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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DD7C7 it is the complementary color #F22838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DD7C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DD7C7 shade: #12D7C2, #23E9D5, #34FBE8, #45FFFB and #56FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DD7C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DD7C7 shade: #0DD7C7, #00C5B4, #00B3A1, #00A18E and #008F7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DD7C7 shade: #0CD8C8, #0CD891, #0CD85A, #0CD823 and #2CD80C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DD7C7 shade: #0CD8C8, #0CB1D8, #0C7AD8, #0C43D8 and #0C0CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DD7C7 shade matches the following richer shades: #0CD8C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DD7C7 shade: #0CD8C8, #1FC6B9, #31B3A9, #44A199 and #568E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DD7C7 shade: #0CD85A, #0CD891, #0CD8C7, #0CB3D8 and #0C7CD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DD7C7 shade: #088A80, #0AB1A4, #0CD8C8, #1CF1E0 and #43F4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DD7C7 shade: #0DD7C7, #240CD8 and #D8760C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DD7C7 shade: #0DD7C7, #C70CD8 and #D8C70C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DD7C7 shade: #0DD7C7, #240CD8, #D80C1D and #C1D80C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DD7C7 shade: #0DD7C7, #610CD8, #D80C1D and #83D80C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 7 / 16

HEX #0DD7C7

RGB 13 215 199

HSL 175.25, 0.89%, 0.45%

LAB 77.76, -46.54, -4.46

 

Complementary color

CMYK 0 / 83 / 77 / 5

HEX #F22838

RGB 242 40 56

HSL 355.25, 0.89%, 0.55%

LAB 52.6, 72.95, 43.34

 

CMYK 92 / 0 / 10 / 16

HEX #12D7C2

RGB 18 215 194

HSL 173.6, 0.85%, 0.46%

LAB 77.65, -47.74, -1.94

 

CMYK 85 / 0 / 9 / 9

HEX #23E9D5

RGB 35 233 213

HSL 173.94, 0.82%, 0.53%

LAB 83.67, -49.26, -3.19

 

CMYK 79 / 0 / 8 / 2

HEX #34FBE8

RGB 52 251 232

HSL 174.27, 0.96%, 0.59%

LAB 89.65, -50.48, -4.33

 

CMYK 73 / 0 / 2 / 0

HEX #45FFFB

RGB 69 255 251

HSL 178.71, 1%, 0.64%

LAB 91.57, -45.44, -11.32

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 94 / 0 / 7 / 16

HEX #0DD7C7

RGB 13 215 199

HSL 175.25, 0.89%, 0.45%

LAB 77.76, -46.54, -4.46

 

CMYK 100 / 0 / 9 / 23

HEX #00C5B4

RGB 0 197 180

HSL 174.82, 1%, 0.39%

LAB 71.71, -44.56, -3.12

 

CMYK 100 / 0 / 10 / 30

HEX #00B3A1

RGB 0 179 161

HSL 173.97, 1%, 0.35%

LAB 65.6, -42.19, -1.64

 

CMYK 100 / 0 / 12 / 37

HEX #00A18E

RGB 0 161 142

HSL 172.92, 1%, 0.32%

LAB 59.38, -39.79, -0.11

 

CMYK 100 / 0 / 14 / 44

HEX #008F7B

RGB 0 143 123

HSL 171.61, 1%, 0.28%

LAB 53.03, -37.33, 1.48

 

CMYK 94 / 0 / 7 / 15

HEX #0CD8C8

RGB 12 216 200

HSL 175.29, 0.89%, 0.45%

LAB 78.09, -46.71, -4.52

 

CMYK 94 / 0 / 33 / 15

HEX #0CD891

RGB 12 216 145

HSL 159.12, 0.89%, 0.45%

LAB 76.82, -60.35, 22.89

 

CMYK 94 / 0 / 58 / 15

HEX #0CD85A

RGB 12 216 90

HSL 142.94, 0.89%, 0.45%

LAB 76.03, -69.8, 49.08

 

CMYK 94 / 0 / 84 / 15

HEX #0CD823

RGB 12 216 35

HSL 126.76, 0.89%, 0.45%

LAB 75.64, -74.61, 68.41

 

CMYK 80 / 0 / 94 / 15

HEX #2CD80C

RGB 44 216 12

HSL 110.59, 0.89%, 0.45%

LAB 75.87, -72.83, 72.64

 

CMYK 94 / 0 / 7 / 15

HEX #0CD8C8

RGB 12 216 200

HSL 175.29, 0.89%, 0.45%

LAB 78.09, -46.71, -4.52

 

CMYK 94 / 18 / 0 / 15

HEX #0CB1D8

RGB 12 177 216

HSL 191.47, 0.89%, 0.45%

LAB 66.89, -23.51, -30.13

 

CMYK 94 / 44 / 0 / 15

HEX #0C7AD8

RGB 12 122 216

HSL 207.65, 0.89%, 0.45%

LAB 50.63, 7.71, -55.73

 

CMYK 94 / 69 / 0 / 15

HEX #0C43D8

RGB 12 67 216

HSL 223.82, 0.89%, 0.45%

LAB 36.08, 43.01, -79.42

 

CMYK 94 / 94 / 0 / 15

HEX #0C0CD8

RGB 12 12 216

HSL 240, 0.89%, 0.45%

LAB 27.57, 67.67, -93.56

 

CMYK 94 / 0 / 7 / 15

HEX #0CD8C8

RGB 12 216 200

HSL 175.29, 0.89%, 0.45%

LAB 78.09, -46.71, -4.52

 

CMYK 94 / 0 / 7 / 15

HEX #0CD8C8

RGB 12 216 200

HSL 175.29, 0.89%, 0.45%

LAB 78.09, -46.71, -4.52

 

CMYK 84 / 0 / 7 / 22

HEX #1FC6B9

RGB 31 198 185

HSL 175.33, 0.73%, 0.45%

LAB 72.35, -42.23, -4.87

 

CMYK 73 / 0 / 6 / 30

HEX #31B3A9

RGB 49 179 169

HSL 175.38, 0.57%, 0.45%

LAB 66.33, -36.47, -4.94

 

CMYK 58 / 0 / 5 / 37

HEX #44A199

RGB 68 161 153

HSL 174.84, 0.41%, 0.45%

LAB 60.8, -29.34, -4.12

 

CMYK 39 / 0 / 3 / 44

HEX #568E8A

RGB 86 142 138

HSL 175.71, 0.25%, 0.45%

LAB 55.24, -19.4, -3.69

 

CMYK 94 / 0 / 58 / 15

HEX #0CD85A

RGB 12 216 90

HSL 142.94, 0.89%, 0.45%

LAB 76.03, -69.8, 49.08

 

CMYK 94 / 0 / 33 / 15

HEX #0CD891

RGB 12 216 145

HSL 159.12, 0.89%, 0.45%

LAB 76.82, -60.35, 22.89

 

CMYK 94 / 0 / 8 / 15

HEX #0CD8C7

RGB 12 216 199

HSL 175, 0.89%, 0.45%

LAB 78.06, -46.99, -4.02

 

CMYK 94 / 17 / 0 / 15

HEX #0CB3D8

RGB 12 179 216

HSL 190.88, 0.89%, 0.45%

LAB 67.48, -24.53, -29.21

 

CMYK 94 / 43 / 0 / 15

HEX #0C7CD8

RGB 12 124 216

HSL 207.06, 0.89%, 0.45%

LAB 51.21, 6.47, -54.8

 

CMYK 94 / 0 / 7 / 46

HEX #088A80

RGB 8 138 128

HSL 175.38, 0.89%, 0.29%

LAB 51.6, -33.19, -3.51

 

CMYK 94 / 0 / 7 / 31

HEX #0AB1A4

RGB 10 177 164

HSL 175.33, 0.89%, 0.37%

LAB 65.11, -40.1, -4.02

 

CMYK 94 / 0 / 7 / 15

HEX #0CD8C8

RGB 12 216 200

HSL 175.29, 0.89%, 0.45%

LAB 78.09, -46.71, -4.52

 

CMYK 88 / 0 / 7 / 5

HEX #1CF1E0

RGB 28 241 224

HSL 175.21, 0.88%, 0.53%

LAB 86.28, -50.03, -5.15

 

CMYK 73 / 0 / 6 / 4

HEX #43F4E6

RGB 67 244 230

HSL 175.25, 0.89%, 0.61%

LAB 87.78, -46.55, -6.02

 

CMYK 94 / 0 / 7 / 16

HEX #0DD7C7

RGB 13 215 199

HSL 175.25, 0.89%, 0.45%

LAB 77.76, -46.54, -4.46

 

CMYK 83 / 94 / 0 / 15

HEX #240CD8

RGB 36 12 216

HSL 247.06, 0.89%, 0.45%

LAB 28.37, 68.03, -92.2

 

CMYK 0 / 45 / 94 / 15

HEX #D8760C

RGB 216 118 12

HSL 31.18, 0.89%, 0.45%

LAB 59.51, 32.44, 64.63

 

CMYK 94 / 0 / 7 / 16

HEX #0DD7C7

RGB 13 215 199

HSL 175.25, 0.89%, 0.45%

LAB 77.76, -46.54, -4.46

 

CMYK 8 / 94 / 0 / 15

HEX #C70CD8

RGB 199 12 216

HSL 295, 0.89%, 0.45%

LAB 48.71, 83.09, -58.04

 

CMYK 0 / 8 / 94 / 15

HEX #D8C70C

RGB 216 199 12

HSL 55, 0.89%, 0.45%

LAB 79.31, -10.43, 78.91

 

CMYK 94 / 0 / 7 / 16

HEX #0DD7C7

RGB 13 215 199

HSL 175.25, 0.89%, 0.45%

LAB 77.76, -46.54, -4.46

 

CMYK 83 / 94 / 0 / 15

HEX #240CD8

RGB 36 12 216

HSL 247.06, 0.89%, 0.45%

LAB 28.37, 68.03, -92.2

 

CMYK 0 / 94 / 87 / 15

HEX #D80C1D

RGB 216 12 29

HSL 355, 0.89%, 0.45%

LAB 45.57, 69.96, 49.03

 

CMYK 11 / 0 / 94 / 15

HEX #C1D80C

RGB 193 216 12

HSL 66.76, 0.89%, 0.45%

LAB 82.1, -28.52, 80.23

 

CMYK 94 / 0 / 7 / 16

HEX #0DD7C7

RGB 13 215 199

HSL 175.25, 0.89%, 0.45%

LAB 77.76, -46.54, -4.46

 

CMYK 55 / 94 / 0 / 15

HEX #610CD8

RGB 97 12 216

HSL 265, 0.89%, 0.45%

LAB 33.48, 70.92, -83.56

 

CMYK 0 / 94 / 87 / 15

HEX #D80C1D

RGB 216 12 29

HSL 355, 0.89%, 0.45%

LAB 45.57, 69.96, 49.03

 

CMYK 39 / 0 / 94 / 15

HEX #83D80C

RGB 131 216 12

HSL 85, 0.89%, 0.45%

LAB 78.44, -52.2, 75.8

 

Description

Color code: HEX #0DD7C7 | qconv.com Color code: HEX #0DD7C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 215 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 215 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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