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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAC0A it is the complementary color #F253F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAC0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAC0A shade: #12AC05, #23BE18, #34D02B, #45E23E and #56F451

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAC0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAC0A shade: #0DAC0A, #009A00, #008800, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAC0A shade: #0DAD0A, #39AD0A, #65AD0A, #91AD0A and #AD9D0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAC0A shade: #0DAD0A, #0AAD33, #0AAD5F, #0AAD8B and #0AA3AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAC0A shade matches the following richer shades: #0DAD0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAC0A shade: #0DAD0A, #1B9E18, #298F27, #388036 and #467245

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAC0A shade: #66AD0A, #3BAD0A, #0FAD0A, #0AAD30 and #0AAD5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAC0A shade: #075F05, #0A8607, #0DAD0A, #10D40C and #1CF118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAC0A shade: #0DAC0A, #0A92AD and #AD0A50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAC0A shade: #0DAC0A, #0A0FAD and #AD0A0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAC0A shade: #0DAC0A, #0A92AD, #A80AAD and #AD250A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAC0A shade: #0DAC0A, #0A61AD, #A80AAD and #AD560A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 94 / 33

HEX #0DAC0A

RGB 13 172 10

HSL 118.89, 0.89%, 0.36%

LAB 61.32, -63.23, 60.68

 

Complementary color

CMYK 1 / 66 / 0 / 4

HEX #F253F5

RGB 242 83 245

HSL 298.89, 0.89%, 0.64%

LAB 63.06, 78.88, -51.07

 

CMYK 90 / 0 / 97 / 33

HEX #12AC05

RGB 18 172 5

HSL 115.33, 0.94%, 0.35%

LAB 61.35, -63.01, 61.39

 

CMYK 82 / 0 / 87 / 25

HEX #23BE18

RGB 35 190 24

HSL 116.02, 0.78%, 0.42%

LAB 67.46, -66.02, 63.64

 

CMYK 75 / 0 / 79 / 18

HEX #34D02B

RGB 52 208 43

HSL 116.73, 0.66%, 0.49%

LAB 73.56, -68.21, 64.53

 

CMYK 69 / 0 / 73 / 11

HEX #45E23E

RGB 69 226 62

HSL 117.44, 0.74%, 0.56%

LAB 79.62, -69.75, 64.49

 

CMYK 65 / 0 / 67 / 4

HEX #56F451

RGB 86 244 81

HSL 118.16, 0.88%, 0.64%

LAB 85.64, -70.83, 63.91

 

CMYK 92 / 0 / 94 / 33

HEX #0DAC0A

RGB 13 172 10

HSL 118.89, 0.89%, 0.36%

LAB 61.32, -63.23, 60.68

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 92 / 0 / 94 / 32

HEX #0DAD0A

RGB 13 173 10

HSL 118.9, 0.89%, 0.36%

LAB 61.65, -63.51, 60.96

 

CMYK 67 / 0 / 94 / 32

HEX #39AD0A

RGB 57 173 10

HSL 102.7, 0.89%, 0.36%

LAB 62.32, -57.62, 61.79

 

CMYK 42 / 0 / 94 / 32

HEX #65AD0A

RGB 101 173 10

HSL 86.5, 0.89%, 0.36%

LAB 63.9, -45.19, 63.73

 

CMYK 16 / 0 / 94 / 32

HEX #91AD0A

RGB 145 173 10

HSL 70.31, 0.89%, 0.36%

LAB 66.47, -28.09, 66.86

 

CMYK 0 / 9 / 94 / 32

HEX #AD9D0A

RGB 173 157 10

HSL 54.11, 0.89%, 0.36%

LAB 64.18, -7.65, 66.08

 

CMYK 92 / 0 / 94 / 32

HEX #0DAD0A

RGB 13 173 10

HSL 118.9, 0.89%, 0.36%

LAB 61.65, -63.51, 60.96

 

CMYK 94 / 0 / 71 / 32

HEX #0AAD33

RGB 10 173 51

HSL 135.09, 0.89%, 0.36%

LAB 61.82, -61.28, 49.94

 

CMYK 94 / 0 / 45 / 32

HEX #0AAD5F

RGB 10 173 95

HSL 151.29, 0.89%, 0.36%

LAB 62.32, -55.13, 29.79

 

CMYK 94 / 0 / 20 / 32

HEX #0AAD8B

RGB 10 173 139

HSL 167.48, 0.89%, 0.36%

LAB 63.19, -45.29, 7.08

 

CMYK 94 / 6 / 0 / 32

HEX #0AA3AD

RGB 10 163 173

HSL 183.68, 0.89%, 0.36%

LAB 61.02, -30.86, -15.17

 

CMYK 92 / 0 / 94 / 32

HEX #0DAD0A

RGB 13 173 10

HSL 118.9, 0.89%, 0.36%

LAB 61.65, -63.51, 60.96

 

CMYK 92 / 0 / 94 / 32

HEX #0DAD0A

RGB 13 173 10

HSL 118.9, 0.89%, 0.36%

LAB 61.65, -63.51, 60.96

 

CMYK 83 / 0 / 85 / 38

HEX #1B9E18

RGB 27 158 24

HSL 118.66, 0.74%, 0.36%

LAB 56.83, -57.36, 54.12

 

CMYK 71 / 0 / 73 / 44

HEX #298F27

RGB 41 143 39

HSL 118.85, 0.57%, 0.36%

LAB 52.13, -49.26, 44.7

 

CMYK 56 / 0 / 58 / 50

HEX #388036

RGB 56 128 54

HSL 118.38, 0.41%, 0.36%

LAB 47.68, -38.32, 33.04

 

CMYK 39 / 0 / 39 / 55

HEX #467245

RGB 70 114 69

HSL 118.67, 0.25%, 0.36%

LAB 43.9, -25.18, 20.28

 

CMYK 41 / 0 / 94 / 32

HEX #66AD0A

RGB 102 173 10

HSL 86.13, 0.89%, 0.36%

LAB 63.94, -44.84, 63.79

 

CMYK 66 / 0 / 94 / 32

HEX #3BAD0A

RGB 59 173 10

HSL 101.96, 0.89%, 0.36%

LAB 62.37, -57.19, 61.85

 

CMYK 91 / 0 / 94 / 32

HEX #0FAD0A

RGB 15 173 10

HSL 118.16, 0.89%, 0.36%

LAB 61.66, -63.39, 60.97

 

CMYK 94 / 0 / 72 / 32

HEX #0AAD30

RGB 10 173 48

HSL 133.99, 0.89%, 0.36%

LAB 61.8, -61.56, 51.08

 

CMYK 94 / 0 / 47 / 32

HEX #0AAD5B

RGB 10 173 91

HSL 149.82, 0.89%, 0.36%

LAB 62.26, -55.85, 31.8

 

CMYK 93 / 0 / 95 / 63

HEX #075F05

RGB 7 95 5

HSL 118.67, 0.9%, 0.2%

LAB 34.48, -40.71, 38.96

 

CMYK 93 / 0 / 95 / 47

HEX #0A8607

RGB 10 134 7

HSL 118.58, 0.9%, 0.28%

LAB 48.42, -52.45, 50.34

 

CMYK 92 / 0 / 94 / 32

HEX #0DAD0A

RGB 13 173 10

HSL 118.9, 0.89%, 0.36%

LAB 61.65, -63.51, 60.96

 

CMYK 92 / 0 / 94 / 17

HEX #10D40C

RGB 16 212 12

HSL 118.8, 0.89%, 0.44%

LAB 74.33, -74.11, 71.26

 

CMYK 88 / 0 / 90 / 5

HEX #1CF118

RGB 28 241 24

HSL 118.89, 0.89%, 0.52%

LAB 83.56, -80.94, 77.46

 

CMYK 92 / 0 / 94 / 33

HEX #0DAC0A

RGB 13 172 10

HSL 118.89, 0.89%, 0.36%

LAB 61.32, -63.23, 60.68

 

CMYK 94 / 16 / 0 / 32

HEX #0A92AD

RGB 10 146 173

HSL 189.94, 0.89%, 0.36%

LAB 55.72, -22.31, -23.24

 

CMYK 0 / 94 / 54 / 32

HEX #AD0A50

RGB 173 10 80

HSL 334.23, 0.89%, 0.36%

LAB 37.26, 61.69, 6.46

 

CMYK 92 / 0 / 94 / 33

HEX #0DAC0A

RGB 13 172 10

HSL 118.89, 0.89%, 0.36%

LAB 61.32, -63.23, 60.68

 

CMYK 94 / 91 / 0 / 32

HEX #0A0FAD

RGB 10 15 173

HSL 238.16, 0.89%, 0.36%

LAB 21.67, 55.29, -78.04

 

CMYK 0 / 94 / 91 / 32

HEX #AD0A0F

RGB 173 10 15

HSL 358.16, 0.89%, 0.36%

LAB 36.24, 58.87, 44.4

 

CMYK 92 / 0 / 94 / 33

HEX #0DAC0A

RGB 13 172 10

HSL 118.89, 0.89%, 0.36%

LAB 61.32, -63.23, 60.68

 

CMYK 94 / 16 / 0 / 32

HEX #0A92AD

RGB 10 146 173

HSL 189.94, 0.89%, 0.36%

LAB 55.72, -22.31, -23.24

 

CMYK 3 / 94 / 0 / 32

HEX #A80AAD

RGB 168 10 173

HSL 298.16, 0.89%, 0.36%

LAB 40.51, 71.59, -46.42

 

CMYK 0 / 79 / 94 / 32

HEX #AD250A

RGB 173 37 10

HSL 9.94, 0.89%, 0.36%

LAB 38.25, 53.03, 47.64

 

CMYK 92 / 0 / 94 / 33

HEX #0DAC0A

RGB 13 172 10

HSL 118.89, 0.89%, 0.36%

LAB 61.32, -63.23, 60.68

 

CMYK 94 / 44 / 0 / 32

HEX #0A61AD

RGB 10 97 173

HSL 207.98, 0.89%, 0.36%

LAB 40.62, 6.37, -46.97

 

CMYK 3 / 94 / 0 / 32

HEX #A80AAD

RGB 168 10 173

HSL 298.16, 0.89%, 0.36%

LAB 40.51, 71.59, -46.42

 

CMYK 0 / 50 / 94 / 32

HEX #AD560A

RGB 173 86 10

HSL 27.98, 0.89%, 0.36%

LAB 46.39, 31.48, 53.07

 

Description

Color code: HEX #0DAC0A | qconv.com Color code: HEX #0DAC0A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 172 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 172 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 94 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 94% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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