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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D3291 it is the complementary color #F2CD6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D3291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D3291 shade: #12328C, #23449F, #3456B2, #4568C5 and #567AD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D3291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D3291 shade: #0D3291, #00207E, #000E6B, #000058 and #000045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D3291 shade: #0C3191, #0C0E91, #2F0C91, #520C91 and #760C91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D3291 shade: #0C3191, #0C0E91 and #0C0C91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D3291 shade matches the following richer shades: #0C3191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D3291 shade: #0C3191, #193784, #263D77, #33426B and #3F485E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D3291 shade: #0C7991, #0C5591, #0C3291, #0C0E91 and #2D0C91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D3291 shade: #061745, #09246B, #0C3191, #0F3EB7 and #134BDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D3291 shade: #0D3291, #860C91 and #67910C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D3291 shade: #0D3291, #910C32 and #32910C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D3291 shade: #0D3291, #860C91, #916B0C and #17910C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D3291 shade: #0D3291, #910C74, #916B0C and #0C9129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 66 / 0 / 43

HEX #0D3291

RGB 13 50 145

HSL 223.18, 0.84%, 0.31%

LAB 24.99, 26.93, -55.45

 

Complementary color

CMYK 0 / 15 / 55 / 5

HEX #F2CD6E

RGB 242 205 110

HSL 43.18, 0.84%, 0.69%

LAB 83.79, 1.77, 51.56

 

CMYK 87 / 64 / 0 / 45

HEX #12328C

RGB 18 50 140

HSL 224.26, 0.77%, 0.31%

LAB 24.65, 25.23, -52.9

 

CMYK 78 / 57 / 0 / 38

HEX #23449F

RGB 35 68 159

HSL 224.03, 0.64%, 0.38%

LAB 31.8, 22.04, -52.85

 

CMYK 71 / 52 / 0 / 30

HEX #3456B2

RGB 52 86 178

HSL 223.81, 0.55%, 0.45%

LAB 38.9, 19.52, -52.64

 

CMYK 65 / 47 / 0 / 23

HEX #4568C5

RGB 69 104 197

HSL 223.59, 0.52%, 0.52%

LAB 45.9, 17.53, -52.39

 

CMYK 60 / 44 / 0 / 15

HEX #567AD8

RGB 86 122 216

HSL 223.38, 0.63%, 0.59%

LAB 52.79, 15.93, -52.16

 

CMYK 91 / 66 / 0 / 43

HEX #0D3291

RGB 13 50 145

HSL 223.18, 0.84%, 0.31%

LAB 24.99, 26.93, -55.45

 

CMYK 100 / 75 / 0 / 51

HEX #00207E

RGB 0 32 126

HSL 224.76, 1%, 0.25%

LAB 18.1, 30.95, -54.91

 

CMYK 100 / 87 / 0 / 58

HEX #000E6B

RGB 0 14 107

HSL 232.15, 1%, 0.21%

LAB 11.79, 34.82, -53.09

 

CMYK 100 / 100 / 0 / 65

HEX #000058

RGB 0 0 88

HSL 240, 1%, 0.17%

LAB 6.36, 35.92, -49.44

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 92 / 66 / 0 / 43

HEX #0C3191

RGB 12 49 145

HSL 223.31, 0.85%, 0.31%

LAB 24.7, 27.57, -55.92

 

CMYK 92 / 90 / 0 / 43

HEX #0C0E91

RGB 12 14 145

HSL 239.1, 0.85%, 0.31%

LAB 17.63, 47.49, -67.63

 

CMYK 68 / 92 / 0 / 43

HEX #2F0C91

RGB 47 12 145

HSL 255.79, 0.85%, 0.31%

LAB 19.69, 49.75, -64.14

 

CMYK 43 / 92 / 0 / 43

HEX #520C91

RGB 82 12 145

HSL 271.58, 0.85%, 0.31%

LAB 24, 53.1, -56.87

 

CMYK 19 / 92 / 0 / 43

HEX #760C91

RGB 118 12 145

HSL 287.82, 0.85%, 0.31%

LAB 29.81, 58.25, -47.14

 

CMYK 92 / 66 / 0 / 43

HEX #0C3191

RGB 12 49 145

HSL 223.31, 0.85%, 0.31%

LAB 24.7, 27.57, -55.92

 

CMYK 92 / 90 / 0 / 43

HEX #0C0E91

RGB 12 14 145

HSL 239.1, 0.85%, 0.31%

LAB 17.63, 47.49, -67.63

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C91

RGB 12 12 145

HSL 240, 0.85%, 0.31%

LAB 17.39, 48.21, -68.02

 

CMYK 92 / 66 / 0 / 43

HEX #0C3191

RGB 12 49 145

HSL 223.31, 0.85%, 0.31%

LAB 24.7, 27.57, -55.92

 

CMYK 92 / 66 / 0 / 43

HEX #0C3191

RGB 12 49 145

HSL 223.31, 0.85%, 0.31%

LAB 24.7, 27.57, -55.92

 

CMYK 81 / 58 / 0 / 48

HEX #193784

RGB 25 55 132

HSL 223.18, 0.68%, 0.31%

LAB 25.58, 19.11, -46.39

 

CMYK 68 / 49 / 0 / 53

HEX #263D77

RGB 38 61 119

HSL 222.96, 0.52%, 0.31%

LAB 26.97, 11.63, -35.95

 

CMYK 52 / 38 / 0 / 58

HEX #33426B

RGB 51 66 107

HSL 223.93, 0.35%, 0.31%

LAB 28.54, 6.73, -25.78

 

CMYK 33 / 23 / 0 / 63

HEX #3F485E

RGB 63 72 94

HSL 222.58, 0.2%, 0.31%

LAB 30.64, 2.25, -14.15

 

CMYK 92 / 17 / 0 / 43

HEX #0C7991

RGB 12 121 145

HSL 190.83, 0.85%, 0.31%

LAB 46.71, -18.76, -20.86

 

CMYK 92 / 41 / 0 / 43

HEX #0C5591

RGB 12 85 145

HSL 207.07, 0.85%, 0.31%

LAB 35.24, 2.82, -38.84

 

CMYK 92 / 66 / 0 / 43

HEX #0C3291

RGB 12 50 145

HSL 222.86, 0.85%, 0.31%

LAB 24.96, 26.88, -55.49

 

CMYK 92 / 90 / 0 / 43

HEX #0C0E91

RGB 12 14 145

HSL 239.1, 0.85%, 0.31%

LAB 17.63, 47.49, -67.63

 

CMYK 69 / 92 / 0 / 43

HEX #2D0C91

RGB 45 12 145

HSL 254.89, 0.85%, 0.31%

LAB 19.5, 49.61, -64.46

 

CMYK 91 / 67 / 0 / 73

HEX #061745

RGB 6 23 69

HSL 223.81, 0.84%, 0.15%

LAB 9.65, 13.61, -30.86

 

CMYK 92 / 66 / 0 / 58

HEX #09246B

RGB 9 36 107

HSL 223.47, 0.84%, 0.23%

LAB 17.37, 20.85, -43.86

 

CMYK 92 / 66 / 0 / 43

HEX #0C3191

RGB 12 49 145

HSL 223.31, 0.85%, 0.31%

LAB 24.7, 27.57, -55.92

 

CMYK 92 / 66 / 0 / 28

HEX #0F3EB7

RGB 15 62 183

HSL 223.21, 0.85%, 0.39%

LAB 31.73, 33.93, -67.34

 

CMYK 91 / 66 / 0 / 13

HEX #134BDD

RGB 19 75 221

HSL 223.37, 0.84%, 0.47%

LAB 38.54, 40.06, -78.24

 

CMYK 91 / 66 / 0 / 43

HEX #0D3291

RGB 13 50 145

HSL 223.18, 0.84%, 0.31%

LAB 24.99, 26.93, -55.45

 

CMYK 8 / 92 / 0 / 43

HEX #860C91

RGB 134 12 145

HSL 295.04, 0.85%, 0.31%

LAB 32.65, 60.96, -42.42

 

CMYK 29 / 0 / 92 / 43

HEX #67910C

RGB 103 145 12

HSL 78.95, 0.85%, 0.31%

LAB 55.24, -32.22, 56.41

 

CMYK 91 / 66 / 0 / 43

HEX #0D3291

RGB 13 50 145

HSL 223.18, 0.84%, 0.31%

LAB 24.99, 26.93, -55.45

 

CMYK 0 / 92 / 66 / 43

HEX #910C32

RGB 145 12 50

HSL 342.86, 0.85%, 0.31%

LAB 30.67, 52.31, 16.15

 

CMYK 66 / 0 / 92 / 43

HEX #32910C

RGB 50 145 12

HSL 102.86, 0.85%, 0.31%

LAB 52.9, -49.64, 53.51

 

CMYK 91 / 66 / 0 / 43

HEX #0D3291

RGB 13 50 145

HSL 223.18, 0.84%, 0.31%

LAB 24.99, 26.93, -55.45

 

CMYK 8 / 92 / 0 / 43

HEX #860C91

RGB 134 12 145

HSL 295.04, 0.85%, 0.31%

LAB 32.65, 60.96, -42.42

 

CMYK 0 / 26 / 92 / 43

HEX #916B0C

RGB 145 107 12

HSL 42.86, 0.85%, 0.31%

LAB 47.7, 7.14, 51.88

 

CMYK 84 / 0 / 92 / 43

HEX #17910C

RGB 23 145 12

HSL 115.04, 0.85%, 0.31%

LAB 52.35, -54.37, 52.83

 

CMYK 91 / 66 / 0 / 43

HEX #0D3291

RGB 13 50 145

HSL 223.18, 0.84%, 0.31%

LAB 24.99, 26.93, -55.45

 

CMYK 0 / 92 / 20 / 43

HEX #910C74

RGB 145 12 116

HSL 313.08, 0.85%, 0.31%

LAB 33.01, 58.7, -23.59

 

CMYK 0 / 26 / 92 / 43

HEX #916B0C

RGB 145 107 12

HSL 42.86, 0.85%, 0.31%

LAB 47.7, 7.14, 51.88

 

CMYK 92 / 0 / 72 / 43

HEX #0C9129

RGB 12 145 41

HSL 133.08, 0.85%, 0.31%

LAB 52.39, -53.51, 44.02

 

Description

Color code: HEX #0D3291 | qconv.com Color code: HEX #0D3291 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 50 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 50 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 66 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 66% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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