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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D68CB it is the complementary color #F29734. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D68CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D68CB shade: #1268C6, #237AD9, #348CEC, #459EFF and #56B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D68CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D68CB shade: #0D68CB, #0056B8, #0044A5, #003292 and #00207F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D68CB shade: #0C67C9, #0C34C9, #180CC9, #4B0CC9 and #7D0CC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D68CB shade: #0C67C9, #0C34C9 and #0C0CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D68CB shade matches the following richer shades: #0C67C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D68CB shade: #0C67C9, #1E67B8, #2F68A6, #406995 and #526A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D68CB shade: #0CC9C6, #0C9AC9, #0C67C9, #0C35C9 and #160CC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D68CB shade: #073F7B, #0A53A2, #0C67C9, #0F7BEF and #3690F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D68CB shade: #0D68CB, #930CC9 and #B3C90C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D68CB shade: #0D68CB, #C90C67 and #67C90C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D68CB shade: #0D68CB, #930CC9, #C96E0C and #42C90C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D68CB shade: #0D68CB, #C90CC6, #C96E0C and #0CC90F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 49 / 0 / 20

HEX #0D68CB

RGB 13 104 203

HSL 211.26, 0.88%, 0.42%

LAB 44.66, 14.02, -57.94

 

Complementary color

CMYK 0 / 38 / 79 / 5

HEX #F29734

RGB 242 151 52

HSL 31.26, 0.88%, 0.58%

LAB 70.36, 26.79, 62.86

 

CMYK 91 / 47 / 0 / 22

HEX #1268C6

RGB 18 104 198

HSL 211.33, 0.83%, 0.42%

LAB 44.39, 12.26, -55.49

 

CMYK 84 / 44 / 0 / 15

HEX #237AD9

RGB 35 122 217

HSL 211.32, 0.72%, 0.49%

LAB 51.02, 9.39, -55.66

 

CMYK 78 / 41 / 0 / 7

HEX #348CEC

RGB 52 140 236

HSL 211.3, 0.83%, 0.56%

LAB 57.6, 7.06, -55.74

 

CMYK 73 / 38 / 0 / 0

HEX #459EFF

RGB 69 158 255

HSL 211.29, 1%, 0.64%

LAB 64.11, 5.16, -55.79

 

CMYK 66 / 31 / 0 / 0

HEX #56B0FF

RGB 86 176 255

HSL 208.05, 1%, 0.67%

LAB 69.65, -2.73, -47

 

CMYK 94 / 49 / 0 / 20

HEX #0D68CB

RGB 13 104 203

HSL 211.26, 0.88%, 0.42%

LAB 44.66, 14.02, -57.94

 

CMYK 100 / 53 / 0 / 28

HEX #0056B8

RGB 0 86 184

HSL 211.96, 1%, 0.36%

LAB 38.05, 17.71, -57.6

 

CMYK 100 / 59 / 0 / 35

HEX #0044A5

RGB 0 68 165

HSL 215.27, 1%, 0.32%

LAB 31.46, 22.11, -57.04

 

CMYK 100 / 66 / 0 / 43

HEX #003292

RGB 0 50 146

HSL 219.45, 1%, 0.29%

LAB 24.82, 26.73, -56.36

 

CMYK 100 / 75 / 0 / 50

HEX #00207F

RGB 0 32 127

HSL 224.88, 1%, 0.25%

LAB 18.21, 31.35, -55.35

 

CMYK 94 / 49 / 0 / 21

HEX #0C67C9

RGB 12 103 201

HSL 211.11, 0.89%, 0.42%

LAB 44.23, 13.83, -57.48

 

CMYK 94 / 74 / 0 / 21

HEX #0C34C9

RGB 12 52 201

HSL 227.3, 0.89%, 0.42%

LAB 31.23, 46.7, -78.74

 

CMYK 88 / 94 / 0 / 21

HEX #180CC9

RGB 24 12 201

HSL 243.81, 0.89%, 0.42%

LAB 25.79, 63.93, -87.79

 

CMYK 63 / 94 / 0 / 21

HEX #4B0CC9

RGB 75 12 201

HSL 260, 0.89%, 0.42%

LAB 29.35, 65.88, -81.76

 

CMYK 38 / 94 / 0 / 21

HEX #7D0CC9

RGB 125 12 201

HSL 275.87, 0.89%, 0.42%

LAB 35.67, 70.29, -71.11

 

CMYK 94 / 49 / 0 / 21

HEX #0C67C9

RGB 12 103 201

HSL 211.11, 0.89%, 0.42%

LAB 44.23, 13.83, -57.48

 

CMYK 94 / 74 / 0 / 21

HEX #0C34C9

RGB 12 52 201

HSL 227.3, 0.89%, 0.42%

LAB 31.23, 46.7, -78.74

 

CMYK 94 / 94 / 0 / 21

HEX #0C0CC9

RGB 12 12 201

HSL 240, 0.89%, 0.42%

LAB 25.44, 63.76, -88.38

 

CMYK 94 / 49 / 0 / 21

HEX #0C67C9

RGB 12 103 201

HSL 211.11, 0.89%, 0.42%

LAB 44.23, 13.83, -57.48

 

CMYK 94 / 49 / 0 / 21

HEX #0C67C9

RGB 12 103 201

HSL 211.11, 0.89%, 0.42%

LAB 44.23, 13.83, -57.48

 

CMYK 84 / 44 / 0 / 28

HEX #1E67B8

RGB 30 103 184

HSL 211.56, 0.72%, 0.42%

LAB 43.41, 8.2, -48.93

 

CMYK 72 / 37 / 0 / 35

HEX #2F68A6

RGB 47 104 166

HSL 211.26, 0.56%, 0.42%

LAB 43.15, 2.7, -38.77

 

CMYK 57 / 30 / 0 / 42

HEX #406995

RGB 64 105 149

HSL 211.06, 0.4%, 0.42%

LAB 43.31, -0.74, -28.39

 

CMYK 38 / 20 / 0 / 48

HEX #526A84

RGB 82 106 132

HSL 211.2, 0.23%, 0.42%

LAB 43.9, -1.9, -17.23

 

CMYK 94 / 0 / 1 / 21

HEX #0CC9C6

RGB 12 201 198

HSL 179.05, 0.89%, 0.42%

LAB 73.5, -40.74, -10.25

 

CMYK 94 / 23 / 0 / 21

HEX #0C9AC9

RGB 12 154 201

HSL 194.92, 0.89%, 0.42%

LAB 59.35, -16.63, -33.49

 

CMYK 94 / 49 / 0 / 21

HEX #0C67C9

RGB 12 103 201

HSL 211.11, 0.89%, 0.42%

LAB 44.23, 13.83, -57.48

 

CMYK 94 / 74 / 0 / 21

HEX #0C35C9

RGB 12 53 201

HSL 226.98, 0.89%, 0.42%

LAB 31.44, 46.11, -78.39

 

CMYK 89 / 94 / 0 / 21

HEX #160CC9

RGB 22 12 201

HSL 243.17, 0.89%, 0.42%

LAB 25.72, 63.89, -87.91

 

CMYK 94 / 49 / 0 / 52

HEX #073F7B

RGB 7 63 123

HSL 211.03, 0.89%, 0.25%

LAB 26.82, 8.12, -38.76

 

CMYK 94 / 49 / 0 / 36

HEX #0A53A2

RGB 10 83 162

HSL 211.18, 0.88%, 0.34%

LAB 35.71, 11.08, -48.34

 

CMYK 94 / 49 / 0 / 21

HEX #0C67C9

RGB 12 103 201

HSL 211.11, 0.89%, 0.42%

LAB 44.23, 13.83, -57.48

 

CMYK 94 / 49 / 0 / 6

HEX #0F7BEF

RGB 15 123 239

HSL 211.07, 0.88%, 0.5%

LAB 52.4, 16.13, -65.8

 

CMYK 78 / 40 / 0 / 5

HEX #3690F2

RGB 54 144 242

HSL 211.28, 0.88%, 0.58%

LAB 59.11, 7.06, -56.66

 

CMYK 94 / 49 / 0 / 20

HEX #0D68CB

RGB 13 104 203

HSL 211.26, 0.88%, 0.42%

LAB 44.66, 14.02, -57.94

 

CMYK 27 / 94 / 0 / 21

HEX #930CC9

RGB 147 12 201

HSL 282.86, 0.89%, 0.42%

LAB 39.04, 73, -65.46

 

CMYK 11 / 0 / 94 / 21

HEX #B3C90C

RGB 179 201 12

HSL 66.98, 0.89%, 0.42%

LAB 76.91, -27.21, 75.79

 

CMYK 94 / 49 / 0 / 20

HEX #0D68CB

RGB 13 104 203

HSL 211.26, 0.88%, 0.42%

LAB 44.66, 14.02, -57.94

 

CMYK 0 / 94 / 49 / 21

HEX #C90C67

RGB 201 12 103

HSL 331.11, 0.89%, 0.42%

LAB 43.74, 69.82, 1.91

 

CMYK 49 / 0 / 94 / 21

HEX #67C90C

RGB 103 201 12

HSL 91.11, 0.89%, 0.42%

LAB 72.68, -55.42, 70.65

 

CMYK 94 / 49 / 0 / 20

HEX #0D68CB

RGB 13 104 203

HSL 211.26, 0.88%, 0.42%

LAB 44.66, 14.02, -57.94

 

CMYK 27 / 94 / 0 / 21

HEX #930CC9

RGB 147 12 201

HSL 282.86, 0.89%, 0.42%

LAB 39.04, 73, -65.46

 

CMYK 0 / 45 / 94 / 21

HEX #C96E0C

RGB 201 110 12

HSL 31.11, 0.89%, 0.42%

LAB 55.68, 30.44, 61.01

 

CMYK 67 / 0 / 94 / 21

HEX #42C90C

RGB 66 201 12

HSL 102.86, 0.89%, 0.42%

LAB 71.53, -64.79, 69.23

 

CMYK 94 / 49 / 0 / 20

HEX #0D68CB

RGB 13 104 203

HSL 211.26, 0.88%, 0.42%

LAB 44.66, 14.02, -57.94

 

CMYK 0 / 94 / 1 / 21

HEX #C90CC6

RGB 201 12 198

HSL 300.95, 0.89%, 0.42%

LAB 47.95, 80.7, -48.87

 

CMYK 0 / 45 / 94 / 21

HEX #C96E0C

RGB 201 110 12

HSL 31.11, 0.89%, 0.42%

LAB 55.68, 30.44, 61.01

 

CMYK 94 / 0 / 93 / 21

HEX #0CC90F

RGB 12 201 15

HSL 120.95, 0.89%, 0.42%

LAB 70.79, -71.24, 67.94

 

Description

Color code: HEX #0D68CB | qconv.com Color code: HEX #0D68CB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 104 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 104 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 49% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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