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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D47E8 it is the complementary color #F2B817. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D47E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D47E8 shade: #1247E3, #2359F6, #346BFF, #457DFF and #568FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D47E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D47E8 shade: #0D47E8, #0035D5, #0023C2, #0011AF and #00009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D47E8 shade: #0D47E7, #0E0DE7, #490DE7, #840DE7 and #BE0DE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D47E8 shade: #0D47E7 and #0D0DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D47E8 shade matches the following richer shades: #0D47E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D47E8 shade: #0D47E7, #2150D3, #3559BF, #4863AB and #5C6C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D47E8 shade: #0DBBE7, #0D81E7, #0D47E7, #0D0DE7 and #470DE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D47E8 shade: #082F99, #0B3BC0, #0D47E7, #2B60F2 and #527DF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D47E8 shade: #0D47E8, #D80DE7 and #9EE70D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D47E8 shade: #0D47E8, #E70D47 and #47E70D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D47E8 shade: #0D47E8, #D80DE7, #E7AD0D and #1BE70D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D47E8 shade: #0D47E8, #E70DB4, #E7AD0D and #0DE740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 69 / 0 / 9

HEX #0D47E8

RGB 13 71 232

HSL 224.11, 0.89%, 0.48%

LAB 38.58, 46.36, -84.43

 

Complementary color

CMYK 0 / 24 / 90 / 5

HEX #F2B817

RGB 242 184 23

HSL 44.11, 0.89%, 0.52%

LAB 78, 8.7, 77.48

 

CMYK 92 / 69 / 0 / 11

HEX #1247E3

RGB 18 71 227

HSL 224.78, 0.85%, 0.48%

LAB 38.17, 44.7, -82.27

 

CMYK 86 / 64 / 0 / 4

HEX #2359F6

RGB 35 89 246

HSL 224.64, 0.92%, 0.55%

LAB 44.46, 41.21, -82.64

 

CMYK 80 / 58 / 0 / 0

HEX #346BFF

RGB 52 107 255

HSL 223.74, 1%, 0.6%

LAB 50.06, 34.45, -78.47

 

CMYK 73 / 51 / 0 / 0

HEX #457DFF

RGB 69 125 255

HSL 221.94, 1%, 0.64%

LAB 55.23, 25.03, -70.04

 

CMYK 66 / 44 / 0 / 0

HEX #568FFF

RGB 86 143 255

HSL 219.76, 1%, 0.67%

LAB 60.64, 16.42, -61.29

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E8

RGB 13 71 232

HSL 224.11, 0.89%, 0.48%

LAB 38.58, 46.36, -84.43

 

CMYK 100 / 75 / 0 / 16

HEX #0035D5

RGB 0 53 213

HSL 225.07, 1%, 0.42%

LAB 32.59, 50.03, -83.47

 

CMYK 100 / 82 / 0 / 24

HEX #0023C2

RGB 0 35 194

HSL 229.18, 1%, 0.38%

LAB 27.01, 53.29, -81.65

 

CMYK 100 / 90 / 0 / 31

HEX #0011AF

RGB 0 17 175

HSL 234.17, 1%, 0.34%

LAB 21.93, 55.07, -78.81

 

CMYK 100 / 100 / 0 / 39

HEX #00009C

RGB 0 0 156

HSL 240, 1%, 0.31%

LAB 17.46, 54.86, -74.72

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E7

RGB 13 71 231

HSL 224.04, 0.89%, 0.48%

LAB 38.48, 46, -84.03

 

CMYK 94 / 94 / 0 / 9

HEX #0E0DE7

RGB 14 13 231

HSL 240.28, 0.89%, 0.48%

LAB 29.79, 71.32, -98.47

 

CMYK 68 / 94 / 0 / 9

HEX #490DE7

RGB 73 13 231

HSL 256.51, 0.89%, 0.48%

LAB 32.86, 72.83, -93.27

 

CMYK 43 / 94 / 0 / 9

HEX #840DE7

RGB 132 13 231

HSL 272.75, 0.89%, 0.48%

LAB 39.52, 77.09, -82.04

 

CMYK 18 / 94 / 0 / 9

HEX #BE0DE7

RGB 190 13 231

HSL 288.72, 0.89%, 0.48%

LAB 48.27, 84.09, -67.38

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E7

RGB 13 71 231

HSL 224.04, 0.89%, 0.48%

LAB 38.48, 46, -84.03

 

CMYK 94 / 94 / 0 / 9

HEX #0D0DE7

RGB 13 13 231

HSL 240, 0.89%, 0.48%

LAB 29.77, 71.31, -98.51

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E7

RGB 13 71 231

HSL 224.04, 0.89%, 0.48%

LAB 38.48, 46, -84.03

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E7

RGB 13 71 231

HSL 224.04, 0.89%, 0.48%

LAB 38.48, 46, -84.03

 

CMYK 84 / 62 / 0 / 17

HEX #2150D3

RGB 33 80 211

HSL 224.16, 0.73%, 0.48%

LAB 39.18, 33.87, -71.43

 

CMYK 72 / 53 / 0 / 25

HEX #3559BF

RGB 53 89 191

HSL 224.35, 0.57%, 0.48%

LAB 40.68, 22.53, -57.38

 

CMYK 58 / 42 / 0 / 33

HEX #4863AB

RGB 72 99 171

HSL 223.64, 0.41%, 0.48%

LAB 43.13, 12.22, -41.68

 

CMYK 39 / 29 / 0 / 40

HEX #5C6C98

RGB 92 108 152

HSL 224, 0.25%, 0.48%

LAB 46, 5.61, -25.85

 

CMYK 94 / 19 / 0 / 9

HEX #0DBBE7

RGB 13 187 231

HSL 192.11, 0.89%, 0.48%

LAB 70.45, -23.5, -32.82

 

CMYK 94 / 44 / 0 / 9

HEX #0D81E7

RGB 13 129 231

HSL 208.07, 0.89%, 0.48%

LAB 53.55, 9.23, -59.48

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E7

RGB 13 71 231

HSL 224.04, 0.89%, 0.48%

LAB 38.48, 46, -84.03

 

CMYK 94 / 94 / 0 / 9

HEX #0D0DE7

RGB 13 13 231

HSL 240, 0.89%, 0.48%

LAB 29.77, 71.31, -98.51

 

CMYK 69 / 94 / 0 / 9

HEX #470DE7

RGB 71 13 231

HSL 255.96, 0.89%, 0.48%

LAB 32.69, 72.74, -93.55

 

CMYK 95 / 69 / 0 / 40

HEX #082F99

RGB 8 47 153

HSL 223.86, 0.9%, 0.32%

LAB 24.9, 31.93, -60.51

 

CMYK 94 / 69 / 0 / 25

HEX #0B3BC0

RGB 11 59 192

HSL 224.09, 0.89%, 0.4%

LAB 31.82, 39.14, -72.5

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E7

RGB 13 71 231

HSL 224.04, 0.89%, 0.48%

LAB 38.48, 46, -84.03

 

CMYK 82 / 60 / 0 / 5

HEX #2B60F2

RGB 43 96 242

HSL 224.02, 0.88%, 0.56%

LAB 46.03, 35.89, -77.81

 

CMYK 66 / 49 / 0 / 4

HEX #527DF4

RGB 82 125 244

HSL 224.07, 0.88%, 0.64%

LAB 55.06, 22.95, -64.19

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E8

RGB 13 71 232

HSL 224.11, 0.89%, 0.48%

LAB 38.58, 46.36, -84.43

 

CMYK 6 / 94 / 0 / 9

HEX #D80DE7

RGB 216 13 231

HSL 295.87, 0.89%, 0.48%

LAB 52.57, 87.93, -60.21

 

CMYK 32 / 0 / 94 / 9

HEX #9EE70D

RGB 158 231 13

HSL 80.09, 0.89%, 0.48%

LAB 84.2, -48.81, 80.85

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E8

RGB 13 71 232

HSL 224.11, 0.89%, 0.48%

LAB 38.58, 46.36, -84.43

 

CMYK 0 / 94 / 69 / 9

HEX #E70D47

RGB 231 13 71

HSL 344.04, 0.89%, 0.48%

LAB 49.17, 74.86, 30.09

 

CMYK 69 / 0 / 94 / 9

HEX #47E70D

RGB 71 231 13

HSL 104.04, 0.89%, 0.48%

LAB 81.03, -73.14, 76.96

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E8

RGB 13 71 232

HSL 224.11, 0.89%, 0.48%

LAB 38.58, 46.36, -84.43

 

CMYK 6 / 94 / 0 / 9

HEX #D80DE7

RGB 216 13 231

HSL 295.87, 0.89%, 0.48%

LAB 52.57, 87.93, -60.21

 

CMYK 0 / 25 / 94 / 9

HEX #E7AD0D

RGB 231 173 13

HSL 44.04, 0.89%, 0.48%

LAB 74.13, 9.61, 75.63

 

CMYK 88 / 0 / 94 / 9

HEX #1BE70D

RGB 27 231 13

HSL 116.15, 0.89%, 0.48%

LAB 80.41, -78.57, 76.21

 

CMYK 94 / 69 / 0 / 9

HEX #0D47E8

RGB 13 71 232

HSL 224.11, 0.89%, 0.48%

LAB 38.58, 46.36, -84.43

 

CMYK 0 / 94 / 22 / 9

HEX #E70DB4

RGB 231 13 180

HSL 314.04, 0.89%, 0.48%

LAB 52.48, 83.66, -30.88

 

CMYK 0 / 25 / 94 / 9

HEX #E7AD0D

RGB 231 173 13

HSL 44.04, 0.89%, 0.48%

LAB 74.13, 9.61, 75.63

 

CMYK 94 / 0 / 72 / 9

HEX #0DE740

RGB 13 231 64

HSL 134.04, 0.89%, 0.48%

LAB 80.52, -76.87, 64.5

 

Description

Color code: HEX #0D47E8 | qconv.com Color code: HEX #0D47E8 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 71 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 71 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 69 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 69% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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