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Color name
HEX #0DAF4A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAF4A it is the complementary color #F250B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAF4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAF4A shade: #12AF45, #23C158, #34D36B, #45E57E and #56F791

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAF4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAF4A shade: #0DAF4A, #009D37, #008B24, #007911 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAF4A shade: #0DAF4A, #0DAF1E, #27AF0D, #53AF0D and #7FAF0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAF4A shade: #0DAF4A, #0DAF76, #0DAFA1, #0D91AF and #0D65AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAF4A shade matches the following richer shades: #0DAF4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAF4A shade: #0DAF4A, #1CA04E, #2B9051, #3B8155 and #4A7259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAF4A shade: #28AF0D, #0DAF1D, #0DAF48, #0DAF73 and #0DAF9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAF4A shade: #076229, #0A893A, #0DAF4A, #10D55A and #20EE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAF4A shade: #0DAF4A, #0D53AF and #AF0D12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAF4A shade: #0DAF4A, #480DAF and #AF480D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAF4A shade: #0DAF4A, #0D53AF, #AF0D73 and #AF690D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAF4A shade: #0DAF4A, #0D22AF, #AF0D73 and #AF990D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

Complementary color

CMYK 0 / 67 / 25 / 5

HEX #F250B5

RGB 242 80 181

HSL 322.59, 0.86%, 0.63%

LAB 59.84, 70.78, -19.94

 

CMYK 90 / 0 / 61 / 31

HEX #12AF45

RGB 18 175 69

HSL 139.49, 0.81%, 0.38%

LAB 62.69, -59.4, 43.16

 

CMYK 82 / 0 / 54 / 24

HEX #23C158

RGB 35 193 88

HSL 140.13, 0.69%, 0.45%

LAB 68.9, -61.17, 41.58

 

CMYK 75 / 0 / 49 / 17

HEX #34D36B

RGB 52 211 107

HSL 140.75, 0.64%, 0.52%

LAB 75.06, -62.36, 39.99

 

CMYK 70 / 0 / 45 / 10

HEX #45E57E

RGB 69 229 126

HSL 141.38, 0.75%, 0.58%

LAB 81.19, -63.14, 38.46

 

CMYK 65 / 0 / 41 / 3

HEX #56F791

RGB 86 247 145

HSL 141.99, 0.91%, 0.65%

LAB 87.26, -63.63, 37.01

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 100 / 0 / 65 / 38

HEX #009D37

RGB 0 157 55

HSL 141.02, 1%, 0.31%

LAB 56.48, -56.47, 42.43

 

CMYK 100 / 0 / 74 / 45

HEX #008B24

RGB 0 139 36

HSL 135.54, 1%, 0.27%

LAB 50.21, -52.92, 43.72

 

CMYK 100 / 0 / 86 / 53

HEX #007911

RGB 0 121 17

HSL 128.43, 1%, 0.24%

LAB 43.82, -48.88, 44.02

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 93 / 0 / 83 / 31

HEX #0DAF1E

RGB 13 175 30

HSL 126.3, 0.86%, 0.37%

LAB 62.37, -63.29, 57.56

 

CMYK 78 / 0 / 93 / 31

HEX #27AF0D

RGB 39 175 13

HSL 110.37, 0.86%, 0.37%

LAB 62.61, -61.39, 61.46

 

CMYK 53 / 0 / 93 / 31

HEX #53AF0D

RGB 83 175 13

HSL 94.07, 0.86%, 0.37%

LAB 63.78, -51.67, 62.91

 

CMYK 27 / 0 / 93 / 31

HEX #7FAF0D

RGB 127 175 13

HSL 77.78, 0.86%, 0.37%

LAB 65.9, -36.33, 65.52

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 93 / 0 / 33 / 31

HEX #0DAF76

RGB 13 175 118

HSL 158.89, 0.86%, 0.37%

LAB 63.39, -51.04, 18.92

 

CMYK 93 / 0 / 8 / 31

HEX #0DAFA1

RGB 13 175 161

HSL 174.81, 0.86%, 0.37%

LAB 64.42, -39.97, -3.38

 

CMYK 93 / 17 / 0 / 31

HEX #0D91AF

RGB 13 145 175

HSL 191.11, 0.86%, 0.37%

LAB 55.51, -20.96, -24.71

 

CMYK 93 / 42 / 0 / 31

HEX #0D65AF

RGB 13 101 175

HSL 207.41, 0.86%, 0.37%

LAB 41.98, 4.74, -45.97

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 83 / 0 / 51 / 37

HEX #1CA04E

RGB 28 160 78

HSL 142.73, 0.7%, 0.37%

LAB 57.98, -52.17, 33.14

 

CMYK 70 / 0 / 44 / 44

HEX #2B9051

RGB 43 144 81

HSL 142.57, 0.54%, 0.37%

LAB 53.01, -43.49, 25.29

 

CMYK 54 / 0 / 34 / 49

HEX #3B8155

RGB 59 129 85

HSL 142.29, 0.37%, 0.37%

LAB 48.62, -32.72, 17.33

 

CMYK 35 / 0 / 22 / 55

HEX #4A7259

RGB 74 114 89

HSL 142.5, 0.21%, 0.37%

LAB 44.54, -19.92, 9.47

 

CMYK 77 / 0 / 93 / 31

HEX #28AF0D

RGB 40 175 13

HSL 110, 0.86%, 0.37%

LAB 62.63, -61.24, 61.48

 

CMYK 93 / 0 / 83 / 31

HEX #0DAF1D

RGB 13 175 29

HSL 125.93, 0.86%, 0.37%

LAB 62.37, -63.35, 57.82

 

CMYK 93 / 0 / 59 / 31

HEX #0DAF48

RGB 13 175 72

HSL 141.85, 0.86%, 0.37%

LAB 62.69, -59.32, 41.74

 

CMYK 93 / 0 / 34 / 31

HEX #0DAF73

RGB 13 175 115

HSL 157.78, 0.86%, 0.37%

LAB 63.33, -51.7, 20.47

 

CMYK 93 / 0 / 9 / 31

HEX #0DAF9F

RGB 13 175 159

HSL 174.07, 0.86%, 0.37%

LAB 64.36, -40.54, -2.35

 

CMYK 93 / 0 / 58 / 62

HEX #076229

RGB 7 98 41

HSL 142.42, 0.87%, 0.21%

LAB 35.87, -38.05, 25.43

 

CMYK 93 / 0 / 58 / 46

HEX #0A893A

RGB 10 137 58

HSL 142.68, 0.86%, 0.29%

LAB 49.81, -48.94, 33.31

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 92 / 0 / 58 / 16

HEX #10D55A

RGB 16 213 90

HSL 142.54, 0.86%, 0.45%

LAB 75.1, -68.71, 48

 

CMYK 87 / 0 / 54 / 7

HEX #20EE6E

RGB 32 238 110

HSL 142.72, 0.86%, 0.53%

LAB 83.22, -72.8, 48.54

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 93 / 53 / 0 / 31

HEX #0D53AF

RGB 13 83 175

HSL 214.07, 0.86%, 0.37%

LAB 36.68, 16.56, -54.51

 

CMYK 0 / 93 / 90 / 31

HEX #AF0D12

RGB 175 13 18

HSL 358.15, 0.86%, 0.37%

LAB 36.83, 59.06, 43.67

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 59 / 93 / 0 / 31

HEX #480DAF

RGB 72 13 175

HSL 261.85, 0.86%, 0.37%

LAB 26.04, 59.11, -71.84

 

CMYK 0 / 59 / 93 / 31

HEX #AF480D

RGB 175 72 13

HSL 21.85, 0.86%, 0.37%

LAB 43.91, 39.49, 50.68

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 93 / 53 / 0 / 31

HEX #0D53AF

RGB 13 83 175

HSL 214.07, 0.86%, 0.37%

LAB 36.68, 16.56, -54.51

 

CMYK 0 / 93 / 34 / 31

HEX #AF0D73

RGB 175 13 115

HSL 322.22, 0.86%, 0.37%

LAB 38.97, 64.95, -13.28

 

CMYK 0 / 40 / 93 / 31

HEX #AF690D

RGB 175 105 13

HSL 34.07, 0.86%, 0.37%

LAB 50.97, 22.01, 55.79

 

CMYK 93 / 0 / 58 / 31

HEX #0DAF4A

RGB 13 175 74

HSL 142.59, 0.86%, 0.37%

LAB 62.71, -59.04, 40.82

 

CMYK 93 / 81 / 0 / 31

HEX #0D22AF

RGB 13 34 175

HSL 232.22, 0.86%, 0.37%

LAB 24.72, 47.88, -74.16

 

CMYK 0 / 93 / 34 / 31

HEX #AF0D73

RGB 175 13 115

HSL 322.22, 0.86%, 0.37%

LAB 38.97, 64.95, -13.28

 

CMYK 0 / 13 / 93 / 31

HEX #AF990D

RGB 175 153 13

HSL 51.85, 0.86%, 0.37%

LAB 63.28, -4.57, 65.04

 

Description

Color code: HEX #0DAF4A | qconv.com Color code: HEX #0DAF4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 175 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 175 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 58 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 58% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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