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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E137B it is the complementary color #F1EC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E137B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E137B shade: #131376, #242589, #35379C, #4649AF and #575BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E137B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E137B shade: #0E137B, #000168, #000055, #000042 and #00002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E137B shade: #0D127B, #260D7B, #440D7B, #610D7B and #7B0D78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E137B shade: #0D127B and #0D0D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E137B shade matches the following richer shades: #0D127B and #020887

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E137B shade: #0D127B, #181C70, #242765, #2F315A and #3A3B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E137B shade: #0D4E7B, #0D307B, #0D137B, #250D7B and #430D7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E137B shade: #050731, #090D56, #0D127B, #1118A1 and #161EC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E137B shade: #0E137B, #7B0D6B and #3F7B0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E137B shade: #0E137B, #7B0D13 and #137B0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E137B shade: #0E137B, #7B0D6B, #7B760D and #0D7B1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E137B shade: #0E137B, #7B0D4A, #7B760D and #0D7B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 85 / 0 / 52

HEX #0E137B

RGB 14 19 123

HSL 237.25, 0.8%, 0.27%

LAB 15.43, 38.28, -57.4

 

Complementary color

CMYK 0 / 2 / 45 / 5

HEX #F1EC84

RGB 241 236 132

HSL 57.25, 0.8%, 0.73%

LAB 91.85, -12.38, 50.75

 

CMYK 84 / 84 / 0 / 54

HEX #131376

RGB 19 19 118

HSL 240, 0.72%, 0.27%

LAB 15.02, 36.84, -54.86

 

CMYK 74 / 73 / 0 / 46

HEX #242589

RGB 36 37 137

HSL 239.41, 0.58%, 0.34%

LAB 21.96, 34.4, -55.42

 

CMYK 66 / 65 / 0 / 39

HEX #35379C

RGB 53 55 156

HSL 238.83, 0.49%, 0.41%

LAB 29.13, 31.96, -55.33

 

CMYK 60 / 58 / 0 / 31

HEX #4649AF

RGB 70 73 175

HSL 238.29, 0.43%, 0.48%

LAB 36.29, 29.85, -55.03

 

CMYK 55 / 53 / 0 / 24

HEX #575BC2

RGB 87 91 194

HSL 237.76, 0.47%, 0.55%

LAB 43.36, 28.07, -54.68

 

CMYK 89 / 85 / 0 / 52

HEX #0E137B

RGB 14 19 123

HSL 237.25, 0.8%, 0.27%

LAB 15.43, 38.28, -57.4

 

CMYK 100 / 99 / 0 / 59

HEX #000168

RGB 0 1 104

HSL 239.42, 1%, 0.2%

LAB 9.17, 40.41, -55.5

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 89 / 85 / 0 / 52

HEX #0D127B

RGB 13 18 123

HSL 237.27, 0.81%, 0.27%

LAB 15.21, 38.76, -57.76

 

CMYK 69 / 89 / 0 / 52

HEX #260D7B

RGB 38 13 123

HSL 253.64, 0.81%, 0.27%

LAB 16.16, 42.53, -56.15

 

CMYK 45 / 89 / 0 / 52

HEX #440D7B

RGB 68 13 123

HSL 270, 0.81%, 0.27%

LAB 19.83, 45.78, -49.96

 

CMYK 21 / 89 / 0 / 52

HEX #610D7B

RGB 97 13 123

HSL 285.82, 0.81%, 0.27%

LAB 24.51, 50.28, -42.12

 

CMYK 0 / 89 / 2 / 52

HEX #7B0D78

RGB 123 13 120

HSL 301.64, 0.81%, 0.27%

LAB 29.04, 54.59, -32.68

 

CMYK 89 / 85 / 0 / 52

HEX #0D127B

RGB 13 18 123

HSL 237.27, 0.81%, 0.27%

LAB 15.21, 38.76, -57.76

 

CMYK 89 / 89 / 0 / 52

HEX #0D0D7B

RGB 13 13 123

HSL 240, 0.81%, 0.27%

LAB 14.42, 41.11, -59.08

 

CMYK 89 / 85 / 0 / 52

HEX #0D127B

RGB 13 18 123

HSL 237.27, 0.81%, 0.27%

LAB 15.21, 38.76, -57.76

 

CMYK 99 / 94 / 0 / 47

HEX #020887

RGB 2 8 135

HSL 237.29, 0.97%, 0.27%

LAB 15.15, 46.43, -65.51

 

CMYK 89 / 85 / 0 / 52

HEX #0D127B

RGB 13 18 123

HSL 237.27, 0.81%, 0.27%

LAB 15.21, 38.76, -57.76

 

CMYK 79 / 75 / 0 / 56

HEX #181C70

RGB 24 28 112

HSL 237.27, 0.65%, 0.27%

LAB 16.48, 29.72, -48.56

 

CMYK 64 / 61 / 0 / 60

HEX #242765

RGB 36 39 101

HSL 237.23, 0.47%, 0.27%

LAB 19.08, 19.79, -37.1

 

CMYK 48 / 46 / 0 / 65

HEX #2F315A

RGB 47 49 90

HSL 237.21, 0.31%, 0.27%

LAB 22.09, 11.42, -24.99

 

CMYK 27 / 25 / 0 / 69

HEX #3A3B4F

RGB 58 59 79

HSL 237.14, 0.15%, 0.27%

LAB 25.54, 4.74, -12.27

 

CMYK 89 / 37 / 0 / 52

HEX #0D4E7B

RGB 13 78 123

HSL 204.55, 0.81%, 0.27%

LAB 31.73, -1.61, -30.91

 

CMYK 89 / 61 / 0 / 52

HEX #0D307B

RGB 13 48 123

HSL 220.91, 0.81%, 0.27%

LAB 22.41, 19.24, -45.91

 

CMYK 89 / 85 / 0 / 52

HEX #0D137B

RGB 13 19 123

HSL 236.73, 0.81%, 0.27%

LAB 15.39, 38.24, -57.47

 

CMYK 70 / 89 / 0 / 52

HEX #250D7B

RGB 37 13 123

HSL 253.09, 0.81%, 0.27%

LAB 16.06, 42.45, -56.31

 

CMYK 46 / 89 / 0 / 52

HEX #430D7B

RGB 67 13 123

HSL 269.45, 0.81%, 0.27%

LAB 19.68, 45.65, -50.2

 

CMYK 90 / 86 / 0 / 81

HEX #050731

RGB 5 7 49

HSL 237.27, 0.81%, 0.11%

LAB 3.67, 12.58, -26.14

 

CMYK 90 / 85 / 0 / 66

HEX #090D56

RGB 9 13 86

HSL 236.88, 0.81%, 0.19%

LAB 9.14, 28.2, -43.45

 

CMYK 89 / 85 / 0 / 52

HEX #0D127B

RGB 13 18 123

HSL 237.27, 0.81%, 0.27%

LAB 15.21, 38.76, -57.76

 

CMYK 89 / 85 / 0 / 37

HEX #1118A1

RGB 17 24 161

HSL 237.08, 0.81%, 0.35%

LAB 21.38, 48.38, -71.24

 

CMYK 89 / 85 / 0 / 22

HEX #161EC6

RGB 22 30 198

HSL 237.27, 0.8%, 0.43%

LAB 27.23, 57.23, -83.62

 

CMYK 89 / 85 / 0 / 52

HEX #0E137B

RGB 14 19 123

HSL 237.25, 0.8%, 0.27%

LAB 15.43, 38.28, -57.4

 

CMYK 0 / 89 / 13 / 52

HEX #7B0D6B

RGB 123 13 107

HSL 308.73, 0.81%, 0.27%

LAB 28.27, 52.57, -25.57

 

CMYK 49 / 0 / 89 / 52

HEX #3F7B0D

RGB 63 123 13

HSL 92.73, 0.81%, 0.27%

LAB 45.98, -37.52, 47.55

 

CMYK 89 / 85 / 0 / 52

HEX #0E137B

RGB 14 19 123

HSL 237.25, 0.8%, 0.27%

LAB 15.43, 38.28, -57.4

 

CMYK 0 / 89 / 85 / 52

HEX #7B0D13

RGB 123 13 19

HSL 356.73, 0.81%, 0.27%

LAB 25.4, 44.53, 28.82

 

CMYK 85 / 0 / 89 / 52

HEX #137B0D

RGB 19 123 13

HSL 116.73, 0.81%, 0.27%

LAB 44.71, -47.94, 45.94

 

CMYK 89 / 85 / 0 / 52

HEX #0E137B

RGB 14 19 123

HSL 237.25, 0.8%, 0.27%

LAB 15.43, 38.28, -57.4

 

CMYK 0 / 89 / 13 / 52

HEX #7B0D6B

RGB 123 13 107

HSL 308.73, 0.81%, 0.27%

LAB 28.27, 52.57, -25.57

 

CMYK 0 / 4 / 89 / 52

HEX #7B760D

RGB 123 118 13

HSL 57.27, 0.81%, 0.27%

LAB 48.51, -9.54, 51.33

 

CMYK 89 / 0 / 76 / 52

HEX #0D7B1E

RGB 13 123 30

HSL 129.27, 0.81%, 0.27%

LAB 44.72, -47.44, 40.49

 

CMYK 89 / 85 / 0 / 52

HEX #0E137B

RGB 14 19 123

HSL 237.25, 0.8%, 0.27%

LAB 15.43, 38.28, -57.4

 

CMYK 0 / 89 / 40 / 52

HEX #7B0D4A

RGB 123 13 74

HSL 326.73, 0.81%, 0.27%

LAB 26.72, 48.32, -6.24

 

CMYK 0 / 4 / 89 / 52

HEX #7B760D

RGB 123 118 13

HSL 57.27, 0.81%, 0.27%

LAB 48.51, -9.54, 51.33

 

CMYK 89 / 0 / 49 / 52

HEX #0D7B3F

RGB 13 123 63

HSL 147.27, 0.81%, 0.27%

LAB 45.1, -42.9, 24.86

 

Description

Color code: HEX #0E137B | qconv.com Color code: HEX #0E137B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 19 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 19 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 85 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 85% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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