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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DECC5 it is the complementary color #F2133A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DECC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DECC5 shade: #12ECC0, #23FED3, #34FFE6, #45FFF9 and #56FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DECC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DECC5 shade: #0DECC5, #00DAB2, #00C89F, #00B68C and #00A479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DECC5 shade: #0CEDC6, #0CED89, #0CED4C, #0CED10 and #45ED0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DECC5 shade: #0CEDC6, #0CD8ED, #0C9BED, #0C5EED and #0C22ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DECC5 shade matches the following richer shades: #0CEDC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DECC5 shade: #0CEDC6, #20D9B8, #34C4AB, #49B09E and #5D9C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DECC5 shade: #0CED4C, #0CED88, #0CEDC4, #0CDAED and #0C9EED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DECC5 shade: #089F84, #0AC6A5, #0CEDC6, #2FF4D1 and #56F6DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DECC5 shade: #0DECC5, #100CED and #ED6A0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DECC5 shade: #0DECC5, #C40CED and #EDC40C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DECC5 shade: #0DECC5, #100CED, #ED0C35 and #E9ED0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DECC5 shade: #0DECC5, #530CED, #ED0C35 and #A6ED0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 17 / 7

HEX #0DECC5

RGB 13 236 197

HSL 169.51, 0.9%, 0.49%

LAB 84.02, -55.69, 5.73

 

Complementary color

CMYK 0 / 92 / 76 / 5

HEX #F2133A

RGB 242 19 58

HSL 349.51, 0.9%, 0.51%

LAB 51.44, 76.41, 40.96

 

CMYK 92 / 0 / 19 / 7

HEX #12ECC0

RGB 18 236 192

HSL 167.89, 0.86%, 0.5%

LAB 83.93, -56.78, 8.22

 

CMYK 86 / 0 / 17 / 0

HEX #23FED3

RGB 35 254 211

HSL 168.22, 0.99%, 0.57%

LAB 89.83, -58.3, 6.82

 

CMYK 80 / 0 / 10 / 0

HEX #34FFE6

RGB 52 255 230

HSL 172.61, 1%, 0.6%

LAB 90.76, -52.67, -1.66

 

CMYK 73 / 0 / 2 / 0

HEX #45FFF9

RGB 69 255 249

HSL 178.06, 1%, 0.64%

LAB 91.52, -45.99, -10.37

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 94 / 0 / 17 / 7

HEX #0DECC5

RGB 13 236 197

HSL 169.51, 0.9%, 0.49%

LAB 84.02, -55.69, 5.73

 

CMYK 100 / 0 / 18 / 15

HEX #00DAB2

RGB 0 218 178

HSL 168.99, 1%, 0.43%

LAB 78.09, -53.74, 7.23

 

CMYK 100 / 0 / 21 / 22

HEX #00C89F

RGB 0 200 159

HSL 167.7, 1%, 0.39%

LAB 72.1, -51.42, 8.85

 

CMYK 100 / 0 / 23 / 29

HEX #00B68C

RGB 0 182 140

HSL 166.15, 1%, 0.36%

LAB 66.02, -49.06, 10.55

 

CMYK 100 / 0 / 26 / 36

HEX #00A479

RGB 0 164 121

HSL 164.27, 1%, 0.32%

LAB 59.83, -46.64, 12.32

 

CMYK 95 / 0 / 16 / 7

HEX #0CEDC6

RGB 12 237 198

HSL 169.6, 0.9%, 0.49%

LAB 84.34, -55.86, 5.66

 

CMYK 95 / 0 / 42 / 7

HEX #0CED89

RGB 12 237 137

HSL 153.33, 0.9%, 0.49%

LAB 83.15, -69.17, 35.43

 

CMYK 95 / 0 / 68 / 7

HEX #0CED4C

RGB 12 237 76

HSL 137.07, 0.9%, 0.49%

LAB 82.47, -77.54, 62.14

 

CMYK 95 / 0 / 93 / 7

HEX #0CED10

RGB 12 237 16

HSL 121.07, 0.9%, 0.49%

LAB 82.21, -80.89, 77.34

 

CMYK 71 / 0 / 95 / 7

HEX #45ED0C

RGB 69 237 12

HSL 104.8, 0.9%, 0.49%

LAB 82.84, -75.3, 78.53

 

CMYK 95 / 0 / 16 / 7

HEX #0CEDC6

RGB 12 237 198

HSL 169.6, 0.9%, 0.49%

LAB 84.34, -55.86, 5.66

 

CMYK 95 / 9 / 0 / 7

HEX #0CD8ED

RGB 12 216 237

HSL 185.6, 0.9%, 0.49%

LAB 79.22, -35.74, -22.61

 

CMYK 95 / 35 / 0 / 7

HEX #0C9BED

RGB 12 155 237

HSL 201.87, 0.9%, 0.49%

LAB 61.34, -4.03, -50.39

 

CMYK 95 / 60 / 0 / 7

HEX #0C5EED

RGB 12 94 237

HSL 218.13, 0.9%, 0.49%

LAB 44.52, 33.75, -77.5

 

CMYK 95 / 86 / 0 / 7

HEX #0C22ED

RGB 12 34 237

HSL 234.13, 0.9%, 0.49%

LAB 32.56, 66.82, -97.26

 

CMYK 95 / 0 / 16 / 7

HEX #0CEDC6

RGB 12 237 198

HSL 169.6, 0.9%, 0.49%

LAB 84.34, -55.86, 5.66

 

CMYK 95 / 0 / 16 / 7

HEX #0CEDC6

RGB 12 237 198

HSL 169.6, 0.9%, 0.49%

LAB 84.34, -55.86, 5.66

 

CMYK 85 / 0 / 15 / 15

HEX #20D9B8

RGB 32 217 184

HSL 169.3, 0.74%, 0.49%

LAB 78.11, -50.49, 4.08

 

CMYK 73 / 0 / 13 / 23

HEX #34C4AB

RGB 52 196 171

HSL 169.58, 0.58%, 0.49%

LAB 71.66, -43.14, 1.77

 

CMYK 59 / 0 / 10 / 31

HEX #49B09E

RGB 73 176 158

HSL 169.51, 0.41%, 0.49%

LAB 65.7, -34.18, 0.29

 

CMYK 40 / 0 / 7 / 39

HEX #5D9C91

RGB 93 156 145

HSL 169.52, 0.25%, 0.49%

LAB 60.02, -22.97, -0.62

 

CMYK 95 / 0 / 68 / 7

HEX #0CED4C

RGB 12 237 76

HSL 137.07, 0.9%, 0.49%

LAB 82.47, -77.54, 62.14

 

CMYK 95 / 0 / 43 / 7

HEX #0CED88

RGB 12 237 136

HSL 153.07, 0.9%, 0.49%

LAB 83.14, -69.35, 35.91

 

CMYK 95 / 0 / 17 / 7

HEX #0CEDC4

RGB 12 237 196

HSL 169.07, 0.9%, 0.49%

LAB 84.29, -56.36, 6.64

 

CMYK 95 / 8 / 0 / 7

HEX #0CDAED

RGB 12 218 237

HSL 185.07, 0.9%, 0.49%

LAB 79.8, -36.67, -21.72

 

CMYK 95 / 33 / 0 / 7

HEX #0C9EED

RGB 12 158 237

HSL 201.07, 0.9%, 0.49%

LAB 62.21, -5.74, -49.01

 

CMYK 95 / 0 / 17 / 38

HEX #089F84

RGB 8 159 132

HSL 169.27, 0.9%, 0.33%

LAB 58.52, -41.37, 4.3

 

CMYK 95 / 0 / 17 / 22

HEX #0AC6A5

RGB 10 198 165

HSL 169.47, 0.9%, 0.41%

LAB 71.67, -48.75, 4.99

 

CMYK 95 / 0 / 16 / 7

HEX #0CEDC6

RGB 12 237 198

HSL 169.6, 0.9%, 0.49%

LAB 84.34, -55.86, 5.66

 

CMYK 81 / 0 / 14 / 4

HEX #2FF4D1

RGB 47 244 209

HSL 169.34, 0.9%, 0.57%

LAB 86.95, -53.97, 3.71

 

CMYK 65 / 0 / 11 / 4

HEX #56F6DA

RGB 86 246 218

HSL 169.5, 0.9%, 0.65%

LAB 88.42, -47.97, 1.24

 

CMYK 94 / 0 / 17 / 7

HEX #0DECC5

RGB 13 236 197

HSL 169.51, 0.9%, 0.49%

LAB 84.02, -55.69, 5.73

 

CMYK 93 / 95 / 0 / 7

HEX #100CED

RGB 16 12 237

HSL 241.07, 0.9%, 0.49%

LAB 30.61, 73.03, -100.52

 

CMYK 0 / 55 / 95 / 7

HEX #ED6A0C

RGB 237 106 12

HSL 25.07, 0.9%, 0.49%

LAB 60.19, 46.73, 66.58

 

CMYK 94 / 0 / 17 / 7

HEX #0DECC5

RGB 13 236 197

HSL 169.51, 0.9%, 0.49%

LAB 84.02, -55.69, 5.73

 

CMYK 17 / 95 / 0 / 7

HEX #C40CED

RGB 196 12 237

HSL 289.07, 0.9%, 0.49%

LAB 49.63, 86.03, -68.51

 

CMYK 0 / 17 / 95 / 7

HEX #EDC40C

RGB 237 196 12

HSL 49.07, 0.9%, 0.49%

LAB 80.47, 0.17, 80.63

 

CMYK 94 / 0 / 17 / 7

HEX #0DECC5

RGB 13 236 197

HSL 169.51, 0.9%, 0.49%

LAB 84.02, -55.69, 5.73

 

CMYK 93 / 95 / 0 / 7

HEX #100CED

RGB 16 12 237

HSL 241.07, 0.9%, 0.49%

LAB 30.61, 73.03, -100.52

 

CMYK 0 / 95 / 78 / 7

HEX #ED0C35

RGB 237 12 53

HSL 349.07, 0.9%, 0.49%

LAB 50.13, 75.73, 42.1

 

CMYK 2 / 0 / 95 / 7

HEX #E9ED0C

RGB 233 237 12

HSL 61.07, 0.9%, 0.49%

LAB 90.74, -21.96, 88.11

 

CMYK 94 / 0 / 17 / 7

HEX #0DECC5

RGB 13 236 197

HSL 169.51, 0.9%, 0.49%

LAB 84.02, -55.69, 5.73

 

CMYK 65 / 95 / 0 / 7

HEX #530CED

RGB 83 12 237

HSL 258.93, 0.9%, 0.49%

LAB 34.43, 74.91, -94.05

 

CMYK 0 / 95 / 78 / 7

HEX #ED0C35

RGB 237 12 53

HSL 349.07, 0.9%, 0.49%

LAB 50.13, 75.73, 42.1

 

CMYK 30 / 0 / 95 / 7

HEX #A6ED0C

RGB 166 237 12

HSL 78.93, 0.9%, 0.49%

LAB 86.36, -48.41, 82.82

 

Description

Color code: HEX #0DECC5 | qconv.com Color code: HEX #0DECC5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 236 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 236 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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