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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D9F3B it is the complementary color #F260C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D9F3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D9F3B shade: #129F36, #23B149, #34C35C, #45D56F and #56E782

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D9F3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D9F3B shade: #0D9F3B, #008D28, #007B15, #006902 and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D9F3B shade: #0DA03B, #0DA013, #2EA00D, #55A00D and #7DA00D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D9F3B shade: #0DA03B, #0DA063, #0DA08A, #0D8EA0 and #0D66A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D9F3B shade matches the following richer shades: #0DA03B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D9F3B shade: #0DA03B, #1B9240, #298445, #37764B and #456850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D9F3B shade: #2FA00D, #0DA011, #0DA039, #0DA060 and #0DA087

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D9F3B shade: #06541F, #097A2D, #0DA03B, #10C649 and #13EB58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D9F3B shade: #0D9F3B, #0D56A0 and #A00D1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D9F3B shade: #0D9F3B, #390DA0 and #A0390D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D9F3B shade: #0D9F3B, #0D56A0, #A00D74 and #A0560D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D9F3B shade: #0D9F3B, #0D2AA0, #A00D74 and #A0820D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 63 / 38

HEX #0D9F3B

RGB 13 159 59

HSL 138.9, 0.85%, 0.34%

LAB 57.27, -55.88, 41.53

 

Complementary color

CMYK 0 / 60 / 19 / 5

HEX #F260C4

RGB 242 96 196

HSL 318.9, 0.85%, 0.66%

LAB 62.7, 66.45, -24.15

 

CMYK 89 / 0 / 66 / 38

HEX #129F36

RGB 18 159 54

HSL 135.32, 0.8%, 0.35%

LAB 57.26, -56.11, 43.78

 

CMYK 80 / 0 / 59 / 31

HEX #23B149

RGB 35 177 73

HSL 136.06, 0.67%, 0.42%

LAB 63.58, -57.91, 42.37

 

CMYK 73 / 0 / 53 / 24

HEX #34C35C

RGB 52 195 92

HSL 136.78, 0.58%, 0.48%

LAB 69.85, -59.07, 40.86

 

CMYK 68 / 0 / 48 / 16

HEX #45D56F

RGB 69 213 111

HSL 137.5, 0.63%, 0.55%

LAB 76.07, -59.79, 39.36

 

CMYK 63 / 0 / 44 / 9

HEX #56E782

RGB 86 231 130

HSL 138.21, 0.75%, 0.62%

LAB 82.24, -60.21, 37.92

 

CMYK 92 / 0 / 63 / 38

HEX #0D9F3B

RGB 13 159 59

HSL 138.9, 0.85%, 0.34%

LAB 57.27, -55.88, 41.53

 

CMYK 100 / 0 / 72 / 45

HEX #008D28

RGB 0 141 40

HSL 137.02, 1%, 0.28%

LAB 50.92, -53.15, 42.86

 

CMYK 100 / 0 / 83 / 52

HEX #007B15

RGB 0 123 21

HSL 130.24, 1%, 0.24%

LAB 44.55, -49.24, 43.49

 

CMYK 100 / 0 / 98 / 59

HEX #006902

RGB 0 105 2

HSL 121.14, 1%, 0.21%

LAB 38.03, -44.78, 42.77

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 92 / 0 / 63 / 37

HEX #0DA03B

RGB 13 160 59

HSL 138.78, 0.85%, 0.34%

LAB 57.6, -56.2, 41.91

 

CMYK 92 / 0 / 88 / 37

HEX #0DA013

RGB 13 160 19

HSL 122.45, 0.85%, 0.34%

LAB 57.34, -59.48, 55.72

 

CMYK 71 / 0 / 92 / 37

HEX #2EA00D

RGB 46 160 13

HSL 106.53, 0.85%, 0.34%

LAB 57.8, -55.5, 57.46

 

CMYK 47 / 0 / 92 / 37

HEX #55A00D

RGB 85 160 13

HSL 90.61, 0.85%, 0.34%

LAB 59.07, -45.27, 59.03

 

CMYK 22 / 0 / 92 / 37

HEX #7DA00D

RGB 125 160 13

HSL 74.29, 0.85%, 0.34%

LAB 61.25, -30.21, 61.71

 

CMYK 92 / 0 / 63 / 37

HEX #0DA03B

RGB 13 160 59

HSL 138.78, 0.85%, 0.34%

LAB 57.6, -56.2, 41.91

 

CMYK 92 / 0 / 38 / 37

HEX #0DA063

RGB 13 160 99

HSL 155.1, 0.85%, 0.34%

LAB 58.16, -49.51, 22.19

 

CMYK 92 / 0 / 14 / 37

HEX #0DA08A

RGB 13 160 138

HSL 171.02, 0.85%, 0.34%

LAB 59.03, -39.92, 1.65

 

CMYK 92 / 11 / 0 / 37

HEX #0D8EA0

RGB 13 142 160

HSL 187.35, 0.85%, 0.34%

LAB 53.99, -24.57, -18.44

 

CMYK 92 / 36 / 0 / 37

HEX #0D66A0

RGB 13 102 160

HSL 203.67, 0.85%, 0.34%

LAB 41.42, -1.9, -38.02

 

CMYK 92 / 0 / 63 / 37

HEX #0DA03B

RGB 13 160 59

HSL 138.78, 0.85%, 0.34%

LAB 57.6, -56.2, 41.91

 

CMYK 92 / 0 / 63 / 37

HEX #0DA03B

RGB 13 160 59

HSL 138.78, 0.85%, 0.34%

LAB 57.6, -56.2, 41.91

 

CMYK 82 / 0 / 56 / 43

HEX #1B9240

RGB 27 146 64

HSL 138.66, 0.69%, 0.34%

LAB 53.13, -49.54, 34.31

 

CMYK 69 / 0 / 48 / 48

HEX #298445

RGB 41 132 69

HSL 138.46, 0.53%, 0.34%

LAB 48.76, -41.24, 26.35

 

CMYK 53 / 0 / 36 / 54

HEX #37764B

RGB 55 118 75

HSL 139.05, 0.36%, 0.34%

LAB 44.63, -30.73, 17.67

 

CMYK 34 / 0 / 23 / 59

HEX #456850

RGB 69 104 80

HSL 138.86, 0.2%, 0.34%

LAB 40.81, -18.22, 9.58

 

CMYK 71 / 0 / 92 / 37

HEX #2FA00D

RGB 47 160 13

HSL 106.12, 0.85%, 0.34%

LAB 57.82, -55.31, 57.48

 

CMYK 92 / 0 / 89 / 37

HEX #0DA011

RGB 13 160 17

HSL 121.63, 0.85%, 0.34%

LAB 57.34, -59.56, 56.13

 

CMYK 92 / 0 / 64 / 37

HEX #0DA039

RGB 13 160 57

HSL 137.96, 0.85%, 0.34%

LAB 57.58, -56.44, 42.79

 

CMYK 92 / 0 / 40 / 37

HEX #0DA060

RGB 13 160 96

HSL 153.88, 0.85%, 0.34%

LAB 58.11, -50.13, 23.75

 

CMYK 92 / 0 / 16 / 37

HEX #0DA087

RGB 13 160 135

HSL 169.8, 0.85%, 0.34%

LAB 58.95, -40.75, 3.23

 

CMYK 93 / 0 / 63 / 67

HEX #06541F

RGB 6 84 31

HSL 139.23, 0.87%, 0.18%

LAB 30.59, -34.58, 24.54

 

CMYK 93 / 0 / 63 / 52

HEX #097A2D

RGB 9 122 45

HSL 139.12, 0.86%, 0.26%

LAB 44.47, -45.76, 33.51

 

CMYK 92 / 0 / 63 / 37

HEX #0DA03B

RGB 13 160 59

HSL 138.78, 0.85%, 0.34%

LAB 57.6, -56.2, 41.91

 

CMYK 92 / 0 / 63 / 22

HEX #10C649

RGB 16 198 73

HSL 138.79, 0.85%, 0.42%

LAB 70.16, -66.21, 49.89

 

CMYK 92 / 0 / 63 / 8

HEX #13EB58

RGB 19 235 88

HSL 139.17, 0.85%, 0.5%

LAB 81.98, -75.44, 56.79

 

CMYK 92 / 0 / 63 / 38

HEX #0D9F3B

RGB 13 159 59

HSL 138.9, 0.85%, 0.34%

LAB 57.27, -55.88, 41.53

 

CMYK 92 / 46 / 0 / 37

HEX #0D56A0

RGB 13 86 160

HSL 210.2, 0.85%, 0.34%

LAB 36.52, 8.4, -45.84

 

CMYK 0 / 92 / 83 / 37

HEX #A00D1B

RGB 160 13 27

HSL 354.29, 0.85%, 0.34%

LAB 33.65, 55.23, 34.95

 

CMYK 92 / 0 / 63 / 38

HEX #0D9F3B

RGB 13 159 59

HSL 138.9, 0.85%, 0.34%

LAB 57.27, -55.88, 41.53

 

CMYK 64 / 92 / 0 / 37

HEX #390DA0

RGB 57 13 160

HSL 257.96, 0.85%, 0.34%

LAB 22.64, 54.17, -68.45

 

CMYK 0 / 64 / 92 / 37

HEX #A0390D

RGB 160 57 13

HSL 17.96, 0.85%, 0.34%

LAB 38.6, 40.92, 45.68

 

CMYK 92 / 0 / 63 / 38

HEX #0D9F3B

RGB 13 159 59

HSL 138.9, 0.85%, 0.34%

LAB 57.27, -55.88, 41.53

 

CMYK 92 / 46 / 0 / 37

HEX #0D56A0

RGB 13 86 160

HSL 210.2, 0.85%, 0.34%

LAB 36.52, 8.4, -45.84

 

CMYK 0 / 92 / 28 / 37

HEX #A00D74

RGB 160 13 116

HSL 317.96, 0.85%, 0.34%

LAB 36.03, 61.77, -18.68

 

CMYK 0 / 46 / 92 / 37

HEX #A0560D

RGB 160 86 13

HSL 29.8, 0.85%, 0.34%

LAB 44.46, 25.99, 50.01

 

CMYK 92 / 0 / 63 / 38

HEX #0D9F3B

RGB 13 159 59

HSL 138.9, 0.85%, 0.34%

LAB 57.27, -55.88, 41.53

 

CMYK 92 / 74 / 0 / 37

HEX #0D2AA0

RGB 13 42 160

HSL 228.16, 0.85%, 0.34%

LAB 24.57, 38.02, -65.33

 

CMYK 0 / 92 / 28 / 37

HEX #A00D74

RGB 160 13 116

HSL 317.96, 0.85%, 0.34%

LAB 36.03, 61.77, -18.68

 

CMYK 0 / 19 / 92 / 37

HEX #A0820D

RGB 160 130 13

HSL 47.76, 0.85%, 0.34%

LAB 55.55, 1.13, 58.46

 

Description

Color code: HEX #0D9F3B | qconv.com Color code: HEX #0D9F3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 159 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 159 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 63 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 63% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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