 63

HEX #210C5E

RGB 33 12 94

HSL 255.37, 0.77%, 0.21%

LAB 11.92, 33.69, -44.19

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 87 / 39 / 0 / 63

HEX #0C395E

RGB 12 57 94

HSL 207.07, 0.77%, 0.21%

LAB 23.04, 0.18, -26.21

 

CMYK 87 / 63 / 0 / 63

HEX #0C235E

RGB 12 35 94

HSL 223.17, 0.77%, 0.21%

LAB 15.94, 16.23, -37.64

 

CMYK 87 / 87 / 0 / 63

HEX #0C0C5E

RGB 12 12 94

HSL 240, 0.77%, 0.21%

LAB 10.18, 31.86, -47.13

 

CMYK 87 / 87 / 0 / 63

HEX #0C0C5E

RGB 12 12 94

HSL 240, 0.77%, 0.21%

LAB 10.18, 31.86, -47.13

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 97 / 17 / 0 / 60

HEX #035567

RGB 3 85 103

HSL 190.8, 0.94%, 0.21%

LAB 32.91, -14.72, -16.56

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 77 / 14 / 0 / 66

HEX #144A56

RGB 20 74 86

HSL 190.91, 0.62%, 0.21%

LAB 28.69, -12.87, -12.2

 

CMYK 62 / 12 / 0 / 70

HEX #1D444D

RGB 29 68 77

HSL 191.25, 0.45%, 0.21%

LAB 26.54, -10.7, -9.6

 

CMYK 44 / 7 / 0 / 73

HEX #263F44

RGB 38 63 68

HSL 190, 0.28%, 0.21%

LAB 24.9, -8.08, -6.11

 

CMYK 23 / 5 / 0 / 76

HEX #2E393C

RGB 46 57 60

HSL 192.86, 0.13%, 0.21%

LAB 23.11, -3.75, -3.39

 

CMYK 87 / 0 / 32 / 63

HEX #0C5E40

RGB 12 94 64

HSL 158.05, 0.77%, 0.21%

LAB 34.91, -31.1, 10.77

 

CMYK 87 / 0 / 9 / 63

HEX #0C5E56

RGB 12 94 86

HSL 174.15, 0.77%, 0.21%

LAB 35.51, -24.79, -1.98

 

CMYK 87 / 14 / 0 / 63

HEX #0C515E

RGB 12 81 94

HSL 189.51, 0.77%, 0.21%

LAB 31.28, -15.03, -13.37

 

CMYK 87 / 37 / 0 / 63

HEX #0C3B5E

RGB 12 59 94

HSL 205.61, 0.77%, 0.21%

LAB 23.72, -1.2, -25.14

 

CMYK 87 / 61 / 0 / 63

HEX #0C255E

RGB 12 37 94

HSL 221.71, 0.77%, 0.21%

LAB 16.55, 14.73, -36.65

 

CMYK 90 / 14 / 0 / 92

HEX #021215

RGB 2 18 21

HSL 189.47, 0.83%, 0.05%

LAB 4.51, -4.02, -3.46

 

CMYK 88 / 17 / 0 / 77

HEX #07303A

RGB 7 48 58

HSL 191.76, 0.78%, 0.13%

LAB 17.76, -9.61, -10.32

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 87 / 16 / 0 / 49

HEX #116E83

RGB 17 110 131

HSL 191.05, 0.77%, 0.29%

LAB 42.63, -17.42, -18.79

 

CMYK 87 / 16 / 0 / 35

HEX #158DA7

RGB 21 141 167

HSL 190.68, 0.78%, 0.37%

LAB 54.03, -21.18, -22.41

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 55 / 87 / 0 / 63

HEX #2A0C5E

RGB 42 12 94

HSL 261.95, 0.77%, 0.21%

LAB 13.01, 34.84, -42.36

 

CMYK 0 / 20 / 87 / 63

HEX #5E4B0C

RGB 94 75 12

HSL 46.1, 0.77%, 0.21%

LAB 32.78, 1.27, 37.21

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 0 / 87 / 14 / 63

HEX #5E0C51

RGB 94 12 81

HSL 309.51, 0.77%, 0.21%

LAB 20.97, 42.28, -20.31

 

CMYK 14 / 0 / 87 / 63

HEX #515E0C

RGB 81 94 12

HSL 69.51, 0.77%, 0.21%

LAB 37.45, -16.27, 40.8

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 55 / 87 / 0 / 63

HEX #2A0C5E

RGB 42 12 94

HSL 261.95, 0.77%, 0.21%

LAB 13.01, 34.84, -42.36

 

CMYK 0 / 72 / 87 / 63

HEX #5E1A0C

RGB 94 26 12

HSL 10.24, 0.77%, 0.21%

LAB 20.62, 30.17, 25.69

 

CMYK 32 / 0 / 87 / 63

HEX #405E0C

RGB 64 94 12

HSL 81.95, 0.77%, 0.21%

LAB 36.22, -23.98, 39.25

 

CMYK 87 / 16 / 0 / 63

HEX #0C4F5E

RGB 12 79 94

HSL 190.98, 0.77%, 0.21%

LAB 30.59, -13.87, -14.43

 

CMYK 29 / 87 / 0 / 63

HEX #430C5E

RGB 67 12 94

HSL 280.24, 0.77%, 0.21%

LAB 16.82, 38.98, -35.97

 

CMYK 0 / 72 / 87 / 63

HEX #5E1A0C

RGB 94 26 12

HSL 10.24, 0.77%, 0.21%

LAB 20.62, 30.17, 25.69

 

CMYK 59 / 0 / 87 / 63

HEX #275E0C

RGB 39 94 12

HSL 100.24, 0.77%, 0.21%

LAB 34.93, -33.36, 37.6

 

Description

Color code: HEX #0C4F5E | qconv.com Color code: HEX #0C4F5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 79 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 79 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 16 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 16% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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