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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C7366 it is the complementary color #F38C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C7366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C7366 shade: #117361, #228574, #339787, #44A99A and #55BBAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C7366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C7366 shade: #0C7366, #006153, #004F40, #003D2D and #002B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C7366 shade: #0C7366, #0C734A, #0C732E, #0C7312 and #21730C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C7366 shade: #0C7366, #0C6473, #0C4873, #0C2C73 and #0C1173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C7366 shade matches the following richer shades: #0C7366 and #017D6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C7366 shade: #0C7366, #16695E, #205E56, #2B544F and #354A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C7366 shade: #0C732E, #0C734A, #0C7365, #0C6573 and #0C4A73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C7366 shade: #042824, #084E45, #0C7366, #109887 and #13BEA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C7366 shade: #0C7366, #120C73 and #733C0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C7366 shade: #0C7366, #650C73 and #73650C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C7366 shade: #0C7366, #120C73, #730C19 and #6C730C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C7366 shade: #0C7366, #310C73, #730C19 and #4D730C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

Complementary color

CMYK 0 / 42 / 37 / 5

HEX #F38C99

RGB 243 140 153

HSL 352.43, 0.81%, 0.75%

LAB 69.55, 40.43, 10.32

 

CMYK 85 / 0 / 16 / 55

HEX #117361

RGB 17 115 97

HSL 168.98, 0.74%, 0.26%

LAB 43.13, -31.1, 2.42

 

CMYK 74 / 0 / 13 / 48

HEX #228574

RGB 34 133 116

HSL 169.7, 0.59%, 0.33%

LAB 49.95, -32.05, 1.11

 

CMYK 66 / 0 / 11 / 41

HEX #339787

RGB 51 151 135

HSL 170.4, 0.5%, 0.4%

LAB 56.67, -32.6, -0.02

 

CMYK 60 / 0 / 9 / 34

HEX #44A99A

RGB 68 169 154

HSL 171.09, 0.43%, 0.46%

LAB 63.29, -32.91, -1.02

 

CMYK 55 / 0 / 7 / 27

HEX #55BBAD

RGB 85 187 173

HSL 171.76, 0.43%, 0.53%

LAB 69.82, -33.06, -1.91

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 100 / 0 / 14 / 62

HEX #006153

RGB 0 97 83

HSL 171.34, 1%, 0.19%

LAB 36.32, -28.25, 1.04

 

CMYK 100 / 0 / 19 / 69

HEX #004F40

RGB 0 79 64

HSL 168.61, 1%, 0.15%

LAB 29.32, -25.55, 2.86

 

CMYK 100 / 0 / 26 / 76

HEX #003D2D

RGB 0 61 45

HSL 164.26, 1%, 0.12%

LAB 22.04, -22.73, 4.85

 

CMYK 100 / 0 / 40 / 83

HEX #002B1A

RGB 0 43 26

HSL 156.28, 1%, 0.08%

LAB 14.41, -19.72, 7.08

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 90 / 0 / 36 / 55

HEX #0C734A

RGB 12 115 74

HSL 156.12, 0.81%, 0.25%

LAB 42.51, -37.57, 15.21

 

CMYK 90 / 0 / 60 / 55

HEX #0C732E

RGB 12 115 46

HSL 139.81, 0.81%, 0.25%

LAB 42.06, -42.93, 30.2

 

CMYK 90 / 0 / 84 / 55

HEX #0C7312

RGB 12 115 18

HSL 123.5, 0.81%, 0.25%

LAB 41.82, -45.89, 41.91

 

CMYK 71 / 0 / 90 / 55

HEX #21730C

RGB 33 115 12

HSL 107.77, 0.81%, 0.25%

LAB 42.17, -42.93, 44.05

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 90 / 13 / 0 / 55

HEX #0C6473

RGB 12 100 115

HSL 188.74, 0.81%, 0.25%

LAB 38.6, -18.05, -15.26

 

CMYK 90 / 37 / 0 / 55

HEX #0C4873

RGB 12 72 115

HSL 205.05, 0.81%, 0.25%

LAB 29.29, -1.07, -29.77

 

CMYK 90 / 62 / 0 / 55

HEX #0C2C73

RGB 12 44 115

HSL 221.36, 0.81%, 0.25%

LAB 20.51, 18.66, -43.9

 

CMYK 90 / 85 / 0 / 55

HEX #0C1173

RGB 12 17 115

HSL 237.09, 0.81%, 0.25%

LAB 13.93, 36.51, -54.75

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 99 / 0 / 12 / 51

HEX #017D6E

RGB 1 125 110

HSL 172.74, 0.98%, 0.25%

LAB 46.71, -33, -0.13

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 79 / 0 / 10 / 59

HEX #16695E

RGB 22 105 94

HSL 172.05, 0.65%, 0.25%

LAB 39.72, -26.64, -0.72

 

CMYK 66 / 0 / 9 / 63

HEX #205E56

RGB 32 94 86

HSL 172.26, 0.49%, 0.25%

LAB 35.95, -21.82, -1.28

 

CMYK 49 / 0 / 6 / 67

HEX #2B544F

RGB 43 84 79

HSL 172.68, 0.32%, 0.25%

LAB 32.74, -15.79, -1.56

 

CMYK 28 / 0 / 4 / 71

HEX #354A47

RGB 53 74 71

HSL 171.43, 0.17%, 0.25%

LAB 29.69, -8.9, -0.87

 

CMYK 90 / 0 / 60 / 55

HEX #0C732E

RGB 12 115 46

HSL 139.81, 0.81%, 0.25%

LAB 42.06, -42.93, 30.2

 

CMYK 90 / 0 / 36 / 55

HEX #0C734A

RGB 12 115 74

HSL 156.12, 0.81%, 0.25%

LAB 42.51, -37.57, 15.21

 

CMYK 90 / 0 / 12 / 55

HEX #0C7365

RGB 12 115 101

HSL 171.84, 0.81%, 0.25%

LAB 43.18, -30.35, 0.09

 

CMYK 90 / 12 / 0 / 55

HEX #0C6573

RGB 12 101 115

HSL 188.16, 0.81%, 0.25%

LAB 38.94, -18.6, -14.75

 

CMYK 90 / 36 / 0 / 55

HEX #0C4A73

RGB 12 74 115

HSL 203.88, 0.81%, 0.25%

LAB 29.94, -2.39, -28.73

 

CMYK 90 / 0 / 10 / 84

HEX #042824

RGB 4 40 36

HSL 173.33, 0.82%, 0.09%

LAB 13.65, -13.8, -1.04

 

CMYK 90 / 0 / 12 / 69

HEX #084E45

RGB 8 78 69

HSL 172.29, 0.81%, 0.17%

LAB 29.24, -22.54, -0.45

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 89 / 0 / 11 / 40

HEX #109887

RGB 16 152 135

HSL 172.5, 0.81%, 0.33%

LAB 56.4, -37.07, -0.48

 

CMYK 90 / 0 / 12 / 25

HEX #13BEA8

RGB 19 190 168

HSL 172.28, 0.82%, 0.41%

LAB 69.32, -44.23, -0.05

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 84 / 90 / 0 / 55

HEX #120C73

RGB 18 12 115

HSL 243.5, 0.81%, 0.25%

LAB 13.41, 39.2, -55.6

 

CMYK 0 / 48 / 90 / 55

HEX #733C0C

RGB 115 60 12

HSL 27.96, 0.81%, 0.25%

LAB 31.59, 20.68, 37.3

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 12 / 90 / 0 / 55

HEX #650C73

RGB 101 12 115

HSL 291.84, 0.81%, 0.25%

LAB 24.54, 49.68, -36.93

 

CMYK 0 / 12 / 90 / 55

HEX #73650C

RGB 115 101 12

HSL 51.84, 0.81%, 0.25%

LAB 42.73, -3.79, 46.53

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 84 / 90 / 0 / 55

HEX #120C73

RGB 18 12 115

HSL 243.5, 0.81%, 0.25%

LAB 13.41, 39.2, -55.6

 

CMYK 0 / 90 / 78 / 55

HEX #730C19

RGB 115 12 25

HSL 352.43, 0.81%, 0.25%

LAB 23.6, 42.6, 22.58

 

CMYK 6 / 0 / 90 / 55

HEX #6C730C

RGB 108 115 12

HSL 64.08, 0.81%, 0.25%

LAB 46.28, -14.98, 49.18

 

CMYK 90 / 0 / 11 / 55

HEX #0C7366

RGB 12 115 102

HSL 172.43, 0.81%, 0.25%

LAB 43.21, -30.05, -0.47

 

CMYK 57 / 90 / 0 / 55

HEX #310C73

RGB 49 12 115

HSL 261.55, 0.81%, 0.25%

LAB 16.27, 41.67, -50.76

 

CMYK 0 / 90 / 78 / 55

HEX #730C19

RGB 115 12 25

HSL 352.43, 0.81%, 0.25%

LAB 23.6, 42.6, 22.58

 

CMYK 33 / 0 / 90 / 55

HEX #4D730C

RGB 77 115 12

HSL 82.14, 0.81%, 0.25%

LAB 44.04, -28.74, 46.4

 

Description

Color code: HEX #0C7366 | qconv.com Color code: HEX #0C7366 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 115 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 115 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 11 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 11% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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