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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E2ECD it is the complementary color #F1D132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E2ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E2ECD shade: #132EC8, #2440DB, #3552EE, #4664FF and #5776FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E2ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E2ECD shade: #0E2ECD, #001CBA, #000AA7, #000094 and #000081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E2ECD shade: #0E2ECD, #210ECD, #550ECD, #880ECD and #BC0ECD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E2ECD shade: #0E2ECD and #0E0ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E2ECD shade matches the following richer shades: #0E2ECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E2ECD shade: #0E2ECD, #1F3ABB, #3145A9, #435197 and #555D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E2ECD shade: #0E96CD, #0E64CD, #0E31CD, #1E0ECD and #510ECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E2ECD shade: #081C7F, #0B25A6, #0E2ECD, #153AEE and #3C5AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E2ECD shade: #0E2ECD, #CD0EC9 and #7DCD0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E2ECD shade: #0E2ECD, #CD0E31 and #31CD0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E2ECD shade: #0E2ECD, #CD0EC9, #CDAA0E and #0ECD11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E2ECD shade: #0E2ECD, #CD0E90, #CDAA0E and #0ECD4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

Complementary color

CMYK 0 / 13 / 79 / 5

HEX #F1D132

RGB 241 209 50

HSL 49.95, 0.87%, 0.57%

LAB 84.24, -3.99, 76.07

 

CMYK 91 / 77 / 0 / 22

HEX #132EC8

RGB 19 46 200

HSL 231.05, 0.83%, 0.43%

LAB 30.07, 49.96, -80.09

 

CMYK 84 / 71 / 0 / 14

HEX #2440DB

RGB 36 64 219

HSL 230.82, 0.72%, 0.5%

LAB 36.28, 46.91, -80.79

 

CMYK 78 / 66 / 0 / 7

HEX #3552EE

RGB 53 82 238

HSL 230.59, 0.84%, 0.57%

LAB 42.71, 43.93, -80.99

 

CMYK 73 / 61 / 0 / 0

HEX #4664FF

RGB 70 100 255

HSL 230.27, 1%, 0.64%

LAB 49.05, 40.53, -80.08

 

CMYK 66 / 54 / 0 / 0

HEX #5776FF

RGB 87 118 255

HSL 228.93, 1%, 0.67%

LAB 54.24, 31.73, -71.6

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 100 / 85 / 0 / 27

HEX #001CBA

RGB 0 28 186

HSL 230.97, 1%, 0.36%

LAB 24.88, 54.03, -80.47

 

CMYK 100 / 94 / 0 / 35

HEX #000AA7

RGB 0 10 167

HSL 236.41, 1%, 0.33%

LAB 20.07, 54.93, -77.08

 

CMYK 100 / 100 / 0 / 42

HEX #000094

RGB 0 0 148

HSL 240, 1%, 0.29%

LAB 16.2, 52.79, -71.9

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129

HSL 240, 1%, 0.25%

LAB 13.14, 47.78, -65.07

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 84 / 93 / 0 / 20

HEX #210ECD

RGB 33 14 205

HSL 245.97, 0.87%, 0.43%

LAB 26.86, 64.7, -88.33

 

CMYK 59 / 93 / 0 / 20

HEX #550ECD

RGB 85 14 205

HSL 262.3, 0.87%, 0.43%

LAB 31, 67.13, -81.32

 

CMYK 34 / 93 / 0 / 20

HEX #880ECD

RGB 136 14 205

HSL 278.32, 0.87%, 0.43%

LAB 37.76, 72.11, -69.95

 

CMYK 8 / 93 / 0 / 20

HEX #BC0ECD

RGB 188 14 205

HSL 294.66, 0.87%, 0.43%

LAB 46.2, 79.45, -55.87

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 93 / 93 / 0 / 20

HEX #0E0ECD

RGB 14 14 205

HSL 240, 0.87%, 0.43%

LAB 26.2, 64.37, -89.45

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 83 / 69 / 0 / 27

HEX #1F3ABB

RGB 31 58 187

HSL 229.62, 0.72%, 0.43%

LAB 31.59, 38.88, -69.91

 

CMYK 71 / 59 / 0 / 34

HEX #3145A9

RGB 49 69 169

HSL 230, 0.55%, 0.43%

LAB 33.51, 26.95, -56.04

 

CMYK 56 / 46 / 0 / 41

HEX #435197

RGB 67 81 151

HSL 230, 0.39%, 0.43%

LAB 36.58, 15.86, -40.21

 

CMYK 37 / 31 / 0 / 47

HEX #555D86

RGB 85 93 134

HSL 230.2, 0.22%, 0.43%

LAB 40.38, 7.57, -23.84

 

CMYK 93 / 27 / 0 / 20

HEX #0E96CD

RGB 14 150 205

HSL 197.28, 0.87%, 0.43%

LAB 58.33, -12.91, -37.32

 

CMYK 93 / 51 / 0 / 20

HEX #0E64CD

RGB 14 100 205

HSL 212.98, 0.87%, 0.43%

LAB 43.68, 17.45, -60.67

 

CMYK 93 / 76 / 0 / 20

HEX #0E31CD

RGB 14 49 205

HSL 229.01, 0.87%, 0.43%

LAB 31.11, 49.84, -81.28

 

CMYK 85 / 93 / 0 / 20

HEX #1E0ECD

RGB 30 14 205

HSL 245.03, 0.87%, 0.43%

LAB 26.73, 64.63, -88.55

 

CMYK 60 / 93 / 0 / 20

HEX #510ECD

RGB 81 14 205

HSL 261.05, 0.87%, 0.43%

LAB 30.57, 66.85, -82.05

 

CMYK 94 / 78 / 0 / 50

HEX #081C7F

RGB 8 28 127

HSL 229.92, 0.88%, 0.26%

LAB 17.53, 34.28, -56.48

 

CMYK 93 / 78 / 0 / 35

HEX #0B25A6

RGB 11 37 166

HSL 229.94, 0.88%, 0.35%

LAB 24.15, 43.11, -69.67

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 91 / 76 / 0 / 7

HEX #153AEE

RGB 21 58 238

HSL 229.77, 0.86%, 0.51%

LAB 36.67, 56.11, -91

 

CMYK 75 / 63 / 0 / 5

HEX #3C5AF1

RGB 60 90 241

HSL 230.06, 0.87%, 0.59%

LAB 45.11, 40.74, -78.72

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 0 / 93 / 2 / 20

HEX #CD0EC9

RGB 205 14 201

HSL 301.26, 0.87%, 0.43%

LAB 48.9, 81.62, -49.06

 

CMYK 39 / 0 / 93 / 20

HEX #7DCD0E

RGB 125 205 14

HSL 85.13, 0.87%, 0.43%

LAB 74.86, -49.82, 72.57

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 0 / 93 / 76 / 20

HEX #CD0E31

RGB 205 14 49

HSL 349.01, 0.87%, 0.43%

LAB 43.53, 67.52, 35.33

 

CMYK 76 / 0 / 93 / 20

HEX #31CD0E

RGB 49 205 14

HSL 109.01, 0.87%, 0.43%

LAB 72.46, -68.92, 69.62

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 0 / 93 / 2 / 20

HEX #CD0EC9

RGB 205 14 201

HSL 301.26, 0.87%, 0.43%

LAB 48.9, 81.62, -49.06

 

CMYK 0 / 17 / 93 / 20

HEX #CDAA0E

RGB 205 170 14

HSL 49.01, 0.87%, 0.43%

LAB 70.71, -0.19, 71.78

 

CMYK 93 / 0 / 92 / 20

HEX #0ECD11

RGB 14 205 17

HSL 120.94, 0.87%, 0.43%

LAB 72.09, -72.19, 68.75

 

CMYK 93 / 78 / 0 / 20

HEX #0E2ECD

RGB 14 46 205

HSL 229.95, 0.87%, 0.43%

LAB 30.53, 51.49, -82.23

 

CMYK 0 / 93 / 30 / 20

HEX #CD0E90

RGB 205 14 144

HSL 319.16, 0.87%, 0.43%

LAB 46.05, 74.35, -19.8

 

CMYK 0 / 17 / 93 / 20

HEX #CDAA0E

RGB 205 170 14

HSL 49.01, 0.87%, 0.43%

LAB 70.71, -0.19, 71.78

 

CMYK 93 / 0 / 64 / 20

HEX #0ECD4A

RGB 14 205 74

HSL 138.85, 0.87%, 0.43%

LAB 72.4, -68.32, 51.96

 

Description

Color code: HEX #0E2ECD | qconv.com Color code: HEX #0E2ECD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 46 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 46 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 78 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 78% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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