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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C94DD it is the complementary color #F36B22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C94DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C94DD shade: #1194D8, #22A6EB, #33B8FE, #44CAFF and #55DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C94DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C94DD shade: #0C94DD, #0082CA, #0070B7, #005EA4 and #004C91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C94DD shade: #0B95DE, #0B5CDE, #0B23DE, #2D0BDE and #660BDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C94DD shade: #0B95DE, #0B5CDE, #0B23DE and #0B0BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C94DD shade matches the following richer shades: #0B95DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C94DD shade: #0B95DE, #1E8FCB, #3189B8, #4483A5 and #577E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C94DD shade: #0BDEB4, #0BD0DE, #0B98DE, #0B60DE and #0B27DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C94DD shade: #076090, #097AB7, #0B95DE, #20A9F3 and #47B8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C94DD shade: #0C94DD, #7C0BDE and #DED00B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C94DD shade: #0C94DD, #DE0B98 and #98DE0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C94DD shade: #0C94DD, #7C0BDE, #DE520B and #6EDE0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C94DD shade: #0C94DD, #BB0BDE, #DE520B and #2EDE0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 33 / 0 / 13

HEX #0C94DD

RGB 12 148 221

HSL 200.96, 0.9%, 0.46%

LAB 58.49, -5.95, -46.03

 

Complementary color

CMYK 0 / 56 / 86 / 5

HEX #F36B22

RGB 243 107 34

HSL 20.96, 0.9%, 0.54%

LAB 61.38, 48.83, 61.78

 

CMYK 92 / 31 / 0 / 15

HEX #1194D8

RGB 17 148 216

HSL 200.5, 0.85%, 0.46%

LAB 58.28, -7.62, -43.56

 

CMYK 86 / 29 / 0 / 8

HEX #22A6EB

RGB 34 166 235

HSL 200.6, 0.83%, 0.53%

LAB 64.65, -9.91, -44.04

 

CMYK 80 / 28 / 0 / 0

HEX #33B8FE

RGB 51 184 254

HSL 200.69, 0.99%, 0.6%

LAB 70.97, -11.78, -44.45

 

CMYK 73 / 21 / 0 / 0

HEX #44CAFF

RGB 68 202 255

HSL 197.01, 1%, 0.63%

LAB 76.49, -19.18, -36.36

 

CMYK 67 / 14 / 0 / 0

HEX #55DCFF

RGB 85 220 255

HSL 192.35, 1%, 0.67%

LAB 82.02, -26.03, -27.81

 

CMYK 95 / 33 / 0 / 13

HEX #0C94DD

RGB 12 148 221

HSL 200.96, 0.9%, 0.46%

LAB 58.49, -5.95, -46.03

 

CMYK 100 / 36 / 0 / 21

HEX #0082CA

RGB 0 130 202

HSL 201.39, 1%, 0.4%

LAB 52.1, -3, -45.46

 

CMYK 100 / 39 / 0 / 28

HEX #0070B7

RGB 0 112 183

HSL 203.28, 1%, 0.36%

LAB 45.64, 0.48, -44.8

 

CMYK 100 / 43 / 0 / 36

HEX #005EA4

RGB 0 94 164

HSL 205.61, 1%, 0.32%

LAB 39.05, 4.19, -44.18

 

CMYK 100 / 48 / 0 / 43

HEX #004C91

RGB 0 76 145

HSL 208.55, 1%, 0.28%

LAB 32.29, 8.17, -43.59

 

CMYK 95 / 33 / 0 / 13

HEX #0B95DE

RGB 11 149 222

HSL 200.76, 0.91%, 0.46%

LAB 58.83, -6.19, -46.05

 

CMYK 95 / 59 / 0 / 13

HEX #0B5CDE

RGB 11 92 222

HSL 216.97, 0.91%, 0.46%

LAB 42.76, 29.25, -71.88

 

CMYK 95 / 84 / 0 / 13

HEX #0B23DE

RGB 11 35 222

HSL 233.18, 0.91%, 0.46%

LAB 30.75, 62.06, -91.71

 

CMYK 80 / 95 / 0 / 13

HEX #2D0BDE

RGB 45 11 222

HSL 249.67, 0.91%, 0.46%

LAB 29.59, 69.95, -93.61

 

CMYK 54 / 95 / 0 / 13

HEX #660BDE

RGB 102 11 222

HSL 265.88, 0.91%, 0.46%

LAB 34.68, 72.81, -85.01

 

CMYK 95 / 33 / 0 / 13

HEX #0B95DE

RGB 11 149 222

HSL 200.76, 0.91%, 0.46%

LAB 58.83, -6.19, -46.05

 

CMYK 95 / 59 / 0 / 13

HEX #0B5CDE

RGB 11 92 222

HSL 216.97, 0.91%, 0.46%

LAB 42.76, 29.25, -71.88

 

CMYK 95 / 84 / 0 / 13

HEX #0B23DE

RGB 11 35 222

HSL 233.18, 0.91%, 0.46%

LAB 30.75, 62.06, -91.71

 

CMYK 95 / 95 / 0 / 13

HEX #0B0BDE

RGB 11 11 222

HSL 240, 0.91%, 0.46%

LAB 28.34, 69.39, -95.74

 

CMYK 95 / 33 / 0 / 13

HEX #0B95DE

RGB 11 149 222

HSL 200.76, 0.91%, 0.46%

LAB 58.83, -6.19, -46.05

 

CMYK 95 / 33 / 0 / 13

HEX #0B95DE

RGB 11 149 222

HSL 200.76, 0.91%, 0.46%

LAB 58.83, -6.19, -46.05

 

CMYK 85 / 30 / 0 / 20

HEX #1E8FCB

RGB 30 143 203

HSL 200.81, 0.74%, 0.46%

LAB 56.32, -8.8, -39.34

 

CMYK 73 / 26 / 0 / 28

HEX #3189B8

RGB 49 137 184

HSL 200.89, 0.58%, 0.46%

LAB 54.03, -10.21, -32.1

 

CMYK 59 / 21 / 0 / 35

HEX #4483A5

RGB 68 131 165

HSL 201.03, 0.42%, 0.46%

LAB 52.04, -9.95, -24.22

 

CMYK 40 / 14 / 0 / 43

HEX #577E92

RGB 87 126 146

HSL 200.34, 0.25%, 0.46%

LAB 50.71, -8.19, -15.11

 

CMYK 95 / 0 / 19 / 13

HEX #0BDEB4

RGB 11 222 180

HSL 168.06, 0.91%, 0.46%

LAB 79.39, -54.51, 8.04

 

CMYK 95 / 6 / 0 / 13

HEX #0BD0DE

RGB 11 208 222

HSL 183.98, 0.91%, 0.46%

LAB 76.35, -36.7, -18.93

 

CMYK 95 / 32 / 0 / 13

HEX #0B98DE

RGB 11 152 222

HSL 199.91, 0.91%, 0.46%

LAB 59.71, -7.9, -44.66

 

CMYK 95 / 57 / 0 / 13

HEX #0B60DE

RGB 11 96 222

HSL 215.83, 0.91%, 0.46%

LAB 43.82, 26.65, -70.16

 

CMYK 95 / 82 / 0 / 13

HEX #0B27DE

RGB 11 39 222

HSL 232.04, 0.91%, 0.46%

LAB 31.34, 60.32, -90.73

 

CMYK 95 / 33 / 0 / 44

HEX #076090

RGB 7 96 144

HSL 201.02, 0.91%, 0.3%

LAB 38.59, -4.88, -32.92

 

CMYK 95 / 33 / 0 / 28

HEX #097AB7

RGB 9 122 183

HSL 201.03, 0.91%, 0.38%

LAB 48.76, -5.25, -39.86

 

CMYK 95 / 33 / 0 / 13

HEX #0B95DE

RGB 11 149 222

HSL 200.76, 0.91%, 0.46%

LAB 58.83, -6.19, -46.05

 

CMYK 87 / 30 / 0 / 5

HEX #20A9F3

RGB 32 169 243

HSL 201.04, 0.9%, 0.54%

LAB 65.87, -8.85, -46.51

 

CMYK 71 / 25 / 0 / 4

HEX #47B8F5

RGB 71 184 245

HSL 201.03, 0.9%, 0.62%

LAB 71.02, -12.58, -39.47

 

CMYK 95 / 33 / 0 / 13

HEX #0C94DD

RGB 12 148 221

HSL 200.96, 0.9%, 0.46%

LAB 58.49, -5.95, -46.03

 

CMYK 44 / 95 / 0 / 13

HEX #7C0BDE

RGB 124 11 222

HSL 272.13, 0.91%, 0.46%

LAB 37.48, 74.69, -80.29

 

CMYK 0 / 6 / 95 / 13

HEX #DED00B

RGB 222 208 11

HSL 56.02, 0.91%, 0.46%

LAB 82.2, -12.4, 81.4

 

CMYK 95 / 33 / 0 / 13

HEX #0C94DD

RGB 12 148 221

HSL 200.96, 0.9%, 0.46%

LAB 58.49, -5.95, -46.03

 

CMYK 0 / 95 / 32 / 13

HEX #DE0B98

RGB 222 11 152

HSL 319.91, 0.91%, 0.46%

LAB 49.54, 78.97, -18.99

 

CMYK 32 / 0 / 95 / 13

HEX #98DE0B

RGB 152 222 11

HSL 79.91, 0.91%, 0.46%

LAB 81.26, -47.26, 78.58

 

CMYK 95 / 33 / 0 / 13

HEX #0C94DD

RGB 12 148 221

HSL 200.96, 0.9%, 0.46%

LAB 58.49, -5.95, -46.03

 

CMYK 44 / 95 / 0 / 13

HEX #7C0BDE

RGB 124 11 222

HSL 272.13, 0.91%, 0.46%

LAB 37.48, 74.69, -80.29

 

CMYK 0 / 63 / 95 / 13

HEX #DE520B

RGB 222 82 11

HSL 20.19, 0.91%, 0.46%

LAB 53.59, 52.19, 61.42

 

CMYK 50 / 0 / 95 / 13

HEX #6EDE0B

RGB 110 222 11

HSL 91.85, 0.91%, 0.46%

LAB 79.38, -61.06, 76.28

 

CMYK 95 / 33 / 0 / 13

HEX #0C94DD

RGB 12 148 221

HSL 200.96, 0.9%, 0.46%

LAB 58.49, -5.95, -46.03

 

CMYK 16 / 95 / 0 / 13

HEX #BB0BDE

RGB 187 11 222

HSL 290.05, 0.91%, 0.46%

LAB 47.08, 82.35, -64.21

 

CMYK 0 / 63 / 95 / 13

HEX #DE520B

RGB 222 82 11

HSL 20.19, 0.91%, 0.46%

LAB 53.59, 52.19, 61.42

 

CMYK 79 / 0 / 95 / 13

HEX #2EDE0B

RGB 46 222 11

HSL 110.05, 0.91%, 0.46%

LAB 77.78, -74.31, 74.33

 

Description

Color code: HEX #0C94DD | qconv.com Color code: HEX #0C94DD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 148 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 148 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 33 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 33% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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