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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D83C8 it is the complementary color #F27C37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D83C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D83C8 shade: #1283C3, #2395D6, #34A7E9, #45B9FC and #56CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D83C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D83C8 shade: #0D83C8, #0071B5, #005FA2, #004D8F and #003B7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D83C8 shade: #0C83C9, #0C50C9, #0C1EC9, #2E0CC9 and #610CC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D83C8 shade: #0C83C9, #0C50C9, #0C1EC9 and #0C0CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D83C8 shade matches the following richer shades: #0C83C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D83C8 shade: #0C83C9, #1E7FB8, #2F7AA6, #407695 and #527184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D83C8 shade: #0CC9A9, #0CB6C9, #0C84C9, #0C51C9 and #0C1FC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D83C8 shade: #07517B, #0A6AA2, #0C83C9, #0F9DEF and #36ACF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D83C8 shade: #0D83C8, #770CC9 and #C9C30C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D83C8 shade: #0D83C8, #C90C84 and #84C90C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D83C8 shade: #0D83C8, #770CC9, #C9510C and #5EC90C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D83C8 shade: #0D83C8, #B00CC9, #C9510C and #25C90C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 35 / 0 / 22

HEX #0D83C8

RGB 13 131 200

HSL 202.14, 0.88%, 0.42%

LAB 52.38, -3.92, -43.86

 

Complementary color

CMYK 0 / 49 / 77 / 5

HEX #F27C37

RGB 242 124 55

HSL 22.14, 0.88%, 0.58%

LAB 64.62, 40.8, 56.12

 

CMYK 91 / 33 / 0 / 24

HEX #1283C3

RGB 18 131 195

HSL 201.69, 0.83%, 0.42%

LAB 52.18, -5.59, -41.34

 

CMYK 84 / 30 / 0 / 16

HEX #2395D6

RGB 35 149 214

HSL 201.79, 0.72%, 0.49%

LAB 58.7, -7.83, -41.76

 

CMYK 78 / 28 / 0 / 9

HEX #34A7E9

RGB 52 167 233

HSL 201.88, 0.8%, 0.56%

LAB 65.16, -9.62, -42.12

 

CMYK 73 / 27 / 0 / 1

HEX #45B9FC

RGB 69 185 252

HSL 201.97, 0.97%, 0.63%

LAB 71.55, -11.06, -42.43

 

CMYK 66 / 20 / 0 / 0

HEX #56CBFF

RGB 86 203 255

HSL 198.46, 1%, 0.67%

LAB 77.23, -17.28, -35.18

 

CMYK 94 / 35 / 0 / 22

HEX #0D83C8

RGB 13 131 200

HSL 202.14, 0.88%, 0.42%

LAB 52.38, -3.92, -43.86

 

CMYK 100 / 38 / 0 / 29

HEX #0071B5

RGB 0 113 181

HSL 202.54, 1%, 0.35%

LAB 45.83, -0.93, -43.34

 

CMYK 100 / 41 / 0 / 36

HEX #005FA2

RGB 0 95 162

HSL 204.81, 1%, 0.32%

LAB 39.23, 2.72, -42.7

 

CMYK 100 / 46 / 0 / 44

HEX #004D8F

RGB 0 77 143

HSL 207.69, 1%, 0.28%

LAB 32.46, 6.64, -42.09

 

CMYK 100 / 52 / 0 / 51

HEX #003B7C

RGB 0 59 124

HSL 211.45, 1%, 0.24%

LAB 25.51, 10.9, -41.5

 

CMYK 94 / 35 / 0 / 21

HEX #0C83C9

RGB 12 131 201

HSL 202.22, 0.89%, 0.42%

LAB 52.43, -3.57, -44.36

 

CMYK 94 / 60 / 0 / 21

HEX #0C50C9

RGB 12 80 201

HSL 218.41, 0.89%, 0.42%

LAB 37.9, 28.95, -67.76

 

CMYK 94 / 85 / 0 / 21

HEX #0C1EC9

RGB 12 30 201

HSL 234.29, 0.89%, 0.42%

LAB 27.36, 57.92, -85.17

 

CMYK 77 / 94 / 0 / 21

HEX #2E0CC9

RGB 46 12 201

HSL 250.79, 0.89%, 0.42%

LAB 26.91, 64.49, -85.89

 

CMYK 52 / 94 / 0 / 21

HEX #610CC9

RGB 97 12 201

HSL 266.98, 0.89%, 0.42%

LAB 31.86, 67.51, -77.53

 

CMYK 94 / 35 / 0 / 21

HEX #0C83C9

RGB 12 131 201

HSL 202.22, 0.89%, 0.42%

LAB 52.43, -3.57, -44.36

 

CMYK 94 / 60 / 0 / 21

HEX #0C50C9

RGB 12 80 201

HSL 218.41, 0.89%, 0.42%

LAB 37.9, 28.95, -67.76

 

CMYK 94 / 85 / 0 / 21

HEX #0C1EC9

RGB 12 30 201

HSL 234.29, 0.89%, 0.42%

LAB 27.36, 57.92, -85.17

 

CMYK 94 / 94 / 0 / 21

HEX #0C0CC9

RGB 12 12 201

HSL 240, 0.89%, 0.42%

LAB 25.44, 63.76, -88.38

 

CMYK 94 / 35 / 0 / 21

HEX #0C83C9

RGB 12 131 201

HSL 202.22, 0.89%, 0.42%

LAB 52.43, -3.57, -44.36

 

CMYK 94 / 35 / 0 / 21

HEX #0C83C9

RGB 12 131 201

HSL 202.22, 0.89%, 0.42%

LAB 52.43, -3.57, -44.36

 

CMYK 84 / 31 / 0 / 28

HEX #1E7FB8

RGB 30 127 184

HSL 202.21, 0.72%, 0.42%

LAB 50.59, -6.54, -37.53

 

CMYK 72 / 27 / 0 / 35

HEX #2F7AA6

RGB 47 122 166

HSL 202.18, 0.56%, 0.42%

LAB 48.61, -8.19, -30.18

 

CMYK 57 / 21 / 0 / 42

HEX #407695

RGB 64 118 149

HSL 201.88, 0.4%, 0.42%

LAB 47.26, -8.49, -22.26

 

CMYK 38 / 14 / 0 / 48

HEX #527184

RGB 82 113 132

HSL 202.8, 0.23%, 0.42%

LAB 46, -6.05, -14.02

 

CMYK 94 / 0 / 16 / 21

HEX #0CC9A9

RGB 12 201 169

HSL 169.84, 0.89%, 0.42%

LAB 72.7, -48.87, 4.32

 

CMYK 94 / 9 / 0 / 21

HEX #0CB6C9

RGB 12 182 201

HSL 186.03, 0.89%, 0.42%

LAB 67.84, -30.98, -20.42

 

CMYK 94 / 34 / 0 / 21

HEX #0C84C9

RGB 12 132 201

HSL 201.9, 0.89%, 0.42%

LAB 52.73, -4.17, -43.89

 

CMYK 94 / 60 / 0 / 21

HEX #0C51C9

RGB 12 81 201

HSL 218.1, 0.89%, 0.42%

LAB 38.16, 28.29, -67.33

 

CMYK 94 / 85 / 0 / 21

HEX #0C1FC9

RGB 12 31 201

HSL 233.97, 0.89%, 0.42%

LAB 27.5, 57.49, -84.93

 

CMYK 94 / 34 / 0 / 52

HEX #07517B

RGB 7 81 123

HSL 201.72, 0.89%, 0.25%

LAB 32.61, -3.97, -29.52

 

CMYK 94 / 35 / 0 / 36

HEX #0A6AA2

RGB 10 106 162

HSL 202.11, 0.88%, 0.34%

LAB 42.73, -3.73, -37.11

 

CMYK 94 / 35 / 0 / 21

HEX #0C83C9

RGB 12 131 201

HSL 202.22, 0.89%, 0.42%

LAB 52.43, -3.57, -44.36

 

CMYK 94 / 34 / 0 / 6

HEX #0F9DEF

RGB 15 157 239

HSL 201.96, 0.88%, 0.5%

LAB 62.04, -4.34, -50.38

 

CMYK 78 / 29 / 0 / 5

HEX #36ACF2

RGB 54 172 242

HSL 202.34, 0.88%, 0.58%

LAB 67.05, -9.06, -44.08

 

CMYK 94 / 35 / 0 / 22

HEX #0D83C8

RGB 13 131 200

HSL 202.14, 0.88%, 0.42%

LAB 52.38, -3.92, -43.86

 

CMYK 41 / 94 / 0 / 21

HEX #770CC9

RGB 119 12 201

HSL 273.97, 0.89%, 0.42%

LAB 34.81, 69.63, -72.56

 

CMYK 0 / 3 / 94 / 21

HEX #C9C30C

RGB 201 195 12

HSL 58.1, 0.89%, 0.42%

LAB 76.97, -14.9, 76.58

 

CMYK 94 / 35 / 0 / 22

HEX #0D83C8

RGB 13 131 200

HSL 202.14, 0.88%, 0.42%

LAB 52.38, -3.92, -43.86

 

CMYK 0 / 94 / 34 / 21

HEX #C90C84

RGB 201 12 132

HSL 321.9, 0.89%, 0.42%

LAB 44.73, 72.46, -14.59

 

CMYK 34 / 0 / 94 / 21

HEX #84C90C

RGB 132 201 12

HSL 81.9, 0.89%, 0.42%

LAB 74, -45.74, 72.26

 

CMYK 94 / 35 / 0 / 22

HEX #0D83C8

RGB 13 131 200

HSL 202.14, 0.88%, 0.42%

LAB 52.38, -3.92, -43.86

 

CMYK 41 / 94 / 0 / 21

HEX #770CC9

RGB 119 12 201

HSL 273.97, 0.89%, 0.42%

LAB 34.81, 69.63, -72.56

 

CMYK 0 / 60 / 94 / 21

HEX #C9510C

RGB 201 81 12

HSL 21.9, 0.89%, 0.42%

LAB 49.89, 45.05, 57.09

 

CMYK 53 / 0 / 94 / 21

HEX #5EC90C

RGB 94 201 12

HSL 93.97, 0.89%, 0.42%

LAB 72.35, -58.04, 70.24

 

CMYK 94 / 35 / 0 / 22

HEX #0D83C8

RGB 13 131 200

HSL 202.14, 0.88%, 0.42%

LAB 52.38, -3.92, -43.86

 

CMYK 12 / 94 / 0 / 21

HEX #B00CC9

RGB 176 12 201

HSL 292.06, 0.89%, 0.42%

LAB 43.81, 77.15, -57.49

 

CMYK 0 / 60 / 94 / 21

HEX #C9510C

RGB 201 81 12

HSL 21.9, 0.89%, 0.42%

LAB 49.89, 45.05, 57.09

 

CMYK 82 / 0 / 94 / 21

HEX #25C90C

RGB 37 201 12

HSL 112.06, 0.89%, 0.42%

LAB 71, -69.35, 68.58

 

Description

Color code: HEX #0D83C8 | qconv.com Color code: HEX #0D83C8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 131 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 131 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 35 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 35% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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