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Color name
HEX #0D6C22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D6C22 it is the complementary color #F293DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D6C22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D6C22 shade: #126C1D, #237E30, #349043, #45A256 and #56B469

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D6C22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D6C22 shade: #0D6C22, #005A0F, #004800, #003600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D6C22 shade: #0C6D22, #116D0C, #2B6D0C, #456D0C and #5F6D0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D6C22 shade: #0C6D22, #0C6D3C, #0C6D56, #0C6A6D and #0C506D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D6C22 shade matches the following richer shades: #0C6D22 and #02771C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D6C22 shade: #0C6D22, #166327, #20592D, #2A4F32 and #344538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D6C22 shade: #2B6D0C, #116D0C, #0C6D21, #0C6D3B and #0C6D55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D6C22 shade: #04230B, #084816, #0C6D22, #11922D and #15B739

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D6C22 shade: #0D6C22, #0C456D and #6D0C1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D6C22 shade: #0D6C22, #210C6D and #6D210C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D6C22 shade: #0D6C22, #0C456D, #6D0C58 and #6D350C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D6C22 shade: #0D6C22, #0C286D, #6D0C58 and #6D520C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 69 / 58

HEX #0D6C22

RGB 13 108 34

HSL 133.26, 0.79%, 0.24%

LAB 39.46, -41.99, 33.16

 

Complementary color

CMYK 0 / 39 / 9 / 5

HEX #F293DD

RGB 242 147 221

HSL 313.26, 0.79%, 0.76%

LAB 72.87, 46.11, -22.55

 

CMYK 83 / 0 / 73 / 58

HEX #126C1D

RGB 18 108 29

HSL 127.33, 0.71%, 0.25%

LAB 39.48, -41.92, 35.48

 

CMYK 72 / 0 / 62 / 51

HEX #237E30

RGB 35 126 48

HSL 128.57, 0.57%, 0.32%

LAB 46.3, -43.31, 34.26

 

CMYK 64 / 0 / 53 / 44

HEX #349043

RGB 52 144 67

HSL 129.78, 0.47%, 0.38%

LAB 53.04, -43.97, 32.81

 

CMYK 57 / 0 / 47 / 36

HEX #45A256

RGB 69 162 86

HSL 130.97, 0.4%, 0.45%

LAB 59.69, -44.23, 31.34

 

CMYK 52 / 0 / 42 / 29

HEX #56B469

RGB 86 180 105

HSL 132.13, 0.39%, 0.52%

LAB 66.24, -44.25, 29.95

 

CMYK 88 / 0 / 69 / 58

HEX #0D6C22

RGB 13 108 34

HSL 133.26, 0.79%, 0.24%

LAB 39.46, -41.99, 33.16

 

CMYK 100 / 0 / 83 / 65

HEX #005A0F

RGB 0 90 15

HSL 130, 1%, 0.18%

LAB 32.58, -39.31, 34.05

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 89 / 0 / 69 / 57

HEX #0C6D22

RGB 12 109 34

HSL 133.61, 0.8%, 0.24%

LAB 39.8, -42.44, 33.53

 

CMYK 84 / 0 / 89 / 57

HEX #116D0C

RGB 17 109 12

HSL 116.91, 0.8%, 0.24%

LAB 39.72, -43.71, 41.73

 

CMYK 61 / 0 / 89 / 57

HEX #2B6D0C

RGB 43 109 12

HSL 100.82, 0.8%, 0.24%

LAB 40.37, -38.19, 42.57

 

CMYK 37 / 0 / 89 / 57

HEX #456D0C

RGB 69 109 12

HSL 84.74, 0.8%, 0.24%

LAB 41.58, -29.16, 44.09

 

CMYK 13 / 0 / 89 / 57

HEX #5F6D0C

RGB 95 109 12

HSL 68.66, 0.8%, 0.24%

LAB 43.36, -17.81, 46.31

 

CMYK 89 / 0 / 69 / 57

HEX #0C6D22

RGB 12 109 34

HSL 133.61, 0.8%, 0.24%

LAB 39.8, -42.44, 33.53

 

CMYK 89 / 0 / 45 / 57

HEX #0C6D3C

RGB 12 109 60

HSL 149.69, 0.8%, 0.24%

LAB 40.15, -38.23, 20.18

 

CMYK 89 / 0 / 21 / 57

HEX #0C6D56

RGB 12 109 86

HSL 165.77, 0.8%, 0.24%

LAB 40.71, -31.93, 5.56

 

CMYK 89 / 3 / 0 / 57

HEX #0C6A6D

RGB 12 106 109

HSL 181.86, 0.8%, 0.24%

LAB 40.39, -23.36, -8.88

 

CMYK 89 / 27 / 0 / 57

HEX #0C506D

RGB 12 80 109

HSL 197.94, 0.8%, 0.24%

LAB 31.62, -8.64, -22.32

 

CMYK 89 / 0 / 69 / 57

HEX #0C6D22

RGB 12 109 34

HSL 133.61, 0.8%, 0.24%

LAB 39.8, -42.44, 33.53

 

CMYK 98 / 0 / 76 / 53

HEX #02771C

RGB 2 119 28

HSL 133.33, 0.97%, 0.24%

LAB 43.2, -47.27, 39.68

 

CMYK 89 / 0 / 69 / 57

HEX #0C6D22

RGB 12 109 34

HSL 133.61, 0.8%, 0.24%

LAB 39.8, -42.44, 33.53

 

CMYK 78 / 0 / 61 / 61

HEX #166327

RGB 22 99 39

HSL 133.25, 0.64%, 0.24%

LAB 36.44, -36.74, 27.25

 

CMYK 64 / 0 / 49 / 65

HEX #20592D

RGB 32 89 45

HSL 133.68, 0.47%, 0.24%

LAB 33.22, -29.41, 20.01

 

CMYK 47 / 0 / 37 / 69

HEX #2A4F32

RGB 42 79 50

HSL 132.97, 0.31%, 0.24%

LAB 30.19, -20.58, 13.11

 

CMYK 25 / 0 / 19 / 73

HEX #344538

RGB 52 69 56

HSL 134.12, 0.14%, 0.24%

LAB 27.5, -9.9, 5.67

 

CMYK 61 / 0 / 89 / 57

HEX #2B6D0C

RGB 43 109 12

HSL 100.82, 0.8%, 0.24%

LAB 40.37, -38.19, 42.57

 

CMYK 84 / 0 / 89 / 57

HEX #116D0C

RGB 17 109 12

HSL 116.91, 0.8%, 0.24%

LAB 39.72, -43.71, 41.73

 

CMYK 89 / 0 / 70 / 57

HEX #0C6D21

RGB 12 109 33

HSL 132.99, 0.8%, 0.24%

LAB 39.79, -42.56, 33.99

 

CMYK 89 / 0 / 46 / 57

HEX #0C6D3B

RGB 12 109 59

HSL 149.07, 0.8%, 0.24%

LAB 40.13, -38.43, 20.73

 

CMYK 89 / 0 / 22 / 57

HEX #0C6D55

RGB 12 109 85

HSL 165.15, 0.8%, 0.24%

LAB 40.69, -32.2, 6.13

 

CMYK 89 / 0 / 69 / 86

HEX #04230B

RGB 4 35 11

HSL 133.55, 0.79%, 0.08%

LAB 10.94, -17.99, 11.41

 

CMYK 89 / 0 / 69 / 72

HEX #084816

RGB 8 72 22

HSL 133.13, 0.8%, 0.16%

LAB 25.99, -31.08, 24.04

 

CMYK 89 / 0 / 69 / 57

HEX #0C6D22

RGB 12 109 34

HSL 133.61, 0.8%, 0.24%

LAB 39.8, -42.44, 33.53

 

CMYK 88 / 0 / 69 / 43

HEX #11922D

RGB 17 146 45

HSL 133.02, 0.79%, 0.32%

LAB 52.8, -53.02, 42.81

 

CMYK 89 / 0 / 69 / 28

HEX #15B739

RGB 21 183 57

HSL 133.33, 0.79%, 0.4%

LAB 65.22, -63.04, 51.18

 

CMYK 88 / 0 / 69 / 58

HEX #0D6C22

RGB 13 108 34

HSL 133.26, 0.79%, 0.24%

LAB 39.46, -41.99, 33.16

 

CMYK 89 / 37 / 0 / 57

HEX #0C456D

RGB 12 69 109

HSL 204.74, 0.8%, 0.24%

LAB 27.95, -1.59, -28.09

 

CMYK 0 / 89 / 72 / 57

HEX #6D0C1E

RGB 109 12 30

HSL 348.87, 0.8%, 0.24%

LAB 22.33, 41.05, 17.38

 

CMYK 88 / 0 / 69 / 58

HEX #0D6C22

RGB 13 108 34

HSL 133.26, 0.79%, 0.24%

LAB 39.46, -41.99, 33.16

 

CMYK 70 / 89 / 0 / 57

HEX #210C6D

RGB 33 12 109

HSL 252.99, 0.8%, 0.24%

LAB 13.77, 38.32, -51.06

 

CMYK 0 / 70 / 89 / 57

HEX #6D210C

RGB 109 33 12

HSL 12.99, 0.8%, 0.24%

LAB 24.84, 32.7, 31.02

 

CMYK 88 / 0 / 69 / 58

HEX #0D6C22

RGB 13 108 34

HSL 133.26, 0.79%, 0.24%

LAB 39.46, -41.99, 33.16

 

CMYK 89 / 37 / 0 / 57

HEX #0C456D

RGB 12 69 109

HSL 204.74, 0.8%, 0.24%

LAB 27.95, -1.59, -28.09

 

CMYK 0 / 89 / 19 / 57

HEX #6D0C58

RGB 109 12 88

HSL 312.99, 0.8%, 0.24%

LAB 24.38, 46.87, -19.44

 

CMYK 0 / 51 / 89 / 57

HEX #6D350C

RGB 109 53 12

HSL 25.36, 0.8%, 0.24%

LAB 28.96, 22.03, 34.7

 

CMYK 88 / 0 / 69 / 58

HEX #0D6C22

RGB 13 108 34

HSL 133.26, 0.79%, 0.24%

LAB 39.46, -41.99, 33.16

 

CMYK 89 / 63 / 0 / 57

HEX #0C286D

RGB 12 40 109

HSL 222.68, 0.8%, 0.24%

LAB 18.8, 19.01, -42.82

 

CMYK 0 / 89 / 19 / 57

HEX #6D0C58

RGB 109 12 88

HSL 312.99, 0.8%, 0.24%

LAB 24.38, 46.87, -19.44

 

CMYK 0 / 25 / 89 / 57

HEX #6D520C

RGB 109 82 12

HSL 43.3, 0.8%, 0.24%

LAB 36.58, 4.51, 41.16

 

Description

Color code: HEX #0D6C22 | qconv.com Color code: HEX #0D6C22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 108 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 108 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 69 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 69% 58% C M Y K

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Provide designers and agencies with accurate color values.

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