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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAF9A it is the complementary color #F25065. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAF9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAF9A shade: #12AF95, #23C1A8, #34D3BB, #45E5CE and #56F7E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAF9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAF9A shade: #0DAF9A, #009D87, #008B74, #007961 and #00674E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAF9A shade: #0DAF9A, #0DAF6E, #0DAF42, #0DAF17 and #2FAF0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAF9A shade: #0DAF9A, #0D98AF, #0D6DAF, #0D41AF and #0D15AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAF9A shade matches the following richer shades: #0DAF9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAF9A shade: #0DAF9A, #1CA08F, #2B9083, #3B8178 and #4A726D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAF9A shade: #0DAF43, #0DAF6E, #0DAF99, #0D99AF and #0D6EAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAF9A shade: #076256, #0A8978, #0DAF9A, #10D5BC and #20EED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAF9A shade: #0DAF9A, #180DAF and #AF580D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAF9A shade: #0DAF9A, #990DAF and #AF990D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAF9A shade: #0DAF9A, #180DAF, #AF0D22 and #A4AF0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAF9A shade: #0DAF9A, #480DAF, #AF0D22 and #73AF0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

Complementary color

CMYK 0 / 67 / 58 / 5

HEX #F25065

RGB 242 80 101

HSL 352.22, 0.86%, 0.63%

LAB 57.61, 63.05, 23.53

 

CMYK 90 / 0 / 15 / 31

HEX #12AF95

RGB 18 175 149

HSL 170.06, 0.81%, 0.38%

LAB 64.13, -43.08, 2.88

 

CMYK 82 / 0 / 13 / 24

HEX #23C1A8

RGB 35 193 168

HSL 170.51, 0.69%, 0.45%

LAB 70.4, -44.43, 1.55

 

CMYK 75 / 0 / 11 / 17

HEX #34D3BB

RGB 52 211 187

HSL 170.94, 0.64%, 0.52%

LAB 76.62, -45.41, 0.35

 

CMYK 70 / 0 / 10 / 10

HEX #45E5CE

RGB 69 229 206

HSL 171.38, 0.75%, 0.58%

LAB 82.79, -46.13, -0.73

 

CMYK 65 / 0 / 9 / 3

HEX #56F7E1

RGB 86 247 225

HSL 171.8, 0.91%, 0.65%

LAB 88.89, -46.65, -1.73

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 100 / 0 / 14 / 38

HEX #009D87

RGB 0 157 135

HSL 171.59, 1%, 0.31%

LAB 57.91, -40.04, 1.7

 

CMYK 100 / 0 / 17 / 45

HEX #008B74

RGB 0 139 116

HSL 170.07, 1%, 0.27%

LAB 51.53, -37.57, 3.35

 

CMYK 100 / 0 / 20 / 53

HEX #007961

RGB 0 121 97

HSL 168.1, 1%, 0.24%

LAB 44.99, -35.05, 5.09

 

CMYK 100 / 0 / 24 / 60

HEX #00674E

RGB 0 103 78

HSL 165.44, 1%, 0.2%

LAB 38.29, -32.45, 6.94

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 93 / 0 / 37 / 31

HEX #0DAF6E

RGB 13 175 110

HSL 155.93, 0.86%, 0.37%

LAB 63.24, -52.76, 23.04

 

CMYK 93 / 0 / 62 / 31

HEX #0DAF42

RGB 13 175 66

HSL 139.63, 0.86%, 0.37%

LAB 62.62, -60.09, 44.44

 

CMYK 93 / 0 / 87 / 31

HEX #0DAF17

RGB 13 175 23

HSL 123.7, 0.86%, 0.37%

LAB 62.34, -63.64, 59.26

 

CMYK 73 / 0 / 93 / 31

HEX #2FAF0D

RGB 47 175 13

HSL 107.41, 0.86%, 0.37%

LAB 62.75, -60.11, 61.64

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 93 / 13 / 0 / 31

HEX #0D98AF

RGB 13 152 175

HSL 188.52, 0.86%, 0.37%

LAB 57.69, -24.6, -21.37

 

CMYK 93 / 38 / 0 / 31

HEX #0D6DAF

RGB 13 109 175

HSL 204.44, 0.86%, 0.37%

LAB 44.4, -0.3, -42.11

 

CMYK 93 / 63 / 0 / 31

HEX #0D41AF

RGB 13 65 175

HSL 220.74, 0.86%, 0.37%

LAB 31.72, 28.73, -62.6

 

CMYK 93 / 88 / 0 / 31

HEX #0D15AF

RGB 13 21 175

HSL 237.04, 0.86%, 0.37%

LAB 22.71, 53.82, -77.49

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 83 / 0 / 11 / 37

HEX #1CA08F

RGB 28 160 143

HSL 172.27, 0.7%, 0.37%

LAB 59.32, -37.47, -0.75

 

CMYK 70 / 0 / 9 / 44

HEX #2B9083

RGB 43 144 131

HSL 172.28, 0.54%, 0.37%

LAB 54.13, -31.69, -1.46

 

CMYK 54 / 0 / 7 / 49

HEX #3B8178

RGB 59 129 120

HSL 172.29, 0.37%, 0.37%

LAB 49.48, -24.33, -1.83

 

CMYK 35 / 0 / 4 / 55

HEX #4A726D

RGB 74 114 109

HSL 172.5, 0.21%, 0.37%

LAB 45.07, -15.22, -1.7

 

CMYK 93 / 0 / 62 / 31

HEX #0DAF43

RGB 13 175 67

HSL 140, 0.86%, 0.37%

LAB 62.63, -59.97, 44

 

CMYK 93 / 0 / 37 / 31

HEX #0DAF6E

RGB 13 175 110

HSL 155.93, 0.86%, 0.37%

LAB 63.24, -52.76, 23.04

 

CMYK 93 / 0 / 13 / 31

HEX #0DAF99

RGB 13 175 153

HSL 171.85, 0.86%, 0.37%

LAB 64.2, -42.23, 0.75

 

CMYK 93 / 13 / 0 / 31

HEX #0D99AF

RGB 13 153 175

HSL 188.15, 0.86%, 0.37%

LAB 58, -25.12, -20.89

 

CMYK 93 / 37 / 0 / 31

HEX #0D6EAF

RGB 13 110 175

HSL 204.07, 0.86%, 0.37%

LAB 44.71, -0.92, -41.63

 

CMYK 93 / 0 / 12 / 62

HEX #076256

RGB 7 98 86

HSL 172.09, 0.87%, 0.21%

LAB 36.84, -27.2, -0.04

 

CMYK 93 / 0 / 12 / 46

HEX #0A8978

RGB 10 137 120

HSL 171.97, 0.86%, 0.29%

LAB 51.05, -35, 0.34

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 92 / 0 / 12 / 16

HEX #10D5BC

RGB 16 213 188

HSL 172.39, 0.86%, 0.45%

LAB 76.88, -48.61, 0.14

 

CMYK 87 / 0 / 11 / 7

HEX #20EED3

RGB 32 238 211

HSL 172.14, 0.86%, 0.53%

LAB 85.08, -52.06, -0.08

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 86 / 93 / 0 / 31

HEX #180DAF

RGB 24 13 175

HSL 244.07, 0.86%, 0.37%

LAB 22.22, 56.71, -78.3

 

CMYK 0 / 50 / 93 / 31

HEX #AF580D

RGB 175 88 13

HSL 27.78, 0.86%, 0.37%

LAB 47.13, 31.29, 52.99

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 13 / 93 / 0 / 31

HEX #990DAF

RGB 153 13 175

HSL 291.85, 0.86%, 0.37%

LAB 38.12, 69.09, -51.59

 

CMYK 0 / 13 / 93 / 31

HEX #AF990D

RGB 175 153 13

HSL 51.85, 0.86%, 0.37%

LAB 63.28, -4.57, 65.04

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 86 / 93 / 0 / 31

HEX #180DAF

RGB 24 13 175

HSL 244.07, 0.86%, 0.37%

LAB 22.22, 56.71, -78.3

 

CMYK 0 / 93 / 81 / 31

HEX #AF0D22

RGB 175 13 34

HSL 352.22, 0.86%, 0.37%

LAB 36.96, 59.44, 35.27

 

CMYK 6 / 0 / 93 / 31

HEX #A4AF0D

RGB 164 175 13

HSL 64.07, 0.86%, 0.37%

LAB 68.45, -20.89, 68.62

 

CMYK 93 / 0 / 12 / 31

HEX #0DAF9A

RGB 13 175 154

HSL 172.22, 0.86%, 0.37%

LAB 64.22, -41.96, 0.24

 

CMYK 59 / 93 / 0 / 31

HEX #480DAF

RGB 72 13 175

HSL 261.85, 0.86%, 0.37%

LAB 26.04, 59.11, -71.84

 

CMYK 0 / 93 / 81 / 31

HEX #AF0D22

RGB 175 13 34

HSL 352.22, 0.86%, 0.37%

LAB 36.96, 59.44, 35.27

 

CMYK 34 / 0 / 93 / 31

HEX #73AF0D

RGB 115 175 13

HSL 82.22, 0.86%, 0.37%

LAB 65.23, -40.94, 64.69

 

Description

Color code: HEX #0DAF9A | qconv.com Color code: HEX #0DAF9A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 175 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 175 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 12 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 12% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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