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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DECA2 it is the complementary color #F2135D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DECA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DECA2 shade: #12EC9D, #23FEB0, #34FFC3, #45FFD6 and #56FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DECA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DECA2 shade: #0DECA2, #00DA8F, #00C87C, #00B669 and #00A456

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DECA2 shade: #0CEDA2, #0CED66, #0CED29, #2CED0C and #68ED0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DECA2 shade: #0CEDA2, #0CEDDF, #0CBEED, #0C82ED and #0C45ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DECA2 shade matches the following richer shades: #0CEDA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DECA2 shade: #0CEDA2, #20D99B, #34C495, #49B08E and #5D9C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DECA2 shade: #0CED2A, #0CED66, #0CEDA2, #0CEDDE and #0CC0ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DECA2 shade: #089F6D, #0AC687, #0CEDA2, #2FF4B2 and #56F6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DECA2 shade: #0DECA2, #0C2AED and #ED480C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DECA2 shade: #0DECA2, #A20CED and #EDA20C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DECA2 shade: #0DECA2, #0C2AED, #ED0C57 and #EDCF0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DECA2 shade: #0DECA2, #310CED, #ED0C57 and #C7ED0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 31 / 7

HEX #0DECA2

RGB 13 236 162

HSL 160.09, 0.9%, 0.49%

LAB 83.28, -63.88, 22.91

 

Complementary color

CMYK 0 / 92 / 62 / 5

HEX #F2135D

RGB 242 19 93

HSL 340.09, 0.9%, 0.51%

LAB 51.99, 77.94, 20.81

 

CMYK 92 / 0 / 33 / 7

HEX #12EC9D

RGB 18 236 157

HSL 158.26, 0.86%, 0.5%

LAB 83.21, -64.75, 25.39

 

CMYK 86 / 0 / 31 / 0

HEX #23FEB0

RGB 35 254 176

HSL 158.63, 0.99%, 0.57%

LAB 89.1, -66.31, 23.77

 

CMYK 80 / 0 / 24 / 0

HEX #34FFC3

RGB 52 255 195

HSL 162.27, 1%, 0.6%

LAB 89.95, -61.21, 15.26

 

CMYK 73 / 0 / 16 / 0

HEX #45FFD6

RGB 69 255 214

HSL 166.77, 1%, 0.64%

LAB 90.62, -54.98, 6.45

 

CMYK 66 / 0 / 9 / 0

HEX #56FFE9

RGB 86 255 233

HSL 172.19, 1%, 0.67%

LAB 91.41, -48.06, -2.2

 

CMYK 94 / 0 / 31 / 7

HEX #0DECA2

RGB 13 236 162

HSL 160.09, 0.9%, 0.49%

LAB 83.28, -63.88, 22.91

 

CMYK 100 / 0 / 34 / 15

HEX #00DA8F

RGB 0 218 143

HSL 159.36, 1%, 0.43%

LAB 77.36, -61.85, 24.66

 

CMYK 100 / 0 / 38 / 22

HEX #00C87C

RGB 0 200 124

HSL 157.2, 1%, 0.39%

LAB 71.39, -59.39, 26.53

 

CMYK 100 / 0 / 42 / 29

HEX #00B669

RGB 0 182 105

HSL 154.62, 1%, 0.36%

LAB 65.34, -56.83, 28.47

 

CMYK 100 / 0 / 48 / 36

HEX #00A456

RGB 0 164 86

HSL 151.46, 1%, 0.32%

LAB 59.18, -54.12, 30.46

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 95 / 0 / 57 / 7

HEX #0CED66

RGB 12 237 102

HSL 144, 0.9%, 0.49%

LAB 82.7, -74.61, 51.53

 

CMYK 95 / 0 / 83 / 7

HEX #0CED29

RGB 12 237 41

HSL 127.73, 0.9%, 0.49%

LAB 82.27, -80.03, 73

 

CMYK 81 / 0 / 95 / 7

HEX #2CED0C

RGB 44 237 12

HSL 111.47, 0.9%, 0.49%

LAB 82.45, -78.74, 78.05

 

CMYK 56 / 0 / 95 / 7

HEX #68ED0C

RGB 104 237 12

HSL 95.47, 0.9%, 0.49%

LAB 83.72, -67.89, 79.61

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 95 / 0 / 6 / 7

HEX #0CEDDF

RGB 12 237 223

HSL 176.27, 0.9%, 0.49%

LAB 84.98, -49.2, -6.54

 

CMYK 95 / 20 / 0 / 7

HEX #0CBEED

RGB 12 190 237

HSL 192.53, 0.9%, 0.49%

LAB 71.57, -23.03, -34.35

 

CMYK 95 / 45 / 0 / 7

HEX #0C82ED

RGB 12 130 237

HSL 208.53, 0.9%, 0.49%

LAB 54.19, 10.9, -61.79

 

CMYK 95 / 71 / 0 / 7

HEX #0C45ED

RGB 12 69 237

HSL 224.8, 0.9%, 0.49%

LAB 38.64, 49.3, -87.18

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 85 / 0 / 29 / 15

HEX #20D99B

RGB 32 217 155

HSL 159.89, 0.74%, 0.49%

LAB 77.46, -57.47, 18.55

 

CMYK 73 / 0 / 24 / 23

HEX #34C495

RGB 52 196 149

HSL 160.42, 0.58%, 0.49%

LAB 71.13, -48.59, 12.95

 

CMYK 59 / 0 / 19 / 31

HEX #49B08E

RGB 73 176 142

HSL 160.19, 0.41%, 0.49%

LAB 65.29, -38.13, 8.57

 

CMYK 40 / 0 / 13 / 39

HEX #5D9C87

RGB 93 156 135

HSL 160, 0.25%, 0.49%

LAB 59.76, -25.34, 4.65

 

CMYK 95 / 0 / 82 / 7

HEX #0CED2A

RGB 12 237 42

HSL 128, 0.9%, 0.49%

LAB 82.28, -79.98, 72.76

 

CMYK 95 / 0 / 57 / 7

HEX #0CED66

RGB 12 237 102

HSL 144, 0.9%, 0.49%

LAB 82.7, -74.61, 51.53

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 95 / 0 / 6 / 7

HEX #0CEDDE

RGB 12 237 222

HSL 176, 0.9%, 0.49%

LAB 84.96, -49.48, -6.06

 

CMYK 95 / 19 / 0 / 7

HEX #0CC0ED

RGB 12 192 237

HSL 192, 0.9%, 0.49%

LAB 72.16, -24.05, -33.44

 

CMYK 95 / 0 / 31 / 38

HEX #089F6D

RGB 8 159 109

HSL 160.13, 0.9%, 0.33%

LAB 57.99, -47.18, 16.45

 

CMYK 95 / 0 / 32 / 22

HEX #0AC687

RGB 10 198 135

HSL 159.89, 0.9%, 0.41%

LAB 71.01, -56, 20.21

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 81 / 0 / 27 / 4

HEX #2FF4B2

RGB 47 244 178

HSL 159.9, 0.9%, 0.57%

LAB 86.27, -61.3, 18.84

 

CMYK 65 / 0 / 22 / 4

HEX #56F6C1

RGB 86 246 193

HSL 160.13, 0.9%, 0.65%

LAB 87.84, -53.85, 13.4

 

CMYK 94 / 0 / 31 / 7

HEX #0DECA2

RGB 13 236 162

HSL 160.09, 0.9%, 0.49%

LAB 83.28, -63.88, 22.91

 

CMYK 95 / 82 / 0 / 7

HEX #0C2AED

RGB 12 42 237

HSL 232, 0.9%, 0.49%

LAB 33.67, 63.52, -95.42

 

CMYK 0 / 70 / 95 / 7

HEX #ED480C

RGB 237 72 12

HSL 16, 0.9%, 0.49%

LAB 54.73, 61.24, 63.22

 

CMYK 94 / 0 / 31 / 7

HEX #0DECA2

RGB 13 236 162

HSL 160.09, 0.9%, 0.49%

LAB 83.28, -63.88, 22.91

 

CMYK 32 / 95 / 0 / 7

HEX #A20CED

RGB 162 12 237

HSL 280, 0.9%, 0.49%

LAB 44.32, 81.64, -77.4

 

CMYK 0 / 32 / 95 / 7

HEX #EDA20C

RGB 237 162 12

HSL 40, 0.9%, 0.49%

LAB 72.14, 18, 74.65

 

CMYK 94 / 0 / 31 / 7

HEX #0DECA2

RGB 13 236 162

HSL 160.09, 0.9%, 0.49%

LAB 83.28, -63.88, 22.91

 

CMYK 95 / 82 / 0 / 7

HEX #0C2AED

RGB 12 42 237

HSL 232, 0.9%, 0.49%

LAB 33.67, 63.52, -95.42

 

CMYK 0 / 95 / 63 / 7

HEX #ED0C57

RGB 237 12 87

HSL 340, 0.9%, 0.49%

LAB 50.64, 77.13, 22.49

 

CMYK 0 / 13 / 95 / 7

HEX #EDCF0C

RGB 237 207 12

HSL 52, 0.9%, 0.49%

LAB 83.26, -5.46, 82.68

 

CMYK 94 / 0 / 31 / 7

HEX #0DECA2

RGB 13 236 162

HSL 160.09, 0.9%, 0.49%

LAB 83.28, -63.88, 22.91

 

CMYK 79 / 95 / 0 / 7

HEX #310CED

RGB 49 12 237

HSL 249.87, 0.9%, 0.49%

LAB 31.88, 73.6, -98.37

 

CMYK 0 / 95 / 63 / 7

HEX #ED0C57

RGB 237 12 87

HSL 340, 0.9%, 0.49%

LAB 50.64, 77.13, 22.49

 

CMYK 16 / 0 / 95 / 7

HEX #C7ED0C

RGB 199 237 12

HSL 70.13, 0.9%, 0.49%

LAB 88.32, -35.79, 85.2

 

Description

Color code: HEX #0DECA2 | qconv.com Color code: HEX #0DECA2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 236 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 236 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 31 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 31% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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