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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D6D90 it is the complementary color #F2926F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D6D90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D6D90 shade: #126D8B, #237F9E, #3491B1, #45A3C4 and #56B5D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D6D90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D6D90 shade: #0D6D90, #005B7D, #00496A, #003757 and #002544

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D6D90 shade: #0D6D90, #0D4A90, #0D2690, #170D90 and #3A0D90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D6D90 shade: #0D6D90, #0D4A90, #0D2690 and #0D0D90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D6D90 shade matches the following richer shades: #0D6D90 and #00739D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D6D90 shade: #0D6D90, #1A6783, #276177, #335B6A and #40555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D6D90 shade: #0D906D, #0D9090, #0D6D90, #0D4A90 and #0D2790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D6D90 shade: #063445, #09516A, #0D6D90, #108AB6 and #14A6DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D6D90 shade: #0D6D90, #4A0D90 and #907F0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D6D90 shade: #0D6D90, #900D6D and #6D900D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D6D90 shade: #0D6D90, #4A0D90, #90300D and #53900D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D6D90 shade: #0D6D90, #720D90, #90300D and #2C900D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

Complementary color

CMYK 0 / 40 / 54 / 5

HEX #F2926F

RGB 242 146 111

HSL 16.03, 0.83%, 0.69%

LAB 69.88, 32.81, 33.91

 

CMYK 87 / 22 / 0 / 45

HEX #126D8B

RGB 18 109 139

HSL 194.88, 0.77%, 0.31%

LAB 42.66, -13.85, -23.54

 

CMYK 78 / 20 / 0 / 38

HEX #237F9E

RGB 35 127 158

HSL 195.12, 0.64%, 0.38%

LAB 49.5, -15.45, -24.15

 

CMYK 71 / 18 / 0 / 31

HEX #3491B1

RGB 52 145 177

HSL 195.36, 0.55%, 0.45%

LAB 56.24, -16.61, -24.67

 

CMYK 65 / 17 / 0 / 23

HEX #45A3C4

RGB 69 163 196

HSL 195.59, 0.52%, 0.52%

LAB 62.88, -17.46, -25.14

 

CMYK 60 / 16 / 0 / 16

HEX #56B5D7

RGB 86 181 215

HSL 195.81, 0.62%, 0.59%

LAB 69.42, -18.1, -25.56

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 100 / 27 / 0 / 51

HEX #005B7D

RGB 0 91 125

HSL 196.32, 1%, 0.25%

LAB 35.91, -9.85, -25.57

 

CMYK 100 / 31 / 0 / 58

HEX #00496A

RGB 0 73 106

HSL 198.68, 1%, 0.21%

LAB 28.92, -6.46, -24.68

 

CMYK 100 / 37 / 0 / 66

HEX #003757

RGB 0 55 87

HSL 202.07, 1%, 0.17%

LAB 21.65, -2.79, -23.83

 

CMYK 100 / 46 / 0 / 73

HEX #002544

RGB 0 37 68

HSL 207.35, 1%, 0.13%

LAB 14.06, 1.31, -23.05

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 91 / 49 / 0 / 44

HEX #0D4A90

RGB 13 74 144

HSL 212.06, 0.83%, 0.31%

LAB 31.8, 9.84, -43.75

 

CMYK 91 / 74 / 0 / 44

HEX #0D2690

RGB 13 38 144

HSL 228.55, 0.83%, 0.31%

LAB 21.89, 34.57, -59.93

 

CMYK 84 / 91 / 0 / 44

HEX #170D90

RGB 23 13 144

HSL 244.58, 0.83%, 0.31%

LAB 17.84, 47.88, -66.63

 

CMYK 60 / 91 / 0 / 44

HEX #3A0D90

RGB 58 13 144

HSL 260.61, 0.83%, 0.31%

LAB 20.83, 50.05, -61.58

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 91 / 49 / 0 / 44

HEX #0D4A90

RGB 13 74 144

HSL 212.06, 0.83%, 0.31%

LAB 31.8, 9.84, -43.75

 

CMYK 91 / 74 / 0 / 44

HEX #0D2690

RGB 13 38 144

HSL 228.55, 0.83%, 0.31%

LAB 21.89, 34.57, -59.93

 

CMYK 91 / 91 / 0 / 44

HEX #0D0D90

RGB 13 13 144

HSL 240, 0.83%, 0.31%

LAB 17.4, 47.58, -67.39

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 100 / 27 / 0 / 38

HEX #00739D

RGB 0 115 157

HSL 196.05, 1%, 0.31%

LAB 45.21, -11.52, -30.26

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 80 / 21 / 0 / 49

HEX #1A6783

RGB 26 103 131

HSL 196, 0.67%, 0.31%

LAB 40.51, -12.56, -22.05

 

CMYK 67 / 18 / 0 / 53

HEX #276177

RGB 39 97 119

HSL 196.5, 0.51%, 0.31%

LAB 38.4, -11.39, -17.97

 

CMYK 52 / 14 / 0 / 58

HEX #335B6A

RGB 51 91 106

HSL 196.36, 0.35%, 0.31%

LAB 36.42, -9.51, -12.94

 

CMYK 31 / 9 / 0 / 64

HEX #40555D

RGB 64 85 93

HSL 196.55, 0.18%, 0.31%

LAB 34.76, -5.87, -7.26

 

CMYK 91 / 0 / 24 / 44

HEX #0D906D

RGB 13 144 109

HSL 163.97, 0.83%, 0.31%

LAB 53.1, -40.89, 9.64

 

CMYK 91 / 0 / 0 / 44

HEX #0D9090

RGB 13 144 144

HSL 180, 0.83%, 0.31%

LAB 54.08, -30.81, -9.09

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 91 / 49 / 0 / 44

HEX #0D4A90

RGB 13 74 144

HSL 212.06, 0.83%, 0.31%

LAB 31.8, 9.84, -43.75

 

CMYK 91 / 73 / 0 / 44

HEX #0D2790

RGB 13 39 144

HSL 228.09, 0.83%, 0.31%

LAB 22.12, 33.93, -59.54

 

CMYK 91 / 25 / 0 / 73

HEX #063445

RGB 6 52 69

HSL 196.19, 0.84%, 0.15%

LAB 19.74, -7.82, -14.78

 

CMYK 92 / 24 / 0 / 58

HEX #09516A

RGB 9 81 106

HSL 195.46, 0.84%, 0.23%

LAB 31.77, -10.69, -20.21

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 91 / 24 / 0 / 29

HEX #108AB6

RGB 16 138 182

HSL 195.9, 0.84%, 0.39%

LAB 53.67, -14.53, -31.57

 

CMYK 91 / 25 / 0 / 14

HEX #14A6DC

RGB 20 166 220

HSL 196.2, 0.83%, 0.47%

LAB 63.83, -16.03, -37.08

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 49 / 91 / 0 / 44

HEX #4A0D90

RGB 74 13 144

HSL 267.94, 0.83%, 0.31%

LAB 22.85, 51.67, -58.18

 

CMYK 0 / 12 / 91 / 44

HEX #907F0D

RGB 144 127 13

HSL 52.21, 0.83%, 0.31%

LAB 53.1, -4.65, 55.85

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 0 / 91 / 24 / 44

HEX #900D6D

RGB 144 13 109

HSL 316.03, 0.83%, 0.31%

LAB 32.53, 57.42, -19.9

 

CMYK 24 / 0 / 91 / 44

HEX #6D900D

RGB 109 144 13

HSL 76.03, 0.83%, 0.31%

LAB 55.31, -29.26, 56.44

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 49 / 91 / 0 / 44

HEX #4A0D90

RGB 74 13 144

HSL 267.94, 0.83%, 0.31%

LAB 22.85, 51.67, -58.18

 

CMYK 0 / 67 / 91 / 44

HEX #90300D

RGB 144 48 13

HSL 16.03, 0.83%, 0.31%

LAB 34.13, 39.07, 41.04

 

CMYK 42 / 0 / 91 / 44

HEX #53900D

RGB 83 144 13

HSL 87.94, 0.83%, 0.31%

LAB 53.83, -39.39, 54.62

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 21 / 91 / 0 / 44

HEX #720D90

RGB 114 13 144

HSL 286.26, 0.83%, 0.31%

LAB 29.1, 57.23, -47.7

 

CMYK 0 / 67 / 91 / 44

HEX #90300D

RGB 144 48 13

HSL 16.03, 0.83%, 0.31%

LAB 34.13, 39.07, 41.04

 

CMYK 69 / 0 / 91 / 44

HEX #2C900D

RGB 44 144 13

HSL 105.8, 0.83%, 0.31%

LAB 52.41, -50.59, 52.85

 

Description

Color code: HEX #0D6D90 | qconv.com Color code: HEX #0D6D90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 109 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 109 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 24 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 24% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - mycloudcrew.com – On...
Link: http://mycloudcrew.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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