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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DB46B it is the complementary color #F24B94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DB46B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DB46B shade: #12B466, #23C679, #34D88C, #45EA9F and #56FCB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DB46B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DB46B shade: #0DB46B, #00A258, #009045, #007E32 and #006C1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DB46B shade: #0CB56B, #0CB53E, #0CB510, #36B50C and #63B50C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DB46B shade: #0CB56B, #0CB598, #0CA3B5, #0C76B5 and #0C49B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DB46B shade matches the following richer shades: #0CB56B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DB46B shade: #0CB56B, #1CA569, #2B9567, #3B8665 and #4B7663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DB46B shade: #0CB50F, #0CB53C, #0CB569, #0CB596 and #0CA7B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DB46B shade: #07683D, #098E54, #0CB56B, #0FDB82 and #24EF96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DB46B shade: #0DB46B, #0C36B5 and #B5250C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DB46B shade: #0DB46B, #690CB5 and #B5690C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DB46B shade: #0DB46B, #0C36B5, #B50C58 and #B58B0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DB46B shade: #0DB46B, #150CB5, #B50C58 and #ACB50C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 41 / 29

HEX #0DB46B

RGB 13 180 107

HSL 153.77, 0.87%, 0.38%

LAB 64.8, -55.18, 26.72

 

Complementary color

CMYK 0 / 69 / 39 / 5

HEX #F24B94

RGB 242 75 148

HSL 333.77, 0.87%, 0.62%

LAB 58.08, 68.87, -3.42

 

CMYK 90 / 0 / 43 / 29

HEX #12B466

RGB 18 180 102

HSL 151.11, 0.82%, 0.39%

LAB 64.75, -55.86, 29.29

 

CMYK 82 / 0 / 39 / 22

HEX #23C679

RGB 35 198 121

HSL 151.66, 0.7%, 0.46%

LAB 70.96, -57.31, 27.56

 

CMYK 76 / 0 / 35 / 15

HEX #34D88C

RGB 52 216 140

HSL 152.2, 0.68%, 0.53%

LAB 77.12, -58.31, 25.97

 

CMYK 71 / 0 / 32 / 8

HEX #45EA9F

RGB 69 234 159

HSL 152.73, 0.8%, 0.59%

LAB 83.24, -58.98, 24.51

 

CMYK 66 / 0 / 29 / 1

HEX #56FCB2

RGB 86 252 178

HSL 153.25, 0.97%, 0.66%

LAB 89.31, -59.4, 23.15

 

CMYK 93 / 0 / 41 / 29

HEX #0DB46B

RGB 13 180 107

HSL 153.77, 0.87%, 0.38%

LAB 64.8, -55.18, 26.72

 

CMYK 100 / 0 / 46 / 36

HEX #00A258

RGB 0 162 88

HSL 152.59, 1%, 0.32%

LAB 58.55, -53.06, 28.6

 

CMYK 100 / 0 / 52 / 44

HEX #009045

RGB 0 144 69

HSL 148.75, 1%, 0.28%

LAB 52.26, -50.21, 30.63

 

CMYK 100 / 0 / 60 / 51

HEX #007E32

RGB 0 126 50

HSL 143.81, 1%, 0.25%

LAB 45.84, -47.1, 32.61

 

CMYK 100 / 0 / 71 / 58

HEX #006C1F

RGB 0 108 31

HSL 137.22, 1%, 0.21%

LAB 39.28, -43.61, 34.31

 

CMYK 93 / 0 / 41 / 29

HEX #0CB56B

RGB 12 181 107

HSL 153.73, 0.88%, 0.38%

LAB 65.11, -55.58, 27.13

 

CMYK 93 / 0 / 66 / 29

HEX #0CB53E

RGB 12 181 62

HSL 137.75, 0.88%, 0.38%

LAB 64.54, -62.47, 48.35

 

CMYK 93 / 0 / 91 / 29

HEX #0CB510

RGB 12 181 16

HSL 121.42, 0.88%, 0.38%

LAB 64.29, -65.66, 62.3

 

CMYK 70 / 0 / 93 / 29

HEX #36B50C

RGB 54 181 12

HSL 105.09, 0.88%, 0.38%

LAB 64.85, -60.77, 63.59

 

CMYK 45 / 0 / 93 / 29

HEX #63B50C

RGB 99 181 12

HSL 89.11, 0.88%, 0.38%

LAB 66.31, -49.03, 65.39

 

CMYK 93 / 0 / 41 / 29

HEX #0CB56B

RGB 12 181 107

HSL 153.73, 0.88%, 0.38%

LAB 65.11, -55.58, 27.13

 

CMYK 93 / 0 / 16 / 29

HEX #0CB598

RGB 12 181 152

HSL 169.7, 0.88%, 0.38%

LAB 66.05, -45.1, 4

 

CMYK 93 / 10 / 0 / 29

HEX #0CA3B5

RGB 12 163 181

HSL 186.39, 0.88%, 0.38%

LAB 61.32, -28.18, -19.22

 

CMYK 93 / 35 / 0 / 29

HEX #0C76B5

RGB 12 118 181

HSL 202.37, 0.88%, 0.38%

LAB 47.46, -3.5, -40.76

 

CMYK 93 / 60 / 0 / 29

HEX #0C49B5

RGB 12 73 181

HSL 218.34, 0.88%, 0.38%

LAB 34.35, 25.69, -61.85

 

CMYK 93 / 0 / 41 / 29

HEX #0CB56B

RGB 12 181 107

HSL 153.73, 0.88%, 0.38%

LAB 65.11, -55.58, 27.13

 

CMYK 93 / 0 / 41 / 29

HEX #0CB56B

RGB 12 181 107

HSL 153.73, 0.88%, 0.38%

LAB 65.11, -55.58, 27.13

 

CMYK 83 / 0 / 36 / 35

HEX #1CA569

RGB 28 165 105

HSL 153.72, 0.71%, 0.38%

LAB 60.05, -48.96, 21.49

 

CMYK 71 / 0 / 31 / 42

HEX #2B9567

RGB 43 149 103

HSL 153.96, 0.55%, 0.38%

LAB 55.06, -41.03, 15.84

 

CMYK 56 / 0 / 25 / 47

HEX #3B8665

RGB 59 134 101

HSL 153.6, 0.39%, 0.38%

LAB 50.59, -31.57, 10.85

 

CMYK 36 / 0 / 16 / 54

HEX #4B7663

RGB 75 118 99

HSL 153.49, 0.22%, 0.38%

LAB 46.11, -19.49, 5.78

 

CMYK 93 / 0 / 92 / 29

HEX #0CB50F

RGB 12 181 15

HSL 121.07, 0.88%, 0.38%

LAB 64.29, -65.69, 62.46

 

CMYK 93 / 0 / 67 / 29

HEX #0CB53C

RGB 12 181 60

HSL 137.04, 0.88%, 0.38%

LAB 64.53, -62.69, 49.18

 

CMYK 93 / 0 / 42 / 29

HEX #0CB569

RGB 12 181 105

HSL 153.02, 0.88%, 0.38%

LAB 65.08, -55.97, 28.14

 

CMYK 93 / 0 / 17 / 29

HEX #0CB596

RGB 12 181 150

HSL 168.99, 0.88%, 0.38%

LAB 66, -45.63, 5.03

 

CMYK 93 / 8 / 0 / 29

HEX #0CA7B5

RGB 12 167 181

HSL 184.97, 0.88%, 0.38%

LAB 62.55, -30.15, -17.34

 

CMYK 93 / 0 / 41 / 59

HEX #07683D

RGB 7 104 61

HSL 153.4, 0.87%, 0.22%

LAB 38.35, -36.49, 17.21

 

CMYK 94 / 0 / 41 / 44

HEX #098E54

RGB 9 142 84

HSL 153.83, 0.88%, 0.3%

LAB 51.89, -46.14, 22.08

 

CMYK 93 / 0 / 41 / 29

HEX #0CB56B

RGB 12 181 107

HSL 153.73, 0.88%, 0.38%

LAB 65.11, -55.58, 27.13

 

CMYK 93 / 0 / 41 / 14

HEX #0FDB82

RGB 15 219 130

HSL 153.82, 0.87%, 0.46%

LAB 77.51, -64.29, 31.55

 

CMYK 85 / 0 / 37 / 6

HEX #24EF96

RGB 36 239 150

HSL 153.69, 0.86%, 0.54%

LAB 84.13, -66.17, 30.22

 

CMYK 93 / 0 / 41 / 29

HEX #0DB46B

RGB 13 180 107

HSL 153.77, 0.87%, 0.38%

LAB 64.8, -55.18, 26.72

 

CMYK 93 / 70 / 0 / 29

HEX #0C36B5

RGB 12 54 181

HSL 225.09, 0.88%, 0.38%

LAB 29.55, 38.23, -69.75

 

CMYK 0 / 80 / 93 / 29

HEX #B5250C

RGB 181 37 12

HSL 8.88, 0.88%, 0.38%

LAB 39.87, 55.5, 48.8

 

CMYK 93 / 0 / 41 / 29

HEX #0DB46B

RGB 13 180 107

HSL 153.77, 0.87%, 0.38%

LAB 64.8, -55.18, 26.72

 

CMYK 42 / 93 / 0 / 29

HEX #690CB5

RGB 105 12 181

HSL 273.02, 0.88%, 0.38%

LAB 30.88, 63.83, -67.29

 

CMYK 0 / 42 / 93 / 29

HEX #B5690C

RGB 181 105 12

HSL 33.02, 0.88%, 0.38%

LAB 51.78, 24.62, 56.97

 

CMYK 93 / 0 / 41 / 29

HEX #0DB46B

RGB 13 180 107

HSL 153.77, 0.87%, 0.38%

LAB 64.8, -55.18, 26.72

 

CMYK 93 / 70 / 0 / 29

HEX #0C36B5

RGB 12 54 181

HSL 225.09, 0.88%, 0.38%

LAB 29.55, 38.23, -69.75

 

CMYK 0 / 93 / 51 / 29

HEX #B50C58

RGB 181 12 88

HSL 333.02, 0.88%, 0.38%

LAB 39.23, 63.98, 4.35

 

CMYK 0 / 23 / 93 / 29

HEX #B58B0C

RGB 181 139 12

HSL 45.09, 0.88%, 0.38%

LAB 60.17, 5.76, 63.12

 

CMYK 93 / 0 / 41 / 29

HEX #0DB46B

RGB 13 180 107

HSL 153.77, 0.87%, 0.38%

LAB 64.8, -55.18, 26.72

 

CMYK 88 / 93 / 0 / 29

HEX #150CB5

RGB 21 12 181

HSL 243.2, 0.88%, 0.38%

LAB 22.86, 58.55, -80.85

 

CMYK 0 / 93 / 51 / 29

HEX #B50C58

RGB 181 12 88

HSL 333.02, 0.88%, 0.38%

LAB 39.23, 63.98, 4.35

 

CMYK 5 / 0 / 93 / 29

HEX #ACB50C

RGB 172 181 12

HSL 63.2, 0.88%, 0.38%

LAB 70.76, -20.43, 70.82

 

Description

Color code: HEX #0DB46B | qconv.com Color code: HEX #0DB46B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 180 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 180 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 41 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 41% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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