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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D6BBE it is the complementary color #F29441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D6BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D6BBE shade: #126BB9, #237DCC, #348FDF, #45A1F2 and #56B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D6BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D6BBE shade: #0D6BBE, #0059AB, #004798, #003585 and #002372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D6BBE shade: #0D6BBE, #0D3BBE, #0E0DBE, #3E0DBE and #6E0DBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D6BBE shade: #0D6BBE, #0D3BBE and #0D0DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D6BBE shade matches the following richer shades: #0D6BBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D6BBE shade: #0D6BBE, #1D6AAE, #2E699D, #3E688D and #4F677C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D6BBE shade: #0DBEB2, #0D9BBE, #0D6BBE, #0D3CBE and #0D0DBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D6BBE shade: #074071, #0A5598, #0D6BBE, #0F81E5 and #2E95F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D6BBE shade: #0D6BBE, #830DBE and #B2BE0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D6BBE shade: #0D6BBE, #BE0D6B and #6BBE0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D6BBE shade: #0D6BBE, #830DBE, #BE600D and #48BE0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D6BBE shade: #0D6BBE, #B80DBE, #BE600D and #13BE0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

Complementary color

CMYK 0 / 39 / 73 / 5

HEX #F29441

RGB 242 148 65

HSL 28.14, 0.87%, 0.6%

LAB 69.78, 28.87, 56.86

 

CMYK 90 / 42 / 0 / 27

HEX #126BB9

RGB 18 107 185

HSL 208.02, 0.82%, 0.4%

LAB 44.44, 5.18, -47.87

 

CMYK 83 / 39 / 0 / 20

HEX #237DCC

RGB 35 125 204

HSL 208.05, 0.71%, 0.47%

LAB 51.13, 2.6, -48.1

 

CMYK 77 / 36 / 0 / 13

HEX #348FDF

RGB 52 143 223

HSL 208.07, 0.73%, 0.54%

LAB 57.75, 0.56, -48.27

 

CMYK 71 / 33 / 0 / 5

HEX #45A1F2

RGB 69 161 242

HSL 208.09, 0.87%, 0.61%

LAB 64.29, -1.09, -48.39

 

CMYK 66 / 30 / 0 / 0

HEX #56B3FF

RGB 86 179 255

HSL 206.98, 1%, 0.67%

LAB 70.48, -4.4, -45.69

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 100 / 48 / 0 / 33

HEX #0059AB

RGB 0 89 171

HSL 208.77, 1%, 0.34%

LAB 37.99, 10.36, -50.02

 

CMYK 100 / 53 / 0 / 40

HEX #004798

RGB 0 71 152

HSL 211.97, 1%, 0.3%

LAB 31.29, 14.58, -49.47

 

CMYK 100 / 60 / 0 / 48

HEX #003585

RGB 0 53 133

HSL 216.09, 1%, 0.26%

LAB 24.45, 19.13, -48.88

 

CMYK 100 / 69 / 0 / 55

HEX #002372

RGB 0 35 114

HSL 221.58, 1%, 0.22%

LAB 17.54, 23.94, -48.14

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 93 / 69 / 0 / 25

HEX #0D3BBE

RGB 13 59 190

HSL 224.41, 0.87%, 0.4%

LAB 31.65, 38.45, -71.6

 

CMYK 93 / 93 / 0 / 25

HEX #0E0DBE

RGB 14 13 190

HSL 240.34, 0.87%, 0.4%

LAB 24, 60.61, -84.31

 

CMYK 67 / 93 / 0 / 25

HEX #3E0DBE

RGB 62 13 190

HSL 256.61, 0.87%, 0.4%

LAB 26.82, 62.19, -79.53

 

CMYK 42 / 93 / 0 / 25

HEX #6E0DBE

RGB 110 13 190

HSL 272.88, 0.87%, 0.4%

LAB 32.53, 66.16, -69.9

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 93 / 69 / 0 / 25

HEX #0D3BBE

RGB 13 59 190

HSL 224.41, 0.87%, 0.4%

LAB 31.65, 38.45, -71.6

 

CMYK 93 / 93 / 0 / 25

HEX #0D0DBE

RGB 13 13 190

HSL 240, 0.87%, 0.4%

LAB 23.97, 60.6, -84.35

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 83 / 39 / 0 / 32

HEX #1D6AAE

RGB 29 106 174

HSL 208.14, 0.71%, 0.4%

LAB 43.69, 2.3, -42.64

 

CMYK 71 / 33 / 0 / 38

HEX #2E699D

RGB 46 105 157

HSL 208.11, 0.55%, 0.4%

LAB 42.94, -1.4, -33.78

 

CMYK 56 / 26 / 0 / 45

HEX #3E688D

RGB 62 104 141

HSL 208.1, 0.39%, 0.4%

LAB 42.53, -3.26, -24.82

 

CMYK 36 / 17 / 0 / 51

HEX #4F677C

RGB 79 103 124

HSL 208, 0.22%, 0.4%

LAB 42.49, -3.29, -14.58

 

CMYK 93 / 0 / 6 / 25

HEX #0DBEB2

RGB 13 190 178

HSL 175.93, 0.87%, 0.4%

LAB 69.56, -41.68, -5.18

 

CMYK 93 / 18 / 0 / 25

HEX #0D9BBE

RGB 13 155 190

HSL 191.86, 0.87%, 0.4%

LAB 59.2, -21, -27.53

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 93 / 68 / 0 / 25

HEX #0D3CBE

RGB 13 60 190

HSL 224.07, 0.87%, 0.4%

LAB 31.89, 37.82, -71.21

 

CMYK 93 / 93 / 0 / 25

HEX #0D0DBE

RGB 13 13 190

HSL 240, 0.87%, 0.4%

LAB 23.97, 60.6, -84.35

 

CMYK 94 / 43 / 0 / 56

HEX #074071

RGB 7 64 113

HSL 207.74, 0.88%, 0.24%

LAB 26.46, 3.09, -33.01

 

CMYK 93 / 44 / 0 / 40

HEX #0A5598

RGB 10 85 152

HSL 208.31, 0.88%, 0.32%

LAB 35.65, 5.61, -42.42

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 93 / 44 / 0 / 10

HEX #0F81E5

RGB 15 129 229

HSL 208.04, 0.88%, 0.48%

LAB 53.45, 8.53, -58.53

 

CMYK 81 / 38 / 0 / 6

HEX #2E95F0

RGB 46 149 240

HSL 208.14, 0.87%, 0.56%

LAB 60.22, 2.58, -53.79

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 31 / 93 / 0 / 25

HEX #830DBE

RGB 131 13 190

HSL 280, 0.87%, 0.4%

LAB 35.66, 68.66, -64.65

 

CMYK 6 / 0 / 93 / 25

HEX #B2BE0D

RGB 178 190 13

HSL 64.07, 0.87%, 0.4%

LAB 73.75, -22.29, 73.2

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 0 / 93 / 44 / 25

HEX #BE0D6B

RGB 190 13 107

HSL 328.14, 0.87%, 0.4%

LAB 41.68, 67.54, -3.88

 

CMYK 44 / 0 / 93 / 25

HEX #6BBE0D

RGB 107 190 13

HSL 88.14, 0.87%, 0.4%

LAB 69.46, -49.92, 67.97

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 31 / 93 / 0 / 25

HEX #830DBE

RGB 131 13 190

HSL 280, 0.87%, 0.4%

LAB 35.66, 68.66, -64.65

 

CMYK 0 / 49 / 93 / 25

HEX #BE600D

RGB 190 96 13

HSL 28.14, 0.87%, 0.4%

LAB 51.08, 33.28, 56.84

 

CMYK 62 / 0 / 93 / 25

HEX #48BE0D

RGB 72 190 13

HSL 100, 0.87%, 0.4%

LAB 68.19, -59.87, 66.42

 

CMYK 93 / 44 / 0 / 25

HEX #0D6BBE

RGB 13 107 190

HSL 208.14, 0.87%, 0.4%

LAB 44.69, 6.92, -50.39

 

CMYK 3 / 93 / 0 / 25

HEX #B80DBE

RGB 184 13 190

HSL 297.97, 0.87%, 0.4%

LAB 44.51, 76.57, -49.88

 

CMYK 0 / 49 / 93 / 25

HEX #BE600D

RGB 190 96 13

HSL 28.14, 0.87%, 0.4%

LAB 51.08, 33.28, 56.84

 

CMYK 90 / 0 / 93 / 25

HEX #13BE0D

RGB 19 190 13

HSL 117.97, 0.87%, 0.4%

LAB 67.27, -67.84, 65.28

 

Description

Color code: HEX #0D6BBE | qconv.com Color code: HEX #0D6BBE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 107 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 107 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 44 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 44% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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