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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DF0B4 it is the complementary color #F20F4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DF0B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DF0B4 shade: #12F0AF, #23FFC2, #34FFD5, #45FFE8 and #56FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DF0B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DF0B4 shade: #0DF0B4, #00DEA1, #00CC8E, #00BA7B and #00A868

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DF0B4 shade: #0CF2B5, #0CF277, #0CF239, #1DF20C and #5BF20C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DF0B4 shade: #0CF2B5, #0CF1F2, #0CB3F2, #0C75F2 and #0C37F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DF0B4 shade matches the following richer shades: #0CF2B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DF0B4 shade: #0CF2B5, #21DDAB, #36C8A2, #4AB498 and #5F9F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DF0B4 shade: #0CF23A, #0CF277, #0CF2B5, #0CF2F2 and #0CB5F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DF0B4 shade: #08A37A, #0ACB98, #0CF2B5, #33F4C1 and #5BF6CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DF0B4 shade: #0DF0B4, #0C1CF2 and #F2590C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DF0B4 shade: #0DF0B4, #B50CF2 and #F2B50C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DF0B4 shade: #0DF0B4, #0C1CF2, #F20C49 and #F2E20C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DF0B4 shade: #0DF0B4, #420CF2, #F20C49 and #BCF20C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 25 / 6

HEX #0DF0B4

RGB 13 240 180

HSL 164.14, 0.9%, 0.5%

LAB 84.84, -61.34, 15.78

 

Complementary color

CMYK 0 / 94 / 69 / 5

HEX #F20F4B

RGB 242 15 75

HSL 344.14, 0.9%, 0.5%

LAB 51.53, 77.47, 31.09

 

CMYK 93 / 0 / 27 / 6

HEX #12F0AF

RGB 18 240 175

HSL 162.43, 0.88%, 0.51%

LAB 84.76, -62.31, 18.26

 

CMYK 86 / 0 / 24 / 0

HEX #23FFC2

RGB 35 255 194

HSL 163.36, 1%, 0.57%

LAB 89.75, -62.73, 15.47

 

CMYK 80 / 0 / 16 / 0

HEX #34FFD5

RGB 52 255 213

HSL 167.59, 1%, 0.6%

LAB 90.35, -56.96, 6.54

 

CMYK 73 / 0 / 9 / 0

HEX #45FFE8

RGB 69 255 232

HSL 172.58, 1%, 0.64%

LAB 91.06, -50.49, -2.23

 

CMYK 66 / 0 / 2 / 0

HEX #56FFFB

RGB 86 255 251

HSL 178.58, 1%, 0.67%

LAB 91.89, -43.38, -10.81

 

CMYK 95 / 0 / 25 / 6

HEX #0DF0B4

RGB 13 240 180

HSL 164.14, 0.9%, 0.5%

LAB 84.84, -61.34, 15.78

 

CMYK 100 / 0 / 27 / 13

HEX #00DEA1

RGB 0 222 161

HSL 163.51, 1%, 0.44%

LAB 78.94, -59.37, 17.42

 

CMYK 100 / 0 / 30 / 20

HEX #00CC8E

RGB 0 204 142

HSL 161.76, 1%, 0.4%

LAB 72.98, -57.01, 19.2

 

CMYK 100 / 0 / 34 / 27

HEX #00BA7B

RGB 0 186 123

HSL 159.68, 1%, 0.36%

LAB 66.94, -54.57, 21.05

 

CMYK 100 / 0 / 38 / 34

HEX #00A868

RGB 0 168 104

HSL 157.14, 1%, 0.33%

LAB 60.79, -52.04, 22.98

 

CMYK 95 / 0 / 25 / 5

HEX #0CF2B5

RGB 12 242 181

HSL 164.09, 0.91%, 0.5%

LAB 85.46, -61.88, 16.13

 

CMYK 95 / 0 / 51 / 5

HEX #0CF277

RGB 12 242 119

HSL 147.91, 0.91%, 0.5%

LAB 84.44, -73.75, 45.8

 

CMYK 95 / 0 / 76 / 5

HEX #0CF239

RGB 12 242 57

HSL 131.74, 0.91%, 0.5%

LAB 83.9, -80.47, 70.16

 

CMYK 88 / 0 / 95 / 5

HEX #1DF20C

RGB 29 242 12

HSL 115.57, 0.91%, 0.5%

LAB 83.86, -81.41, 79.14

 

CMYK 62 / 0 / 95 / 5

HEX #5BF20C

RGB 91 242 12

HSL 99.39, 0.91%, 0.5%

LAB 84.87, -72.58, 80.39

 

CMYK 95 / 0 / 25 / 5

HEX #0CF2B5

RGB 12 242 181

HSL 164.09, 0.91%, 0.5%

LAB 85.46, -61.88, 16.13

 

CMYK 95 / 0 / 0 / 5

HEX #0CF1F2

RGB 12 241 242

HSL 180.26, 0.91%, 0.5%

LAB 86.7, -45.52, -13.96

 

CMYK 95 / 26 / 0 / 5

HEX #0CB3F2

RGB 12 179 242

HSL 196.43, 0.91%, 0.5%

LAB 68.55, -15.55, -41.76

 

CMYK 95 / 52 / 0 / 5

HEX #0C75F2

RGB 12 117 242

HSL 212.61, 0.91%, 0.5%

LAB 50.93, 20.98, -69.85

 

CMYK 95 / 77 / 0 / 5

HEX #0C37F2

RGB 12 55 242

HSL 228.78, 0.91%, 0.5%

LAB 36.41, 58.8, -93.7

 

CMYK 95 / 0 / 25 / 5

HEX #0CF2B5

RGB 12 242 181

HSL 164.09, 0.91%, 0.5%

LAB 85.46, -61.88, 16.13

 

CMYK 95 / 0 / 25 / 5

HEX #0CF2B5

RGB 12 242 181

HSL 164.09, 0.91%, 0.5%

LAB 85.46, -61.88, 16.13

 

CMYK 85 / 0 / 23 / 13

HEX #21DDAB

RGB 33 221 171

HSL 164.04, 0.74%, 0.5%

LAB 79.03, -55.24, 12.31

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A2

RGB 54 200 162

HSL 164.38, 0.57%, 0.5%

LAB 72.69, -46.87, 8.15

 

CMYK 59 / 0 / 16 / 29

HEX #4AB498

RGB 74 180 152

HSL 164.15, 0.42%, 0.5%

LAB 66.8, -37.33, 5.21

 

CMYK 40 / 0 / 11 / 38

HEX #5F9F8E

RGB 95 159 142

HSL 164.06, 0.25%, 0.5%

LAB 60.94, -24.65, 2.42

 

CMYK 95 / 0 / 76 / 5

HEX #0CF23A

RGB 12 242 58

HSL 132, 0.91%, 0.5%

LAB 83.91, -80.4, 69.86

 

CMYK 95 / 0 / 51 / 5

HEX #0CF277

RGB 12 242 119

HSL 147.91, 0.91%, 0.5%

LAB 84.44, -73.75, 45.8

 

CMYK 95 / 0 / 25 / 5

HEX #0CF2B5

RGB 12 242 181

HSL 164.09, 0.91%, 0.5%

LAB 85.46, -61.88, 16.13

 

CMYK 95 / 0 / 0 / 5

HEX #0CF2F2

RGB 12 242 242

HSL 180, 0.91%, 0.5%

LAB 86.99, -45.96, -13.53

 

CMYK 95 / 25 / 0 / 5

HEX #0CB5F2

RGB 12 181 242

HSL 195.91, 0.91%, 0.5%

LAB 69.14, -16.61, -40.85

 

CMYK 95 / 0 / 25 / 36

HEX #08A37A

RGB 8 163 122

HSL 164.13, 0.91%, 0.34%

LAB 59.57, -45.64, 11.41

 

CMYK 95 / 0 / 25 / 20

HEX #0ACB98

RGB 10 203 152

HSL 164.15, 0.91%, 0.42%

LAB 72.92, -53.99, 13.78

 

CMYK 95 / 0 / 25 / 5

HEX #0CF2B5

RGB 12 242 181

HSL 164.09, 0.91%, 0.5%

LAB 85.46, -61.88, 16.13

 

CMYK 79 / 0 / 21 / 4

HEX #33F4C1

RGB 51 244 193

HSL 164.15, 0.9%, 0.58%

LAB 86.63, -57.52, 11.59

 

CMYK 63 / 0 / 17 / 4

HEX #5BF6CD

RGB 91 246 205

HSL 164.13, 0.9%, 0.66%

LAB 88.23, -50.29, 7.74

 

CMYK 95 / 0 / 25 / 6

HEX #0DF0B4

RGB 13 240 180

HSL 164.14, 0.9%, 0.5%

LAB 84.84, -61.34, 15.78

 

CMYK 95 / 88 / 0 / 5

HEX #0C1CF2

RGB 12 28 242

HSL 235.83, 0.91%, 0.5%

LAB 32.52, 70.3, -100.16

 

CMYK 0 / 63 / 95 / 5

HEX #F2590C

RGB 242 89 12

HSL 20.09, 0.91%, 0.5%

LAB 58.08, 56.17, 65.66

 

CMYK 95 / 0 / 25 / 6

HEX #0DF0B4

RGB 13 240 180

HSL 164.14, 0.9%, 0.5%

LAB 84.84, -61.34, 15.78

 

CMYK 25 / 95 / 0 / 5

HEX #B50CF2

RGB 181 12 242

HSL 284.09, 0.91%, 0.5%

LAB 47.62, 84.89, -74.7

 

CMYK 0 / 25 / 95 / 5

HEX #F2B50C

RGB 242 181 12

HSL 44.09, 0.91%, 0.5%

LAB 77.25, 10.13, 78.54

 

CMYK 95 / 0 / 25 / 6

HEX #0DF0B4

RGB 13 240 180

HSL 164.14, 0.9%, 0.5%

LAB 84.84, -61.34, 15.78

 

CMYK 95 / 88 / 0 / 5

HEX #0C1CF2

RGB 12 28 242

HSL 235.83, 0.91%, 0.5%

LAB 32.52, 70.3, -100.16

 

CMYK 0 / 95 / 70 / 5

HEX #F20C49

RGB 242 12 73

HSL 344.09, 0.91%, 0.5%

LAB 51.41, 77.64, 32.14

 

CMYK 0 / 7 / 95 / 5

HEX #F2E20C

RGB 242 226 12

HSL 55.83, 0.91%, 0.5%

LAB 88.59, -12.84, 86.82

 

CMYK 95 / 0 / 25 / 6

HEX #0DF0B4

RGB 13 240 180

HSL 164.14, 0.9%, 0.5%

LAB 84.84, -61.34, 15.78

 

CMYK 73 / 95 / 0 / 5

HEX #420CF2

RGB 66 12 242

HSL 254.09, 0.91%, 0.5%

LAB 33.63, 75.35, -98.26

 

CMYK 0 / 95 / 70 / 5

HEX #F20C49

RGB 242 12 73

HSL 344.09, 0.91%, 0.5%

LAB 51.41, 77.64, 32.14

 

CMYK 22 / 0 / 95 / 5

HEX #BCF20C

RGB 188 242 12

HSL 74.09, 0.91%, 0.5%

LAB 89.03, -42.31, 85.45

 

Description

Color code: HEX #0DF0B4 | qconv.com Color code: HEX #0DF0B4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 240 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 240 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 25 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 25% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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