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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D5372 it is the complementary color #F2AC8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D5372. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D5372 shade: #12536D, #236580, #347793, #4589A6 and #569BB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D5372. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D5372 shade: #0D5372, #00415F, #002F4C, #001D39 and #000B26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D5372 shade: #0C5372, #0C3772, #0C1C72, #180C72 and #340C72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D5372 shade: #0C5372, #0C3772, #0C1C72 and #0C0C72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D5372 shade matches the following richer shades: #0C5372 and #02577D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D5372 shade: #0C5372, #174F68, #214B5E, #2B4753 and #364349

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D5372 shade: #0C725A, #0C6F72, #0C5472, #0C3872 and #0C1D72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D5372 shade: #041D28, #08384D, #0C5372, #106E97 and #1589BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D5372 shade: #0D5372, #3F0C72 and #72680C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D5372 shade: #0D5372, #720C54 and #54720C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D5372 shade: #0D5372, #3F0C72, #722B0C and #3F720C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D5372 shade: #0D5372, #5E0C72, #722B0C and #21720C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 27 / 0 / 55

HEX #0D5372

RGB 13 83 114

HSL 198.42, 0.8%, 0.25%

LAB 32.89, -8.42, -23.47

 

Complementary color

CMYK 0 / 29 / 42 / 5

HEX #F2AC8D

RGB 242 172 141

HSL 18.42, 0.8%, 0.75%

LAB 76.26, 21.95, 26.16

 

CMYK 83 / 24 / 0 / 57

HEX #12536D

RGB 18 83 109

HSL 197.14, 0.72%, 0.25%

LAB 32.74, -9.88, -20.57

 

CMYK 73 / 21 / 0 / 50

HEX #236580

RGB 35 101 128

HSL 197.42, 0.57%, 0.32%

LAB 39.95, -11.25, -21.07

 

CMYK 65 / 19 / 0 / 42

HEX #347793

RGB 52 119 147

HSL 197.68, 0.48%, 0.39%

LAB 47.01, -12.16, -21.49

 

CMYK 58 / 17 / 0 / 35

HEX #4589A6

RGB 69 137 166

HSL 197.94, 0.41%, 0.46%

LAB 53.93, -12.8, -21.88

 

CMYK 54 / 16 / 0 / 27

HEX #569BB9

RGB 86 155 185

HSL 198.18, 0.41%, 0.53%

LAB 60.71, -13.25, -22.24

 

CMYK 89 / 27 / 0 / 55

HEX #0D5372

RGB 13 83 114

HSL 198.42, 0.8%, 0.25%

LAB 32.89, -8.42, -23.47

 

CMYK 100 / 32 / 0 / 63

HEX #00415F

RGB 0 65 95

HSL 198.95, 1%, 0.19%

LAB 25.58, -5.97, -22.86

 

CMYK 100 / 38 / 0 / 70

HEX #002F4C

RGB 0 47 76

HSL 202.89, 1%, 0.15%

LAB 18.16, -2.2, -22

 

CMYK 100 / 49 / 0 / 78

HEX #001D39

RGB 0 29 57

HSL 209.47, 1%, 0.11%

LAB 10.37, 2.06, -21.22

 

CMYK 100 / 71 / 0 / 85

HEX #000B26

RGB 0 11 38

HSL 222.63, 1%, 0.07%

LAB 3.43, 4.47, -18.22

 

CMYK 89 / 27 / 0 / 55

HEX #0C5372

RGB 12 83 114

HSL 198.24, 0.81%, 0.25%

LAB 32.87, -8.51, -23.5

 

CMYK 89 / 52 / 0 / 55

HEX #0C3772

RGB 12 55 114

HSL 214.71, 0.81%, 0.25%

LAB 23.76, 10.26, -37.99

 

CMYK 89 / 75 / 0 / 55

HEX #0C1C72

RGB 12 28 114

HSL 230.59, 0.81%, 0.25%

LAB 16.12, 29.52, -50.46

 

CMYK 79 / 89 / 0 / 55

HEX #180C72

RGB 24 12 114

HSL 247.06, 0.81%, 0.25%

LAB 13.66, 39.21, -54.52

 

CMYK 54 / 89 / 0 / 55

HEX #340C72

RGB 52 12 114

HSL 263.53, 0.81%, 0.25%

LAB 16.54, 41.74, -49.66

 

CMYK 89 / 27 / 0 / 55

HEX #0C5372

RGB 12 83 114

HSL 198.24, 0.81%, 0.25%

LAB 32.87, -8.51, -23.5

 

CMYK 89 / 52 / 0 / 55

HEX #0C3772

RGB 12 55 114

HSL 214.71, 0.81%, 0.25%

LAB 23.76, 10.26, -37.99

 

CMYK 89 / 75 / 0 / 55

HEX #0C1C72

RGB 12 28 114

HSL 230.59, 0.81%, 0.25%

LAB 16.12, 29.52, -50.46

 

CMYK 89 / 89 / 0 / 55

HEX #0C0C72

RGB 12 12 114

HSL 240, 0.81%, 0.25%

LAB 12.96, 38.62, -55.71

 

CMYK 89 / 27 / 0 / 55

HEX #0C5372

RGB 12 83 114

HSL 198.24, 0.81%, 0.25%

LAB 32.87, -8.51, -23.5

 

CMYK 98 / 30 / 0 / 51

HEX #02577D

RGB 2 87 125

HSL 198.54, 0.97%, 0.25%

LAB 34.62, -7.27, -27.59

 

CMYK 89 / 27 / 0 / 55

HEX #0C5372

RGB 12 83 114

HSL 198.24, 0.81%, 0.25%

LAB 32.87, -8.51, -23.5

 

CMYK 78 / 24 / 0 / 59

HEX #174F68

RGB 23 79 104

HSL 198.52, 0.64%, 0.25%

LAB 31.29, -8.7, -19.67

 

CMYK 65 / 20 / 0 / 63

HEX #214B5E

RGB 33 75 94

HSL 198.69, 0.48%, 0.25%

LAB 29.82, -8.14, -15.56

 

CMYK 48 / 14 / 0 / 67

HEX #2B4753

RGB 43 71 83

HSL 198, 0.32%, 0.25%

LAB 28.5, -6.85, -10.46

 

CMYK 26 / 8 / 0 / 71

HEX #364349

RGB 54 67 73

HSL 198.95, 0.15%, 0.25%

LAB 27.52, -3.65, -5.37

 

CMYK 89 / 0 / 21 / 55

HEX #0C725A

RGB 12 114 90

HSL 165.88, 0.81%, 0.25%

LAB 42.54, -33.06, 5.76

 

CMYK 89 / 3 / 0 / 55

HEX #0C6F72

RGB 12 111 114

HSL 181.76, 0.81%, 0.25%

LAB 42.25, -24.25, -9.12

 

CMYK 89 / 26 / 0 / 55

HEX #0C5472

RGB 12 84 114

HSL 197.65, 0.81%, 0.25%

LAB 33.21, -9.12, -22.97

 

CMYK 89 / 51 / 0 / 55

HEX #0C3872

RGB 12 56 114

HSL 214.12, 0.81%, 0.25%

LAB 24.07, 9.54, -37.48

 

CMYK 89 / 75 / 0 / 55

HEX #0C1D72

RGB 12 29 114

HSL 230, 0.81%, 0.25%

LAB 16.36, 28.85, -50.06

 

CMYK 90 / 28 / 0 / 84

HEX #041D28

RGB 4 29 40

HSL 198.33, 0.82%, 0.09%

LAB 9.46, -5.07, -10.29

 

CMYK 90 / 27 / 0 / 70

HEX #08384D

RGB 8 56 77

HSL 198.26, 0.81%, 0.17%

LAB 21.64, -6.82, -17.2

 

CMYK 89 / 27 / 0 / 55

HEX #0C5372

RGB 12 83 114

HSL 198.24, 0.81%, 0.25%

LAB 32.87, -8.51, -23.5

 

CMYK 89 / 27 / 0 / 41

HEX #106E97

RGB 16 110 151

HSL 198.22, 0.81%, 0.33%

LAB 43.5, -10.07, -29.38

 

CMYK 89 / 28 / 0 / 26

HEX #1589BD

RGB 21 137 189

HSL 198.57, 0.8%, 0.41%

LAB 53.73, -11.12, -35.46

 

CMYK 89 / 27 / 0 / 55

HEX #0D5372

RGB 13 83 114

HSL 198.42, 0.8%, 0.25%

LAB 32.89, -8.42, -23.47

 

CMYK 45 / 89 / 0 / 55

HEX #3F0C72

RGB 63 12 114

HSL 270, 0.81%, 0.25%

LAB 18.07, 43.17, -47.08

 

CMYK 0 / 9 / 89 / 55

HEX #72680C

RGB 114 104 12

HSL 54.12, 0.81%, 0.25%

LAB 43.51, -6, 47.13

 

CMYK 89 / 27 / 0 / 55

HEX #0D5372

RGB 13 83 114

HSL 198.42, 0.8%, 0.25%

LAB 32.89, -8.42, -23.47

 

CMYK 0 / 89 / 26 / 55

HEX #720C54

RGB 114 12 84

HSL 317.65, 0.81%, 0.25%

LAB 25.2, 47.5, -15.42

 

CMYK 26 / 0 / 89 / 55

HEX #54720C

RGB 84 114 12

HSL 77.65, 0.81%, 0.25%

LAB 44.16, -25.31, 46.67

 

CMYK 89 / 27 / 0 / 55

HEX #0D5372

RGB 13 83 114

HSL 198.42, 0.8%, 0.25%

LAB 32.89, -8.42, -23.47

 

CMYK 45 / 89 / 0 / 55

HEX #3F0C72

RGB 63 12 114

HSL 270, 0.81%, 0.25%

LAB 18.07, 43.17, -47.08

 

CMYK 0 / 62 / 89 / 55

HEX #722B0C

RGB 114 43 12

HSL 18.24, 0.81%, 0.25%

LAB 27.66, 29.74, 33.93

 

CMYK 45 / 0 / 89 / 55

HEX #3F720C

RGB 63 114 12

HSL 90, 0.81%, 0.25%

LAB 42.94, -33.72, 45.15

 

CMYK 89 / 27 / 0 / 55

HEX #0D5372

RGB 13 83 114

HSL 198.42, 0.8%, 0.25%

LAB 32.89, -8.42, -23.47

 

CMYK 18 / 89 / 0 / 55

HEX #5E0C72

RGB 94 12 114

HSL 288.24, 0.81%, 0.25%

LAB 23.19, 48.2, -38.52

 

CMYK 0 / 62 / 89 / 55

HEX #722B0C

RGB 114 43 12

HSL 18.24, 0.81%, 0.25%

LAB 27.66, 29.74, 33.93

 

CMYK 71 / 0 / 89 / 55

HEX #21720C

RGB 33 114 12

HSL 107.65, 0.81%, 0.25%

LAB 41.82, -42.57, 43.74

 

Description

Color code: HEX #0D5372 | qconv.com Color code: HEX #0D5372 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 83 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 83 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 27 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 27% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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