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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DB888 it is the complementary color #F24777. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DB888. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DB888 shade: #12B883, #23CA96, #34DCA9, #45EEBC and #56FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DB888. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DB888 shade: #0DB888, #00A675, #009462, #00824F and #00703C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DB888 shade: #0CB989, #0CB95A, #0CB92C, #1CB90C and #4BB90C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DB888 shade: #0CB989, #0CB9B8, #0C8DB9, #0C5EB9 and #0C2FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DB888 shade matches the following richer shades: #0CB989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DB888 shade: #0CB989, #1DA982, #2D997B, #3D8974 and #4D796D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DB888 shade: #0CB92C, #0CB95A, #0CB988, #0CB9B7 and #0C8EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DB888 shade: #076C50, #0A936C, #0CB989, #0FE0A5 and #29F0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DB888 shade: #0DB888, #0C1BB9 and #B9430C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DB888 shade: #0DB888, #880CB9 and #B9880C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DB888 shade: #0DB888, #0C1BB9, #B90C3D and #B9AB0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DB888 shade: #0DB888, #320CB9, #B90C3D and #94B90C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 26 / 28

HEX #0DB888

RGB 13 184 136

HSL 163.16, 0.87%, 0.39%

LAB 66.63, -50.33, 13.6

 

Complementary color

CMYK 0 / 71 / 51 / 5

HEX #F24777

RGB 242 71 119

HSL 343.16, 0.87%, 0.61%

LAB 56.8, 67.66, 11.82

 

CMYK 90 / 0 / 29 / 28

HEX #12B883

RGB 18 184 131

HSL 160.84, 0.82%, 0.4%

LAB 66.56, -51.26, 16.23

 

CMYK 83 / 0 / 26 / 21

HEX #23CA96

RGB 35 202 150

HSL 161.32, 0.7%, 0.46%

LAB 72.76, -52.62, 14.66

 

CMYK 76 / 0 / 23 / 14

HEX #34DCA9

RGB 52 220 169

HSL 161.79, 0.71%, 0.53%

LAB 78.91, -53.59, 13.24

 

CMYK 71 / 0 / 21 / 7

HEX #45EEBC

RGB 69 238 188

HSL 162.25, 0.83%, 0.6%

LAB 85.02, -54.27, 11.95

 

CMYK 66 / 0 / 19 / 0

HEX #56FFCF

RGB 86 255 207

HSL 162.96, 1%, 0.67%

LAB 90.78, -54.34, 10.34

 

CMYK 93 / 0 / 26 / 28

HEX #0DB888

RGB 13 184 136

HSL 163.16, 0.87%, 0.39%

LAB 66.63, -50.33, 13.6

 

CMYK 100 / 0 / 30 / 35

HEX #00A675

RGB 0 166 117

HSL 162.29, 1%, 0.33%

LAB 60.39, -48.39, 15.32

 

CMYK 100 / 0 / 34 / 42

HEX #009462

RGB 0 148 98

HSL 159.73, 1%, 0.29%

LAB 54.09, -45.87, 17.24

 

CMYK 100 / 0 / 39 / 49

HEX #00824F

RGB 0 130 79

HSL 156.46, 1%, 0.25%

LAB 47.66, -43.23, 19.25

 

CMYK 100 / 0 / 46 / 56

HEX #00703C

RGB 0 112 60

HSL 152.14, 1%, 0.22%

LAB 41.08, -40.42, 21.36

 

CMYK 94 / 0 / 26 / 27

HEX #0CB989

RGB 12 185 137

HSL 163.35, 0.88%, 0.39%

LAB 66.96, -50.53, 13.53

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95A

RGB 12 185 90

HSL 147.05, 0.88%, 0.39%

LAB 66.15, -59.96, 37.19

 

CMYK 94 / 0 / 76 / 27

HEX #0CB92C

RGB 12 185 44

HSL 131.1, 0.88%, 0.39%

LAB 65.72, -65.33, 56.48

 

CMYK 85 / 0 / 94 / 27

HEX #1CB90C

RGB 28 185 12

HSL 114.45, 0.88%, 0.39%

LAB 65.73, -65.7, 64.15

 

CMYK 59 / 0 / 94 / 27

HEX #4BB90C

RGB 75 185 12

HSL 98.15, 0.88%, 0.39%

LAB 66.69, -57.46, 65.34

 

CMYK 94 / 0 / 26 / 27

HEX #0CB989

RGB 12 185 137

HSL 163.35, 0.88%, 0.39%

LAB 66.96, -50.53, 13.53

 

CMYK 94 / 0 / 1 / 27

HEX #0CB9B8

RGB 12 185 184

HSL 179.65, 0.88%, 0.39%

LAB 68.19, -37.7, -10.51

 

CMYK 94 / 24 / 0 / 27

HEX #0C8DB9

RGB 12 141 185

HSL 195.26, 0.88%, 0.39%

LAB 54.69, -15.28, -31.69

 

CMYK 94 / 49 / 0 / 27

HEX #0C5EB9

RGB 12 94 185

HSL 211.56, 0.88%, 0.39%

LAB 40.55, 13.27, -54.13

 

CMYK 94 / 75 / 0 / 27

HEX #0C2FB9

RGB 12 47 185

HSL 227.86, 0.88%, 0.39%

LAB 28.42, 44, -73.99

 

CMYK 94 / 0 / 26 / 27

HEX #0CB989

RGB 12 185 137

HSL 163.35, 0.88%, 0.39%

LAB 66.96, -50.53, 13.53

 

CMYK 94 / 0 / 26 / 27

HEX #0CB989

RGB 12 185 137

HSL 163.35, 0.88%, 0.39%

LAB 66.96, -50.53, 13.53

 

CMYK 83 / 0 / 23 / 34

HEX #1DA982

RGB 29 169 130

HSL 163.29, 0.71%, 0.39%

LAB 61.87, -44.71, 10.22

 

CMYK 71 / 0 / 20 / 40

HEX #2D997B

RGB 45 153 123

HSL 163.33, 0.55%, 0.39%

LAB 56.85, -37.66, 7.06

 

CMYK 55 / 0 / 15 / 46

HEX #3D8974

RGB 61 137 116

HSL 163.42, 0.38%, 0.39%

LAB 52, -28.9, 4.18

 

CMYK 36 / 0 / 10 / 53

HEX #4D796D

RGB 77 121 109

HSL 163.64, 0.22%, 0.39%

LAB 47.44, -18.11, 1.77

 

CMYK 94 / 0 / 76 / 27

HEX #0CB92C

RGB 12 185 44

HSL 131.1, 0.88%, 0.39%

LAB 65.72, -65.33, 56.48

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95A

RGB 12 185 90

HSL 147.05, 0.88%, 0.39%

LAB 66.15, -59.96, 37.19

 

CMYK 94 / 0 / 26 / 27

HEX #0CB988

RGB 12 185 136

HSL 163.01, 0.88%, 0.39%

LAB 66.94, -50.77, 14.04

 

CMYK 94 / 0 / 1 / 27

HEX #0CB9B7

RGB 12 185 183

HSL 179.31, 0.88%, 0.39%

LAB 68.16, -38, -10.01

 

CMYK 94 / 23 / 0 / 27

HEX #0C8EB9

RGB 12 142 185

HSL 194.91, 0.88%, 0.39%

LAB 55, -15.83, -31.21

 

CMYK 94 / 0 / 26 / 58

HEX #076C50

RGB 7 108 80

HSL 163.37, 0.88%, 0.23%

LAB 40.16, -33.52, 8.39

 

CMYK 93 / 0 / 27 / 42

HEX #0A936C

RGB 10 147 108

HSL 162.92, 0.87%, 0.31%

LAB 54.04, -42.55, 11.53

 

CMYK 94 / 0 / 26 / 27

HEX #0CB989

RGB 12 185 137

HSL 163.35, 0.88%, 0.39%

LAB 66.96, -50.53, 13.53

 

CMYK 93 / 0 / 26 / 12

HEX #0FE0A5

RGB 15 224 165

HSL 163.06, 0.87%, 0.47%

LAB 79.69, -58.75, 16.38

 

CMYK 83 / 0 / 23 / 6

HEX #29F0B8

RGB 41 240 184

HSL 163.12, 0.87%, 0.55%

LAB 85.12, -58.93, 14.12

 

CMYK 93 / 0 / 26 / 28

HEX #0DB888

RGB 13 184 136

HSL 163.16, 0.87%, 0.39%

LAB 66.63, -50.33, 13.6

 

CMYK 94 / 85 / 0 / 27

HEX #0C1BB9

RGB 12 27 185

HSL 234.8, 0.88%, 0.39%

LAB 24.84, 54.36, -79.93

 

CMYK 0 / 64 / 94 / 27

HEX #B9430C

RGB 185 67 12

HSL 19.08, 0.88%, 0.39%

LAB 44.74, 45.57, 52.35

 

CMYK 93 / 0 / 26 / 28

HEX #0DB888

RGB 13 184 136

HSL 163.16, 0.87%, 0.39%

LAB 66.63, -50.33, 13.6

 

CMYK 26 / 94 / 0 / 27

HEX #880CB9

RGB 136 12 185

HSL 283.01, 0.88%, 0.39%

LAB 35.98, 68.5, -61.13

 

CMYK 0 / 26 / 94 / 27

HEX #B9880C

RGB 185 136 12

HSL 43.01, 0.88%, 0.39%

LAB 59.84, 9.23, 63.08

 

CMYK 93 / 0 / 26 / 28

HEX #0DB888

RGB 13 184 136

HSL 163.16, 0.87%, 0.39%

LAB 66.63, -50.33, 13.6

 

CMYK 94 / 85 / 0 / 27

HEX #0C1BB9

RGB 12 27 185

HSL 234.8, 0.88%, 0.39%

LAB 24.84, 54.36, -79.93

 

CMYK 0 / 94 / 67 / 27

HEX #B90C3D

RGB 185 12 61

HSL 343.01, 0.88%, 0.39%

LAB 39.44, 63.24, 22.03

 

CMYK 0 / 8 / 94 / 27

HEX #B9AB0C

RGB 185 171 12

HSL 55.14, 0.88%, 0.39%

LAB 69.09, -9.62, 70.01

 

CMYK 93 / 0 / 26 / 28

HEX #0DB888

RGB 13 184 136

HSL 163.16, 0.87%, 0.39%

LAB 66.63, -50.33, 13.6

 

CMYK 73 / 94 / 0 / 27

HEX #320CB9

RGB 50 12 185

HSL 253.18, 0.88%, 0.39%

LAB 25.09, 60.53, -79.47

 

CMYK 0 / 94 / 67 / 27

HEX #B90C3D

RGB 185 12 61

HSL 343.01, 0.88%, 0.39%

LAB 39.44, 63.24, 22.03

 

CMYK 20 / 0 / 94 / 27

HEX #94B90C

RGB 148 185 12

HSL 72.83, 0.88%, 0.39%

LAB 70.19, -32.49, 69.63

 

Description

Color code: HEX #0DB888 | qconv.com Color code: HEX #0DB888 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 184 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 184 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 26 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 26% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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