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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DA04F it is the complementary color #F25FB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DA04F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DA04F shade: #12A04A, #23B25D, #34C470, #45D683 and #56E896

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DA04F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DA04F shade: #0DA04F, #008E3C, #007C29, #006A16 and #005803

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DA04F shade: #0DA04F, #0DA027, #1AA00D, #42A00D and #69A00D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DA04F shade: #0DA04F, #0DA076, #0DA09E, #0D7AA0 and #0D52A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DA04F shade matches the following richer shades: #0DA04F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DA04F shade: #0DA04F, #1B9250, #298452, #377653 and #456854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DA04F shade: #1BA00D, #0DA025, #0DA04C, #0DA074 and #0DA09B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DA04F shade: #065429, #097A3C, #0DA04F, #10C662 and #13EB74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DA04F shade: #0DA04F, #0D43A0 and #A0110D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DA04F shade: #0DA04F, #4C0DA0 and #A04C0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DA04F shade: #0DA04F, #0D43A0, #A00D60 and #A06A0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DA04F shade: #0DA04F, #0D16A0, #A00D60 and #A0960D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

Complementary color

CMYK 0 / 61 / 27 / 5

HEX #F25FB0

RGB 242 95 176

HSL 326.94, 0.85%, 0.66%

LAB 61.82, 64.23, -14.07

 

CMYK 89 / 0 / 54 / 37

HEX #12A04A

RGB 18 160 74

HSL 143.66, 0.8%, 0.35%

LAB 57.81, -53.75, 34.94

 

CMYK 80 / 0 / 48 / 30

HEX #23B25D

RGB 35 178 93

HSL 144.34, 0.67%, 0.42%

LAB 64.15, -55.25, 33.22

 

CMYK 73 / 0 / 43 / 23

HEX #34C470

RGB 52 196 112

HSL 145, 0.58%, 0.49%

LAB 70.44, -56.21, 31.59

 

CMYK 68 / 0 / 39 / 16

HEX #45D683

RGB 69 214 131

HSL 145.66, 0.64%, 0.55%

LAB 76.68, -56.79, 30.08

 

CMYK 63 / 0 / 35 / 9

HEX #56E896

RGB 86 232 150

HSL 146.3, 0.76%, 0.62%

LAB 82.86, -57.12, 28.67

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 100 / 0 / 58 / 44

HEX #008E3C

RGB 0 142 60

HSL 145.35, 1%, 0.28%

LAB 51.46, -50.97, 34.26

 

CMYK 100 / 0 / 67 / 51

HEX #007C29

RGB 0 124 41

HSL 139.84, 1%, 0.24%

LAB 45.05, -47.65, 36.05

 

CMYK 100 / 0 / 79 / 58

HEX #006A16

RGB 0 106 22

HSL 132.45, 1%, 0.21%

LAB 38.49, -43.87, 37.25

 

CMYK 100 / 0 / 97 / 65

HEX #005803

RGB 0 88 3

HSL 122.05, 1%, 0.17%

LAB 31.78, -39.48, 37.26

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 0 / 76 / 37

HEX #0DA027

RGB 13 160 39

HSL 130.61, 0.85%, 0.34%

LAB 57.44, -58.25, 49.98

 

CMYK 84 / 0 / 92 / 37

HEX #1AA00D

RGB 26 160 13

HSL 114.69, 0.85%, 0.34%

LAB 57.45, -58.54, 57.02

 

CMYK 59 / 0 / 92 / 37

HEX #42A00D

RGB 66 160 13

HSL 98.37, 0.85%, 0.34%

LAB 58.35, -50.92, 58.14

 

CMYK 34 / 0 / 92 / 37

HEX #69A00D

RGB 105 160 13

HSL 82.45, 0.85%, 0.34%

LAB 60.05, -38.18, 60.24

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 0 / 26 / 37

HEX #0DA076

RGB 13 160 118

HSL 162.86, 0.85%, 0.34%

LAB 58.54, -45.18, 12.21

 

CMYK 92 / 0 / 1 / 37

HEX #0DA09E

RGB 13 160 158

HSL 179.18, 0.85%, 0.34%

LAB 59.61, -34.04, -8.82

 

CMYK 92 / 24 / 0 / 37

HEX #0D7AA0

RGB 13 122 160

HSL 195.51, 0.85%, 0.34%

LAB 47.68, -13.79, -28.17

 

CMYK 92 / 49 / 0 / 37

HEX #0D52A0

RGB 13 82 160

HSL 211.84, 0.85%, 0.34%

LAB 35.32, 11.08, -47.77

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 82 / 0 / 45 / 43

HEX #1B9250

RGB 27 146 80

HSL 146.72, 0.69%, 0.34%

LAB 53.35, -46.86, 26.22

 

CMYK 69 / 0 / 38 / 48

HEX #298452

RGB 41 132 82

HSL 147.03, 0.53%, 0.34%

LAB 48.99, -38.77, 19.43

 

CMYK 53 / 0 / 30 / 54

HEX #377653

RGB 55 118 83

HSL 146.67, 0.36%, 0.34%

LAB 44.79, -29.06, 13.23

 

CMYK 34 / 0 / 19 / 59

HEX #456854

RGB 69 104 84

HSL 145.71, 0.2%, 0.34%

LAB 40.91, -17.35, 7.31

 

CMYK 83 / 0 / 92 / 37

HEX #1BA00D

RGB 27 160 13

HSL 114.29, 0.85%, 0.34%

LAB 57.47, -58.42, 57.04

 

CMYK 92 / 0 / 77 / 37

HEX #0DA025

RGB 13 160 37

HSL 129.8, 0.85%, 0.34%

LAB 57.43, -58.41, 50.67

 

CMYK 92 / 0 / 53 / 37

HEX #0DA04C

RGB 13 160 76

HSL 145.71, 0.85%, 0.34%

LAB 57.8, -53.78, 33.9

 

CMYK 92 / 0 / 28 / 37

HEX #0DA074

RGB 13 160 116

HSL 162.04, 0.85%, 0.34%

LAB 58.5, -45.67, 13.26

 

CMYK 92 / 0 / 3 / 37

HEX #0DA09B

RGB 13 160 155

HSL 177.96, 0.85%, 0.34%

LAB 59.52, -34.95, -7.26

 

CMYK 93 / 0 / 51 / 67

HEX #065429

RGB 6 84 41

HSL 146.92, 0.87%, 0.18%

LAB 30.73, -32.82, 19.06

 

CMYK 93 / 0 / 51 / 52

HEX #097A3C

RGB 9 122 60

HSL 147.08, 0.86%, 0.26%

LAB 44.66, -43.39, 25.95

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 0 / 51 / 22

HEX #10C662

RGB 16 198 98

HSL 147.03, 0.85%, 0.42%

LAB 70.44, -62.77, 38.56

 

CMYK 92 / 0 / 51 / 8

HEX #13EB74

RGB 19 235 116

HSL 146.94, 0.85%, 0.5%

LAB 82.28, -71.74, 44.55

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 58 / 0 / 37

HEX #0D43A0

RGB 13 67 160

HSL 217.96, 0.85%, 0.34%

LAB 30.97, 21.31, -54.83

 

CMYK 0 / 89 / 92 / 37

HEX #A0110D

RGB 160 17 13

HSL 1.63, 0.85%, 0.34%

LAB 33.78, 54.24, 42.23

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 53 / 92 / 0 / 37

HEX #4C0DA0

RGB 76 13 160

HSL 265.71, 0.85%, 0.34%

LAB 24.84, 55.78, -64.75

 

CMYK 0 / 53 / 92 / 37

HEX #A04C0D

RGB 160 76 13

HSL 25.71, 0.85%, 0.34%

LAB 42.26, 31.42, 48.38

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 58 / 0 / 37

HEX #0D43A0

RGB 13 67 160

HSL 217.96, 0.85%, 0.34%

LAB 30.97, 21.31, -54.83

 

CMYK 0 / 92 / 40 / 37

HEX #A00D60

RGB 160 13 96

HSL 326.12, 0.85%, 0.34%

LAB 35.21, 59.59, -7.17

 

CMYK 0 / 34 / 92 / 37

HEX #A06A0D

RGB 160 106 13

HSL 37.96, 0.85%, 0.34%

LAB 49.27, 14.7, 53.64

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 86 / 0 / 37

HEX #0D16A0

RGB 13 22 160

HSL 236.33, 0.85%, 0.34%

LAB 20.82, 48.85, -71.56

 

CMYK 0 / 92 / 40 / 37

HEX #A00D60

RGB 160 13 96

HSL 326.12, 0.85%, 0.34%

LAB 35.21, 59.59, -7.17

 

CMYK 0 / 6 / 92 / 37

HEX #A0960D

RGB 160 150 13

HSL 55.92, 0.85%, 0.34%

LAB 61.06, -9.77, 62.72

 

Description

Color code: HEX #0DA04F | qconv.com Color code: HEX #0DA04F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 160 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 160 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 51 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 51% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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