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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D532C it is the complementary color #F2ACD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D532C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D532C shade: #125327, #23653A, #34774D, #458960 and #569B73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D532C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D532C shade: #0D532C, #004119, #002F06, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D532C shade: #0D532C, #0D5319, #13530D, #26530D and #3A530D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D532C shade: #0D532C, #0D533F, #0D5352, #0D4253 and #0D2E53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D532C shade matches the following richer shades: #0D532C and #055B2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D532C shade: #0D532C, #144B2D, #1C442E, #243C2F and #2C342F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D532C shade: #14530D, #0D5318, #0D532B, #0D533E and #0D5351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D532C shade: #010C06, #073019, #0D532C, #12773F and #189B52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D532C shade: #0D532C, #0D2753 and #530F0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D532C shade: #0D532C, #2B0D53 and #532B0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D532C shade: #0D532C, #0D2753, #530D35 and #53390D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D532C shade: #0D532C, #0D1153, #530D35 and #534F0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

Complementary color

CMYK 0 / 29 / 13 / 5

HEX #F2ACD3

RGB 242 172 211

HSL 326.57, 0.73%, 0.81%

LAB 77.93, 31.4, -9.47

 

CMYK 78 / 0 / 53 / 67

HEX #125327

RGB 18 83 39

HSL 139.38, 0.64%, 0.2%

LAB 30.55, -31.05, 20.04

 

CMYK 65 / 0 / 43 / 60

HEX #23653A

RGB 35 101 58

HSL 140.91, 0.49%, 0.27%

LAB 37.79, -31.55, 18.34

 

CMYK 56 / 0 / 35 / 53

HEX #34774D

RGB 52 119 77

HSL 142.39, 0.39%, 0.34%

LAB 44.88, -31.6, 16.83

 

CMYK 50 / 0 / 30 / 46

HEX #458960

RGB 69 137 96

HSL 143.82, 0.33%, 0.4%

LAB 51.84, -31.46, 15.5

 

CMYK 45 / 0 / 26 / 39

HEX #569B73

RGB 86 155 115

HSL 145.22, 0.29%, 0.47%

LAB 58.66, -31.23, 14.31

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 100 / 0 / 62 / 75

HEX #004119

RGB 0 65 25

HSL 143.08, 1%, 0.13%

LAB 23.17, -29.31, 19.02

 

CMYK 100 / 0 / 87 / 82

HEX #002F06

RGB 0 47 6

HSL 127.66, 1%, 0.09%

LAB 15.73, -25.42, 19.79

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 84 / 0 / 70 / 67

HEX #0D5319

RGB 13 83 25

HSL 130.29, 0.73%, 0.19%

LAB 30.26, -34.09, 27.32

 

CMYK 77 / 0 / 84 / 67

HEX #13530D

RGB 19 83 13

HSL 114.86, 0.73%, 0.19%

LAB 30.29, -34.22, 32.66

 

CMYK 54 / 0 / 84 / 67

HEX #26530D

RGB 38 83 13

HSL 98.57, 0.73%, 0.19%

LAB 30.94, -28.93, 33.52

 

CMYK 30 / 0 / 84 / 67

HEX #3A530D

RGB 58 83 13

HSL 81.43, 0.73%, 0.19%

LAB 32.07, -20.96, 34.98

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 84 / 0 / 24 / 67

HEX #0D533F

RGB 13 83 63

HSL 162.86, 0.73%, 0.19%

LAB 30.95, -26.22, 5.86

 

CMYK 84 / 0 / 1 / 67

HEX #0D5352

RGB 13 83 82

HSL 179.14, 0.73%, 0.19%

LAB 31.54, -20.31, -5.35

 

CMYK 84 / 20 / 0 / 67

HEX #0D4253

RGB 13 66 83

HSL 194.57, 0.73%, 0.19%

LAB 25.58, -10.16, -15.03

 

CMYK 84 / 45 / 0 / 67

HEX #0D2E53

RGB 13 46 83

HSL 211.71, 0.73%, 0.19%

LAB 18.65, 3.31, -25.93

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 95 / 0 / 53 / 64

HEX #055B2B

RGB 5 91 43

HSL 146.51, 0.9%, 0.19%

LAB 33.33, -35.29, 21.18

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 73 / 0 / 40 / 71

HEX #144B2D

RGB 20 75 45

HSL 147.27, 0.58%, 0.19%

LAB 27.76, -25.89, 12.81

 

CMYK 59 / 0 / 32 / 73

HEX #1C442E

RGB 28 68 46

HSL 147, 0.42%, 0.19%

LAB 25.5, -20.17, 9.14

 

CMYK 40 / 0 / 22 / 76

HEX #243C2F

RGB 36 60 47

HSL 147.5, 0.25%, 0.19%

LAB 23.04, -12.82, 5.11

 

CMYK 15 / 0 / 10 / 80

HEX #2C342F

RGB 44 52 47

HSL 142.5, 0.08%, 0.19%

LAB 20.82, -4.64, 2.01

 

CMYK 76 / 0 / 84 / 67

HEX #14530D

RGB 20 83 13

HSL 114, 0.73%, 0.19%

LAB 30.31, -34.01, 32.7

 

CMYK 84 / 0 / 71 / 67

HEX #0D5318

RGB 13 83 24

HSL 129.43, 0.73%, 0.19%

LAB 30.25, -34.22, 27.8

 

CMYK 84 / 0 / 48 / 67

HEX #0D532B

RGB 13 83 43

HSL 145.71, 0.73%, 0.19%

LAB 30.51, -31.1, 17.62

 

CMYK 84 / 0 / 25 / 67

HEX #0D533E

RGB 13 83 62

HSL 162, 0.73%, 0.19%

LAB 30.93, -26.5, 6.45

 

CMYK 84 / 0 / 2 / 67

HEX #0D5351

RGB 13 83 81

HSL 178.29, 0.73%, 0.19%

LAB 31.5, -20.64, -4.77

 

CMYK 92 / 0 / 50 / 95

HEX #010C06

RGB 1 12 6

HSL 147.27, 0.85%, 0.03%

LAB 2.55, -3.76, 1.29

 

CMYK 85 / 0 / 48 / 81

HEX #073019

RGB 7 48 25

HSL 146.34, 0.75%, 0.11%

LAB 16.65, -20.53, 10.81

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 85 / 0 / 47 / 53

HEX #12773F

RGB 18 119 63

HSL 146.73, 0.74%, 0.27%

LAB 43.77, -40.88, 23.18

 

CMYK 85 / 0 / 47 / 39

HEX #189B52

RGB 24 155 82

HSL 146.56, 0.73%, 0.35%

LAB 56.33, -50.13, 28.97

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 84 / 53 / 0 / 67

HEX #0D2753

RGB 13 39 83

HSL 217.71, 0.73%, 0.19%

LAB 16.31, 8.48, -29.67

 

CMYK 0 / 82 / 84 / 67

HEX #530F0D

RGB 83 15 13

HSL 1.71, 0.73%, 0.19%

LAB 16.55, 30.82, 19.86

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 48 / 84 / 0 / 67

HEX #2B0D53

RGB 43 13 83

HSL 265.71, 0.73%, 0.19%

LAB 12.13, 31.34, -36.36

 

CMYK 0 / 48 / 84 / 67

HEX #532B0D

RGB 83 43 13

HSL 25.71, 0.73%, 0.19%

LAB 22.29, 15.9, 26.45

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 84 / 53 / 0 / 67

HEX #0D2753

RGB 13 39 83

HSL 217.71, 0.73%, 0.19%

LAB 16.31, 8.48, -29.67

 

CMYK 0 / 84 / 36 / 67

HEX #530D35

RGB 83 13 53

HSL 325.71, 0.73%, 0.19%

LAB 17.39, 35, -6.62

 

CMYK 0 / 31 / 84 / 67

HEX #53390D

RGB 83 57 13

HSL 37.71, 0.73%, 0.19%

LAB 26.14, 6.99, 30.26

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 84 / 80 / 0 / 67

HEX #0D1153

RGB 13 17 83

HSL 236.57, 0.73%, 0.19%

LAB 9.88, 24.79, -40.16

 

CMYK 0 / 84 / 36 / 67

HEX #530D35

RGB 83 13 53

HSL 325.71, 0.73%, 0.19%

LAB 17.39, 35, -6.62

 

CMYK 0 / 5 / 84 / 67

HEX #534F0D

RGB 83 79 13

HSL 56.57, 0.73%, 0.19%

LAB 32.83, -6.69, 36.45

 

Description

Color code: HEX #0D532C | qconv.com Color code: HEX #0D532C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 83 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 83 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 47 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 47% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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