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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C96D9 it is the complementary color #F36926. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C96D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C96D9 shade: #1196D4, #22A8E7, #33BAFA, #44CCFF and #55DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C96D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C96D9 shade: #0C96D9, #0084C6, #0072B3, #0060A0 and #004E8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C96D9 shade: #0B96DA, #0B5EDA, #0B27DA, #270BDA and #5F0BDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C96D9 shade: #0B96DA, #0B5EDA, #0B27DA and #0B0BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C96D9 shade matches the following richer shades: #0B96DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C96D9 shade: #0B96DA, #1E90C7, #3089B4, #4383A2 and #557C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C96D9 shade: #0BDAAD, #0BCFDA, #0B98DA, #0B61DA and #0B2ADA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C96D9 shade: #07608B, #097BB2, #0B96DA, #1BACF3 and #42BAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C96D9 shade: #0C96D9, #760BDA and #DAC80B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C96D9 shade: #0C96D9, #DA0B98 and #98DA0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C96D9 shade: #0C96D9, #760BDA, #DA4C0B and #6FDA0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C96D9 shade: #0C96D9, #B40BDA, #DA4C0B and #31DA0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 31 / 0 / 15

HEX #0C96D9

RGB 12 150 217

HSL 199.61, 0.9%, 0.45%

LAB 58.88, -8.58, -43.17

 

Complementary color

CMYK 0 / 57 / 84 / 5

HEX #F36926

RGB 243 105 38

HSL 19.61, 0.9%, 0.55%

LAB 61.04, 49.85, 60.01

 

CMYK 92 / 29 / 0 / 17

HEX #1196D4

RGB 17 150 212

HSL 199.08, 0.85%, 0.45%

LAB 58.68, -10.23, -40.69

 

CMYK 85 / 27 / 0 / 9

HEX #22A8E7

RGB 34 168 231

HSL 199.19, 0.8%, 0.52%

LAB 65.05, -12.43, -41.21

 

CMYK 80 / 26 / 0 / 2

HEX #33BAFA

RGB 51 186 250

HSL 199.3, 0.95%, 0.59%

LAB 71.37, -14.22, -41.67

 

CMYK 73 / 20 / 0 / 0

HEX #44CCFF

RGB 68 204 255

HSL 196.36, 1%, 0.63%

LAB 77.06, -20.21, -35.47

 

CMYK 67 / 13 / 0 / 0

HEX #55DEFF

RGB 85 222 255

HSL 191.65, 1%, 0.67%

LAB 82.59, -27.01, -26.94

 

CMYK 94 / 31 / 0 / 15

HEX #0C96D9

RGB 12 150 217

HSL 199.61, 0.9%, 0.45%

LAB 58.88, -8.58, -43.17

 

CMYK 100 / 33 / 0 / 22

HEX #0084C6

RGB 0 132 198

HSL 200, 1%, 0.39%

LAB 52.49, -5.73, -42.57

 

CMYK 100 / 36 / 0 / 30

HEX #0072B3

RGB 0 114 179

HSL 201.79, 1%, 0.35%

LAB 46.03, -2.34, -41.87

 

CMYK 100 / 40 / 0 / 37

HEX #0060A0

RGB 0 96 160

HSL 204, 1%, 0.31%

LAB 39.42, 1.26, -41.2

 

CMYK 100 / 45 / 0 / 45

HEX #004E8D

RGB 0 78 141

HSL 206.81, 1%, 0.28%

LAB 32.64, 5.11, -40.58

 

CMYK 95 / 31 / 0 / 15

HEX #0B96DA

RGB 11 150 218

HSL 199.71, 0.9%, 0.45%

LAB 58.92, -8.24, -43.67

 

CMYK 95 / 57 / 0 / 15

HEX #0B5EDA

RGB 11 94 218

HSL 215.94, 0.9%, 0.45%

LAB 42.97, 26.39, -69.26

 

CMYK 95 / 82 / 0 / 15

HEX #0B27DA

RGB 11 39 218

HSL 231.88, 0.9%, 0.45%

LAB 30.84, 59.1, -89.26

 

CMYK 82 / 95 / 0 / 15

HEX #270BDA

RGB 39 11 218

HSL 248.12, 0.9%, 0.45%

LAB 28.73, 68.8, -92.76

 

CMYK 56 / 95 / 0 / 15

HEX #5F0BDA

RGB 95 11 218

HSL 264.35, 0.9%, 0.45%

LAB 33.42, 71.38, -84.82

 

CMYK 95 / 31 / 0 / 15

HEX #0B96DA

RGB 11 150 218

HSL 199.71, 0.9%, 0.45%

LAB 58.92, -8.24, -43.67

 

CMYK 95 / 57 / 0 / 15

HEX #0B5EDA

RGB 11 94 218

HSL 215.94, 0.9%, 0.45%

LAB 42.97, 26.39, -69.26

 

CMYK 95 / 82 / 0 / 15

HEX #0B27DA

RGB 11 39 218

HSL 231.88, 0.9%, 0.45%

LAB 30.84, 59.1, -89.26

 

CMYK 95 / 95 / 0 / 15

HEX #0B0BDA

RGB 11 11 218

HSL 240, 0.9%, 0.45%

LAB 27.77, 68.37, -94.38

 

CMYK 95 / 31 / 0 / 15

HEX #0B96DA

RGB 11 150 218

HSL 199.71, 0.9%, 0.45%

LAB 58.92, -8.24, -43.67

 

CMYK 95 / 31 / 0 / 15

HEX #0B96DA

RGB 11 150 218

HSL 199.71, 0.9%, 0.45%

LAB 58.92, -8.24, -43.67

 

CMYK 85 / 28 / 0 / 22

HEX #1E90C7

RGB 30 144 199

HSL 199.53, 0.74%, 0.45%

LAB 56.43, -10.82, -36.9

 

CMYK 73 / 24 / 0 / 29

HEX #3089B4

RGB 48 137 180

HSL 199.55, 0.58%, 0.45%

LAB 53.83, -11.73, -30.13

 

CMYK 59 / 19 / 0 / 36

HEX #4383A2

RGB 67 131 162

HSL 199.58, 0.41%, 0.45%

LAB 51.88, -11.12, -22.73

 

CMYK 41 / 13 / 0 / 44

HEX #557C8F

RGB 85 124 143

HSL 199.66, 0.25%, 0.45%

LAB 49.89, -8.45, -14.6

 

CMYK 95 / 0 / 21 / 15

HEX #0BDAAD

RGB 11 218 173

HSL 166.96, 0.9%, 0.45%

LAB 78.01, -54.68, 9.79

 

CMYK 95 / 5 / 0 / 15

HEX #0BCFDA

RGB 11 207 218

HSL 183.19, 0.9%, 0.45%

LAB 75.92, -37.47, -17.42

 

CMYK 95 / 30 / 0 / 15

HEX #0B98DA

RGB 11 152 218

HSL 199.13, 0.9%, 0.45%

LAB 59.52, -9.38, -42.73

 

CMYK 95 / 56 / 0 / 15

HEX #0B61DA

RGB 11 97 218

HSL 215.07, 0.9%, 0.45%

LAB 43.77, 24.44, -67.95

 

CMYK 95 / 81 / 0 / 15

HEX #0B2ADA

RGB 11 42 218

HSL 231.01, 0.9%, 0.45%

LAB 31.32, 57.68, -88.46

 

CMYK 95 / 31 / 0 / 45

HEX #07608B

RGB 7 96 139

HSL 199.55, 0.9%, 0.29%

LAB 38.33, -6.88, -30.31

 

CMYK 95 / 31 / 0 / 30

HEX #097BB2

RGB 9 123 178

HSL 199.53, 0.9%, 0.37%

LAB 48.81, -7.76, -36.89

 

CMYK 95 / 31 / 0 / 15

HEX #0B96DA

RGB 11 150 218

HSL 199.71, 0.9%, 0.45%

LAB 58.92, -8.24, -43.67

 

CMYK 89 / 29 / 0 / 5

HEX #1BACF3

RGB 27 172 243

HSL 199.72, 0.9%, 0.53%

LAB 66.68, -10.79, -45.24

 

CMYK 73 / 24 / 0 / 4

HEX #42BAF5

RGB 66 186 245

HSL 199.78, 0.9%, 0.61%

LAB 71.47, -14.28, -38.79

 

CMYK 94 / 31 / 0 / 15

HEX #0C96D9

RGB 12 150 217

HSL 199.61, 0.9%, 0.45%

LAB 58.88, -8.58, -43.17

 

CMYK 46 / 95 / 0 / 15

HEX #760BDA

RGB 118 11 218

HSL 271.01, 0.9%, 0.45%

LAB 36.28, 73.28, -80

 

CMYK 0 / 8 / 95 / 15

HEX #DAC80B

RGB 218 200 11

HSL 54.78, 0.9%, 0.45%

LAB 79.75, -10.09, 79.42

 

CMYK 94 / 31 / 0 / 15

HEX #0C96D9

RGB 12 150 217

HSL 199.61, 0.9%, 0.45%

LAB 58.88, -8.58, -43.17

 

CMYK 0 / 95 / 30 / 15

HEX #DA0B98

RGB 218 11 152

HSL 319.13, 0.9%, 0.45%

LAB 48.77, 78.16, -20.23

 

CMYK 30 / 0 / 95 / 15

HEX #98DA0B

RGB 152 218 11

HSL 79.13, 0.9%, 0.45%

LAB 80.09, -45.58, 77.65

 

CMYK 94 / 31 / 0 / 15

HEX #0C96D9

RGB 12 150 217

HSL 199.61, 0.9%, 0.45%

LAB 58.88, -8.58, -43.17

 

CMYK 46 / 95 / 0 / 15

HEX #760BDA

RGB 118 11 218

HSL 271.01, 0.9%, 0.45%

LAB 36.28, 73.28, -80

 

CMYK 0 / 65 / 95 / 15

HEX #DA4C0B

RGB 218 76 11

HSL 18.84, 0.9%, 0.45%

LAB 51.95, 53.35, 60.06

 

CMYK 49 / 0 / 95 / 15

HEX #6FDA0B

RGB 111 218 11

HSL 91.01, 0.9%, 0.45%

LAB 78.2, -59.32, 75.34

 

CMYK 94 / 31 / 0 / 15

HEX #0C96D9

RGB 12 150 217

HSL 199.61, 0.9%, 0.45%

LAB 58.88, -8.58, -43.17

 

CMYK 17 / 95 / 0 / 15

HEX #B40BDA

RGB 180 11 218

HSL 288.99, 0.9%, 0.45%

LAB 45.64, 80.68, -64.31

 

CMYK 0 / 65 / 95 / 15

HEX #DA4C0B

RGB 218 76 11

HSL 18.84, 0.9%, 0.45%

LAB 51.95, 53.35, 60.06

 

CMYK 78 / 0 / 95 / 15

HEX #31DA0B

RGB 49 218 11

HSL 108.99, 0.9%, 0.45%

LAB 76.57, -72.78, 73.35

 

Description

Color code: HEX #0C96D9 | qconv.com Color code: HEX #0C96D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 150 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 150 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 31 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 31% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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