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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DCF30 it is the complementary color #F230CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DCF30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DCF30 shade: #12CF2B, #23E13E, #34F351, #45FF64 and #56FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DCF30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DCF30 shade: #0DCF30, #00BD1D, #00AB0A, #009900 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DCF30 shade: #0DCE2F, #1ECE0D, #52CE0D, #86CE0D and #BACE0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DCF30 shade: #0DCE2F, #0DCE64, #0DCE98, #0DCECC and #0D9CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DCF30 shade matches the following richer shades: #0DCE2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DCF30 shade: #0DCE2F, #1EBC3B, #30AA46, #429851 and #54875D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DCF30 shade: #53CE0D, #20CE0D, #0DCE2D, #0DCE60 and #0DCE94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DCF30 shade: #08801D, #0AA726, #0DCE2F, #14F03C and #3BF25C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DCF30 shade: #0DCF30, #0D87CE and #CE0D3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DCF30 shade: #0DCF30, #2D0DCE and #CE2D0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DCF30 shade: #0DCF30, #0D87CE, #CE0DAD and #CE530D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DCF30 shade: #0DCF30, #0D4DCE, #CE0DAD and #CE8D0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 77 / 19

HEX #0DCF30

RGB 13 207 48

HSL 130.82, 0.88%, 0.43%

LAB 72.84, -71.31, 62.18

 

Complementary color

CMYK 0 / 80 / 14 / 5

HEX #F230CF

RGB 242 48 207

HSL 310.82, 0.88%, 0.57%

LAB 57.56, 83.7, -38.39

 

CMYK 91 / 0 / 79 / 19

HEX #12CF2B

RGB 18 207 43

HSL 127.94, 0.84%, 0.44%

LAB 72.84, -71.38, 63.72

 

CMYK 84 / 0 / 72 / 12

HEX #23E13E

RGB 35 225 62

HSL 128.53, 0.76%, 0.51%

LAB 78.78, -73.94, 63.48

 

CMYK 79 / 0 / 67 / 5

HEX #34F351

RGB 52 243 81

HSL 129.11, 0.89%, 0.58%

LAB 84.7, -75.84, 62.71

 

CMYK 73 / 0 / 61 / 0

HEX #45FF64

RGB 69 255 100

HSL 130, 1%, 0.64%

LAB 88.78, -75.36, 59.6

 

CMYK 66 / 0 / 53 / 0

HEX #56FF77

RGB 86 255 119

HSL 131.72, 1%, 0.67%

LAB 89.31, -70.32, 51.96

 

CMYK 94 / 0 / 77 / 19

HEX #0DCF30

RGB 13 207 48

HSL 130.82, 0.88%, 0.43%

LAB 72.84, -71.31, 62.18

 

CMYK 100 / 0 / 85 / 26

HEX #00BD1D

RGB 0 189 29

HSL 129.21, 1%, 0.37%

LAB 66.89, -67.93, 61.91

 

CMYK 100 / 0 / 94 / 33

HEX #00AB0A

RGB 0 171 10

HSL 123.51, 1%, 0.34%

LAB 60.91, -63.63, 60.31

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 94 / 0 / 77 / 19

HEX #0DCE2F

RGB 13 206 47

HSL 130.57, 0.88%, 0.43%

LAB 72.52, -71.09, 62.18

 

CMYK 85 / 0 / 94 / 19

HEX #1ECE0D

RGB 30 206 13

HSL 114.72, 0.88%, 0.43%

LAB 72.53, -71.46, 69.69

 

CMYK 60 / 0 / 94 / 19

HEX #52CE0D

RGB 82 206 13

HSL 98.55, 0.88%, 0.43%

LAB 73.52, -62.87, 70.92

 

CMYK 35 / 0 / 94 / 19

HEX #86CE0D

RGB 134 206 13

HSL 82.38, 0.88%, 0.43%

LAB 75.6, -47.08, 73.47

 

CMYK 10 / 0 / 94 / 19

HEX #BACE0D

RGB 186 206 13

HSL 66.22, 0.88%, 0.43%

LAB 78.82, -26.67, 77.38

 

CMYK 94 / 0 / 77 / 19

HEX #0DCE2F

RGB 13 206 47

HSL 130.57, 0.88%, 0.43%

LAB 72.52, -71.09, 62.18

 

CMYK 94 / 0 / 51 / 19

HEX #0DCE64

RGB 13 206 100

HSL 147.05, 0.88%, 0.43%

LAB 72.99, -65.2, 40.74

 

CMYK 94 / 0 / 26 / 19

HEX #0DCE98

RGB 13 206 152

HSL 163.21, 0.88%, 0.43%

LAB 73.87, -55.04, 15.11

 

CMYK 94 / 0 / 1 / 19

HEX #0DCECC

RGB 13 206 204

HSL 179.38, 0.88%, 0.43%

LAB 75.19, -41.17, -10.96

 

CMYK 94 / 24 / 0 / 19

HEX #0D9CCE

RGB 13 156 206

HSL 195.54, 0.88%, 0.43%

LAB 60.18, -15.89, -35

 

CMYK 94 / 0 / 77 / 19

HEX #0DCE2F

RGB 13 206 47

HSL 130.57, 0.88%, 0.43%

LAB 72.52, -71.09, 62.18

 

CMYK 94 / 0 / 77 / 19

HEX #0DCE2F

RGB 13 206 47

HSL 130.57, 0.88%, 0.43%

LAB 72.52, -71.09, 62.18

 

CMYK 84 / 0 / 69 / 26

HEX #1EBC3B

RGB 30 188 59

HSL 131.01, 0.72%, 0.43%

LAB 66.94, -63.59, 52.24

 

CMYK 72 / 0 / 59 / 33

HEX #30AA46

RGB 48 170 70

HSL 130.82, 0.56%, 0.43%

LAB 61.5, -54, 41.41

 

CMYK 57 / 0 / 47 / 40

HEX #429851

RGB 66 152 81

HSL 130.47, 0.39%, 0.43%

LAB 56.3, -41.66, 29.65

 

CMYK 38 / 0 / 31 / 47

HEX #54875D

RGB 84 135 93

HSL 130.59, 0.23%, 0.43%

LAB 51.84, -26.51, 17.33

 

CMYK 60 / 0 / 94 / 19

HEX #53CE0D

RGB 83 206 13

HSL 98.24, 0.88%, 0.43%

LAB 73.55, -62.63, 70.96

 

CMYK 84 / 0 / 94 / 19

HEX #20CE0D

RGB 32 206 13

HSL 114.09, 0.88%, 0.43%

LAB 72.55, -71.27, 69.72

 

CMYK 94 / 0 / 78 / 19

HEX #0DCE2D

RGB 13 206 45

HSL 129.95, 0.88%, 0.43%

LAB 72.51, -71.23, 62.79

 

CMYK 94 / 0 / 53 / 19

HEX #0DCE60

RGB 13 206 96

HSL 145.8, 0.88%, 0.43%

LAB 72.94, -65.81, 42.61

 

CMYK 94 / 0 / 28 / 19

HEX #0DCE94

RGB 13 206 148

HSL 161.97, 0.88%, 0.43%

LAB 73.78, -55.96, 17.13

 

CMYK 94 / 0 / 77 / 50

HEX #08801D

RGB 8 128 29

HSL 130.5, 0.88%, 0.27%

LAB 46.42, -49.54, 42.57

 

CMYK 94 / 0 / 77 / 35

HEX #0AA726

RGB 10 167 38

HSL 130.7, 0.89%, 0.35%

LAB 59.75, -60.6, 52.61

 

CMYK 94 / 0 / 77 / 19

HEX #0DCE2F

RGB 13 206 47

HSL 130.57, 0.88%, 0.43%

LAB 72.52, -71.09, 62.18

 

CMYK 92 / 0 / 75 / 6

HEX #14F03C

RGB 20 240 60

HSL 130.91, 0.88%, 0.51%

LAB 83.33, -79.38, 68.68

 

CMYK 76 / 0 / 62 / 5

HEX #3BF25C

RGB 59 242 92

HSL 130.82, 0.88%, 0.59%

LAB 84.59, -73.54, 58.17

 

CMYK 94 / 0 / 77 / 19

HEX #0DCF30

RGB 13 207 48

HSL 130.82, 0.88%, 0.43%

LAB 72.84, -71.31, 62.18

 

CMYK 94 / 34 / 0 / 19

HEX #0D87CE

RGB 13 135 206

HSL 202.07, 0.88%, 0.43%

LAB 53.89, -3.99, -44.88

 

CMYK 0 / 94 / 72 / 19

HEX #CE0D3A

RGB 206 13 58

HSL 346.01, 0.88%, 0.43%

LAB 43.82, 68.22, 30.3

 

CMYK 94 / 0 / 77 / 19

HEX #0DCF30

RGB 13 207 48

HSL 130.82, 0.88%, 0.43%

LAB 72.84, -71.31, 62.18

 

CMYK 78 / 94 / 0 / 19

HEX #2D0DCE

RGB 45 13 206

HSL 249.95, 0.88%, 0.43%

LAB 27.58, 65.52, -87.7

 

CMYK 0 / 78 / 94 / 19

HEX #CE2D0D

RGB 206 45 13

HSL 9.95, 0.88%, 0.43%

LAB 45.67, 60.67, 54.58

 

CMYK 94 / 0 / 77 / 19

HEX #0DCF30

RGB 13 207 48

HSL 130.82, 0.88%, 0.43%

LAB 72.84, -71.31, 62.18

 

CMYK 94 / 34 / 0 / 19

HEX #0D87CE

RGB 13 135 206

HSL 202.07, 0.88%, 0.43%

LAB 53.89, -3.99, -44.88

 

CMYK 0 / 94 / 16 / 19

HEX #CE0DAD

RGB 206 13 173

HSL 310.26, 0.88%, 0.43%

LAB 47.53, 78.09, -34.84

 

CMYK 0 / 60 / 94 / 19

HEX #CE530D

RGB 206 83 13

HSL 21.76, 0.88%, 0.43%

LAB 51.08, 45.99, 58.03

 

CMYK 94 / 0 / 77 / 19

HEX #0DCF30

RGB 13 207 48

HSL 130.82, 0.88%, 0.43%

LAB 72.84, -71.31, 62.18

 

CMYK 94 / 63 / 0 / 19

HEX #0D4DCE

RGB 13 77 206

HSL 220.1, 0.88%, 0.43%

LAB 37.57, 32.9, -71.2

 

CMYK 0 / 94 / 16 / 19

HEX #CE0DAD

RGB 206 13 173

HSL 310.26, 0.88%, 0.43%

LAB 47.53, 78.09, -34.84

 

CMYK 0 / 32 / 94 / 19

HEX #CE8D0D

RGB 206 141 13

HSL 39.79, 0.88%, 0.43%

LAB 63.51, 15.85, 66.68

 

Description

Color code: HEX #0DCF30 | qconv.com Color code: HEX #0DCF30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 207 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 207 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 77% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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