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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DB46C it is the complementary color #F24B93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DB46C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DB46C shade: #12B467, #23C67A, #34D88D, #45EAA0 and #56FCB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DB46C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DB46C shade: #0DB46C, #00A259, #009046, #007E33 and #006C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DB46C shade: #0CB56C, #0CB53F, #0CB511, #35B50C and #62B50C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DB46C shade: #0CB56C, #0CB599, #0CA2B5, #0C75B5 and #0C48B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DB46C shade matches the following richer shades: #0CB56C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DB46C shade: #0CB56C, #1CA56A, #2B9568, #3B8666 and #4B7663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DB46C shade: #0CB512, #0CB53F, #0CB56C, #0CB599 and #0CA4B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DB46C shade: #07683E, #098E55, #0CB56C, #0FDB83 and #24EF98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DB46C shade: #0DB46C, #0C33B5 and #B5280C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DB46C shade: #0DB46C, #6C0CB5 and #B56C0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DB46C shade: #0DB46C, #0C33B5, #B50C55 and #B58D0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DB46C shade: #0DB46C, #170CB5, #B50C55 and #A9B50C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 40 / 29

HEX #0DB46C

RGB 13 180 108

HSL 154.13, 0.87%, 0.38%

LAB 64.81, -54.98, 26.21

 

Complementary color

CMYK 0 / 69 / 39 / 5

HEX #F24B93

RGB 242 75 147

HSL 334.13, 0.87%, 0.62%

LAB 58.05, 68.77, -2.88

 

CMYK 90 / 0 / 43 / 29

HEX #12B467

RGB 18 180 103

HSL 151.48, 0.82%, 0.39%

LAB 64.76, -55.67, 28.79

 

CMYK 82 / 0 / 38 / 22

HEX #23C67A

RGB 35 198 122

HSL 152.02, 0.7%, 0.46%

LAB 70.97, -57.11, 27.06

 

CMYK 76 / 0 / 35 / 15

HEX #34D88D

RGB 52 216 141

HSL 152.56, 0.68%, 0.53%

LAB 77.14, -58.11, 25.48

 

CMYK 71 / 0 / 32 / 8

HEX #45EAA0

RGB 69 234 160

HSL 153.09, 0.8%, 0.59%

LAB 83.26, -58.77, 24.02

 

CMYK 66 / 0 / 29 / 1

HEX #56FCB3

RGB 86 252 179

HSL 153.61, 0.97%, 0.66%

LAB 89.32, -59.2, 22.67

 

CMYK 93 / 0 / 40 / 29

HEX #0DB46C

RGB 13 180 108

HSL 154.13, 0.87%, 0.38%

LAB 64.81, -54.98, 26.21

 

CMYK 100 / 0 / 45 / 36

HEX #00A259

RGB 0 162 89

HSL 152.96, 1%, 0.32%

LAB 58.57, -52.88, 28.1

 

CMYK 100 / 0 / 51 / 44

HEX #009046

RGB 0 144 70

HSL 149.17, 1%, 0.28%

LAB 52.27, -50.04, 30.12

 

CMYK 100 / 0 / 60 / 51

HEX #007E33

RGB 0 126 51

HSL 144.29, 1%, 0.25%

LAB 45.85, -46.96, 32.12

 

CMYK 100 / 0 / 70 / 58

HEX #006C20

RGB 0 108 32

HSL 137.78, 1%, 0.21%

LAB 39.29, -43.5, 33.87

 

CMYK 93 / 0 / 40 / 29

HEX #0CB56C

RGB 12 181 108

HSL 154.08, 0.88%, 0.38%

LAB 65.13, -55.39, 26.63

 

CMYK 93 / 0 / 65 / 29

HEX #0CB53F

RGB 12 181 63

HSL 138.11, 0.88%, 0.38%

LAB 64.55, -62.36, 47.93

 

CMYK 93 / 0 / 91 / 29

HEX #0CB511

RGB 12 181 17

HSL 121.78, 0.88%, 0.38%

LAB 64.3, -65.63, 62.13

 

CMYK 71 / 0 / 93 / 29

HEX #35B50C

RGB 53 181 12

HSL 105.44, 0.88%, 0.38%

LAB 64.83, -60.96, 63.57

 

CMYK 46 / 0 / 93 / 29

HEX #62B50C

RGB 98 181 12

HSL 89.47, 0.88%, 0.38%

LAB 66.27, -49.35, 65.34

 

CMYK 93 / 0 / 40 / 29

HEX #0CB56C

RGB 12 181 108

HSL 154.08, 0.88%, 0.38%

LAB 65.13, -55.39, 26.63

 

CMYK 93 / 0 / 15 / 29

HEX #0CB599

RGB 12 181 153

HSL 170.06, 0.88%, 0.38%

LAB 66.08, -44.83, 3.48

 

CMYK 93 / 10 / 0 / 29

HEX #0CA2B5

RGB 12 162 181

HSL 186.75, 0.88%, 0.38%

LAB 61.01, -27.69, -19.69

 

CMYK 93 / 35 / 0 / 29

HEX #0C75B5

RGB 12 117 181

HSL 202.72, 0.88%, 0.38%

LAB 47.15, -2.9, -41.24

 

CMYK 93 / 60 / 0 / 29

HEX #0C48B5

RGB 12 72 181

HSL 218.7, 0.88%, 0.38%

LAB 34.08, 26.36, -62.29

 

CMYK 93 / 0 / 40 / 29

HEX #0CB56C

RGB 12 181 108

HSL 154.08, 0.88%, 0.38%

LAB 65.13, -55.39, 26.63

 

CMYK 93 / 0 / 40 / 29

HEX #0CB56C

RGB 12 181 108

HSL 154.08, 0.88%, 0.38%

LAB 65.13, -55.39, 26.63

 

CMYK 83 / 0 / 36 / 35

HEX #1CA56A

RGB 28 165 106

HSL 154.16, 0.71%, 0.38%

LAB 60.07, -48.75, 20.97

 

CMYK 71 / 0 / 30 / 42

HEX #2B9568

RGB 43 149 104

HSL 154.53, 0.55%, 0.38%

LAB 55.08, -40.81, 15.31

 

CMYK 56 / 0 / 24 / 47

HEX #3B8666

RGB 59 134 102

HSL 154.4, 0.39%, 0.38%

LAB 50.62, -31.34, 10.3

 

CMYK 36 / 0 / 16 / 54

HEX #4B7663

RGB 75 118 99

HSL 153.49, 0.22%, 0.38%

LAB 46.11, -19.49, 5.78

 

CMYK 93 / 0 / 90 / 29

HEX #0CB512

RGB 12 181 18

HSL 122.13, 0.88%, 0.38%

LAB 64.3, -65.59, 61.96

 

CMYK 93 / 0 / 65 / 29

HEX #0CB53F

RGB 12 181 63

HSL 138.11, 0.88%, 0.38%

LAB 64.55, -62.36, 47.93

 

CMYK 93 / 0 / 40 / 29

HEX #0CB56C

RGB 12 181 108

HSL 154.08, 0.88%, 0.38%

LAB 65.13, -55.39, 26.63

 

CMYK 93 / 0 / 15 / 29

HEX #0CB599

RGB 12 181 153

HSL 170.06, 0.88%, 0.38%

LAB 66.08, -44.83, 3.48

 

CMYK 93 / 9 / 0 / 29

HEX #0CA4B5

RGB 12 164 181

HSL 186.04, 0.88%, 0.38%

LAB 61.62, -28.68, -18.75

 

CMYK 93 / 0 / 40 / 59

HEX #07683E

RGB 7 104 62

HSL 154.02, 0.87%, 0.22%

LAB 38.36, -36.27, 16.65

 

CMYK 94 / 0 / 40 / 44

HEX #098E55

RGB 9 142 85

HSL 154.29, 0.88%, 0.3%

LAB 51.9, -45.93, 21.55

 

CMYK 93 / 0 / 40 / 29

HEX #0CB56C

RGB 12 181 108

HSL 154.08, 0.88%, 0.38%

LAB 65.13, -55.39, 26.63

 

CMYK 93 / 0 / 40 / 14

HEX #0FDB83

RGB 15 219 131

HSL 154.12, 0.87%, 0.46%

LAB 77.52, -64.1, 31.06

 

CMYK 85 / 0 / 36 / 6

HEX #24EF98

RGB 36 239 152

HSL 154.29, 0.86%, 0.54%

LAB 84.16, -65.79, 29.25

 

CMYK 93 / 0 / 40 / 29

HEX #0DB46C

RGB 13 180 108

HSL 154.13, 0.87%, 0.38%

LAB 64.81, -54.98, 26.21

 

CMYK 93 / 72 / 0 / 29

HEX #0C33B5

RGB 12 51 181

HSL 226.15, 0.88%, 0.38%

LAB 28.86, 40.12, -70.89

 

CMYK 0 / 78 / 93 / 29

HEX #B5280C

RGB 181 40 12

HSL 9.94, 0.88%, 0.38%

LAB 40.19, 54.59, 49

 

CMYK 93 / 0 / 40 / 29

HEX #0DB46C

RGB 13 180 108

HSL 154.13, 0.87%, 0.38%

LAB 64.81, -54.98, 26.21

 

CMYK 40 / 93 / 0 / 29

HEX #6C0CB5

RGB 108 12 181

HSL 274.08, 0.88%, 0.38%

LAB 31.32, 64.17, -66.56

 

CMYK 0 / 40 / 93 / 29

HEX #B56C0C

RGB 181 108 12

HSL 34.08, 0.88%, 0.38%

LAB 52.48, 22.96, 57.47

 

CMYK 93 / 0 / 40 / 29

HEX #0DB46C

RGB 13 180 108

HSL 154.13, 0.87%, 0.38%

LAB 64.81, -54.98, 26.21

 

CMYK 93 / 72 / 0 / 29

HEX #0C33B5

RGB 12 51 181

HSL 226.15, 0.88%, 0.38%

LAB 28.86, 40.12, -70.89

 

CMYK 0 / 93 / 53 / 29

HEX #B50C55

RGB 181 12 85

HSL 334.08, 0.88%, 0.38%

LAB 39.14, 63.75, 6.15

 

CMYK 0 / 22 / 93 / 29

HEX #B58D0C

RGB 181 141 12

HSL 45.8, 0.88%, 0.38%

LAB 60.69, 4.66, 63.51

 

CMYK 93 / 0 / 40 / 29

HEX #0DB46C

RGB 13 180 108

HSL 154.13, 0.87%, 0.38%

LAB 64.81, -54.98, 26.21

 

CMYK 87 / 93 / 0 / 29

HEX #170CB5

RGB 23 12 181

HSL 243.91, 0.88%, 0.38%

LAB 22.93, 58.59, -80.71

 

CMYK 0 / 93 / 53 / 29

HEX #B50C55

RGB 181 12 85

HSL 334.08, 0.88%, 0.38%

LAB 39.14, 63.75, 6.15

 

CMYK 7 / 0 / 93 / 29

HEX #A9B50C

RGB 169 181 12

HSL 64.26, 0.88%, 0.38%

LAB 70.53, -21.73, 70.54

 

Description

Color code: HEX #0DB46C | qconv.com Color code: HEX #0DB46C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 180 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 180 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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