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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D7377 it is the complementary color #F28C88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D7377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D7377 shade: #127372, #238585, #349798, #45A9AB and #56BBBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D7377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D7377 shade: #0D7377, #006164, #004F51, #003D3E and #002B2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D7377 shade: #0D7377, #0D5677, #0D3A77, #0D1D77 and #190D77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D7377 shade: #0D7377, #0D5677, #0D3A77, #0D1D77 and #0D0D77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D7377 shade matches the following richer shades: #0D7377 and #027D82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D7377 shade: #0D7377, #17696C, #225F61, #2D5557 and #384B4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D7377 shade: #0D7742, #0D775E, #0D7377, #0D5777 and #0D3B77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D7377 shade: #052B2D, #094F52, #0D7377, #11979C and #15BBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D7377 shade: #0D7377, #260D77 and #77500D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D7377 shade: #0D7377, #770D73 and #73770D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D7377 shade: #0D7377, #260D77, #77100D and #5E770D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D7377 shade: #0D7377, #450D77, #77100D and #3E770D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

Complementary color

CMYK 0 / 42 / 44 / 5

HEX #F28C88

RGB 242 140 136

HSL 2.26, 0.8%, 0.74%

LAB 69.05, 38.22, 19.09

 

CMYK 84 / 0 / 1 / 55

HEX #127372

RGB 18 115 114

HSL 179.38, 0.73%, 0.26%

LAB 43.66, -25.79, -7

 

CMYK 74 / 0 / 0 / 48

HEX #238585

RGB 35 133 133

HSL 180, 0.58%, 0.33%

LAB 50.48, -26.89, -8.04

 

CMYK 66 / 1 / 0 / 40

HEX #349798

RGB 52 151 152

HSL 180.6, 0.49%, 0.4%

LAB 57.2, -27.6, -8.94

 

CMYK 60 / 1 / 0 / 33

HEX #45A9AB

RGB 69 169 171

HSL 181.18, 0.43%, 0.47%

LAB 63.82, -28.06, -9.74

 

CMYK 55 / 2 / 0 / 25

HEX #56BBBE

RGB 86 187 190

HSL 181.73, 0.44%, 0.54%

LAB 70.34, -28.35, -10.46

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 100 / 3 / 0 / 61

HEX #006164

RGB 0 97 100

HSL 181.8, 1%, 0.2%

LAB 36.87, -22.65, -8.66

 

CMYK 100 / 2 / 0 / 68

HEX #004F51

RGB 0 79 81

HSL 181.48, 1%, 0.16%

LAB 29.88, -19.84, -7.22

 

CMYK 100 / 2 / 0 / 76

HEX #003D3E

RGB 0 61 62

HSL 180.97, 1%, 0.12%

LAB 22.6, -16.94, -5.7

 

CMYK 100 / 0 / 0 / 83

HEX #002B2B

RGB 0 43 43

HSL 180, 1%, 0.08%

LAB 14.97, -13.9, -4.09

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 89 / 28 / 0 / 53

HEX #0D5677

RGB 13 86 119

HSL 198.68, 0.8%, 0.26%

LAB 34.13, -8.29, -24.64

 

CMYK 89 / 51 / 0 / 53

HEX #0D3A77

RGB 13 58 119

HSL 214.53, 0.8%, 0.26%

LAB 25.09, 10.36, -39.02

 

CMYK 89 / 76 / 0 / 53

HEX #0D1D77

RGB 13 29 119

HSL 230.94, 0.8%, 0.26%

LAB 16.97, 30.86, -52.28

 

CMYK 79 / 89 / 0 / 53

HEX #190D77

RGB 25 13 119

HSL 246.79, 0.8%, 0.26%

LAB 14.55, 40.41, -56.28

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 89 / 28 / 0 / 53

HEX #0D5677

RGB 13 86 119

HSL 198.68, 0.8%, 0.26%

LAB 34.13, -8.29, -24.64

 

CMYK 89 / 51 / 0 / 53

HEX #0D3A77

RGB 13 58 119

HSL 214.53, 0.8%, 0.26%

LAB 25.09, 10.36, -39.02

 

CMYK 89 / 76 / 0 / 53

HEX #0D1D77

RGB 13 29 119

HSL 230.94, 0.8%, 0.26%

LAB 16.97, 30.86, -52.28

 

CMYK 89 / 89 / 0 / 53

HEX #0D0D77

RGB 13 13 119

HSL 240, 0.8%, 0.26%

LAB 13.86, 39.83, -57.45

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 98 / 4 / 0 / 49

HEX #027D82

RGB 2 125 130

HSL 182.34, 0.97%, 0.26%

LAB 47.36, -26.59, -11.01

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 79 / 3 / 0 / 58

HEX #17696C

RGB 23 105 108

HSL 182.12, 0.65%, 0.26%

LAB 40.19, -22.08, -8.55

 

CMYK 65 / 2 / 0 / 62

HEX #225F61

RGB 34 95 97

HSL 181.9, 0.48%, 0.26%

LAB 36.72, -18.56, -6.97

 

CMYK 48 / 2 / 0 / 66

HEX #2D5557

RGB 45 85 87

HSL 182.86, 0.32%, 0.26%

LAB 33.44, -13.46, -5.57

 

CMYK 26 / 1 / 0 / 70

HEX #384B4C

RGB 56 75 76

HSL 183, 0.15%, 0.26%

LAB 30.39, -7.12, -3.03

 

CMYK 89 / 0 / 45 / 53

HEX #0D7742

RGB 13 119 66

HSL 150, 0.8%, 0.26%

LAB 43.76, -40.8, 21.47

 

CMYK 89 / 0 / 21 / 53

HEX #0D775E

RGB 13 119 94

HSL 165.85, 0.8%, 0.26%

LAB 44.36, -34.11, 5.97

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 89 / 27 / 0 / 53

HEX #0D5777

RGB 13 87 119

HSL 198.11, 0.8%, 0.26%

LAB 34.47, -8.9, -24.12

 

CMYK 89 / 50 / 0 / 53

HEX #0D3B77

RGB 13 59 119

HSL 213.96, 0.8%, 0.26%

LAB 25.4, 9.65, -38.52

 

CMYK 89 / 4 / 0 / 82

HEX #052B2D

RGB 5 43 45

HSL 183, 0.8%, 0.1%

LAB 15.22, -12, -5.1

 

CMYK 89 / 4 / 0 / 68

HEX #094F52

RGB 9 79 82

HSL 182.47, 0.8%, 0.18%

LAB 30.06, -18.56, -7.57

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 89 / 3 / 0 / 39

HEX #11979C

RGB 17 151 156

HSL 182.16, 0.8%, 0.34%

LAB 56.74, -30.16, -11.99

 

CMYK 89 / 3 / 0 / 24

HEX #15BBC1

RGB 21 187 193

HSL 182.09, 0.8%, 0.42%

LAB 69.15, -35.5, -14.03

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 68 / 89 / 0 / 53

HEX #260D77

RGB 38 13 119

HSL 254.15, 0.8%, 0.26%

LAB 15.65, 41.35, -54.41

 

CMYK 0 / 33 / 89 / 53

HEX #77500D

RGB 119 80 13

HSL 37.92, 0.8%, 0.26%

LAB 37.28, 10.64, 41.92

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 0 / 89 / 3 / 53

HEX #770D73

RGB 119 13 115

HSL 302.26, 0.8%, 0.26%

LAB 27.97, 52.98, -31.24

 

CMYK 3 / 0 / 89 / 53

HEX #73770D

RGB 115 119 13

HSL 62.26, 0.8%, 0.26%

LAB 48.09, -13.85, 50.69

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 68 / 89 / 0 / 53

HEX #260D77

RGB 38 13 119

HSL 254.15, 0.8%, 0.26%

LAB 15.65, 41.35, -54.41

 

CMYK 0 / 87 / 89 / 53

HEX #77100D

RGB 119 16 13

HSL 1.7, 0.8%, 0.26%

LAB 24.71, 42.43, 31.15

 

CMYK 21 / 0 / 89 / 53

HEX #5E770D

RGB 94 119 13

HSL 74.15, 0.8%, 0.26%

LAB 46.45, -23.42, 48.65

 

CMYK 89 / 3 / 0 / 53

HEX #0D7377

RGB 13 115 119

HSL 182.26, 0.8%, 0.26%

LAB 43.77, -24.56, -9.85

 

CMYK 42 / 89 / 0 / 53

HEX #450D77

RGB 69 13 119

HSL 271.7, 0.8%, 0.26%

LAB 19.58, 44.94, -47.81

 

CMYK 0 / 87 / 89 / 53

HEX #77100D

RGB 119 16 13

HSL 1.7, 0.8%, 0.26%

LAB 24.71, 42.43, 31.15

 

CMYK 48 / 0 / 89 / 53

HEX #3E770D

RGB 62 119 13

HSL 92.26, 0.8%, 0.26%

LAB 44.58, -36.19, 46.32

 

Description

Color code: HEX #0D7377 | qconv.com Color code: HEX #0D7377 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 115 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 115 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 3 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 3% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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