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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D664A it is the complementary color #F299B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D664A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D664A shade: #126645, #237858, #348A6B, #459C7E and #56AE91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D664A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D664A shade: #0D664A, #005437, #004224, #003011 and #001E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D664A shade: #0D674B, #0D6733, #0D671A, #18670D and #31670D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D664A shade: #0D674B, #0D6763, #0D5367, #0D3B67 and #0D2267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D664A shade matches the following richer shades: #0D674B and #03714E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D664A shade: #0D674B, #165E47, #205444, #294B40 and #33413D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D664A shade: #0D671B, #0D6733, #0D674B, #0D6763 and #0D5467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D664A shade: #031E16, #084330, #0D674B, #128C65 and #16B080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D664A shade: #0D664A, #0D1867 and #67270D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D664A shade: #0D664A, #4B0D67 and #674B0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D664A shade: #0D664A, #0D1867, #670D2A and #675D0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D664A shade: #0D664A, #1E0D67, #670D2A and #57670D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 27 / 60

HEX #0D664A

RGB 13 102 74

HSL 161.12, 0.77%, 0.23%

LAB 37.99, -31.95, 8.97

 

Complementary color

CMYK 0 / 37 / 25 / 5

HEX #F299B5

RGB 242 153 181

HSL 341.12, 0.77%, 0.77%

LAB 72.89, 36.89, -0.46

 

CMYK 82 / 0 / 32 / 60

HEX #126645

RGB 18 102 69

HSL 156.43, 0.7%, 0.24%

LAB 37.95, -32.64, 11.95

 

CMYK 71 / 0 / 27 / 53

HEX #237858

RGB 35 120 88

HSL 157.41, 0.55%, 0.3%

LAB 44.93, -33.32, 10.39

 

CMYK 62 / 0 / 22 / 46

HEX #348A6B

RGB 52 138 107

HSL 158.37, 0.45%, 0.37%

LAB 51.8, -33.59, 9.06

 

CMYK 56 / 0 / 19 / 39

HEX #459C7E

RGB 69 156 126

HSL 159.31, 0.39%, 0.44%

LAB 58.55, -33.65, 7.88

 

CMYK 51 / 0 / 17 / 32

HEX #56AE91

RGB 86 174 145

HSL 160.23, 0.35%, 0.51%

LAB 65.2, -33.58, 6.83

 

CMYK 87 / 0 / 27 / 60

HEX #0D664A

RGB 13 102 74

HSL 161.12, 0.77%, 0.23%

LAB 37.99, -31.95, 8.97

 

CMYK 100 / 0 / 35 / 67

HEX #005437

RGB 0 84 55

HSL 159.29, 1%, 0.16%

LAB 30.92, -30.37, 10.79

 

CMYK 100 / 0 / 45 / 74

HEX #004224

RGB 0 66 36

HSL 152.73, 1%, 0.13%

LAB 23.75, -27.42, 13.04

 

CMYK 100 / 0 / 65 / 81

HEX #003011

RGB 0 48 17

HSL 141.25, 1%, 0.09%

LAB 16.28, -24.07, 15.4

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 87 / 0 / 27 / 60

HEX #0D674B

RGB 13 103 75

HSL 161.33, 0.78%, 0.23%

LAB 38.37, -32.13, 8.89

 

CMYK 87 / 0 / 50 / 60

HEX #0D6733

RGB 13 103 51

HSL 145.33, 0.78%, 0.23%

LAB 37.89, -37.55, 22.4

 

CMYK 87 / 0 / 75 / 60

HEX #0D671A

RGB 13 103 26

HSL 128.67, 0.78%, 0.23%

LAB 37.59, -41.15, 34.76

 

CMYK 77 / 0 / 87 / 60

HEX #18670D

RGB 24 103 13

HSL 112.67, 0.78%, 0.23%

LAB 37.71, -40.47, 39.68

 

CMYK 52 / 0 / 87 / 60

HEX #31670D

RGB 49 103 13

HSL 96, 0.78%, 0.23%

LAB 38.52, -33.84, 40.72

 

CMYK 87 / 0 / 27 / 60

HEX #0D674B

RGB 13 103 75

HSL 161.33, 0.78%, 0.23%

LAB 38.37, -32.13, 8.89

 

CMYK 87 / 0 / 4 / 60

HEX #0D6763

RGB 13 103 99

HSL 177.33, 0.78%, 0.23%

LAB 39.05, -25.05, -4.78

 

CMYK 87 / 19 / 0 / 60

HEX #0D5367

RGB 13 83 103

HSL 193.33, 0.78%, 0.23%

LAB 32.37, -12.71, -17.38

 

CMYK 87 / 43 / 0 / 60

HEX #0D3B67

RGB 13 59 103

HSL 209.33, 0.78%, 0.23%

LAB 24.3, 2.76, -30.05

 

CMYK 87 / 67 / 0 / 60

HEX #0D2267

RGB 13 34 103

HSL 226, 0.78%, 0.23%

LAB 16.55, 20.93, -42.59

 

CMYK 87 / 0 / 27 / 60

HEX #0D674B

RGB 13 103 75

HSL 161.33, 0.78%, 0.23%

LAB 38.37, -32.13, 8.89

 

CMYK 97 / 0 / 31 / 56

HEX #03714E

RGB 3 113 78

HSL 160.91, 0.95%, 0.23%

LAB 41.81, -36.49, 11.88

 

CMYK 87 / 0 / 27 / 60

HEX #0D674B

RGB 13 103 75

HSL 161.33, 0.78%, 0.23%

LAB 38.37, -32.13, 8.89

 

CMYK 77 / 0 / 24 / 63

HEX #165E47

RGB 22 94 71

HSL 160.83, 0.62%, 0.23%

LAB 35.26, -27.91, 6.99

 

CMYK 62 / 0 / 19 / 67

HEX #205444

RGB 32 84 68

HSL 161.54, 0.45%, 0.23%

LAB 31.95, -21.77, 4.2

 

CMYK 45 / 0 / 15 / 71

HEX #294B40

RGB 41 75 64

HSL 160.59, 0.29%, 0.23%

LAB 29.09, -15.43, 2.69

 

CMYK 22 / 0 / 6 / 75

HEX #33413D

RGB 51 65 61

HSL 162.86, 0.12%, 0.23%

LAB 26.22, -6.66, 0.56

 

CMYK 87 / 0 / 74 / 60

HEX #0D671B

RGB 13 103 27

HSL 129.33, 0.78%, 0.23%

LAB 37.6, -41.05, 34.33

 

CMYK 87 / 0 / 50 / 60

HEX #0D6733

RGB 13 103 51

HSL 145.33, 0.78%, 0.23%

LAB 37.89, -37.55, 22.4

 

CMYK 87 / 0 / 27 / 60

HEX #0D674B

RGB 13 103 75

HSL 161.33, 0.78%, 0.23%

LAB 38.37, -32.13, 8.89

 

CMYK 87 / 0 / 4 / 60

HEX #0D6763

RGB 13 103 99

HSL 177.33, 0.78%, 0.23%

LAB 39.05, -25.05, -4.78

 

CMYK 87 / 18 / 0 / 60

HEX #0D5467

RGB 13 84 103

HSL 192.67, 0.78%, 0.23%

LAB 32.71, -13.3, -16.85

 

CMYK 90 / 0 / 27 / 88

HEX #031E16

RGB 3 30 22

HSL 162.22, 0.82%, 0.06%

LAB 9.04, -12.48, 2.44

 

CMYK 88 / 0 / 28 / 74

HEX #084330

RGB 8 67 48

HSL 160.68, 0.79%, 0.15%

LAB 24.57, -23.45, 6.47

 

CMYK 87 / 0 / 27 / 60

HEX #0D674B

RGB 13 103 75

HSL 161.33, 0.78%, 0.23%

LAB 38.37, -32.13, 8.89

 

CMYK 87 / 0 / 28 / 45

HEX #128C65

RGB 18 140 101

HSL 160.82, 0.77%, 0.31%

LAB 51.64, -40.87, 12.17

 

CMYK 88 / 0 / 27 / 31

HEX #16B080

RGB 22 176 128

HSL 161.3, 0.78%, 0.39%

LAB 63.98, -48.59, 14.29

 

CMYK 87 / 0 / 27 / 60

HEX #0D664A

RGB 13 102 74

HSL 161.12, 0.77%, 0.23%

LAB 37.99, -31.95, 8.97

 

CMYK 87 / 77 / 0 / 60

HEX #0D1867

RGB 13 24 103

HSL 232.67, 0.78%, 0.23%

LAB 13.93, 27.95, -46.9

 

CMYK 0 / 62 / 87 / 60

HEX #67270D

RGB 103 39 13

HSL 17.33, 0.78%, 0.23%

LAB 24.84, 27.3, 30.15

 

CMYK 87 / 0 / 27 / 60

HEX #0D664A

RGB 13 102 74

HSL 161.12, 0.77%, 0.23%

LAB 37.99, -31.95, 8.97

 

CMYK 27 / 87 / 0 / 60

HEX #4B0D67

RGB 75 13 103

HSL 281.33, 0.78%, 0.23%

LAB 19.07, 42.16, -38.21

 

CMYK 0 / 27 / 87 / 60

HEX #674B0D

RGB 103 75 13

HSL 41.33, 0.78%, 0.23%

LAB 33.87, 5.83, 38.22

 

CMYK 87 / 0 / 27 / 60

HEX #0D664A

RGB 13 102 74

HSL 161.12, 0.77%, 0.23%

LAB 37.99, -31.95, 8.97

 

CMYK 87 / 77 / 0 / 60

HEX #0D1867

RGB 13 24 103

HSL 232.67, 0.78%, 0.23%

LAB 13.93, 27.95, -46.9

 

CMYK 0 / 87 / 59 / 60

HEX #670D2A

RGB 103 13 42

HSL 340.67, 0.78%, 0.23%

LAB 21.35, 39.79, 7.48

 

CMYK 0 / 10 / 87 / 60

HEX #675D0D

RGB 103 93 13

HSL 53.33, 0.78%, 0.23%

LAB 39.14, -4.98, 42.75

 

CMYK 87 / 0 / 27 / 60

HEX #0D664A

RGB 13 102 74

HSL 161.12, 0.77%, 0.23%

LAB 37.99, -31.95, 8.97

 

CMYK 71 / 87 / 0 / 60

HEX #1E0D67

RGB 30 13 103

HSL 251.33, 0.78%, 0.23%

LAB 12.88, 35.74, -48.6

 

CMYK 0 / 87 / 59 / 60

HEX #670D2A

RGB 103 13 42

HSL 340.67, 0.78%, 0.23%

LAB 21.35, 39.79, 7.48

 

CMYK 16 / 0 / 87 / 60

HEX #57670D

RGB 87 103 13

HSL 70.67, 0.78%, 0.23%

LAB 40.83, -18.28, 43.64

 

Description

Color code: HEX #0D664A | qconv.com Color code: HEX #0D664A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 102 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 102 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 27 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 27% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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