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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DA00C it is the complementary color #F25FF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DA00C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DA00C shade: #12A007, #23B21A, #34C42D, #45D640 and #56E853

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DA00C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DA00C shade: #0DA00C, #008E00, #007C00, #006A00 and #005800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DA00C shade: #0DA10C, #35A10C, #5DA10C, #85A10C and #A1940C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DA00C shade: #0DA10C, #0CA133, #0CA15B, #0CA183 and #0C96A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DA00C shade matches the following richer shades: #0DA10C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DA00C shade: #0DA10C, #1A931A, #288528, #367736 and #446944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DA00C shade: #5EA10C, #36A10C, #0EA10C, #0CA131 and #0CA159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DA00C shade: #065406, #0A7A09, #0DA10C, #10C70F and #14ED12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DA00C shade: #0DA00C, #0C85A1 and #A10C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DA00C shade: #0DA00C, #0C0EA1 and #A10C0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DA00C shade: #0DA00C, #0C85A1, #9E0CA1 and #A1270C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DA00C shade: #0DA00C, #0C59A1, #9E0CA1 and #A1540C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 93 / 37

HEX #0DA00C

RGB 13 160 12

HSL 119.59, 0.86%, 0.34%

LAB 57.32, -59.73, 57.03

 

Complementary color

CMYK 0 / 61 / 0 / 5

HEX #F25FF3

RGB 242 95 243

HSL 299.59, 0.86%, 0.66%

LAB 64.59, 74, -47.54

 

CMYK 89 / 0 / 96 / 37

HEX #12A007

RGB 18 160 7

HSL 115.69, 0.92%, 0.33%

LAB 57.35, -59.5, 57.82

 

CMYK 80 / 0 / 85 / 30

HEX #23B21A

RGB 35 178 26

HSL 116.45, 0.75%, 0.4%

LAB 63.57, -62.36, 59.74

 

CMYK 73 / 0 / 77 / 23

HEX #34C42D

RGB 52 196 45

HSL 117.22, 0.63%, 0.47%

LAB 69.75, -64.36, 60.28

 

CMYK 68 / 0 / 70 / 16

HEX #45D640

RGB 69 214 64

HSL 118, 0.65%, 0.55%

LAB 75.9, -65.73, 59.96

 

CMYK 63 / 0 / 64 / 9

HEX #56E853

RGB 86 232 83

HSL 118.79, 0.76%, 0.62%

LAB 82.01, -66.63, 59.18

 

CMYK 92 / 0 / 93 / 37

HEX #0DA00C

RGB 13 160 12

HSL 119.59, 0.86%, 0.34%

LAB 57.32, -59.73, 57.03

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 92 / 0 / 93 / 37

HEX #0DA10C

RGB 13 161 12

HSL 119.6, 0.86%, 0.34%

LAB 57.66, -60.02, 57.31

 

CMYK 67 / 0 / 93 / 37

HEX #35A10C

RGB 53 161 12

HSL 103.49, 0.86%, 0.34%

LAB 58.3, -54.44, 58.11

 

CMYK 42 / 0 / 93 / 37

HEX #5DA10C

RGB 93 161 12

HSL 87.38, 0.86%, 0.34%

LAB 59.75, -43, 59.9

 

CMYK 17 / 0 / 93 / 37

HEX #85A10C

RGB 133 161 12

HSL 71.28, 0.86%, 0.34%

LAB 62.09, -27.35, 62.77

 

CMYK 0 / 8 / 93 / 37

HEX #A1940C

RGB 161 148 12

HSL 54.77, 0.86%, 0.34%

LAB 60.59, -8.26, 62.56

 

CMYK 92 / 0 / 93 / 37

HEX #0DA10C

RGB 13 161 12

HSL 119.6, 0.86%, 0.34%

LAB 57.66, -60.02, 57.31

 

CMYK 93 / 0 / 68 / 37

HEX #0CA133

RGB 12 161 51

HSL 135.7, 0.86%, 0.34%

LAB 57.85, -57.5, 45.71

 

CMYK 93 / 0 / 43 / 37

HEX #0CA15B

RGB 12 161 91

HSL 151.81, 0.86%, 0.34%

LAB 58.34, -51.54, 26.76

 

CMYK 93 / 0 / 19 / 37

HEX #0CA183

RGB 12 161 131

HSL 167.92, 0.86%, 0.34%

LAB 59.17, -42.31, 5.79

 

CMYK 93 / 7 / 0 / 37

HEX #0C96A1

RGB 12 150 161

HSL 184.43, 0.86%, 0.34%

LAB 56.55, -28.31, -15.13

 

CMYK 92 / 0 / 93 / 37

HEX #0DA10C

RGB 13 161 12

HSL 119.6, 0.86%, 0.34%

LAB 57.66, -60.02, 57.31

 

CMYK 92 / 0 / 93 / 37

HEX #0DA10C

RGB 13 161 12

HSL 119.6, 0.86%, 0.34%

LAB 57.66, -60.02, 57.31

 

CMYK 82 / 0 / 82 / 42

HEX #1A931A

RGB 26 147 26

HSL 120, 0.7%, 0.34%

LAB 53.13, -53.95, 50.14

 

CMYK 70 / 0 / 70 / 48

HEX #288528

RGB 40 133 40

HSL 120, 0.54%, 0.34%

LAB 48.73, -45.81, 40.7

 

CMYK 55 / 0 / 55 / 53

HEX #367736

RGB 54 119 54

HSL 120, 0.38%, 0.34%

LAB 44.58, -35.07, 29.3

 

CMYK 35 / 0 / 35 / 59

HEX #446944

RGB 68 105 68

HSL 120, 0.21%, 0.34%

LAB 40.82, -21.48, 16.75

 

CMYK 42 / 0 / 93 / 37

HEX #5EA10C

RGB 94 161 12

HSL 86.98, 0.86%, 0.34%

LAB 59.79, -42.65, 59.96

 

CMYK 66 / 0 / 93 / 37

HEX #36A10C

RGB 54 161 12

HSL 103.09, 0.86%, 0.34%

LAB 58.32, -54.22, 58.14

 

CMYK 91 / 0 / 93 / 37

HEX #0EA10C

RGB 14 161 12

HSL 119.19, 0.86%, 0.34%

LAB 57.66, -59.96, 57.32

 

CMYK 93 / 0 / 70 / 37

HEX #0CA131

RGB 12 161 49

HSL 134.9, 0.86%, 0.34%

LAB 57.84, -57.7, 46.52

 

CMYK 93 / 0 / 45 / 37

HEX #0CA159

RGB 12 161 89

HSL 151.01, 0.86%, 0.34%

LAB 58.31, -51.92, 27.78

 

CMYK 93 / 0 / 93 / 67

HEX #065406

RGB 6 84 6

HSL 120, 0.87%, 0.18%

LAB 30.38, -37.16, 35.05

 

CMYK 92 / 0 / 93 / 52

HEX #0A7A09

RGB 10 122 9

HSL 119.47, 0.86%, 0.26%

LAB 44.24, -48.73, 46.37

 

CMYK 92 / 0 / 93 / 37

HEX #0DA10C

RGB 13 161 12

HSL 119.6, 0.86%, 0.34%

LAB 57.66, -60.02, 57.31

 

CMYK 92 / 0 / 92 / 22

HEX #10C70F

RGB 16 199 15

HSL 119.67, 0.86%, 0.42%

LAB 70.17, -70.48, 67.42

 

CMYK 92 / 0 / 92 / 7

HEX #14ED12

RGB 20 237 18

HSL 119.45, 0.86%, 0.5%

LAB 82.25, -80.5, 77.15

 

CMYK 92 / 0 / 93 / 37

HEX #0DA00C

RGB 13 160 12

HSL 119.59, 0.86%, 0.34%

LAB 57.32, -59.73, 57.03

 

CMYK 93 / 17 / 0 / 37

HEX #0C85A1

RGB 12 133 161

HSL 191.28, 0.86%, 0.34%

LAB 51.18, -19.55, -23.33

 

CMYK 0 / 93 / 54 / 37

HEX #A10C4A

RGB 161 12 74

HSL 335.03, 0.86%, 0.34%

LAB 34.67, 58.05, 6.33

 

CMYK 92 / 0 / 93 / 37

HEX #0DA00C

RGB 13 160 12

HSL 119.59, 0.86%, 0.34%

LAB 57.32, -59.73, 57.03

 

CMYK 93 / 91 / 0 / 37

HEX #0C0EA1

RGB 12 14 161

HSL 239.19, 0.86%, 0.34%

LAB 19.9, 52.21, -73.7

 

CMYK 0 / 93 / 91 / 37

HEX #A10C0E

RGB 161 12 14

HSL 359.19, 0.86%, 0.34%

LAB 33.71, 55.37, 41.85

 

CMYK 92 / 0 / 93 / 37

HEX #0DA00C

RGB 13 160 12

HSL 119.59, 0.86%, 0.34%

LAB 57.32, -59.73, 57.03

 

CMYK 93 / 17 / 0 / 37

HEX #0C85A1

RGB 12 133 161

HSL 191.28, 0.86%, 0.34%

LAB 51.18, -19.55, -23.33

 

CMYK 2 / 93 / 0 / 37

HEX #9E0CA1

RGB 158 12 161

HSL 298.79, 0.86%, 0.34%

LAB 38.03, 67.76, -43.3

 

CMYK 0 / 76 / 93 / 37

HEX #A1270C

RGB 161 39 12

HSL 10.87, 0.86%, 0.34%

LAB 36.09, 48.59, 44.34

 

CMYK 92 / 0 / 93 / 37

HEX #0DA00C

RGB 13 160 12

HSL 119.59, 0.86%, 0.34%

LAB 57.32, -59.73, 57.03

 

CMYK 93 / 45 / 0 / 37

HEX #0C59A1

RGB 12 89 161

HSL 208.99, 0.86%, 0.34%

LAB 37.47, 6.78, -44.9

 

CMYK 2 / 93 / 0 / 37

HEX #9E0CA1

RGB 158 12 161

HSL 298.79, 0.86%, 0.34%

LAB 38.03, 67.76, -43.3

 

CMYK 0 / 48 / 93 / 37

HEX #A1540C

RGB 161 84 12

HSL 28.99, 0.86%, 0.34%

LAB 44.15, 27.5, 50.13

 

Description

Color code: HEX #0DA00C | qconv.com Color code: HEX #0DA00C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 160 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 160 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 93 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 93% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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