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Color name
HEX #0D8F7E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D8F7E it is the complementary color #F27081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D8F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D8F7E shade: #128F79, #23A18C, #34B39F, #45C5B2 and #56D7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D8F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D8F7E shade: #0D8F7E, #007D6B, #006B58, #005945 and #004732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D8F7E shade: #0D907F, #0D905C, #0D9038, #0D9015 and #28900D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D8F7E shade: #0D907F, #0D7E90, #0D5B90, #0D3790 and #0D1490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D8F7E shade matches the following richer shades: #0D907F and #009D88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D8F7E shade: #0D907F, #1A8376, #27776C, #336A63 and #405D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D8F7E shade: #0D9039, #0D905C, #0D907F, #0D7F90 and #0D5C90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D8F7E shade: #06453C, #096A5E, #0D907F, #10B6A0 and #14DCC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D8F7E shade: #0D8F7E, #160D90 and #904A0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D8F7E shade: #0D8F7E, #7F0D90 and #907F0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D8F7E shade: #0D8F7E, #160D90, #900D1E and #87900D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D8F7E shade: #0D8F7E, #3D0D90, #900D1E and #60900D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 12 / 44

HEX #0D8F7E

RGB 13 143 126

HSL 172.15, 0.83%, 0.31%

LAB 53.21, -35.8, 0.02

 

Complementary color

CMYK 0 / 54 / 47 / 5

HEX #F27081

RGB 242 112 129

HSL 352.15, 0.83%, 0.69%

LAB 63.38, 51.45, 15.21

 

CMYK 87 / 0 / 15 / 44

HEX #128F79

RGB 18 143 121

HSL 169.44, 0.78%, 0.32%

LAB 53.12, -36.9, 2.78

 

CMYK 78 / 0 / 13 / 37

HEX #23A18C

RGB 35 161 140

HSL 170, 0.64%, 0.38%

LAB 59.65, -38.05, 1.45

 

CMYK 71 / 0 / 11 / 30

HEX #34B39F

RGB 52 179 159

HSL 170.55, 0.55%, 0.45%

LAB 66.12, -38.82, 0.28

 

CMYK 65 / 0 / 10 / 23

HEX #45C5B2

RGB 69 197 178

HSL 171.09, 0.52%, 0.52%

LAB 72.5, -39.33, -0.76

 

CMYK 60 / 0 / 8 / 16

HEX #56D7C5

RGB 86 215 197

HSL 171.63, 0.62%, 0.59%

LAB 78.82, -39.65, -1.71

 

CMYK 91 / 0 / 12 / 44

HEX #0D8F7E

RGB 13 143 126

HSL 172.15, 0.83%, 0.31%

LAB 53.21, -35.8, 0.02

 

CMYK 100 / 0 / 14 / 51

HEX #007D6B

RGB 0 125 107

HSL 171.36, 1%, 0.25%

LAB 46.62, -33.96, 1.51

 

CMYK 100 / 0 / 18 / 58

HEX #006B58

RGB 0 107 88

HSL 169.35, 1%, 0.21%

LAB 39.95, -31.38, 3.24

 

CMYK 100 / 0 / 22 / 65

HEX #005945

RGB 0 89 69

HSL 166.52, 1%, 0.17%

LAB 33.08, -28.73, 5.09

 

CMYK 100 / 0 / 30 / 72

HEX #004732

RGB 0 71 50

HSL 162.25, 1%, 0.14%

LAB 25.97, -25.96, 7.1

 

CMYK 91 / 0 / 12 / 44

HEX #0D907F

RGB 13 144 127

HSL 172.21, 0.83%, 0.31%

LAB 53.56, -35.97, -0.04

 

CMYK 91 / 0 / 36 / 44

HEX #0D905C

RGB 13 144 92

HSL 156.18, 0.83%, 0.31%

LAB 52.74, -44.95, 18.77

 

CMYK 91 / 0 / 61 / 44

HEX #0D9038

RGB 13 144 56

HSL 139.69, 0.83%, 0.31%

LAB 52.19, -51.37, 37.11

 

CMYK 91 / 0 / 85 / 44

HEX #0D9015

RGB 13 144 21

HSL 123.66, 0.83%, 0.31%

LAB 51.93, -54.64, 50.39

 

CMYK 72 / 0 / 91 / 44

HEX #28900D

RGB 40 144 13

HSL 107.63, 0.83%, 0.31%

LAB 52.32, -51.39, 52.73

 

CMYK 91 / 0 / 12 / 44

HEX #0D907F

RGB 13 144 127

HSL 172.21, 0.83%, 0.31%

LAB 53.56, -35.97, -0.04

 

CMYK 91 / 13 / 0 / 44

HEX #0D7E90

RGB 13 126 144

HSL 188.24, 0.83%, 0.31%

LAB 48.29, -21.74, -17.85

 

CMYK 91 / 37 / 0 / 44

HEX #0D5B90

RGB 13 91 144

HSL 204.27, 0.83%, 0.31%

LAB 37.08, -1.4, -35.31

 

CMYK 91 / 62 / 0 / 44

HEX #0D3790

RGB 13 55 144

HSL 220.76, 0.83%, 0.31%

LAB 26.25, 23.05, -52.76

 

CMYK 91 / 86 / 0 / 44

HEX #0D1490

RGB 13 20 144

HSL 236.79, 0.83%, 0.31%

LAB 18.36, 44.69, -65.78

 

CMYK 91 / 0 / 12 / 44

HEX #0D907F

RGB 13 144 127

HSL 172.21, 0.83%, 0.31%

LAB 53.56, -35.97, -0.04

 

CMYK 100 / 0 / 13 / 38

HEX #009D88

RGB 0 157 136

HSL 171.97, 1%, 0.31%

LAB 57.93, -39.75, 1.17

 

CMYK 91 / 0 / 12 / 44

HEX #0D907F

RGB 13 144 127

HSL 172.21, 0.83%, 0.31%

LAB 53.56, -35.97, -0.04

 

CMYK 80 / 0 / 10 / 49

HEX #1A8376

RGB 26 131 118

HSL 172.57, 0.67%, 0.31%

LAB 49.2, -31.53, -1.16

 

CMYK 67 / 0 / 9 / 53

HEX #27776C

RGB 39 119 108

HSL 171.75, 0.51%, 0.31%

LAB 45.23, -26.79, -1.04

 

CMYK 52 / 0 / 7 / 58

HEX #336A63

RGB 51 106 99

HSL 172.36, 0.35%, 0.31%

LAB 41.08, -20.07, -1.67

 

CMYK 31 / 0 / 4 / 64

HEX #405D59

RGB 64 93 89

HSL 171.72, 0.18%, 0.31%

LAB 37.19, -11.68, -1.16

 

CMYK 91 / 0 / 60 / 44

HEX #0D9039

RGB 13 144 57

HSL 140.15, 0.83%, 0.31%

LAB 52.21, -51.23, 36.64

 

CMYK 91 / 0 / 36 / 44

HEX #0D905C

RGB 13 144 92

HSL 156.18, 0.83%, 0.31%

LAB 52.74, -44.95, 18.77

 

CMYK 91 / 0 / 12 / 44

HEX #0D907F

RGB 13 144 127

HSL 172.21, 0.83%, 0.31%

LAB 53.56, -35.97, -0.04

 

CMYK 91 / 12 / 0 / 44

HEX #0D7F90

RGB 13 127 144

HSL 187.79, 0.83%, 0.31%

LAB 48.61, -22.27, -17.35

 

CMYK 91 / 36 / 0 / 44

HEX #0D5C90

RGB 13 92 144

HSL 203.82, 0.83%, 0.31%

LAB 37.4, -2.03, -34.81

 

CMYK 91 / 0 / 13 / 73

HEX #06453C

RGB 6 69 60

HSL 171.43, 0.84%, 0.15%

LAB 25.63, -21.08, 0.11

 

CMYK 92 / 0 / 11 / 58

HEX #096A5E

RGB 9 106 94

HSL 172.58, 0.84%, 0.23%

LAB 39.87, -28.42, -0.51

 

CMYK 91 / 0 / 12 / 44

HEX #0D907F

RGB 13 144 127

HSL 172.21, 0.83%, 0.31%

LAB 53.56, -35.97, -0.04

 

CMYK 91 / 0 / 12 / 29

HEX #10B6A0

RGB 16 182 160

HSL 172.05, 0.84%, 0.39%

LAB 66.6, -43.16, 0.38

 

CMYK 91 / 0 / 12 / 14

HEX #14DCC2

RGB 20 220 194

HSL 172.2, 0.83%, 0.47%

LAB 79.17, -49.75, 0.29

 

CMYK 91 / 0 / 12 / 44

HEX #0D8F7E

RGB 13 143 126

HSL 172.15, 0.83%, 0.31%

LAB 53.21, -35.8, 0.02

 

CMYK 85 / 91 / 0 / 44

HEX #160D90

RGB 22 13 144

HSL 244.12, 0.83%, 0.31%

LAB 17.79, 47.84, -66.72

 

CMYK 0 / 49 / 91 / 44

HEX #904A0D

RGB 144 74 13

HSL 27.94, 0.83%, 0.31%

LAB 39.34, 25.68, 45.06

 

CMYK 91 / 0 / 12 / 44

HEX #0D8F7E

RGB 13 143 126

HSL 172.15, 0.83%, 0.31%

LAB 53.21, -35.8, 0.02

 

CMYK 12 / 91 / 0 / 44

HEX #7F0D90

RGB 127 13 144

HSL 292.21, 0.83%, 0.31%

LAB 31.38, 59.4, -43.91

 

CMYK 0 / 12 / 91 / 44

HEX #907F0D

RGB 144 127 13

HSL 52.21, 0.83%, 0.31%

LAB 53.1, -4.65, 55.85

 

CMYK 91 / 0 / 12 / 44

HEX #0D8F7E

RGB 13 143 126

HSL 172.15, 0.83%, 0.31%

LAB 53.21, -35.8, 0.02

 

CMYK 85 / 91 / 0 / 44

HEX #160D90

RGB 22 13 144

HSL 244.12, 0.83%, 0.31%

LAB 17.79, 47.84, -66.72

 

CMYK 0 / 91 / 79 / 44

HEX #900D1E

RGB 144 13 30

HSL 352.21, 0.83%, 0.31%

LAB 30.18, 50.93, 28.49

 

CMYK 6 / 0 / 91 / 44

HEX #87900D

RGB 135 144 13

HSL 64.12, 0.83%, 0.31%

LAB 57.2, -17.93, 58.76

 

CMYK 91 / 0 / 12 / 44

HEX #0D8F7E

RGB 13 143 126

HSL 172.15, 0.83%, 0.31%

LAB 53.21, -35.8, 0.02

 

CMYK 58 / 91 / 0 / 44

HEX #3D0D90

RGB 61 13 144

HSL 261.98, 0.83%, 0.31%

LAB 21.18, 50.33, -60.99

 

CMYK 0 / 91 / 79 / 44

HEX #900D1E

RGB 144 13 30

HSL 352.21, 0.83%, 0.31%

LAB 30.18, 50.93, 28.49

 

CMYK 33 / 0 / 91 / 44

HEX #60900D

RGB 96 144 13

HSL 81.98, 0.83%, 0.31%

LAB 54.51, -34.52, 55.47

 

Description

Color code: HEX #0D8F7E | qconv.com Color code: HEX #0D8F7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 143 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 143 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 12 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 12% 44% C M Y K

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Provide designers and agencies with accurate color values.

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